312:. The society's very first exhibit, Modern Painting from Cincinnati Collections, opened in December of the same year. In 1954 the Modern Art Society adopted its current name, the Contemporary Arts Center. The name change coincided with the creation of two permanent galleries that were remodeled from part of the museum's lower level. These two spaces, designed by Carl Strauss and Ray Roush, consisted of about 900 square feet (84 m) each and featured movable wooden wall covers. Many local Cincinnati collections were shown in this space, including works now kept at the
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346:. Later, as the idea of constructing an entirely new building became possible, the CAC focused on the site at Sixth and Walnut. By 1997 the center’s Architectural Selection Committee was publicly seeking architects to design the CAC's first-free standing building. The search narrowed 97 statements of qualification to twelve semi finalists:
339:. The CAC’s space covered about 12,000 square feet (1,100 m) and overlooked the new bus terminal in downtown Cincinnati. Despite early financial troubles in 1971, the CAC was able to put on over 400 exhibitions during its 30-year stay on Government Square. A permanent lease for the location was acquired in 1982 through a city bond.
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institutions in the United States. The CAC is a non-collecting museum that focuses on new developments in painting, sculpture, photography, architecture, performance art and new media. Focusing on programming that reflects "the art of the last five minutes", the CAC has displayed the works of many
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The building's footprint is 11,000 square feet (1,000 m), with a total area of 80,000 square feet (7,400 m) on seven floors. The project cost $ 34 million, with design features including "Urban Carpet", "Jigsaw Puzzle", and "Skin/Sculpture".
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The
Contemporary Arts Center was founded as the Modern Art Society in 1939 by Betty Pollak Rauh, Peggy Frank Crawford and Rita Rentschler Cushman. These three women were able to raise enough money through donations to display modern art at the
331:. In 1964 the center occupied the fourth floor of the Women’s Exchange building at 113 West Fourth street where it remained for six years. After two years on Fourth street the center announced that it had plans to move to the
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poses and were the basis of charges that the museum and its director had pandered obscenity. Much of the dispute over the
Mapplethorpe photographs centered on whether federal money should be used to finance them, through the
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location on Fifth Street. It remained there after the CAC moved to Walnut Street, until it went into storage in 2009. In 2014, it was reinstalled in front of the Walnut Street location.
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and invited New
Zealand architects and design professionals to submit entries for a New Zealand collection. The domestic competition was entitled "Formica Formations".
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replaced the original space of the CAC. As a result of the museum’s need to expand, the center moved out in 1962 and temporarily inhabited various locations at the
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Early proposals for a new home began at the end of the 1980s and included possible locations at the Ohio
Mechanics Institute (currently the Emery Center) and the
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505:. In the first criminal trial of an art museum over the contents of an exhibition, the case centered on seven out of 175 photographs in an exhibition (
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390:. One year later the board granted the commission to Zaha Hadid. Construction began in 2001 and the new building opened on May 31, 2003.
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In March 2008, the
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as "the most important
American building to be completed since the cold war," the project was the brainchild of Director
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for the Arts in downtown
Cincinnati's cultural and entertainment area known as the Backstage District.
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44 East 6th Street (Corner of 6th & Walnut), Cincinnati, OH 45202 Across Walnut Street from the
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designer Graham
Roebeck of Structural Integrity Ltd won the Professional category and Auckland
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on Fifth street, which opened in 1970. The new building cost $ 400,000 and was designed by
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In 1990, a
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Fine Arts
Division sold eight pieces and one concept at auction raising $ 425,000.
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This article is about the museum in Cincinnati. For the museum in New Orleans, see
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In March 2011 the Laminex Group brought the collection to New Zealand for the
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In 2003, the CAC moved to its first free-standing home which was designed by
553:. The CAC chose to honor two of its major donors by naming the building the
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Cincinnati Jury Acquits Museum In Mapplethorpe Obscenity Case
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2005 American Architecture Award from The Chicago Athenaeum
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Felix Winternitz & Sacha DeVroomen Bellman (2007).
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Buzz Yudell, Moore Ruble Yudell Architects and Planners
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Lois and Richard Rosenthal Center for Contemporary Art
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now-famous artists early in their careers, including
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student Norman Lin, the emerging designer category.
561:was Zaha Hadid's first American project. Hailed by
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756:"ART/ARCHITECTURE; Zaha Hadid's Urban Mothership"
832:Contemporary art galleries in the United States
458:Jaime Velez, Skidmore, Owings and Merrill, LLP
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408:on permanent exhibition in front of its
852:Modern art museums in the United States
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319:Construction on the Emery Wing at the
316:from the Mary E. Johnston collection.
29:Contemporary Arts Center (New Orleans)
597:Royal Institute of British Architects
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418:Participating architects included:
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437:, Zaha Hadid Architects
479:Auckland Arts Festival
352:Herzog & de Meuron
847:Museums in Cincinnati
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398:In 1988, the CAC put
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685:Formica Formations
638:2012-10-18 at the
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508:The Perfect Moment
325:Taft Museum of Art
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155:Established
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619:References
551:Zaha Hadid
483:Queenstown
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441:Thom Mayne
435:Zaha Hadid
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227:Zaha Hadid
210:art museum
168:Cincinnati
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179:Director
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273:removed
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