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can be found or uncovered in the “lowest categories of the image”: vernacular photography, identification shots, portraits. Rennó does not take photographs herself instead she recycles existing photographs of this kind.Rennó's decision to recycle photographs is influenced by the ideas of Czech photo-theorist Vilém
Flusser who lived for many years in Brazil as well as the German photographer and theorist, Andreas Muller Pohle. In particular, Muller Pohl's idea of ‘an ecology of images’ informs Renno's practice of conserving and recycling images that already exist.
31:
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Rennó aims to generate interest in what she calls “the little stories of the downtrodden and the vanquished” (Rennó, 2004). These stories include the “inglorious” episodes of history, the shameful events of the past that successive
Brazilian political regimes would like to gloss over, which she says
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from public and private archives that question the nature of an image and its symbolic value. With the use of photographs, installations and objects, she appropriates and sheds new light on an anonymous body of photographs and negatives found mostly in flea markets, family albums, newspapers and
242:
in 1997. She received grants and fellowships from various cultural institutions, including the Centro
Nacional de Pesquisa Tecnológica, in 1991; the Fundação Nacional de Artes, in 1992; Civitella Ranieri Foundation, in 1997; Vitae Foundation, in 1998, and the
279:(Arquivo Universal) (1992-) is a work in progress made up of written descriptions of photographs from newspaper articles. The artists characterizes the work as "images without images", and has used it as the basis of multiple series.
222:
In the early 1990s, she started collecting and working with written descriptions of photographs instead of the actual images. Around this time Rennó also started using photographs found in public and private archives.
98:, Aperture Foundation PhotoBook Awards 2013 - First PhotoBook and PhotoBook of the Year. Mário Pedrosa Award, Associação Brasileira de Críticos de Arte – ABCA 2008. Porto Seguro Photography Award 2008.
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When she began her graduate studies in 1988, she developed a photographic series based on discarded strips of negatives found near film editing studios on the
University of São Paulo campus.
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312:(published in 2010) comes from the criminal inquiry number corresponding to the 2005 theft of 946 works, including 751 photographs, from the Aloísio Magalhães Room of the
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Rosângela Rennó began her artistic career in 1980. Her first group show was in 1985 at the IAB Gallery in Belo
Horizonte, MG and her first solo exhibition,
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326:, published in 2013, documents the empty interiors of the archival photo storage boxes after the theft of more than half of the photographic albums by
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are the first and second iterations in a series of artist books about the theft of historic photography collections from
Brazilian public archives.
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619:"Rosângela Rennó / História dos Artistas Mineiros - Fotógrafos / Acervo de entrevistas / Início - História Oral - FAFICH/UFMG"
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at the
Archives of the City of Rio de Janeiro. The title is a reference to the classification of the albums in the archive.
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archives. Rennó's interest in discarded images and habit of collecting were decisive in establishing her work strategies.
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and domestic universes, making use of family photos, reconstructing and remixing the artists' own memories.
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753:"Livro denuncia impunidade no caso do furto de fotografias doadas por Pedro 2º - Notícias - UOL Notícias"
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Rennó participated in multiple group and individual exhibitions, including two editions of the
674:"Figurações feministas na arte contemporanea: Marcia X., Fernanda Magalhaes e Rosangela Renno"
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597:"Look Again: The influence of Vilém Flusser on Brazilian photographer Rosângela Rennó"
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778:"Rosângela Rennó lança livro de artista com mesa-redonda no IMS-RJ, dia 23/5 - ZUM"
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Museo
Extremeño e Iberoamericano de Arte Contemporáneo (MEIAC), Badajoz, Spain
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Centro Galego de Arte
Contemporáneo (CGAC), Santiago de Compostela, Spain
729:"Após única mostra, Rosângela Rennó deixará área de fotografia do Masp"
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Reparative aesthetics : witnessing in contemporary art photography
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368:(MAM RJ), Gilberto Chateuabriand Collection, Rio de Janeiro, Brasil
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Rennó graduated with a bachelor's degree in architecture from the
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Museum of Modern Art
Aloisio Magalhães (MAMAM), Recife, Brasil
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in 2016. As of that year, her contract has not been renewed.
102:, 2004. Marc Ferrez Photography Award (IBAC/FUNARTE), 1992.
644:"Biografia de Rosângela Rennó | Brasil Memória das Artes"
316:. The book is composed of life-size reproductions of the
125:, MG, 1962) is a Brazilian artist who lives and works in
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from the archives of the São Paulo Penitentiary Museum.
166:'s School of Communication and Arts. Her thesis was an
215:. She started working with negatives and forgotten
162:She obtained her doctorate degree in 1997 from the
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207:to Rio de Janeiro and shifted her focus from the
193:By the end of the 1980s, her work reflected the
427:Museo de Arte Contemporáneo de Castilla y León
444:Fondazioni Cassa de Risparmo de Modena, Italy
386:(MASP), Pirelli Collection, São Paulo, Brasil
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320:of the 101 photographs that were recovered.
259:in 2014, organizing an exhibition about the
350:Museum of Art of Brasília, Brasília, Brasil
580:: CS1 maint: location missing publisher (
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421:Museo Nacional Centro de Arte Reina Sofia
344:Joaquim Nabuco Foundation, Recife, Brasil
535:Rennó ou a beleza e o dulçor do presente
447:Daros Latinamerica, Zurich, Switzerland
255:Rennó joined the curatorial team of the
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366:Museum of Modern Art of Rio de Janeiro
230:in 1994 and 2010, two editions of the
219:images acquired from popular studios.
784:(in Brazilian Portuguese). 2015-05-18
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483:Western Sydney University, Australia
439:Stedelijk Museum voor Actuele Kunst
153:Federal University of Minas Gerais
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378:Pinacoteca do Estado de São Paulo
372:Museum of Modern Art of São Paulo
155:in 1986, and in Fine Arts by the
111:http://www.rosangelarenno.com.br/
678:www.bibliotecadigital.unicamp.br
432:Museo de Cáceres, Cáceres, Spain
429:(MUSAC) Castilla y León, Espanha
283:2005-510117385-5 and A01 - A27
503:Rennó, Rosângela (1997-01-01).
174:(Cicatriz) of reproductions of
850:University of São Paulo alumni
830:Brazilian contemporary artists
462:Latino Museum, Los Angeles, US
56:Bachelor in Architecture from
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840:Brazilian women photographers
412:Fundação Caloustre Gulbenkian
702:. São Paulo: Paço das Artes.
408:Culturgest, Lisbon, Portugal
16:Brazilian artist (born 1962)
717:. Belo Horizonte: Com Arte.
715:Rosângela Rennó: depoimento
680:(in Portuguese). 2008-06-25
472:Orange County Museum of Art
374:(MAM SP), São Paulo, Brasil
261:Foto Cine Clube Bandeirante
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845:People from Belo Horizonte
548:Best, Susan (2016-10-20).
533:Herkenhoff, Paulo (1996).
466:Museum of Contemporary Art
384:Museum of Art of São Paulo
314:Brazilian National Library
257:Museum of Art of São Paulo
203:In 1989, Rennó moved from
170:based on her 1996 series,
713:Rennó, Rosângela (2003).
698:Alzugaray, Paula (2007).
650:(in Brazilian Portuguese)
625:(in Brazilian Portuguese)
354:Museum of Art of Pampulha
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509:(in Portuguese). EdUSP.
457:Art Institute of Chicago
356:, Belo Horizonte, Brasil
835:Brazilian photographers
468:(MOCA), Los Angeles, US
397:Centre Georges Pompidou
209:private/domestic sphere
164:University of São Paulo
129:. Her work consists of
176:photographic negatives
47:, Minas Gerais, Brazil
451:Museum of Moderna Art
441:(SMAK), Gent, Belgium
234:(1997 and 2004), the
119:Rosângela Rennó Gomes
700:Aqui passa o trópico
453:(MOMA), New York, US
217:photo identification
757:noticias.uol.com.br
537:. São Paulo: Edusp.
474:, Newport Beach, US
380:, São Paulo, Brasil
131:photographic images
60:, and in Arts from
648:www.funarte.gov.br
623:www.fafich.ufmg.br
595:Pagotto, Mariana.
414:, Lisboa, Portugal
228:São Paulo Biennial
782:revistazum.com.br
478:Guggenheim Museum
405:, London, England
362:, Inhotim, Brasil
360:Inhotim Institute
277:Universal Archive
272:Universal Archive
232:Mercosul Biennial
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41:November 19, 1962
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62:Escola Guignard
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100:Jabuti Award
85:installation
820:1962 births
403:Tate Modern
334:Collections
324:A01 — A27
303:A01 — A27
251:Curatorship
247:, in 1999.
188:Anti-Cinema
168:artist book
159:, in 1987.
96:Paris Photo
77:photography
64:. PhD from
814:Categories
788:2017-05-02
763:2017-05-02
738:2017-05-02
684:2017-05-02
654:2017-05-02
629:2017-05-02
552:. London.
488:References
245:Guggenheim
576:cite book
568:932577107
339:In Brazil
205:São Paulo
147:Education
53:Education
195:feminine
211:to the
107:Website
566:
556:
513:
91:Awards
600:(PDF)
318:verso
582:link
564:OCLC
554:ISBN
511:ISBN
301:and
289:edit
172:Scar
94:The
58:UFMG
38:Born
66:USP
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