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artists, a model inspired by the Venice
Biennale. The CAC defines three chapters for the exhibition: Anthological Exhibitions (replacing the Special Rooms), Great Confrontations and Contemporary Propositions – the latter composed of seven themes: Urban Archaeology, Nature Recuperation, Catastrophic Art, Video Art, Space Poetry, The Wall as a Display for Artworks, Non Codified Art. For the first time in its history, the Grand Prize "Itamaraty" was awarded to a Latin American artist, the Argentine Grupo CAYC of the
1594:’s 1937 masterpiece, the 2nd Bienal is by far one of the most memorable editions of the event. Exhibiting twice as many artworks as the first edition, the 2nd Bienal was held at two pavilions designed for the newly inaugurated Ibirapuera Park by Oscar Niemeyer (1917-2012): the States Pavilion (presently the Pavilion of Brazilian Cultures) and the Nations Pavilion (now home to the Afro Brasil Museum). The exhibition continued into the following year as part of the celebrations for São Paulo's 400th anniversary.
2170:. The project Mobile Radio set up a radio station on the mezzanine floor of the pavilion that had broadcasts throughout the entire period of the exhibition. The Biennial featured the largest corpus of works by Alair Gomes ever shown, the entire portfolio People of the XXth Century by August Sander and for the first time in the Americas the entire Alphabet Bété by Frédéric Bruly-Bouabré, among 119 artists represented within the Matarazzo Pavilion and other institutions throughout the city of São Paulo.
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expression from around the world. The 1998 edition cost almost $ 12 million and drew nearly 400,000 visitors during a two-month run. The 25th biennial was originally scheduled for 2000 but was delayed to 2002 after a gigantic exhibition marking the 500th anniversary of Brazil's discovery by the
Portuguese was organized by former biennial president
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as associate curator. The concept, extracted from the roots of
Brazilian culture, permeated the work of all 76 curators involved in the exhibition, as well as was the result of powerful solo shows dedicated to each of the 53 National Representations. The curators worked with the idea of contamination
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The emergence of the
General Curator role would change the course of the Bienal. The critic and former Director of the Museum of Contemporary Art of the University of São Paulo (MAC-USP), Walter Zanini, was the first to fill the position, in an edition which abolished separate spaces for each country
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Titled “The
Imminence of Poetics”, this edition of the Bienal adopted the constellation as a metaphor and established discursive interconnections between past and present; center and periphery; object and language. With a large number of works by each artist, the exhibition focused on Latin American
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The "Bienal of the
Bienals" was a retrospective of the previous fourteen editions and brought national and international prize-winning works since 1951 back to the pavilion, as well as artists selected by the Brazilian Association of Art Critics (ABCA). On the other hand, it was the first Bienal not
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In the 4th Bienal, many
Brazilian artists contested the selection process and Ciccillo Matarazzo's inordinate influence. This was the first time the Bienal was held at its present home, the Industry Pavilion at Ibirapuera Park. This edition was surrounded by controversy when works by several leading
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Since 1951, 32 Bienals have been produced with the participation of 170 countries, more than 16 thousand artists and almost 10 million visitors, making direct contact possible between the
Brazilian public and visual, theatrical and graphic arts, music, film, architecture, and other forms of artistic
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The 7th edition was marked by an excessive number of works selected, which, in turn, created an eclectic scene that was difficult to understand. This was the first time that Fundação Bienal (founded in 1962) organized the exhibition, instead of the Museum of Modern Art of São Paulo. The catalog was
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Driven by a new impetus promoted by a new board of directors committed to the renewal of the institution, the Bienal inaugurated its 29th edition with a permanent educational project and a broad parallel program. Favoring politically oriented works, the curatorship of
Agnaldo Farias and Moacir dos
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Rethinking the purpose and direction of the exhibition, the 28th Bienal – “In Living
Contact” carried out a radical proposal by keeping the second floor of the pavilion completely empty, as an Open Plan – a metaphor for the conceptual crisis experienced by traditional biennial systems faced by the
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A new record in the number of national representations with 75 countries subscribing to the theme proposed by Nelson Aguilar: “The Dematerialization of Art at the End of the Millennium.” On this occasion, a Historical Nucleus with a broad diversity of countries brought together over 200 prints by
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The first Bienal without Ciccillo was defined by meaningful changes: the appointment of a Council for Art and Culture with freedom to develop the exhibition program – among the new rules is the requirement that National Representations follow the themes proposed by the Bienal for the selection of
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Controversy surrounded the opening of the Bienal with the boycott by artists, again, and the exile of Mario Pedrosa, who had been a leader for most of the editions in the Bienal's first decade, and director of the 6th and 7th editions. The selection of Brazilian artists was made from a pre-Bienal
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in the 1970s – served curator Lisette Lagnado as a guide. The edition was marked by the extinction of National Representations – the selection of artists was up to the determination of the curators of the Bienals – and by the claim that art is a transnational language. Constituting a fundamental
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The works of this edition – entitled “How to (…) things that don’t exist” – were designed within the concept of "project," many carried out in collaboration between two or more individuals – artists and professionals from other disciplines, such as teachers, sociologists, architects or writers.
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The 1998 bienial was specifically acclaimes a new perspective on art history through a Brazilian lens. It introduced a novel curatorial approach relevant to the era of post-colonial globalization. The exhibition utilized the Brazilian concept of anthropophagy as both a theoretical framework and
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After the completion of the 6th Biennial, the São Paulo Biennial Foundation was created to advance the exhibition, which until then had been organized by the Museu de Arte Moderna de São Paulo (MAM-SP). The pavilion the institution occupies - its home to this day - only began holding the Bienal
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This was the first year of the free admission policy, which would be applied to all subsequent editions. With the theme of “Free Territory,” the 26th Bienal, introduced a new generation into the art scene, such as Cabelo, Chelpa Ferro and Laura Vinci, among others. Once again the exhibition
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derivations. Installations and environments that appealed to all of the senses were presented in the Art and Communication segment. Replacing the Art Technical Committee, the Council for Art and Culture (CAC) developed a new selection framework and denied entry to 90% of the Brazilian works
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Only for this edition did the Bienal resume the system of open registration for artists from all over the world. Heading the curatorship, João Cândido Galvão repeated his role in the previous edition as curator of the dance, music and theater sections, and enjoyed success by presenting two
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The 20th Bienal was conceived by a triumvirate: Carlos von Schmidt, Stella Teixeira de Barros, and João Cândido Galvão. Interrupting the propositions of past editions, the team resumed the granting of awards and the arrangement of national representations in separate rooms. The Brazilian
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were seen alongside young artists, most of whom were women. Also noteworthy is the fact that this edition was the one that presented the highest number of commissioned artworks in the history of the exhibition. The curators traveled to four cities to bring forth Study Days
2213:, in Brazil), and also held a last meeting in São Paulo. Conceived as an artwork by Jorge Menna Barreto, the exhibition's restaurant unfolds notions regarding the relationships between human eating habits and the environment, landscape, climate and life on Earth.
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The Bienal changes its calendar and starts taking place in even-numbered years. The historical segment takes on a major importance in this edition, whose theme, “Rupture as Support,” made it possible to explore platforms and poetics observed in the works of
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practical methodology. This approach encouraged the "contamination" and "cannibalization" of established art historical narratives, alongside a broader understanding of the exhibition's educational role in integrating art, culture, and political history.
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demonstrated its highly contemporary character by presenting works mostly produced between 2002 and 2004. At least one third of the works in the show were site-specific projects, developed specifically for the Bienal Pavilion.
1578:(1949) was initially rejected by the selection committee on the grounds that it did not fit any of the established categories, though the work was later accepted and awarded an honorable mention by the international jury.
2082:'s national pavilion was changed overnight read "Museum of Fine Arts, Taipei". This was revealed to had been caused by the Chinese government, who had threatened to pull their own artists out of the event. In protest
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Centered on the theme “Metropolitan Iconographies”, the 25th Bienal has become famous for the strong presence of Brazilian artists off the São Paulo/Rio de Janeiro axis. The appointment of the first foreign curator,
2094:, who were running the neighbouring pavilion, invited other artists to donate letters from their own country titles in order to recreate the word "Taiwan". Although they were successful, this too was taken down.
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and chose to group the works according to "analogy of language" (techniques and themes). This show also marks the end of the boycotts of the Bienal by artists and the beginning of political openness in Brazil.
1815:) came into force, effectively annulling personal freedoms, eighty percent of the artists invited to exhibition refused, in protest, to participate. The 10th edition was thus nicknamed the “Boycott Bienal”
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The 32nd Bienal – “Live Uncertainty” set itself the aim of observing notions of uncertainty and strategies offered by contemporary art to embrace or inhabit it. Established artists like Öyvind Fahlström,
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The “Pop Art Bienal” opened under a shroud of controversy: even before the exhibition opened, the Federal Police removed two works on the grounds that they were “offensive” to the Brazilian Constitution:
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145:, and provides an exhibition space of 30,000 m. The São Paulo Bienal features Brazilian and international contemporary art and is one of South America's most important large-scale art exhibitions.
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This edition showed the rising trend of expressionism in contemporary painting and featured an unusual expography that set the debate through the course of the entire 18th Bienal. The curator,
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Ciccillo Matarazzo ceases to be the main patron of the Bienal and the exhibition endured its first financial crisis. The 6th edition is remembered for its museology and the predominance of
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2245:, most events were for this year were postponed to September 4 through December 5, 2021, with future Bienales being in odd-numbered years. The theme is "Though it’s dark, still I sing".
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2153:(2010), by Nuno Ramos, stirred controversy due to its live vultures flying in the central span of the pavilion accompanied by a montage of sounds from the national popular tradition.
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The 33rd Bienal – “Affective Affinities” was held from September 7 to December 9. According to the general curator, Gabriel Pérez-Barreiro, this theme was inspired by both the novel
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institutions that organize them. The noteworthy episode of that edition was the graffiti on the pavilion's guardrails, which led to a discussion in the art milieu about urban art.
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innovation for the exhibition, the curatorial projects would be chosen from then on through a selection process conducted by an international committee of critics and curators.
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submitted. The Brazilian Representation was made up of 100 artists selected through regional juries (Fortaleza, Salvador, Belo Horizonte, Rio de Janeiro, São Paulo, Curitiba).
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Eager for updating, the so-called "Videomakers Bienal" brought Brazil a precise selection video art produced by renowned artists from all parts of the world, ranging from
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was installed on the ground floor of the pavilion and was one of the most memorable installations. It even included a room with documentation on the group – records of
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Daring, the exhibition established itself as being deeply connected with some central themes of contemporary life: identity, sexuality and transcendence.
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was considered “anti-nationalist” – the work was destroyed and the artist almost arrested by the DOPS – and the series by Quissak Jr.,
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2070:, from Germany, excited controversy. However, the show received excellent acclaim and beat attendance records, at 668,428 visitors.
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Having established itself as an important event in international art world, the Bienal's 3rd edition featured the Mexican muralists
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1940:, arranged most of the works in three 100-meter long halls, installing paintings side by side – a display called the Great Canvas.
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and booked into the Ciccillo Matarazzo pavilion. That year, for the first time, the chief curator of the biennial was a foreigner,
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Lafuente, Pablo; Lagnado, Lisette; Marins de Oliveira, Mirtes; Andrade, Oswald de; Fraser, Andrea; Morris, David, eds. (2015).
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The 2023 São Paulo Biennial sought to address and question activism, repressed cultures, and the art history of South America.
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Known as one of the best editions ever produced, the "Anthropophagy Bienal" was led by Paulo Herkenhoff as general curator and
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113:) was founded in 1951 and has been held every two years since. It is the second oldest art biennial in the world after the
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200,000 visitors ensured the success of this exhibition, whose highlights included a selection of thirty works by the
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Anjos held nearly 400 activities in the six conceptual spaces entitled Terreiros, and made its theme a verse by
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A giant mouth designed by Vera Figueiredo "swallowed" visitors to 12th Bienal, demonstrating the strength of
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Adopting “Utopia versus Reality” as its theme, the 19th Bienal's highlights were the works by German artist
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Bienal de São Paulo celebrates its 70th anniversary this month with a podcast series and other programmes
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Bienal de São Paulo celebrates its 70th anniversary this month with a podcast series and other programmes
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133:(1898–1977). Since 1957, the São Paulo Biennial has been held in the Ciccillo Matarazzo pavilion in the
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to grant any awards, a strategy that would continue on definitively in the following editions.
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The Bienal comes under political pressure from the government with the beginning of the
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and put contemporary Brazilian works in dialogue with works in the Historical Nucleus.
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itself as an international art center. Naturally, the biennial always serves to bring
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2016:
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Council for Art and Culture: Alberto Beuttenmüller, Clarival do Prado Valladares,
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1861:(1974) surprised the Brazilian audience by arranging TV monitors among vases of
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The theme “How to Live Together” – the title of a set of seminars delivered by
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Aldo Calvo, Sábato Magaldi (Theater); Jannar Murtinho Ribeiro (Graphic Arts)
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Aldo Calvo, Sábato Magaldi (Theater); Jannar Murtinho Ribeiro (Graphic Arts)
2395:"São Paulo Biennial Postponed to 2021 as Coronavirus Spreads Across Brazil"
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Co-curators: Gabi Ngcobo, Júlia Rebouças, Lars Bang Larsen, Sofía Olascoaga
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Representation was considered to be one of the most solid in a long time.
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2517:"Cindy Sherman's unsettling, fragmented portraits go on show in New York"
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Henrique E. Mindlin, Jayme Maurício, José Geraldo Vieira, Salvador Candia
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The biennial's initial aim was to make contemporary art (primarily from
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Curators: Carlos von Schmidt (International), Stella Teixeira de Barros
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Curators: Petrônio França, Agnaldo Farias, Samuel Eduardo Leon, Cacilda
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Curators: Julio Plaza, Berta Sichel, Walter Zanini, Rui Moreira Leite,
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Council for Art and Culture: Casimiro Xavier de Mendonça, Emmanuel von
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Curators: Ivo Mesquita, Sônia Salzstein-Goldberg, Gabriela S. Wilder,
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Lauenstein Massarani, Esther Emílio Carlos, Geraldo Edson de Andrade,
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137:. The three-story pavilion was designed by a team led by architects
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Teixeira da Costa, Gabriela Suzana, Julio Plaza, Annateresa Fabris,
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The increasingly common languages in contemporary global art of
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Consultants for Plastic Arts: Alfredo Mesquita, Geraldo Ferraz,
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titled "On the Affective Nature of Form in the Work of Art."
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Leopoldo Raimo, Lisetta Levi, Marc Berkowitz, Maria Bonomi,
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José Simeão Leal, Norberto Nicola, Olívio Tavares de Araújo,
117:(in existence since 1895), which serves as its role model.
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João Cândido Martins Galvão Barros, Pedro Manuel Gismondi,
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Cultural Anthropophagy. The 24th Bienal de Sao Paulo 1998
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Undeterred by Crises, São Paulo Biennial Celebrates at 50
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Art Technical Committee: Antonio Bento, Geraldo Ferraz,
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A Tilt Toward the Third World at the São Paulo Biennial
2465:"Cross-strait rivalry infringes on artists' gathering"
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dedicated to Wanda Svevo, who died the previous year.
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Centro Cultural e de Estudos Superiores Aúthos Pagano
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São Paulo Art Biennial, Pavilhão Ciccillo Matarazzo,
988:, Rafael França, Joice Joppert Leal, Angela Carvalho,
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Technical Secretariat: Antonio Bento, Bethy Giudice,
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Bat-Yam International Biennale of Landscape Urbanism
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Associate Curators: Benjamin Seroussi, Luiza Proença
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President of Bienal: Manoel Francisco Pires da Costa
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President of Bienal: Manoel Francisco Pires da Costa
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President of Bienal: Manoel Francisco Pires da Costa
157:exhibitions starting with its 4th edition in 1957.
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785:President of Bienal: Luiz Fernando Rodrigues Alves
1061:Curators: Ana Helena Curti, Gloria Cristina Motta
1342:Chief-curators: Agnaldo Farias, Moacir dos Anjos
1027:(National), João Cândido Galvão (Special Events)
2289:"Active Cultures: Maria Lind on the Curatorial"
889:President of Bienal: Luiz Diederichsen Villares
834:President of Bienal: Luiz Diederichsen Villares
97:São Paulo Biennial: Pavilhão Ciccillo Matarazzo
2613:Arts in Marrakech (AiM) International Biennale
2558:- feature on São Paulo Biennial, November 2006
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2805:International Architecture Biennale Rotterdam
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2149:: “There is always a cup of sea to sail in”.
1988:O Trilogie Antica: Medeea, Troienele, Electra
8:
1663:, typified by the revolutionary presence of
1399:Associate Curators: André Severo, Tobi Maier
1986:, by the Catalan group Fura dels Baus, and
1675:for the first time in the event’s history.
1274:, Cristina Freire, José Roca, Rosa Martínez
1052:President of Bienal: Jorge Eduardo Stockler
3713:Electronic Language International Festival
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1623:names in the Brazilian art scene, such as
864:Cida Galvão, Marília Saboya, Renata Barros
1204:Brazilian Nucleus Curator: Agnaldo Farias
389:Artistic Director: Lourival Gomes Machado
237:Artistic Director: Lourival Gomes Machado
3380:Professor Aristóteles Orsini Planetarium
2669:International Roaming Biennial of Tehran
2592:Major international art exhibitions and
1956:(1985), by Kiefer, and the installation
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2229:and the thesis of Brazilian art critic
3172:Basilica of the Most Blessed Sacrament
3033:Monument to the Independence of Brazil
2490:Pérez-Barreiro, Gabriel (2018-11-07).
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3748:São Paulo International Film Festival
3280:Ema Gordon Klabin Cultural Foundation
2902:Melbourne International Biennial 1999
2549:Bienal Brasileira de Artes Plásticas
2422:. Exhibition histories. Köln: König.
2032:, illustrated the posthumous work of
1996:National Theater Company of Bucharest
1994:, narrated in Latin and Greek by the
1908:, video, videotext, installation and
1811:Months after Institutional Act n. 5 (
1437:, Pablo Lafuente, Nuria Enguita Mayo,
1404:Assistant Curator: Isabela Villanueva
1018:President of Bienal: Alex Periscinoto
936:President of Bienal: Roberto Muylaert
859:Associate Curators: Roberto Sandoval,
357:Technical Director: Wolfgang Pfeiffer
317:Technical Director: Wolfgang Pfeiffer
277:Technical Director: Wolfgang Pfeiffer
7:
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1726:(1913) was shown alongside works by
1056:General Curator: João Cândido Galvão
789:Cultural Advisor: Carlos von Schmidt
2444:"XXV Bienal De Sao Paulo; Artforum"
2335:Gabriella Angeleti (July 9, 2021),
2305:Gabriella Angeleti (July 9, 2021),
1781:Meditação sobre a Bandeira Nacional
1387:President of Bienal: Heitor Martins
1338:President of Bienal: Heitor Martins
748:President of Bienal: Oscar Landmann
3753:São Paulo International Motor Show
3182:Nossa Senhora da Consolação Church
2735:Courtray Design Biennale Interieur
1475:President of Bienal: Luis Terepins
1429:President of Bienal: Luis Terepins
1313:Associate Curator: Ana Paula Cohen
1192:President of Bienal: Carlos Bratke
1155:President of Bienal: Julio Landman
968:President of Bienal: Jorge Wilheim
25:
3360:Museum of the Portuguese Language
3177:Imaculado Coração de Maria Church
2393:Durón, Maximilíano (2020-07-01).
1912:set the tone of the 17th Bienal.
1568:Museum of Modern Art of São Paulo
1566:The first Bienal was held by the
1557:27. São Paulo Art Biennial - 2006
1535:Curator: Jacopo Crivelli Visconti
1159:General Curator: Paulo Herkenhoff
1130:Associate Curator: Agnaldo Farias
903:Gino Di Maggio, Norberto Nicola /
3831:Tourist attractions in São Paulo
3084:Centro Empresarial Nações Unidas
3048:Octávio Frias de Oliveira Bridge
2985:
2036:, and presented 37 paintings by
1708:and Cruz Costa to the President
1351:, Fernando Alvim, Rina Carvajal,
1265:General Curator: Lisette Lagnado
906:Cinema Curators: Agnaldo Farias,
594:Frederico Nasser, Mário Barata,
176:and the United States) known in
125:The Biennial was founded by the
3451:Estádio Universitário São Paulo
3330:Museum of Art of the Parliament
3197:Orthodox Metropolitan Cathedral
2813:Venice Biennale of Architecture
2760:Light Art Biennale Austria 2010
2659:Incheon Women Artists' Biennale
2078:During the event, the title of
1694:military dictatorship in Brazil
1509:Curator: Gabriel Perez-Barreiro
1125:General Curator: Nelson Aguilar
809:Radha Abramo, Wolfgang Pfeiffer
511:, Walter Zanini (Plastic Arts);
502:General Director: Mário Pedrosa
465:, Walter Zanini (Plastic Arts);
456:General Director: Mário Pedrosa
3265:Bank of Brazil Cultural Center
3192:Ordem Terceira do Carmo Church
3187:Nossa Senhora do Brasil Church
2608:African Photography Encounters
2353:Larry Rohter (July 11, 2001),
1928:during an action in New York.
893:General Curator: Walter Zanini
838:General Curator: Walter Zanini
723:Olney Krüse, Wolfgang Pfeiffer
1:
3826:1951 establishments in Brazil
3559:University of São Paulo (USP)
2861:Chicago Architecture Biennial
2543:Bienal de São Paulo homepage
2463:Frazier, David (2002-11-29).
2371:Larry Rohter (May 27, 2002),
2268:São Paulo Biennial Foundation
1876:Centro de Arte y Comunicación
1308:General Curator: Ivo Mesquita
709:Council for Art and Culture:
507:Consultants: Geraldo Ferraz,
461:Consultants: Geraldo Ferraz,
3509:Brigadeiro Faria Lima Avenue
3431:Ícaro de Castro Melo Stadium
3038:Monument to Ramos de Azevedo
2515:Hannah Silver (2024-01-26).
2326:Biennial Foundation, Athens.
2324:Fundação Bienal de São Paulo
2287:Lind, Maria (October 2009).
2162:artists and paid tribute to
1982:unforgettable performances:
258:Dec 13, 1953 – Feb 26, 1954
192:Artists, works and countries
3079:Centro Comercial Aricanduva
3857:
3738:São Paulo Gay Pride Parade
3335:Museum of Contemporary Art
2856:Biennial of Hawaii Artists
1647:, and a strong showing of
1279:Guest Curator: Jochen Volz
188:closer to foreign guests.
3723:Saint Silvester Road Race
3587:Albert Löfgren State Park
3406:Anhembi Convention Center
3345:Museum of Image and Sound
3320:Museu Paulista (Ipiranga)
3154:List of tallest buildings
3028:Monument to the Bandeiras
2496:33 bienal são paulo 2018
1958:Enquanto flora a borda...
1702:Fernando Henrique Cardoso
1590:Bienal”, in reference to
589:, Edyla Mangabeira Unger,
585:Art Technical Committee:
55:Biennial, every two years
3811:Arts festivals in Brazil
3441:Parque São Jorge Stadium
3305:Memória do Bixiga Museum
3300:Mário de Andrade Library
3270:Centro Cultural da Penha
3250:CAIXA Cultural São Paulo
1824:held the previous year.
86:http://www.bienal.org.br
3841:Art festivals in Brazil
3607:Cemitério da Consolação
3325:São Paulo Museum of Art
3222:São Paulo Brazil Temple
3064:Altino Arantes Building
2990:Visitor attractions in
2720:Brighton Photo Biennial
2492:"Affective Affinities)"
2164:Arthur Bispo do Rosário
1924:playing the piano, and
1865:and artificial plants.
1549:Highlights year by year
1093:Curator: Nelson Aguilar
713:, Isabel Moraes Barros,
3836:Festivals in São Paulo
3733:São Paulo Fashion Week
3728:São Paulo Art Biennial
3687:Villa-Lobos State Park
3436:Nicolau Alayon Stadium
3018:Latin America Memorial
2923:São Paulo Art Biennial
2674:Kochi-Muziris Biennale
2237:34th Bienal, 2020/2021
2227:Johann Wolfgang Goethe
2114:
1612:David Alfaro Siqueiros
1576:Aparelho cinecromático
1558:
1334:Sep 25 – Dec 12, 2010
1225:Sep 25 – Dec 19, 2004
1082:Oct 12 – Dec 11, 1994
1048:Sep 21 – Dec 10, 1991
1014:Oct 14 – Dec 10, 1989
885:Oct 14 – Dec 18, 1983
830:Oct 16 – Dec 20, 1981
698:Oct 17 – Dec 14, 1975
574:Sep 27 – Dec 14, 1969
445:Sep 28 – Dec 22, 1963
378:Sep 21 – Dec 31, 1959
338:Sep 22 – Dec 30, 1957
226:Oct 20 – Dec 23, 1951
153:
103:São Paulo Art Biennial
98:
33:São Paulo Art Biennial
3602:Cantareira State Park
3456:Ibirapuera Auditorium
3243:cultural institutions
3109:Júlio Prestes Station
3069:Brazil Stock Exchange
3008:Bandeirantes TV Tower
2840:Music Biennale Zagreb
2192:, Lourdes Castro and
2109:
2034:Jean-Michael Basquiat
1857:, whose installation
1720:’s famous ready-made
1556:
1471:Sep 7 – Dec 11, 2016
1300:Oct 26 – Dec 6, 2008
1257:Oct 7 – Dec 17, 2006
1188:Mar 23 – Jun 2, 2002
1118:President of Bienal:
1086:President of Bienal:
964:Oct 2 – Dec 13, 1987
932:Oct 4 – Dec 15, 1985
781:Oct 3 – Dec 16, 1979
744:Oct 1 – Nov 30, 1977
702:President of Bienal:
658:President of Bienal:
623:President of Bienal:
619:Sep 4 – Nov 15, 1971
578:President of Bienal:
541:President of Bienal:
537:Sep 22 – Dec 8, 1967
495:President of Bienal:
491:Sep 4 – Nov 28, 1965
449:President of Bienal:
414:President of MAM-SP:
410:Oct 1 – Dec 31, 1961
382:President of MAM-SP:
342:President of MAM-SP:
302:President of MAM-SP:
298:Jul 2 – Oct 12, 1955
262:President of MAM-SP:
230:President of MAM-SP:
207:Directors / Curators
151:
96:
3708:Brazilian Grand Prix
3375:Pinacoteca do Estado
3355:Museum of Sacred Art
3350:Museum of Modern Art
3217:São Cristóvão Church
3207:Santo Antônio Church
3043:Obelisk of São Paulo
2886:Visual Collaborative
2835:Vladivostok biennale
2823:Venice Film Festival
1608:José Clemente Orozco
1505:Sep 7 – Dec 9, 2018
1479:Curator: Jochen Volz
1425:Sep 6 – Dec 7, 2014
1383:Sep 7 – Dec 7, 2012
1151:Oct 3 – Dec 3, 1998
1114:Oct 5 – Dec 8, 1996
654:Oct 5 – Dec 2, 1973
135:Parque do Ibirapuera
3787:23.5880°S 46.6538°W
3783: /
3340:Museum of Fine Arts
3227:São Paulo Cathedral
3212:São Bento Monastery
3139:Bandeirantes Palace
3124:Martinelli Building
2223:Elective Affinities
1801:Robert Rauschenberg
1716:and Fantastic art.
1706:Florestan Fernandes
1164:Associate Curator:
1120:Edemar Cid Ferreira
1088:Edemar Cid Ferreira
911:Samuel Eduardo Leon
598:, Wolfgang Pfeiffer
349:Artistic Director:
309:Artistic Director:
269:Artistic Director:
197:
163:Edemar Cid Ferreira
111:Bienal de São Paulo
3792:-23.5880; -46.6538
3743:São Paulo Indy 300
3677:Vale do Anhangabaú
3657:Praça da República
3446:Rua Javari Stadium
3411:Anhembi Sambadrome
3315:Museu Lasar Segall
3295:Butantan Institute
3290:Immigration Museum
3129:Matarazzo Building
3104:Iguatemi São Paulo
2907:Biennale of Sydney
2765:Liverpool Biennial
2725:Bucharest Biennale
2715:Biennale of Design
2689:Singapore Biennale
2634:Asian Art Biennial
2115:
2074:Taiwan controversy
1954:Palette mit Flügel
1878:in Buenos Aires.
1723:Roue de bicyclette
1651:and Informal Art.
1625:Flávio de Carvalho
1559:
1531:Sep 4–Dec 5, 2021
704:Ciccillo Matarazzo
667:Ciccillo Matarazzo
660:Ciccillo Matarazzo
625:Ciccillo Matarazzo
580:Ciccillo Matarazzo
543:Ciccillo Matarazzo
497:Ciccillo Matarazzo
451:Ciccillo Matarazzo
421:General Director:
416:Ciccillo Matarazzo
384:Ciccillo Matarazzo
344:Ciccillo Matarazzo
304:Ciccillo Matarazzo
264:Ciccillo Matarazzo
232:Ciccillo Matarazzo
196:
154:
152:São Paulo 9 (1967)
131:Ciccillo Matarazzo
99:
18:São Paulo Biennial
3766:
3765:
3617:Independence Park
3416:Arena Corinthians
3370:Industries Palace
3310:Museu Afro Brasil
3255:Carmo Planetarium
3232:Temple of Solomon
3149:Municipal Theater
3144:São Pedro Theater
3089:Conjunto Nacional
2952:
2951:
2795:Biennale de Paris
2750:Florence Biennale
2684:Shanghai Biennale
2664:Istanbul Biennial
2654:Herzliya Biennial
2429:978-3-86335-554-8
2341:The Art Newspaper
2311:The Art Newspaper
2249:35th Bienal, 2023
2243:COVID-19 pandemic
2217:33rd Bienal, 2018
2183:32nd Bienal, 2016
2174:31st Bienal, 2014
2168:Waldemar Cordeiro
2157:30th Bienal, 2012
2140:29th Bienal, 2010
2131:28th Bienal, 2008
2118:27th Bienal, 2006
2098:26th Bienal, 2004
2061:25th Bienal, 2002
2044:24th Bienal, 1998
2030:Francisco de Goya
2023:23rd Bienal, 1996
2002:22nd Bienal, 1994
1977:21st Bienal, 1991
1968:20th Bienal, 1989
1944:19th Bienal, 1987
1932:18th Bienal, 1985
1900:17th Bienal, 1983
1891:16th Bienal, 1981
1882:15th Bienal, 1979
1869:14th Bienal, 1977
1845:13th Bienal, 1975
1828:12th Bienal, 1973
1819:11th Bienal, 1971
1807:10th Bienal, 1969
1546:
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1393:Luis Pérez-Oramas
1388:
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1230:
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993:Ana Maria Kieffer
989:
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3848:
3798:
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3795:
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3793:
3788:
3784:
3781:
3780:
3779:
3776:
3632:Largo da Memória
3597:Botanical Garden
3554:Rua Oscar Freire
3461:Pacaembu Stadium
3202:Pátio do Colégio
3134:Municipal Market
2989:
2979:
2972:
2965:
2956:
2881:Whitney Biennial
2785:Mykonos Biennale
2730:Coruche Biennial
2679:Nanjing Biennale
2649:Gwangju Biennale
2644:Chengdu Biennale
2586:
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2209:, in Chile, and
1853:to South Korean
1797:Roy Lichtenstein
1766:9th Bienal, 1967
1688:8th Bienal, 1965
1679:7th Bienal, 1963
1655:6th Bienal, 1961
1645:Vincent van Gogh
1635:5th Bienal, 1959
1618:4th Bienal, 1957
1598:3rd Bienal, 1955
1582:2nd Bienal, 1953
1572:Abraham Palatnik
1562:1st Bienal, 1951
1534:
1508:
1483:
1478:
1474:
1449:
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1390:
1386:
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1347:Guest Curators:
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3770:
3769:
3767:
3762:
3758:Virada Cultural
3718:March for Jesus
3691:
3667:Praça Roosevelt
3652:Pico do Jaraguá
3637:Parque do Carmo
3627:Largo da Batata
3612:Ibirapuera Park
3579:
3573:
3544:Rua 25 de Março
3539:Paulista Avenue
3494:Alto de Santana
3481:
3475:
3471:Vibra São Paulo
3426:Morumbi Stadium
3421:Canindé Stadium
3389:
3285:Football Museum
3242:
3236:
3165:religious sites
3164:
3158:
3119:Mappin Building
3099:Itália Building
3074:Butantã's House
3052:
3000:
2994:
2983:
2953:
2948:
2927:
2911:
2890:
2871:Havana Biennial
2844:
2830:Vienna Biennale
2818:Venice Biennale
2800:Prague Biennale
2780:Munich Biennale
2775:Moscow Biennale
2710:Berlin Biennale
2705:ART Ii Biennale
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2151:Bandeira branca
2142:
2133:
2120:
2112:Ibirapuera Park
2100:
2084:Chien-Chi Chang
2076:
2063:
2050:Adriano Pedrosa
2046:
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2004:
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1760:Francis Picabia
1698:Mário Schenberg
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1629:Jackson Pollock
1620:
1600:
1584:
1564:
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1272:Adriano Pedrosa
1166:Adriano Pedrosa
854:Victor Musgrave
759:Yolanda Mohalyi
711:Aldemir Martins
674:Mário Wilches,
194:
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115:Venice Biennale
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3682:Viaduto do Chá
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3642:Parque Trianon
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3592:Beco do Batman
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3580:public squares
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2939:BiennaleOnline
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2618:Dakar Biennale
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2538:External links
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2215:
2184:
2181:
2175:
2172:
2158:
2155:
2141:
2138:
2132:
2129:
2124:Roland Barthes
2119:
2116:
2099:
2096:
2075:
2072:
2062:
2059:
2045:
2042:
2024:
2021:
2009:Hélio Oiticica
2003:
2000:
1978:
1975:
1969:
1966:
1945:
1942:
1938:Sheila Leirner
1933:
1930:
1901:
1898:
1892:
1889:
1883:
1880:
1870:
1867:
1846:
1843:
1829:
1826:
1820:
1817:
1808:
1805:
1787:that included
1767:
1764:
1718:Marcel Duchamp
1710:Castelo Branco
1689:
1686:
1680:
1677:
1656:
1653:
1636:
1633:
1619:
1616:
1599:
1596:
1586:Known as the “
1583:
1580:
1563:
1560:
1550:
1547:
1544:
1543:
1541:
1539:
1537:
1532:
1529:
1518:
1517:
1515:
1513:
1511:
1506:
1503:
1497:
1496:
1493:
1490:
1487:
1472:
1469:
1463:
1462:
1459:
1456:
1453:
1426:
1423:
1417:
1416:
1413:
1410:
1407:
1384:
1381:
1375:
1374:
1371:
1368:
1365:
1335:
1332:
1326:
1325:
1322:
1319:
1316:
1301:
1298:
1292:
1291:
1288:
1285:
1282:
1258:
1255:
1249:
1248:
1245:
1242:
1239:
1226:
1223:
1217:
1216:
1213:
1210:
1207:
1189:
1186:
1180:
1179:
1176:
1173:
1170:
1152:
1149:
1143:
1142:
1139:
1136:
1133:
1115:
1112:
1106:
1105:
1102:
1099:
1096:
1083:
1080:
1074:
1073:
1070:
1067:
1064:
1049:
1046:
1040:
1039:
1036:
1033:
1030:
1015:
1012:
1006:
1005:
1002:
999:
996:
986:Arturo Schwarz
974:Sheila Leirner
965:
962:
956:
955:
952:
949:
946:
942:Sheila Leirner
933:
930:
924:
923:
920:
917:
914:
886:
883:
877:
876:
873:
870:
867:
831:
828:
822:
821:
818:
815:
812:
782:
779:
773:
772:
769:
766:
763:
745:
742:
736:
735:
732:
729:
726:
699:
696:
690:
689:
686:
683:
680:
655:
652:
646:
645:
642:
639:
636:
620:
617:
611:
610:
607:
604:
601:
575:
572:
566:
565:
562:
559:
556:
538:
535:
529:
528:
525:
522:
519:
509:Sérgio Milliet
492:
489:
483:
482:
479:
476:
473:
463:Sérgio Milliet
446:
443:
437:
436:
433:
430:
427:
411:
408:
402:
401:
398:
395:
392:
379:
376:
370:
369:
366:
363:
360:
351:Sérgio Milliet
339:
336:
330:
329:
326:
323:
320:
311:Sérgio Milliet
299:
296:
290:
289:
286:
283:
280:
271:Sérgio Milliet
259:
256:
250:
249:
246:
243:
240:
227:
224:
218:
217:
214:
211:
208:
205:
202:
193:
190:
174:Western Europe
169:from Germany.
139:Oscar Niemeyer
129:industrialist
122:
119:
89:
88:
83:
79:
78:
75:
71:
70:
61:
57:
56:
53:
49:
48:
39:
35:
34:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
3853:
3842:
3839:
3837:
3834:
3832:
3829:
3827:
3824:
3822:
3819:
3817:
3816:Art biennials
3814:
3812:
3809:
3808:
3806:
3799:
3796:
3759:
3756:
3754:
3751:
3749:
3746:
3744:
3741:
3739:
3736:
3734:
3731:
3729:
3726:
3724:
3721:
3719:
3716:
3714:
3711:
3709:
3706:
3704:
3701:
3700:
3698:
3694:
3688:
3685:
3683:
3680:
3678:
3675:
3673:
3672:São Paulo Zoo
3670:
3668:
3665:
3663:
3660:
3658:
3655:
3653:
3650:
3648:
3647:People's Park
3645:
3643:
3640:
3638:
3635:
3633:
3630:
3628:
3625:
3623:
3622:Jardim da Luz
3620:
3618:
3615:
3613:
3610:
3608:
3605:
3603:
3600:
3598:
3595:
3593:
3590:
3588:
3585:
3584:
3582:
3576:
3570:
3567:
3565:
3564:Vila Madalena
3562:
3560:
3557:
3555:
3552:
3550:
3547:
3545:
3542:
3540:
3537:
3535:
3532:
3530:
3527:
3525:
3522:
3520:
3517:
3515:
3514:Brooklin Novo
3512:
3510:
3507:
3505:
3502:
3500:
3497:
3495:
3492:
3490:
3487:
3486:
3484:
3482:and districts
3480:Neighborhoods
3478:
3472:
3469:
3467:
3464:
3462:
3459:
3457:
3454:
3452:
3449:
3447:
3444:
3442:
3439:
3437:
3434:
3432:
3429:
3427:
3424:
3422:
3419:
3417:
3414:
3412:
3409:
3407:
3404:
3402:
3399:
3398:
3396:
3392:
3386:
3383:
3381:
3378:
3376:
3373:
3371:
3368:
3366:
3363:
3361:
3358:
3356:
3353:
3351:
3348:
3346:
3343:
3341:
3338:
3336:
3333:
3331:
3328:
3326:
3323:
3321:
3318:
3316:
3313:
3311:
3308:
3306:
3303:
3301:
3298:
3296:
3293:
3291:
3288:
3286:
3283:
3281:
3278:
3276:
3273:
3271:
3268:
3266:
3263:
3261:
3258:
3256:
3253:
3251:
3248:
3247:
3245:
3239:
3233:
3230:
3228:
3225:
3223:
3220:
3218:
3215:
3213:
3210:
3208:
3205:
3203:
3200:
3198:
3195:
3193:
3190:
3188:
3185:
3183:
3180:
3178:
3175:
3173:
3170:
3169:
3167:
3161:
3155:
3152:
3150:
3147:
3145:
3142:
3140:
3137:
3135:
3132:
3130:
3127:
3125:
3122:
3120:
3117:
3115:
3112:
3110:
3107:
3105:
3102:
3100:
3097:
3095:
3092:
3090:
3087:
3085:
3082:
3080:
3077:
3075:
3072:
3070:
3067:
3065:
3062:
3061:
3059:
3055:
3049:
3046:
3044:
3041:
3039:
3036:
3034:
3031:
3029:
3026:
3024:
3021:
3019:
3016:
3014:
3013:Beco do Pinto
3011:
3009:
3006:
3005:
3003:
2999:Monuments and
2997:
2993:
2988:
2980:
2975:
2973:
2968:
2966:
2961:
2960:
2957:
2945:
2942:
2940:
2937:
2936:
2934:
2930:
2924:
2921:
2920:
2918:
2916:South America
2914:
2908:
2905:
2903:
2900:
2899:
2897:
2893:
2887:
2884:
2882:
2879:
2877:
2874:
2872:
2869:
2867:
2866:Iowa Biennial
2864:
2862:
2859:
2857:
2854:
2853:
2851:
2849:North America
2847:
2841:
2838:
2836:
2833:
2831:
2828:
2824:
2821:
2819:
2816:
2814:
2811:
2810:
2808:
2806:
2803:
2801:
2798:
2796:
2793:
2791:
2788:
2786:
2783:
2781:
2778:
2776:
2773:
2771:
2768:
2766:
2763:
2761:
2758:
2756:
2755:Kyiv Biennial
2753:
2751:
2748:
2746:
2743:
2741:
2738:
2736:
2733:
2731:
2728:
2726:
2723:
2721:
2718:
2716:
2713:
2711:
2708:
2706:
2703:
2702:
2700:
2696:
2690:
2687:
2685:
2682:
2680:
2677:
2675:
2672:
2670:
2667:
2665:
2662:
2660:
2657:
2655:
2652:
2650:
2647:
2645:
2642:
2640:
2637:
2635:
2632:
2631:
2629:
2625:
2619:
2616:
2614:
2611:
2609:
2606:
2605:
2603:
2599:
2595:
2587:
2582:
2580:
2575:
2573:
2568:
2567:
2564:
2557:
2554:
2552:
2548:
2546:
2542:
2541:
2537:
2522:
2521:wallpaper.com
2518:
2511:
2508:
2497:
2493:
2486:
2483:
2472:
2471:
2466:
2459:
2456:
2445:
2439:
2436:
2431:
2425:
2421:
2414:
2411:
2400:
2396:
2389:
2387:
2383:
2379:
2378:
2374:
2368:
2365:
2361:
2360:
2356:
2350:
2347:
2343:
2342:
2338:
2332:
2329:
2325:
2320:
2317:
2313:
2312:
2308:
2302:
2299:
2294:
2290:
2283:
2280:
2273:
2269:
2266:
2264:
2263:Brazilian art
2261:
2260:
2256:
2254:
2248:
2246:
2244:
2236:
2234:
2232:
2231:Mário Pedrosa
2228:
2224:
2216:
2214:
2212:
2208:
2204:
2200:
2195:
2194:Víctor Grippo
2191:
2190:Sonia Andrade
2182:
2180:
2173:
2171:
2169:
2165:
2156:
2154:
2152:
2148:
2147:Jorge de Lima
2139:
2137:
2130:
2128:
2125:
2117:
2113:
2108:
2104:
2097:
2095:
2093:
2089:
2085:
2081:
2073:
2071:
2069:
2060:
2058:
2054:
2051:
2043:
2041:
2039:
2035:
2031:
2022:
2020:
2018:
2017:Mira Schendel
2014:
2010:
2001:
1999:
1997:
1993:
1989:
1985:
1976:
1974:
1967:
1965:
1963:
1959:
1955:
1951:
1950:Anselm Kiefer
1943:
1941:
1939:
1931:
1929:
1927:
1923:
1919:
1915:
1914:Fluxus Street
1911:
1907:
1899:
1897:
1890:
1888:
1881:
1879:
1877:
1868:
1866:
1864:
1860:
1856:
1855:Nam June Paik
1852:
1844:
1842:
1840:
1835:
1827:
1825:
1818:
1816:
1814:
1806:
1804:
1802:
1798:
1794:
1790:
1786:
1782:
1778:
1774:
1773:Cybèle Varela
1765:
1763:
1761:
1757:
1756:René Magritte
1753:
1749:
1745:
1741:
1737:
1733:
1729:
1725:
1724:
1719:
1715:
1711:
1707:
1703:
1699:
1695:
1687:
1685:
1678:
1676:
1674:
1670:
1666:
1662:
1661:Neoconcretism
1654:
1652:
1650:
1646:
1642:
1641:impressionist
1634:
1632:
1630:
1626:
1617:
1615:
1613:
1609:
1605:
1597:
1595:
1593:
1592:Pablo Picasso
1589:
1581:
1579:
1577:
1573:
1569:
1561:
1555:
1548:
1542:
1540:
1538:
1533:
1530:
1528:
1527:
1523:
1520:
1519:
1516:
1514:
1512:
1507:
1504:
1502:
1499:
1498:
1494:
1491:
1488:
1486:
1481:
1473:
1470:
1468:
1465:
1464:
1460:
1457:
1454:
1452:
1447:
1444:
1439:
1436:
1435:Charles Esche
1427:
1424:
1422:
1419:
1418:
1414:
1411:
1408:
1406:
1401:
1396:
1394:
1385:
1382:
1380:
1377:
1376:
1372:
1369:
1366:
1364:
1362:
1361:Yuko Hasegawa
1358:
1357:Sarat Maharaj
1353:
1350:
1349:Chus Martinez
1344:
1336:
1333:
1331:
1328:
1327:
1323:
1320:
1317:
1315:
1310:
1302:
1299:
1297:
1294:
1293:
1289:
1286:
1283:
1281:
1276:
1273:
1270:Co-curators:
1267:
1259:
1256:
1254:
1251:
1250:
1246:
1243:
1240:
1238:
1236:
1227:
1224:
1222:
1219:
1218:
1214:
1211:
1208:
1206:
1201:
1199:
1190:
1187:
1185:
1182:
1181:
1177:
1174:
1171:
1169:
1167:
1161:
1153:
1150:
1148:
1145:
1144:
1140:
1137:
1134:
1132:
1127:
1121:
1116:
1113:
1111:
1108:
1107:
1103:
1100:
1097:
1095:
1089:
1084:
1081:
1079:
1076:
1075:
1071:
1068:
1065:
1063:
1058:
1050:
1047:
1045:
1042:
1041:
1037:
1034:
1031:
1029:
1024:
1016:
1013:
1011:
1008:
1007:
1003:
1000:
997:
995:
990:
987:
982:
977:
975:
966:
963:
961:
958:
957:
953:
950:
947:
945:
943:
934:
931:
929:
926:
925:
921:
918:
915:
913:
908:
900:
895:
887:
884:
882:
879:
878:
874:
871:
868:
866:
861:
855:
850:
845:
840:
832:
829:
827:
824:
823:
819:
816:
813:
811:
806:
801:
796:
791:
783:
780:
778:
775:
774:
770:
767:
764:
762:
760:
754:
746:
743:
741:
738:
737:
733:
730:
727:
725:
720:
715:
712:
705:
700:
697:
695:
692:
691:
687:
684:
681:
679:
677:
676:Vilém Flusser
671:
668:
661:
656:
653:
651:
648:
647:
643:
640:
637:
635:
633:
626:
621:
618:
616:
613:
612:
608:
605:
602:
600:
597:
591:
588:
581:
576:
573:
571:
568:
567:
563:
560:
557:
555:
550:
544:
539:
536:
534:
531:
530:
526:
523:
520:
518:
513:
510:
504:
498:
493:
490:
488:
485:
484:
480:
477:
474:
472:
467:
464:
458:
452:
447:
444:
442:
439:
438:
434:
431:
428:
426:
424:
423:Mário Pedrosa
417:
412:
409:
407:
404:
403:
399:
396:
393:
391:
385:
380:
377:
375:
372:
371:
367:
364:
361:
359:
354:
352:
345:
340:
337:
335:
332:
331:
327:
324:
321:
319:
314:
312:
305:
300:
297:
295:
292:
291:
287:
284:
281:
279:
274:
272:
265:
260:
257:
255:
252:
251:
247:
244:
241:
239:
233:
228:
225:
223:
220:
219:
215:
212:
209:
206:
203:
200:
199:
191:
189:
187:
186:Brazilian art
183:
179:
175:
170:
168:
164:
158:
150:
146:
144:
140:
136:
132:
128:
120:
118:
116:
112:
108:
104:
95:
87:
84:
80:
76:
72:
69:
65:
62:
58:
54:
50:
47:
43:
40:
36:
31:
19:
3768:
3727:
3569:Vila Olímpia
3519:Central Zone
3365:Oca Pavilion
3163:Churches and
2944:Web Biennial
2922:
2556:Artkrush.com
2524:. Retrieved
2520:
2510:
2499:. Retrieved
2495:
2485:
2474:. Retrieved
2470:Taipei Times
2468:
2458:
2447:. Retrieved
2438:
2419:
2413:
2402:. Retrieved
2398:
2375:
2367:
2357:
2349:
2339:
2331:
2319:
2309:
2301:
2292:
2282:
2252:
2240:
2220:
2201:, in Ghana,
2186:
2177:
2160:
2150:
2143:
2134:
2121:
2101:
2077:
2064:
2055:
2047:
2038:Edvard Munch
2026:
2005:
1992:Henrik Ibsen
1987:
1983:
1980:
1971:
1957:
1953:
1947:
1935:
1926:Wolf Vostell
1922:Dick Higgins
1903:
1894:
1885:
1872:
1858:
1848:
1834:Neo-concrete
1831:
1822:
1810:
1789:Jasper Johns
1780:
1776:
1775:’s painting
1769:
1752:Paul Delvaux
1732:Marc Chagall
1721:
1691:
1682:
1668:
1658:
1638:
1621:
1604:Diego Rivera
1601:
1585:
1575:
1565:
1525:
1524:
1521:
1500:
1482:
1477:
1466:
1448:
1445:, Oren Sagiv
1440:
1431:
1420:
1402:
1397:
1389:
1378:
1354:
1345:
1340:
1329:
1311:
1306:
1295:
1277:
1268:
1263:
1252:
1231:
1220:
1202:
1194:
1183:
1162:
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649:
632:Sérgio Ferro
628:
614:
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587:Aracy Amaral
583:
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27:Art biennial
3821:1951 in art
3790: /
3703:Anima Mundi
3662:Praça da Sé
3549:Rua Augusta
3466:Via Funchal
3241:Museums and
3114:Luz Station
2399:ARTnews.com
2241:Due to the
2205:, in Peru,
2013:Lygia Clark
1960:(1987), by
1918:Ben Vautier
1906:performance
1851:Andy Warhol
1793:Andy Warhol
1665:Lygia Clark
1501:33nd Bienal
1467:32nd Bienal
1443:Galit Eilat
1421:31st Bienal
1379:30th Bienal
1330:29th Bienal
1296:28th Bienal
1253:27th Bienal
1221:26th Bienal
1184:25th Bienal
1147:24th Bienal
1110:23rd Bienal
1078:22nd Bienal
1044:21st Bienal
1010:20th Bienal
960:19th Bienal
928:18th Bienal
881:17th Bienal
826:16th Bienal
777:15th Bienal
740:14th Bienal
694:13th Bienal
650:12th Bienal
615:11th Bienal
570:10th Bienal
143:Hélio Uchôa
74:Inaugurated
60:Location(s)
44:, focus on
3805:Categories
3778:46°39′14″W
3775:23°35′17″S
3504:Bom Retiro
3023:Marco Zero
2526:2024-01-30
2501:2024-01-10
2476:2022-09-09
2449:2022-09-08
2404:2021-03-28
2274:References
2068:Alfons Hug
1920:sleeping,
1863:Palm trees
1777:O presente
1714:Surrealism
1433:Curators:
1235:Alfons Hug
1198:Alfons Hug
533:9th Bienal
487:8th Bienal
441:7th Bienal
406:6th Bienal
374:5th Bienal
334:4th Bienal
294:3rd Bienal
254:2nd Bienal
222:1st Bienal
216:Countries
167:Alfons Hug
107:Portuguese
3578:Parks and
3534:Liberdade
3489:Aclimação
3057:Buildings
3001:landmarks
2992:São Paulo
2770:Manifesta
2740:Documenta
2594:biennales
2092:Monochrom
1984:Suz/O/Suz
1910:happening
1859:TV Garden
1839:Kandinsky
1748:Paul Klee
1736:Joan Miró
1728:Max Ernst
1574:’s first
1391:Curator:
182:São Paulo
64:São Paulo
52:Frequency
3394:Stadiums
2745:Estuaire
2293:Artforum
2257:See also
2207:Santiago
2088:Austrian
1740:Jean Arp
1588:Guernica
210:Artists
42:Biennale
3529:Jardins
2895:Oceania
2809:Venice
2790:Netmage
2551:Website
2545:Website
1785:Pop Art
1744:Man Ray
1649:Tachism
121:History
82:Website
3696:Events
3499:Bixiga
2932:Online
2698:Europe
2601:Africa
2426:
2211:Cuiabá
2090:group
2080:Taiwan
1669:Bichos
1643:icon,
1526:Bienal
213:Works
201:Title
178:Brazil
68:Brazil
3524:Japão
2203:Lamas
2199:Accra
1990:, by
1962:Tunga
1412:3796
1175:1140
1138:1181
1069:1028
1035:1824
1001:1740
951:1674
919:1650
872:1766
731:1579
685:2484
641:2459
606:2572
561:4638
524:4054
478:4131
432:4990
397:3804
365:3800
325:2074
285:3374
245:1854
204:Date
38:Genre
2627:Asia
2424:ISBN
2166:and
2015:and
1813:AI-5
1799:and
1758:and
1673:USSR
1610:and
1522:34th
1492:415
1409:111
1370:850
1367:159
1287:645
1284:118
1244:400
1241:141
1212:546
1209:194
1172:326
1135:134
1101:972
1098:206
1066:144
1032:143
998:215
948:214
916:187
869:213
817:302
814:158
768:476
765:302
728:280
682:468
638:351
603:446
558:956
521:653
475:625
429:681
394:689
362:599
322:463
282:712
242:729
141:and
101:The
77:1951
2225:by
1667:’s
1495:33
1489:81
1461:34
1458:81
1455:69
1415:31
1373:40
1324:20
1321:54
1318:41
1290:51
1247:61
1215:68
1178:54
1141:75
1104:70
1072:32
1038:41
1004:53
954:45
922:43
875:32
820:43
771:36
734:43
688:49
644:57
609:53
564:63
527:54
481:55
435:50
400:47
368:43
328:31
288:33
248:25
3807::
2519:.
2494:.
2467:.
2397:.
2385:^
2291:.
2040:.
2019:.
2011:,
1998:.
1795:,
1791:,
1762:.
1754:,
1750:,
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2452:.
2432:.
2407:.
2380:.
2362:.
2344:.
2314:.
2295:.
2197:(
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105:(
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