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156:. The tones of brown and gold are used to illustrate the body, and a rocky niche is depicted in the shady portion. His brighter body contrasts with the darker environment of the painting. In the foreground, the focus is on a stony, dangerous, dark, and mossy cave with a shady entrance covered by twisted grapevines. Inside the cave, several possessions of the saint are represented, including a
2306:
1890:
492:, an American industrialist, financier, and art patron. Frick had acquired the painting even though he had little interest in religious paintings, but he valued this painting for its extensive landscape. The painting remains in the Frick Collection and is considered one of its finest assets. The painting is in excellent condition. The painting was included in the
176:, looking upwards at paradise with widely opened arms and heaving chest. The rocks around him in the painting are converting into a stream, implying that his life has just transformed. In the painting, a mystical light is showered over St. Francis; he seems to be absorbing this light and spreading it throughout the entire painting.
171:
is dynamic, sparkling, and bright blue. From the uppermost left edge, the light is falling, making its way inside the scenery. There is an illuminated feel arising from the whole painting, and a sense of rays originating from stones and green fields, making it seem as if, through the holiness of St.
200:
on a small, creased tag visible in the lower-left corner. The original size of the painting was cut-down from the top side; this is evident because the painting continues completely to the end of the panel. However, the original painting would not be much larger than the present by estimation.
160:, desk, hermit's skull, a thorny crown, and a crucifix made of stems. Although the scene is rocky, it does not look infertile. In the center and the background of this painting is a walled hill with growing fields, a bridge over a running waterway, a coastal bird similar to a gray heron, a
256:
at monasteries, as the painting shows; however, this painting is likely a symbolic representation of the saint. The animals in the picture may represent the saint's love for nature and animals. The
Ecstasy of St. Francis is depicting Francis in a
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477:’s dialect poem, after Boschini saw the painting in Giulio Guistiniani’s palace. At the end of the eighteenth century, the picture still remained in the Cormaro Palace, according to Abbate Lanzi. The painting might have left
1247:
140:. The oil painting by Bellini has a length of approximately four feet with a width of around four and a half feet, depicting a natural, but dramatic scene. This painting includes one of the largest and most extensive
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suggested though, when
Francis is receiving the stigmata, usually an angel, a seraph or a crucifix emitting rays is depicted as well. Alternatively, he may be praying or perhaps singing his
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for the first time at some point between 1796 and 1852. It was offered for sale at
Christie’s on 19 June 1852 and claimed to have originally been made for "a convent in the Milanese."
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136:, the Italian saint of the early 13th century, in an Italian landscape, stepping out in the sun from his cave, his figure anchoring the creamy celadon and golden-green
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245:. Bellini envisioned the stigmatization as a moment of human transformation into the divine. The sun's rays shine on St. Francis, symbolizing him as a Seraph-
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The painting contains a strong effect of mystical light through the use of golden rays coming from the uppermost left corner of the painting, showering over
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is a religious song that appreciates God's creation of nature. The overall message displayed conveys
Bellini's praises of the kingdom of God's creation.
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Whatever the specific moment portrayed may be, the representation is a fresh one and does not follow any of the established iconographic motifs.
164:, as well as a shepherd looking at his flock grazing. The landscape depicts a transformation into spring through the inclusion of growing grass.
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Francis, the world is being illuminated. The painting depicts St. Francis having come out of his cave in a brown traditional robe, standing
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213:, Art Masters and Conservators, the painting had evidence of underdrawings. The major findings such as compositional modifications,
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in the 1480s. Taddeo
Contarini acquired the painting after Zuan Michiel's death. In 1660, Bellini's St. Francis was mentioned in
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that open at the dawn and fade away at day's end. The small garden contains various types of medicinal plants, such as
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437:. The overall composition is thought to be a meditation of St. Francis on the creation of the world as related in the
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Francis lived under poor conditions during his later life and ministry and participated in isolated spiritual
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Bellini became sophisticated in his painting skill in the fifteenth century, the culmination of which is the
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709:. Gardner, Helen, 1878-1946. (13th, Backpack ed.). Boston, Mass.: Wadsworth Cengage Learning.
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A similar suggestion is made by
Anthony F. Janson, "The meaning of the landscape in Bellini's
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Gardner's art through the ages. Book C, Renaissance and
Baroque : the western perspective
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and humility. The painting represents not only the "stigmatization", but also the song,
225:. Though it has been cut down, it has otherwise been well-cared for since its creation.
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344:. One of two fig trees is on the right-hand side of Saint Francis as leaves begin to
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In the left middle-ground is a donkey which can be interpreted as a symbol of
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124.6 cm Ă— 142 cm (49.1 in Ă— 56 in)
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surrounded by fruit. Each tiny flower represents St. Francis as he embraced
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in front of the sun, which indicates the suffering image of the
Seraphim.
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for detailed cleaning and highly technical assessment of this painting by
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112:. It was part of the 1857 Manchester Art Treasures exhibition. In 1915,
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The Dead Christ
Supported by the Virgin Mary and St John the Evangelist
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297:. In the lower right corner on a rustic reading table is a skull,
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857:"The Joy of St. Francis: Bellini's Panel in the Frick Collection"
690:"Colin B. Bailey on Giovanni Bellini's St. Francis in the Desert"
579:"Cocktails with a Curator: Bellini's "St. Francis in the Desert""
1814:
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779:(1994:40ff); he suggests that the landscape is redolent of the
666:"Giovanni Bellini's "St. Francis in the Desert" FLORA (silent)"
237:. The moment being depicted in the painting is Saint Francis's
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in a landscape. In 1852, the painting was listed on June 19 at
1560:
Madonna and Child with St. John the
Baptist and a Female Saint
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1428:
Madonna and Child with Saint Mary Magdalene and Saint Ursula
987:
In a New Light: Giovanni Bellini's St. Francis in the Desert
912:"The Frick Collection's Colin Bailey on Giovanni Bellini's
855:
Marilyn Aronberg, Lavin; Liu, Jinyu; Gitner, Adam (2007).
527:
The Frick Collection's Colin Bailey on Giovanni Bellini's
742:"culturalinstitute/asset-viewer/st-francis-in-the-desert"
348:
from a branch of the tree. The second fig tree is on the
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bought the painting for $ 170,000, and it remains in the
488:, displayed prominently in what was the living room of
1442:
Madonna and Child with the Infant St. John the Baptist
1400:
Madonna and Child with Saint Peter and Saint Sebastian
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Bellini and Giorgione in the House of Taddeo Contarini
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In 1915, the painting entered the Frick Collection in
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Enthroned Madonna Adoring the Sleeping Christ Child
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1713:Portrait of Fra Teodoro of Urbino as Saint Dominic
2120:Quatre petites prières de saint François d'Assise
985:Rutherglen, Susannah and Hale, Charlotte, et al.
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1685:Saints Christopher, Jerome and Louis of Toulouse
815:"The Provenance of Bellini's Frick 'St Francis"
1982:Nativity with Saint Francis and Saint Lawrence
794:Janson's History of Art: The Western Tradition
100:) is a painting by Italian Renaissance master
1826:
1038:
1004:De Vecchi, Pierluigi; Elda Cerchiari (1999).
301:, welcomed in the last stanza of the saint's
285:Detail-Skull-Saint Francis in Ecstasy-Bellini
8:
1640:Madonna and Child with Four Saints and Donor
890:. New York, NY: Pegasus Books. p. 325.
469:Zuan Michiel commissioned Bellini to create
1738:Martyrdom of Saint Maurice and his Comrades
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792:Horst Woldemar Janson, Anthony F. Janson,
20:
1306:Madonna Adoring the Sleeping Christ Child
441:. In the distance rises the still-empty
2247:List of places named after Saint Francis
1633:The Assassination of Saint Peter Martyr
989:. The Frick Collection, New York, 2015
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325:behind and stands barefoot like Moses.
305:. The cave may relate Francis to Saint
1706:Naked Young Woman in Front of a Mirror
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433:In the distance rises the still-empty
1942:Feast of Saints Francis and Catherine
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192:.The painting shows the influence of
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2038:Saint Francis Receiving the Stigmata
2014:Saint Francis Receiving the Stigmata
1741:(illuminated manuscript; attributed)
1364:Saint Jerome Reading in a Landscape
1232:Dead Christ Supported by Two Angels
1132:Dead Christ Supported by Two Angels
644:"A Shared Moment of Transformation"
2054:Saint Francis of Assisi in Ecstasy
2006:Saint Francis of Assisi in Ecstasy
14:
2340:Paintings in the Frick Collection
2081:All Creatures of Our God and King
1553:Portrait of Doge Leonardo Loredan
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1626:St. Mark Preaching in Alexandria
1508:Lamentation over the Dead Christ
1008:. Vol. 2. Milan: Bompiani.
612:. Abbeville press. p. 112.
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321:. The saint has left his wooden
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205:was directed towards Art Museum
29:
1240:Dead Christ Supported by Angels
1225:The Head of St John the Baptist
1197:Saint Vincent Ferrer Altarpiece
2345:Paintings of Francis of Assisi
1604:Portrait of the Loredan Family
1435:Portrait of a Young Man in Red
1:
2330:Paintings by Giovanni Bellini
2292:Pranchiyettan & the Saint
1964:Little Flowers of St. Francis
688:The Frick Collection (2010).
664:The Frick Collection (2011).
494:1857 Manchester Art Treasures
366:, that St. Francis composed.
328:On the green banks are a few
1878:Third Order of Saint Francis
608:Tempestini, Anchise (1999).
1990:Saint Francis in Meditation
1678:Virgin in Glory with Saints
1464:Portrait of a Young Senator
1378:Madonna of the Red Cherubim
2376:
2181:The Flowers of St. Francis
1886:
1407:Madonna of the Small Trees
1161:Madonna and Child Blessing
1139:Presentation at the Temple
449:, a deserted place in the
2301:
2285:The Sermon of St. Francis
1801:
1478:Portrait of a Condottiero
1341:Transfiguration of Christ
1168:The Blood of the Redeemer
1060:
914:St. Francis in the Desert
703:Kleiner, Fred S. (2010).
539:
529:St. Francis in the Desert
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511:
445:. Francis took refuge in
97:St. Francis in the Desert
28:
2274:Society of Saint Francis
2205:Brother Sun, Sister Moon
2157:(1983 Stockhausen opera)
1873:Secular Franciscan Order
1862:Custody of the Holy Land
1647:The Continence of Scipio
1582:St. Jerome in the Desert
1356:St. Jerome in the Desert
1269:Portrait of Georg Fugger
1078:St. Jerome in the Desert
886:Hamilton, James (2015).
261:, perhaps receiving the
235:Saint Francis In Ecstasy
203:Saint Francis in Ecstasy
186:Saint Francis in Ecstasy
2269:Prayer of Saint Francis
2146:Saint François d'Assise
2088:The Canticle of the Sun
1998:Saint Francis in Prayer
1590:San Zaccaria Altarpiece
1574:Portrait of a Young Man
1531:Portrait of a Young Man
1516:Portrait of a Young Man
1449:Portrait of a Young Man
1218:Triptych of the Madonna
1211:San Sebastiano Triptych
819:The Burlington Magazine
648:The Wall Street Journal
642:Esplund, Lance (2011).
2311:Catholicism portal
2062:St. Francis in Ecstasy
2046:St. Francis in Ecstasy
1500:Circumcision of Christ
1387:(New York, late 1480s)
1334:Portrait of a Humanist
1327:Resurrection of Christ
1313:St. Francis in Ecstasy
813:J.M, Fletcher (1972).
773:St. Francis in Ecstasy
577:The Frick Collection.
340:or Jacob's staff, and
299:representing mortality
286:
132:The painting portrays
91:St. Francis in Ecstasy
24:St. Francis in Ecstasy
2149:(1983 Messiaen opera)
1926:Nativity scene (live)
1858:Order of Friars Minor
1692:The Feast of the Gods
1393:San Giobbe Altarpiece
591:Rutherglen and Hale,
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167:In the painting, the
106:St. Francis of Assisi
16:15th century painting
2057:(studio of El Greco)
1921:Sanctuary of Greccio
1868:Order of Saint Clare
1764:Venetian Renaissance
1757:San Zaccaria, Venice
1546:Head of the Redeemer
1414:Barbarigo Altarpiece
1204:San Lorenzo Triptych
861:Artibus et Historiae
777:Artibus et Historiae
411:Stigmata, Right Hand
190:Antonello da Messina
2197:Francesco di Assisi
2138:Nobilissima Visione
1905:Canticle of the Sun
1699:Drunkenness of Noah
1618:Sacred Conversation
1125:Agony in the Garden
796:"Giovanni Bellini".
369:Canticle of the Sun
363:Canticle of the Sun
272:Canticle of the Sun
241:on the mountain of
2253:Madonna of Foligno
2115:(Reulein oratorio)
1611:The Infant Bacchus
1576:(Royal Collection)
1177:(Milan, 1460–1465)
888:A Strange Business
833:– via JSTOR.
781:Heavenly Jerusalem
443:Heavenly Jerusalem
435:Heavenly Jerusalem
387:Head of St Francis
287:
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2229:Clare and Francis
2189:Francis of Assisi
2154:Samstag aus Licht
1842:Francis of Assisi
1808:
1807:
1760:(1995 photograph)
1670:Madonna and Child
1662:Madonna and Child
1654:Madonna and Child
1597:Madonna del Prato
1539:Baptism of Christ
1385:Madonna and Child
1320:Contarini Madonna
1298:Madonna and Child
1283:Madonna and Child
1262:Pesaro Altarpiece
1190:Nativity Triptych
1175:Madonna and Child
1086:Madonna and Child
1006:I tempi dell'arte
897:978-1-60598-870-2
716:978-0-495-79456-1
558:
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259:religious ecstasy
134:Francis of Assisi
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1956:Literature about
1947:World Animal Day
1898:Works by Francis
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1794:(brother-in-law)
1567:Martinengo PietĂ
1154:Frizzoni Madonna
1054:Giovanni Bellini
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114:Henry Clay Frick
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42:Giovanni Bellini
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1371:Alzano Madonna
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1349:Willys Madonna
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1276:Lochis Madonna
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1255:Lehman Madonna
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2104:LĂ©gende No. 1
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2022:SĂŁo Francisco
2019:
2016:
2015:
2011:
2008:
2007:
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1063:List of works
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154:Saint Francis
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122:New York City
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32:
27:
22:
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2355:Books in art
2350:Birds in art
2290:
2279:Pope Francis
2251:
2232: (2007)
2227:
2224: (2002)
2219:
2216: (1989)
2211:
2208: (1972)
2203:
2200: (1966)
2195:
2192: (1961)
2187:
2184: (1950)
2179:
2176: (1918)
2171:
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2052:
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2020:
2012:
2009:(Caravaggio)
2004:
2001:(Caravaggio)
1996:
1993:(Caravaggio)
1988:
1985:(Caravaggio)
1980:
1962:
1755:
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1584:(Washington)
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1518:(Washington)
1515:
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1485:Annunciation
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1123:
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1080:(Birmingham)
1077:
1005:
986:
975:
957:. Retrieved
954:Khan Academy
950:Smarthistory
943:
936:
924:. Retrieved
913:
906:
887:
881:
864:
860:
850:
839:
822:
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793:
788:
776:
772:
750:. Retrieved
746:the original
705:
698:
647:
609:
595:, pp. 78-79.
592:
587:
553:Smarthistory
547:
528:
496:exhibition.
483:
470:
468:
432:
367:
361:
327:
319:Burning Bush
315:great spring
302:
288:
277:
270:
251:
234:
232:
215:fingerprints
207:Metropolitan
202:
197:
185:
183:
166:
151:
144:landscapes.
131:
96:
95:
90:
89:
88:
60:Oil on panel
18:
2221:St. Francis
2112:Laudato si'
2025:(Gonçalves)
1533:(Liverpool)
1110:Crucifixion
959:20 February
944:St. Francis
942:"Bellini's
926:20 February
752:12 February
548:St. Francis
471:St. Francis
148:Description
142:Renaissance
2324:Categories
2173:Frate Sole
2065:(Zurbarán)
2041:(van Eyck)
2033:(Zurbarán)
2030:St Francis
1974:Visual art
1720:Deposition
1510:(Florence)
1471:Allegories
1358:(Florence)
561:References
546:Bellini's
465:Provenance
211:Scientists
174:barefooted
110:Christie's
66:Dimensions
2264:Discalced
2213:Francesco
2091:(Sowerby)
2049:(Bellini)
1788:(brother)
1656:(Detroit)
1104:(Bergamo)
1070:Paintings
725:318536109
451:Apennines
429:Landscape
330:bindweeds
229:Symbolism
223:Giorgione
180:Materials
158:Holy Book
138:landscape
2287:" (poem)
2096:Le Laudi
2017:(Giotto)
1782:(father)
1620:(Madrid)
1343:(Naples)
1285:(Verona)
1242:(Rimini)
1234:(Berlin)
1096:(Venice)
873:20067174
313:and the
303:Canticle
295:patience
291:humility
263:stigmata
254:retreats
247:Crucifix
243:La Verna
82:New York
74:Location
2240:Related
2106:(Liszt)
1914:Created
1749:Related
1451:(Paris)
1148:(Paris)
1119:(Milan)
1088:(Pavia)
972:Sources
459:Tuscany
376:Details
354:poverty
342:juniper
338:mullein
323:pattens
128:Subject
51:c. 1480
1935:Honors
1773:Family
1664:(Rome)
1012:
922:. 2010
894:
871:
831:876969
829:
723:
713:
616:
479:Venice
455:Areezo
399:Donkey
358:prayer
346:sprout
307:Jerome
219:Titian
162:donkey
56:Medium
38:Artist
2165:Films
2130:Stage
2073:Music
1730:Other
1503:*
1117:PietĂ
1102:PietĂ
869:JSTOR
827:JSTOR
350:cliff
334:orris
311:Moses
265:, as
120:, in
1010:ISBN
961:2013
928:2013
892:ISBN
754:2015
721:OCLC
711:ISBN
614:ISBN
423:Hare
336:and
293:and
221:and
94:(or
48:Year
952:at
823:114
775:",
184:In
169:sky
2326::
948:.
918:.
865:28
863:.
859:.
821:.
817:.
801:^
762:^
733:^
719:.
674:^
656:^
646:.
628:^
600:^
569:^
551:,
532:,
461:.
457:,
356:,
124:.
80:,
2283:"
2083:"
2079:"
1864:)
1860:(
1834:e
1827:t
1820:v
1046:e
1039:t
1032:v
1018:.
963:.
946:"
930:.
916:"
900:.
875:.
783:.
756:.
727:.
692:.
668:.
650:.
622:.
581:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
