130:...I see its faults very plainly, as plainly as you may see them, but still I do not feel apologetic about this play. Unskilled and awkward as I was at this initial period of my playwriting, I certainly had a moral earnestness which I cannot boast of today, and I think that moral earnestness is a good thing for any times, but particularly for these times. I wish I still had the idealistic passion of Benjamin Murphy! You may smile as I do at the sometimes sophomoric aspect of his excitement, but I hope you will respect, as I do, the purity of his feeling and the honest concern which he had in his heart for the basic problem of mankind, which is to dignify our lives with a certain freedom.
95:. Both plays show the robotic typing of office workers, both have a scene of divine intervention and another set by a lake, and both make use of generically named characters (Rice's male lead is "Mr. Zero"; Williams' female lead is "Girl"; Rice has Messrs. One, Two, Three, etc.; Williams' has Messrs. P, D, Q, T).
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The subtitle of the play (and of the earlier story) is "A Prayer for the Wild of Heart That are Kept in Cages"; though that phrase conveys the seriousness of the playwright's chosen topic, its treatment, particularly the elements not present in the original story (such as the
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In "Random
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The
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69:, in his introduction to a 2000
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667:Screenplays
624:collections
622:Short story
540:Vieux Carré
412:Camino Real
109:protagonist
67:Allean Hale
44:factory in
1080:1941 plays
1074:Categories
356:Auto-da-Fé
264:Chichester
215:2024-07-16
182:2024-07-16
158:2024-07-16
135:References
93:Elmer Rice
27:apprentice
830:Baby Doll
699:Baby Doll
299:Works by
210:0261-3077
767:" (1947)
760:" (1947)
254:Guardian
233:The Swan
54:ending.
1052:Related
500:Out Cry
1044:(2003)
1036:(1995)
1028:(1990)
1020:(1989)
1012:(1984)
1004:(1984)
996:(1976)
988:(1974)
980:(1973)
972:(1966)
964:(1966)
956:(1958)
937:(2008)
929:(1987)
921:(1970)
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833:(1956)
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784:(1956)
775:Poetry
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678:(1950)
659:(1974)
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308:Plays
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206:ISSN
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117:war
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