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The book was very well received by German critics, who in many cases treated it as the pinnacle of Benn's poetry. The dominant view of German critics in the 1950s was that Benn had created his own path within
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during his late period, when he became more interested in the poetic. According to Martin
Travers, Heidegger was especially influenced by
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was a dead end, whereas Benn's poetry after it influenced the next generation of German poets, the
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573:(1948) and the Final 'Turn' towards the Poetic in the Work of Martin Heidegger".
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The Modern
Restoration: Re-thinking German Literary History 1930-1960
117:) is a 1948 poetry collection by the German writer
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569:Travers, Martin (2010). "Gottfried Benn's
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523:and 1957 essay "Das Wesen der Sprache".
356:St. Petersburg – Mitte des Jahrhunderts
16:1948 poetry collection by Gottfried Benn
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212:Am Saum des nordischen Meer's
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519:in his 1949 essay collection
340:Henri Matisse: „Asphodèles“
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220:Tag, der den Sommer endet
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619:Poetry by Gottfried Benn
576:German Life and Letters
348:Ist das nicht schwerer
540:Davies, Peter (2004).
425:Leben – niederer Wahn
482:and culminating with
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548:. pp. 194–195.
149:Ach, das ferne Land
125:'s late philosophy.
486:. An exception was
462:Statische Gedichte
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20:Statische Gedichte
571:Statische Gedichte
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509:Statische Gedichte
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497:, who argued that
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433:Ach, das Erhabene
292:Gärten und Nächte
276:Wenn etwas leicht
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308:Ein später Blick
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511:influenced
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300:Sils-Maria
82:Switzerland
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603:Categories
527:References
503:Neue Lyrik
402:Der Traum
395:Suchst Du
260:September
136:Previously
469:Reception
455:Die Form
448:Abschied
284:Ein Wort
209:1930–1933
201:1920–1940
189:Gedichte
170:1945–1946
154:1945–1946
146:1941–1944
138:published
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521:Holzwege
440:Sommers
409:Anemone
157:Quartär
129:Contents
44:Language
252:Astern
196:Bilder
165:Chopin
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181:Verse
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47:German
34:Author
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236:Dann
87:Pages
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550:ISBN
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103:lit.
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