268:
opponent. Steibelt was given
Beethoven's Piano Sonata in Bb Major, Op. 22, which did earn him some considerable applause. However, Steibelt proceeded to bend the rules and handed Beethoven a Sonata for Cello and Piano instead of just a Piano composition. This did not faze Beethoven at all, as he simply took the score, placed it upside down, and read it backward. He then began improvising on the inversed themes for about 30 minutes, causing Steibelt to furiously storm out before Beethoven had finished. Ries stated that Steibelt had "made it a condition that Beethoven was not to be invited where his own company was desired".
702:
36:
133:
318:, a grand fantasy for piano dedicated to the Russian nation. Steibelt generally ceased performing in 1814 but returned to the platform for his Concerto No. 8, which premiered on March 16, 1820, in Saint Petersburg, and is notable for its choral finale. This was four years before Beethoven's unconventional
258:
was written 37 years later; Ries did not attend it and became only later a student and friend of
Beethoven. The duel between Steibelt and Beethoven consisted of multiple rounds as different assessments of each player's skill. The first round was a prepared playing of someone else's composition. For
286:
narrowly escaped a bomb attack. Steibelt had just published one of his most accomplished sonatas, which he had dedicated to
Bonaparte's wife, Josephine. After a second stay in England from March 1802 to March 1805, Steibelt returned to the continent, gave concerts in Brussels (April 1805), and was
271:
Following this supposed public humiliation
Steibelt ended his tour. (The date of his departure from Vienna is not known, while Beethoven did leave Vienna at the end of April or the beginning of May: he played in Buda, Hungary, on 7 May.) Steibelt went again to Paris, where he organized the first
267:
piece. The next round of competition involved each player improvising over a theme supplied by their opponent. According to Ries, Beethoven won the first two rounds with ease. The third and final round secured
Beethoven's victory. Each player was to sightread a newly written piece from their
346:
Besides his dramatic music, Steibelt left behind him an enormous number of compositions, mostly for the piano. His playing was said to be brilliant, though lacking the higher qualities which characterized that of such contemporaries as
359:
describes him as "extraordinarily vain, arrogant, discourteous, recklessly extravagant and even dishonest." Such harsh moral judgements are justified by some of the facts of
Steibelt's life as they have come down to us.
961:
986:
981:
722:
356:
951:
717:
899:
936:
905:
Eight
Sonatas of Daniel Steibelt mostly first time recorded in the sound of a period Johann Schantz Pianoforte (1790) and a modern grand piano at
861:
882:
Karen A. Hagberg: "Daniel
Steibelt's Cendrillon: a critical edition with notes on Steibelt's life and works" (diss.Eastman School of Music,1975)
230:, which became very popular. In the following year Steibelt started on a professional tour in Germany; and, after playing with some success in
946:
966:
931:
479:
Concerto No. 7 for Piano and
Orchestra in E minor "Grand concerto militaire dans le genre grec", with 2 orchestras, (Paris ed. 1818)
175:. After deserting, he began a nomadic career as a pianist before settling in 1790 in Paris, where he attained great popularity as a
147:
20 September] 1823) was a German pianist and composer. His main works were composed in Paris and in London, and he died in
119:
53:
941:
100:
956:
57:
72:
976:
144:
311:
79:
319:
46:
86:
338:(1904). Steibelt died in Saint Petersburg on 20 September 1823 (2 October N.S.), following a prolonged illness.
971:
677:
Etudes op.78, Nos. 10, 11, 24, 26, 30, 31, 33, Anna
Petrova-Forster, piano (Toccata Classics, TOCN0005, 2021)
335:
260:
68:
314:
as director of the French Opera in 1811. He remained there for the rest of his life. In 1812, he composed
251:
895:
869:
476:
Concerto No. 6 for Piano and Orchestra in G minor "Le voyage au mont Saint-Bernard" (Paris edition 1817)
348:
303:
204:
879:
Gottfried Müller: "Daniel Steibelt: Sein Leben und seine Klavierwerke (Leipzig and Zurich, 1933/R1973)
671:
Fantaisie and Variations on two Russian themes, Anna Petrova-Forster (Forgotten Records, fr 32P, 2015)
926:
921:
288:
278:
247:
215:
152:
814:
355:. Despite this, his playing and compositional skills enabled him to build a career across Europe.
635:
207:
in 1793. This is held by many to be his most original and artistically successful composition.
168:
93:
707:
One or more of the preceding sentences incorporates text from a publication now in the
331:
307:
188:
148:
873:
885:
Eliza (2012-08-26). "Daniel Gottlieb Steibelt (1765-1823) | Biography, Music & More"
661:, from his Concerto No. 3, Anna Petrova-Forster, piano (Forgotten Records, fr 32P, 2015)
644:
Etudes, Op. 78 (Nos. 50, 32 and 3), Anna Petrova-Forster, piano (Gega New, GD 362, 2013)
607:
Variations on two Russian Folksongs, Irina Ermakova, piano (Arte Nova ANO 516260, 1996)
455:
Concerto No. 3 for Piano and Orchestra in E "L'orage" (created in 1798; Paris ed. 1799)
352:
323:
255:
214:, where his piano playing attracted great attention. In 1797 he played in a concert of
200:
915:
713:
708:
172:
641:
Sonata in C minor, Op. 6 No. 2, Anna Petrova-Forster, piano (Gega New, GD 362, 2013)
617:
Grand Sonata in E-flat major, dedicated to Madame Bonaparte, Daniel Propper, piano (
273:
264:
180:
830:
751:
674:
Sonata in G major, Op. 64, Anna Petrova-Forster (Forgotten Records, fr 32P, 2015)
35:
647:
Sonata in D major, Op. 82, Anna Petrova-Forster, piano (Gega New, GD 362, 2013)
544:
36 bacchanals and 12 divertissements for Piano, tambourine and triangle ad lib.
327:
282:, which took place on 24 December 1800 at the Opera House. On his way to it,
132:
283:
219:
176:
726:. Vol. 25 (11th ed.). Cambridge University Press. p. 870.
17:
299:, whose première was attended by Napoleon in person (4 February 1806).
235:
231:
227:
571:
16 sonatas for piano 4 hands (at least 6 of them are apocryphal works)
243:
239:
211:
164:
752:"Daniel Gottlieb Steibelt (1765-1823) | Biography, Music & More"
423:, 3 acts, opera (1810) (This is most likely not a work by Steibelt.)
322:
and was the only piano concerto ever written (excluding Beethoven's
638:, dir. Michael Alexander Willens (Ars Produktion, ARS 38 108, 2012)
449:
Concerto No. 1 for Piano and Orchestra in C (Paris edition in 1794)
192:
131:
842:
As an example, Steibelt's kleptomania is documented in Norvins's
906:
668:, Anna Petrova-Forster, piano (Forgotten Records, fr 32P, 2015)
29:
866:
488:"with bacchanalian rondo, acc. chorus" (1820), not published.
287:
back in Paris in Summer. He celebrated Napoleon's triumph at
574:
Descriptive pieces (Triumph, sieges, marches funebres ... )
452:
Concerto No. 2 for Piano and Orchestra in E minor (1796?)
654:, Anna Petrova-Forster, piano (Gega New, GD 362, 2013)
473:"À la chasse" Op. 64 (created in 1802; Paris ed. 1805)
143:(22 October 1765 – 2 October [
210:Steibelt began to share his time between Paris and
60:. Unsourced material may be challenged and removed.
772:Daniel Steibelt, Sein Leben und seine Klavierwerke
859:Frank Dawes a.o.. "Steibelt, Daniel (Gottlieb)",
634:Grand concerto for harp, Masumi Nagasawa, harpe,
511:3 Quintets for Piano and Strings, Op. 28 (1797)
505:Rondo favorite, for violin or flute, and guitar
397:La Belle Laitière, ou Blanche Reine de Castille
171:before being forced by his father to join the
538:6 duos for Piano and Harp (or for two pianos)
8:
627:, a grand fantasia, Daniel Propper, piano (
610:Sonata in E major, Hiroko Sakagami, piano (
482:Concerto No. 8 for Piano and Orchestra in E
467:Concerto No. 5 for Piano and Orchestra in E
458:Concerto No. 4 for Piano and Orchestra in E
246:, where he is reported to have challenged
900:International Music Score Library Project
612:Hans Georg Nägeli, publisher and composer
242:, he arrived at the end of March 1800 at
151:, Russia. He once challenged and lost to
120:Learn how and when to remove this message
962:German expatriates in the Russian Empire
865:, ed. L. Macy (accessed 27 April 2006),
695:
693:
691:
687:
263:composition, and Steibelt performed a
987:Composers from the Kingdom of Prussia
631:, Forgotten Records, fr 16/17P, 2012)
621:, Forgotten Records, fr 16/17P, 2012)
199:, which was later highly regarded by
7:
517:3 Duos for Violin and Guitar, Op. 37
330:'s 6th concerto, Op. 192 (1858) and
250:to a trial of skill at the house of
58:adding citations to reliable sources
846:, Paris, 1896-1897, vol. I, ch XIV.
805:, Bruxelles, Brepols, 1965, p. 177.
514:6 String Quartets, op. 34 (ca 1799)
982:19th-century German male musicians
831:New York Weekly Review, Volume 13.
25:
952:German Classical-period composers
535:115 duos for piano and violin (?)
326:) with a part for a chorus until
700:
584:4) Methode de Pianoforte (1805)
520:3 String Quartets, Op. 49 (1800)
508:3 String Quartets, Op. 17 (1796)
34:
736:Hector Berlioz, article in the
526:1 Quartet for Piano and Strings
45:needs additional citations for
937:German male classical pianists
896:Free scores by Daniel Steibelt
529:26 trios for piano and strings
191:. Also in Paris, his dramatic
1:
652:Le voyage au Mont St. Bernard
494:Ouverture en Symphonie (1796)
650:Concerto in G minor, No. 6,
532:6 trios for harp and strings
254:. The oft-quoted account by
947:German male opera composers
625:The Conflagration of Moscow
316:The Conflagration of Moscow
226:characterized by extensive
27:German pianist and composer
1003:
629:Echoes of the Battlefields
619:Echoes of the Battlefields
364:Selected list of his works
302:In 1808 he was invited by
284:the First Consul Bonaparte
218:. In 1798 he produced his
967:18th-century keyboardists
932:German classical pianists
783:G.Müller, op. cit., p.97.
547:77 sonatas for piano solo
312:François-Adrien Boieldieu
167:, and studied music with
792:G.Müller, op. cit., p.47
523:3 Violin Sonatas, Op. 69
433:La Princesse de Babylone
259:this Beethoven played a
222:No. 3 in E containing a
187:, which he composed for
141:Daniel Gottlieb Steibelt
723:Encyclopædia Britannica
597:30 songs, Op. 10 (1794)
568:25 series of variations
559:12 caprices or preludes
942:German opera composers
876:(subscription access).
803:Napoléon et la musique
393:, 3 acts ballet (1804)
252:Count Moritz von Fries
203:, was produced at the
137:
957:Musicians from Berlin
907:resampled.de/steibelt
602:Selective discography
565:2 series of serenades
435:, 3 acts opera (1812)
429:, 3 acts opera (1810)
409:La Fête de l'Empereur
391:Le jugement du Berger
387:, 1 act ballet (1802)
163:Steibelt was born in
135:
977:German male pianists
750:Eliza (2012-08-26).
614:, MGB CD 6193, 2002)
594:Air d'Estelle (1798)
491:Harp Concerto (1807)
439:Le jugement de Midas
153:Ludwig van Beethoven
54:improve this article
815:Harold C. Schonberg
497:Marches and Waltzes
405:, intermezzo (1806)
385:Le retour de Zephyr
179:as the result of a
872:2008-05-16 at the
862:Grove Music Online
819:The Great Pianists
738:Journal des Débats
556:21 divertissements
541:6 sonatas for harp
379:Albert et Adelaide
138:
801:Théo Fleischman,
591:6 romances (1798)
373:Romeo et Juliette
293:Musical Interlude
197:Romeo et Juliette
169:Johann Kirnberger
155:in a piano duel.
130:
129:
122:
104:
69:"Daniel Steibelt"
16:(Redirected from
994:
847:
840:
834:
828:
822:
812:
806:
799:
793:
790:
784:
781:
775:
768:
762:
761:
759:
758:
747:
741:
734:
728:
727:
718:Steibelt, Daniel
706:
704:
703:
697:
577:Waltzes, danses.
487:
486:
472:
471:
463:
462:
415:Der Blöde Ritter
332:Ferruccio Busoni
308:Saint Petersburg
304:Tsar Alexander I
189:Marie Antoinette
149:Saint Petersburg
125:
118:
114:
111:
105:
103:
62:
38:
30:
21:
1002:
1001:
997:
996:
995:
993:
992:
991:
972:German pianists
912:
911:
892:
874:Wayback Machine
856:
851:
850:
841:
837:
829:
825:
813:
809:
800:
796:
791:
787:
782:
778:
769:
765:
756:
754:
749:
748:
744:
740:, 13 Sept 1859.
735:
731:
716:, ed. (1911). "
712:
701:
699:
698:
689:
684:
636:Kölner Akademie
604:
580:Studies, Op. 78
562:20 pots-pourris
484:
483:
469:
468:
460:
459:
411:, ballet (1809)
403:La Fête de Mars
381:, 3 acts (1798)
375:, 3 acts (1793)
366:
344:
297:La Fête de Mars
272:performance of
205:Théâtre Feydeau
161:
136:Daniel Steibelt
126:
115:
109:
106:
63:
61:
51:
39:
28:
23:
22:
15:
12:
11:
5:
1000:
998:
990:
989:
984:
979:
974:
969:
964:
959:
954:
949:
944:
939:
934:
929:
924:
914:
913:
910:
909:
903:
891:
890:External links
888:
887:
886:
883:
880:
877:
867:grovemusic.com
855:
852:
849:
848:
835:
823:
807:
794:
785:
776:
763:
742:
729:
714:Chisholm, Hugh
686:
685:
683:
680:
679:
678:
675:
672:
669:
662:
655:
648:
645:
642:
639:
632:
622:
615:
608:
603:
600:
599:
598:
595:
592:
582:
581:
578:
575:
572:
569:
566:
563:
560:
557:
554:
551:
548:
545:
542:
539:
536:
533:
530:
527:
524:
521:
518:
515:
512:
509:
506:
499:
498:
495:
492:
489:
480:
477:
474:
465:
456:
453:
450:
445:2) Orchestral
443:
442:
436:
430:
424:
418:
412:
406:
400:
394:
388:
382:
376:
365:
362:
353:Muzio Clementi
343:
340:
336:Piano Concerto
324:Choral Fantasy
320:Symphony No. 9
256:Ferdinand Ries
201:Hector Berlioz
160:
157:
128:
127:
42:
40:
33:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
999:
988:
985:
983:
980:
978:
975:
973:
970:
968:
965:
963:
960:
958:
955:
953:
950:
948:
945:
943:
940:
938:
935:
933:
930:
928:
925:
923:
920:
919:
917:
908:
904:
901:
897:
894:
893:
889:
884:
881:
878:
875:
871:
868:
864:
863:
858:
857:
853:
845:
839:
836:
832:
827:
824:
820:
816:
811:
808:
804:
798:
795:
789:
786:
780:
777:
773:
767:
764:
753:
746:
743:
739:
733:
730:
725:
724:
719:
715:
710:
709:public domain
696:
694:
692:
688:
681:
676:
673:
670:
667:
666:Les Papillons
663:
660:
656:
653:
649:
646:
643:
640:
637:
633:
630:
626:
623:
620:
616:
613:
609:
606:
605:
601:
596:
593:
590:
589:
588:
585:
579:
576:
573:
570:
567:
564:
561:
558:
555:
552:
549:
546:
543:
540:
537:
534:
531:
528:
525:
522:
519:
516:
513:
510:
507:
504:
503:
502:
496:
493:
490:
481:
478:
475:
466:
457:
454:
451:
448:
447:
446:
440:
437:
434:
431:
428:
425:
422:
419:
416:
413:
410:
407:
404:
401:
398:
395:
392:
389:
386:
383:
380:
377:
374:
371:
370:
369:
363:
361:
358:
354:
350:
341:
339:
337:
333:
329:
325:
321:
317:
313:
310:, succeeding
309:
305:
300:
298:
294:
290:
285:
281:
280:
275:
269:
266:
262:
257:
253:
249:
245:
241:
237:
233:
229:
225:
221:
217:
216:J. P. Salamon
213:
208:
206:
202:
198:
194:
190:
186:
182:
178:
174:
173:Prussian Army
170:
166:
158:
156:
154:
150:
146:
142:
134:
124:
121:
113:
102:
99:
95:
92:
88:
85:
81:
78:
74:
71: –
70:
66:
65:Find sources:
59:
55:
49:
48:
43:This article
41:
37:
32:
31:
19:
860:
843:
838:
826:
818:
810:
802:
797:
788:
779:
771:
766:
755:. Retrieved
745:
737:
732:
721:
665:
658:
651:
628:
624:
618:
611:
586:
583:
553:32 fantasias
500:
444:
438:
432:
426:
420:
414:
408:
402:
396:
390:
384:
378:
372:
367:
345:
315:
301:
296:
292:
279:The Creation
277:
276:'s oratorio
274:Joseph Haydn
270:
223:
209:
196:
184:
181:piano sonata
162:
140:
139:
116:
107:
97:
90:
83:
76:
64:
52:Please help
47:verification
44:
927:1823 deaths
922:1765 births
833:1862. p. 51
770:G. Müller,
501:3) Chamber
224:Storm Rondo
185:La Coquette
916:Categories
854:References
757:2023-05-01
427:Cendrillon
328:Henri Herz
289:Austerlitz
234:, Berlin,
80:newspapers
659:The Storm
587:5) Songs
550:45 rondos
368:1) Stage
248:Beethoven
195:entitled
159:Biography
870:Archived
844:Mémorial
774:, p. 41.
485:♭
470:♭
461:♭
421:Sargines
228:tremolos
220:Concerto
177:virtuoso
110:May 2012
18:Steibelt
902:(IMSLP)
898:at the
821:, p. 68
711::
464:(1800?)
441:(1823?)
291:with a
236:Dresden
232:Hamburg
183:called
94:scholar
705:
664:Rondo
657:Rondo
417:(1810)
399:(1805)
349:Cramer
342:Legacy
295:named
261:Mozart
244:Vienna
240:Prague
238:, and
212:London
165:Berlin
96:
89:
82:
75:
67:
682:Notes
357:Grove
265:Haydn
193:opera
101:JSTOR
87:books
351:and
145:O.S.
73:news
720:".
334:'s
306:to
56:by
918::
817:,
690:^
760:.
123:)
117:(
112:)
108:(
98:·
91:·
84:·
77:·
50:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
