198:
186:'s studies, which challenged the idealistic and value-based approaches in aesthetics that prevailed then. Building on Meinong's work, Witasek developed his own psychological aesthetics, where aesthetic properties are considered ideal and extra-objective. This model links the aesthetic object to the subject's mental state. He also contributed to Meinong's work on complexion theory, particularly in the systematic knowledge of complexions. His investigation of
151:
143:, Austria to Wenzel Johann Witasek and his wife Emilie née Egery. His father was a chief railway inspector while his mother, the second wife of Wenzel, was a daughter of a Hungarian civil servant. Witasek was the eldest of their two sons. When his father retired, the family moved to Graz. He obtained a degree in philosophy at the
162:
Witasek became a scholar, a career, which Rudolf
Ameseder described as a meager life marked by hard work, poverty, and belated recognition. Although, he was known for serving as Meinong's private assistant for a decade on Austria's first psychological laboratory, Witasek would be credited for
208:
One of the notable theories that
Witasek pushed forward was his claim that pre-existing sensational elements create psychological products in the form of different perceptual configurations. He explored this idea further in collaboration with the Austrian-Italian psychologist,
579:
166:
Witasek married Alice
Makowiczka in 1903 and they had two children, Alice and Georg. He died in 1915 and this contributed to the disintegration of the Graz School.
239:
Psychologisches zur ethischen
Erziehung : Vortrag, gehalten in der XII. Versammlung der Ă–sterr. Gesellschaft fĂĽr Kinderforschung in Wien, am. 13. mai 1907
529:
534:
497:
420:
395:
367:
564:
584:
554:
335:
305:
280:
357:
31:
544:
539:
569:
559:
90:
197:
574:
549:
359:
Die ersten
Institute fĂĽr Psychologie im deutschsprachigen Raum: Ihre Geschichte von der Entstehung bis zur Gegenwart
217:. They were able to explain the process of generating perceptual configurations from the same sensory elements.
182:. His earliest works involved an investigation of the theoretical foundation for aesthetics. This was based on
328:
International
Bibliography of Austrian Philosophy/internationale Bibliographie Zur Sterreichischen Philosophie
187:
194:
detailed how a polyphonic composition constitute the different "voices", which are considered complexions.
174:
Witasek is considered one of the most important representatives of the psychology of aesthetics alongside
128:
524:
519:
144:
468:
Dallenbach, Karl M.; Bentley, Madison; Boring, Edwin
Garrigues; Washburn, Margaret Floy (1902).
154:
The ideas of
Alexius Meinong (pictured above) on aesthetic phenomena were expanded in Witasek's
493:
416:
391:
363:
331:
301:
276:
210:
179:
120:
214:
183:
513:
175:
454:
Raspa, Venanzio (2014). "L’estetica dimenticata: la vicenda della scuola di Graz".
438:
Allesch, Christian G.. (2013). "STEPHAN WITASEK UND DIE PSYCHOLOGISCHE Ă„STHETIK".
119:. He is cited as the most talented psychologist of the school and was groomed as
116:
112:
124:
30:
109:
413:
Vittorio
Benussi in the History of Psychology: New Ideas of a Century Ago
140:
442:, edited by Venanzio Raspa, Berlin, Boston: De Gruyter, pp. 113-128.
150:
196:
163:
directing the facility's development only after his death.
492:. Cambridge, UK: Cambridge University Press. p. 275.
275:. Cambridge, UK: Cambridge University Press. p. 121.
123:'s successor. Witasek is noted for developing a theory of
326:
Binder, Thomas; Fabian, Reinhard; Valent, Jutta (1993).
472:. Worcester: Press of Oliver B. Wood. pp. 284–285.
115:
noted for his contribution to the development of the
89:
72:
64:
52:
37:
21:
213:, and the Austrian philosopher and psychologist,
147:after completing his study on complexion theory.
390:. Oxon, UK: Taylor & Francis. p. 225.
298:Values and Ontology: Problems and Perspectives
386:Albertazzi, Liliana; Jacquette, Dale (2017).
8:
330:(in German). Amsterdam: Rodopi. p. 3.
356:Armin, Stock; Wolfgang, Schneider (2020).
296:Centi, Beatrice; Huemer, Wolfgang (2009).
29:
18:
245:Psychologie der Raumwahrnehmung des Auges
580:Academic staff of the University of Graz
300:. Frankfurt: Ontos Verlag. p. 268.
149:
263:
483:
481:
479:
139:Witasek was born on May 17, 1870, in
7:
450:
448:
434:
432:
381:
379:
351:
349:
347:
321:
319:
317:
530:20th-century Austrian philosophers
490:A Conceptual History of Psychology
470:The American Journal of Psychology
227:GrundzĂĽge der allgemeinen Ă„sthetik
156:GrundzĂĽge der allgemeinen Ă„sthetik
79:GrundzĂĽge der allgemeinen Ă„sthetik
14:
440:The Aesthetics of the Graz School
415:. Cham: Springer. p. 29.
251:Principii di estetica generale
1:
535:20th-century Austrian writers
388:The School of Alexius Meinong
362:(in German). Hogrefe Verlag.
273:German Philosophy Since Kant
488:Greenwood, John D. (2015).
233:Grundlinien der Psychologie
202:Grundlinien der Psychologie
601:
565:Philosophers of psychology
585:University of Graz alumni
411:Antonelli, Mauro (2019).
127:within the Graz School's
99:
85:
28:
555:Continental philosophers
271:O'Hear, Anthony (1999).
188:Christian von Ehrenfels
545:Abstract object theory
540:20th-century essayists
205:
159:
129:abstract object theory
200:
153:
68:Philosopher, academic
570:Philosophy academics
560:Philosophers of mind
16:Austrian philosopher
456:Rivista di Estetica
108:(1870-1915) was an
575:Philosophy writers
550:Austrian essayists
206:
160:
145:University of Graz
499:978-1-107-05739-5
422:978-3-319-96682-3
397:978-1-84014-374-4
369:978-3-8444-3018-9
192:Gestaltqualitaten
103:
102:
592:
504:
503:
485:
474:
473:
465:
459:
452:
443:
436:
427:
426:
408:
402:
401:
383:
374:
373:
353:
342:
341:
323:
312:
311:
293:
287:
286:
268:
211:Vittorio Benussi
180:Johannes Volkelt
75:
59:
47:
45:
33:
19:
600:
599:
595:
594:
593:
591:
590:
589:
510:
509:
508:
507:
500:
487:
486:
477:
467:
466:
462:
453:
446:
437:
430:
423:
410:
409:
405:
398:
385:
384:
377:
370:
355:
354:
345:
338:
325:
324:
315:
308:
295:
294:
290:
283:
270:
269:
265:
260:
223:
190:' instances of
172:
137:
121:Alexius Meinong
106:Stephan Witasek
73:
57:
43:
41:
24:
23:Stephan Witasek
17:
12:
11:
5:
598:
596:
588:
587:
582:
577:
572:
567:
562:
557:
552:
547:
542:
537:
532:
527:
522:
512:
511:
506:
505:
498:
475:
460:
444:
428:
421:
403:
396:
375:
368:
343:
336:
313:
306:
288:
281:
262:
261:
259:
256:
255:
254:
248:
242:
236:
230:
222:
219:
184:Gustav Fechner
171:
168:
136:
133:
101:
100:
97:
96:
93:
87:
86:
83:
82:
76:
70:
69:
66:
62:
61:
60:(aged 44)
56:April 18, 1915
54:
50:
49:
39:
35:
34:
26:
25:
22:
15:
13:
10:
9:
6:
4:
3:
2:
597:
586:
583:
581:
578:
576:
573:
571:
568:
566:
563:
561:
558:
556:
553:
551:
548:
546:
543:
541:
538:
536:
533:
531:
528:
526:
523:
521:
518:
517:
515:
501:
495:
491:
484:
482:
480:
476:
471:
464:
461:
457:
451:
449:
445:
441:
435:
433:
429:
424:
418:
414:
407:
404:
399:
393:
389:
382:
380:
376:
371:
365:
361:
360:
352:
350:
348:
344:
339:
337:90-5183-589-2
333:
329:
322:
320:
318:
314:
309:
307:9783110324976
303:
299:
292:
289:
284:
282:0-521-66782-8
278:
274:
267:
264:
257:
252:
249:
246:
243:
240:
237:
234:
231:
228:
225:
224:
220:
218:
216:
212:
203:
199:
195:
193:
189:
185:
181:
177:
176:Theodor Lipps
169:
167:
164:
157:
152:
148:
146:
142:
134:
132:
130:
126:
122:
118:
114:
111:
107:
98:
94:
92:
88:
84:
80:
77:
71:
67:
65:Occupation(s)
63:
55:
51:
40:
36:
32:
27:
20:
489:
469:
463:
455:
439:
412:
406:
387:
358:
327:
297:
291:
272:
266:
250:
244:
238:
232:
226:
221:Publications
215:Alois Höfler
207:
201:
191:
173:
165:
161:
155:
138:
105:
104:
78:
74:Notable work
58:(1915-04-18)
48:May 17, 1870
525:1915 deaths
520:1870 births
458:56:217-252.
117:Graz School
113:philosopher
95:Graz School
514:Categories
258:References
125:aesthetics
44:1870-05-17
135:Biography
158:of 1904.
110:Austrian
496:
419:
394:
366:
334:
304:
279:
253:(1912)
247:(1910)
241:(1907)
235:(1907)
229:(1904)
204:(1907)
141:Vienna
91:School
81:(1904)
170:Works
494:ISBN
417:ISBN
392:ISBN
364:ISBN
332:ISBN
302:ISBN
277:ISBN
178:and
53:Died
38:Born
516::
478:^
447:^
431:^
378:^
346:^
316:^
131:.
502:.
425:.
400:.
372:.
340:.
310:.
285:.
46:)
42:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.