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In 1966, Steve Reich founded his own ensemble of four musicians. Original members included Steve
Chambers (pianist), Arthur Murphy (pianist), Jon Gibson (reed player), and Reich himself. John Hartenberger joined shortly after as the first percussionist, and introduced Reich to
314:, the ensemble's size steadily increased from 4 to 18 players. Since then, the size of the ensemble has fluctuated depending on the works to be performed, with the aforementioned 18 musicians being approximately the upper limit. However, many works such as
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During this period, the group usually gave private performances of pieces they were rehearsing in lofts and small galleries in New York City prior to the public premieres. The invited audiences for these small concerts often included artists like
283:. In recent years, although more premieres are now given by ensembles that commission works by Reich, the Steve Reich Ensemble is still performing and touring internationally, with Reich himself occasionally performing alongside his ensemble.
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with his group, altered the traditional route by which classical composers sought to have their music disseminated. The composer-led ensemble became a new model which was to be highly influential on the creation of groups such as
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As the scope of Reich's compositions grew, so too did the size of his ensemble and the number of instruments utilized. In 1973, moving on from the "phase shifting" technique he had pioneered in previous works, Reich wrote
108:(1973), which were more elaborate in compositional technique and performance. Both were premiered by Steve Reich and Musicians at the John Weber Gallery in New York City in 1973. In 1974, Reich began work on
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in 1978. This piece is considered a pivotal point in Reich's career, marking a distinct shift toward harmony being brought to the forefront ahead of the rhythmically based style of his previous works.
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joined the ensemble around that same time. The addition of trained percussionists to the ensemble was instrumental to the creation and premiere of
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31:(from left to right) Liz Lim-Dutton, violin, Todd Reynolds, violin, Jeanne LeBlanc, cello, Scott Rawls, viola, Russ Hartenberger at the back
46:(born 1936). The group has premiered and performed many of Reich's works both nationally and internationally. In 1999, Reich received a
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The ensemble's instrumentation varies according to the piece being performed. Many compositions consist primarily of tuned percussion (
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in 1971, the first piece by Reich to employ percussion. Through Priess, Reich was introduced to more percussionists, including
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Russell
Hartenberger – percussion (tuned drums, marimba, xylophone) – original member – member of the Nexus percussion group
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By organizing an ensemble of his own with which to perform his works, Reich, like fellow minimalist composer
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for "Best Small
Ensemble Performance (With or Without Conductor)" for the ensemble's performance of
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1004:"Steve Reich Full Tour Schedule 2021 & 2022, Tour Dates & Concerts – Songkick"
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Schwarz, K. Robert (Summer 1981). "Steve Reich: Music as a
Gradual Process: Part 1".
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916:. Brooklyn Academy of Music, Carnegie Hall, Lincoln Center. October 3, 2006.
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Thad
Wheeler – percussion (tuned drums, glockenspiel, marimba, maracas)
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Garry
Kvistad – percussion (glockenspiel, marimba, xylophone), piano
823:"The Music of Steve Reich: An Interview with Russell Hartenberger"
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259:. These concerts featured not only Reich's ensemble, but the
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James Preiss – percussion (tuned drums), vibraphone, piano
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Musical ensemble founded by
American composer Steve Reich
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and Gary Schall. Garry
Kvistad, a current member of
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846:Music for Mallet Instruments, Voices, and Organ
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415:Tim Ferchen – percussion (marimba, xylophone)
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762:Weiss, Lauren (August 2007). "Steve Reich".
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660:Variations for Winds, Strings and Keyboards
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375:Rebecca Armstrong – vocals (soprano)
194:in 1982 in Dallas, featuring Reich,
547:Music for Mallets, Voices and Organ
523:Orchestra and Chorus, conducted by
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647:1977 – Orange Mountain Music 0018
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308:From 1966 until Reich composed
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821:Tones, Daniel (August 2007).
451:Joseph Rasmussen – percussion
168:Recent history (1980–present)
25:Steve Reich Ensemble playing
1094:Steve Reich official website
595:– ECM New Series 78118-21129
460:– violin – former member of
198:, Russell Hartenberger, and
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74:James (Jim) Preiss from the
38:, sometimes credited as the
932:"Encounters with John Cage"
372:Pamela Wood Ambush – vocals
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1252:Music for a Large Ensemble
572:Music for a Large Ensemble
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1507:Steve Reich and Musicians
780:Perspectives of New Music
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509:Steve Reich and Musicians
499:– clarinet, bass clarinet
257:Brooklyn Academy of Music
150:Town Hall (New York City)
76:Manhattan School of Music
65:Early history (1966–1979)
36:Steve Reich and Musicians
979:"Steve Reich: Biography"
712:– Nonesuch Records 79430
637:Music for Pieces of Wood
615:– Nonesuch Records 79138
601:– Nonesuch Records 79448
539:– Nonesuch Records 79170
304:Size and instrumentation
243:in Vienna, conducted by
221:Music for Pieces of Wood
1244:Music for 18 Musicians
877:Music for 18 Musicians
665:San Francisco Symphony
655:– ECM New Series 21215
599:Music for 18 Musicians
592:Music for 18 Musicians
587:New Series 78118-21168
445:Edmund Niemann – piano
442:Elizabeth Lim – violin
433:Jeanne LeBlanc – cello
412:– vocals (alto), piano
311:Music for 18 Musicians
269:Music for 18 Musicians
233:Music for 18 Musicians
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1332:Electric Counterpoint
1316:New York Counterpoint
525:Michael Tilson Thomas
521:Brooklyn Philharmonic
475:Mort Silver – piccolo
430:Shem Guibbory, Violin
230:After the success of
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680:Steve Reich Ensemble
643:Part Four – live at
154:Museum of Modern Art
40:Steve Reich Ensemble
1105:Boosey & Hawkes
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1040:Boosey & Hawkes
983:Boosey & Hawkes
959:. November 23, 2020
883:Boosey & Hawkes
853:Boosey & Hawkes
673:Deutsche Grammophon
565:Deutsche Grammophon
555:Deutsche Grammophon
454:Scott Rawls – viola
1532:Reich Richter Pärt
1388:Cello Counterpoint
343:string instruments
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1396:Daniel Variations
1324:The Four Sections
482:David Van Tieghem
351:electronic organs
280:Daniel Variations
207:, Parts I and III
118:premier recording
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293:Philip Glass
290:
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273:
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245:Paul Hillier
238:
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138:Philip Glass
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102:(1973), and
97:
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79:
68:
51:
48:Grammy Award
39:
35:
34:
26:
18:
1590:Steve Reich
1383:(1998–2002)
1380:Three Tales
1292:Eight Lines
1247:(1974–1976)
1215:(1970–1971)
1204:Four Organs
1180:Piano Phase
1141:Steve Reich
1063:Piano Phase
717:Three Tales
645:The Kitchen
504:Discography
410:Jay Clayton
367:Steve Reich
335:vibraphones
317:Piano Phase
265:Pat Metheny
122:ECM Records
72:Bob Becker.
44:Steve Reich
1584:Categories
1228:Six Pianos
1172:Reed Phase
957:GRAMMY.com
725:References
620:Six Pianos
551:Six Pianos
488:Glen Velez
394:Bob Becker
388:Jon Gibson
255:, and the
225:Bob Becker
200:Glen Velez
196:Bob Becker
130:Sol LeWitt
105:Six Pianos
86:Glen Velez
1356:City Life
699:City Life
419:Ben Harms
287:Influence
146:John Cage
120:of it on
1549:Category
1428:WTC 9/11
1348:The Cave
1276:Tehillim
1212:Drumming
1164:Come Out
1101:Portrait
687:The Cave
652:Tehillim
641:Drumming
561:Drumming
543:Drumming
536:Drumming
439:– violin
331:marimbas
274:Drumming
239:The Cave
205:Drumming
184:Le Havre
81:Drumming
1444:Quartet
1364:Proverb
1074:May 19,
1045:May 19,
1013:May 17,
988:May 17,
963:May 17,
888:May 17,
859:May 17,
709:Proverb
663:– with
519:– with
406:– piano
361:Members
241:(opera)
60:History
1560:Portal
1487:(2021)
1479:(2019)
1471:(2018)
1463:(2016)
1455:(2016)
1452:Runner
1447:(2014)
1439:(2013)
1431:(2010)
1423:(2009)
1415:(2008)
1407:(2007)
1399:(2006)
1391:(2003)
1375:(1998)
1367:(1995)
1359:(1994)
1351:(1993)
1343:(1988)
1335:(1987)
1327:(1987)
1319:(1985)
1311:(1984)
1308:Sextet
1303:(1984)
1295:(1983)
1287:(1982)
1279:(1981)
1271:(1979)
1263:(1979)
1255:(1978)
1239:(1973)
1231:(1973)
1223:(1972)
1207:(1970)
1199:(1968)
1191:(1967)
1183:(1967)
1175:(1966)
1167:(1966)
1159:(1965)
793:832600
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606:Sextet
349:, and
219:, and
179:Sextet
160:, and
152:, the
144:, and
1460:Pulse
1260:Octet
935:(PDF)
914:(PDF)
826:(PDF)
789:JSTOR
694:79327
577:Octet
531:79101
462:Ethel
398:Nexus
90:Nexus
1076:2021
1047:2021
1015:2021
990:2021
965:2021
890:2021
861:2021
271:and
263:and
132:and
1412:2×5
585:ECM
320:or
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