Knowledge (XXG)

Six Pianos

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The original version of the piece was recorded in Hamburg (Rahlstedt), Musikstudio 1, in January 1974. It was issued on LP in a box set with Drumming and Music for Mallet Instruments, Voices and Organ. It was later reissued as a single LP with Drumming (which occupies 4 sides of LPs) omitted. Both
524: 137:. The first section is in D major, with the tonality anchored in place by a persistent pattern of D and A in the bass. Then that pattern slowly fades out, leaving a B minor tonality which serves as a short transition to the second section in E 441: 182:
series in which one live instrument plays against pre-recorded versions of the same instrument. This arrangement has four pre-recorded parts and one solo part, combining the two foreground melodic parts of
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s sonic difference from the original comes from the use of amplification and from the solo part in which some of the melodic phrases are an octave higher. Corver created this arrangement in 2011.
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arranged by the Japanese percussionist Kuniko Kato in which one live marimba plays against five pre-recorded marimbas. A recorded version was included in her 2010 album of Reich pieces,
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The piece begins with four pianists playing different notes to the same 8-beat rhythmic pattern. Then two more pianists begin to play the same pattern shifted two beats out of phase. (
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for the duration of the piece. The piece also uses the additive technique of gradually building up parts by substituting notes for rests, and the opposite.
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follows the same structure, but is transposed down by one semitone so that the piece opens in D flat major and concludes in B flat natural minor.
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is performed by Corver himself on an album released by the London Steve Reich Ensemble in 2011 and by Vicky Chow (known as pianist in the
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that could be played on all the pianos in a piano store. A friend in New York gave him and his fellow musicians access to the
470:"Reich: Radio Rewrite; Electric Counterpoint; Piano Counterpoint CD review – this take on Radiohead is typical late Reich" 233: 1143: 60:
was in May 1973 at the John Weber Gallery in New York City. The European première took place in January the next year in
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in close proximity, which would allow very precise timing without being masked by the resonance of grand pianos.
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Schwarz, K. Robert (Autumn 1981 – Summer 1982). "Steve Reich: Music as a Gradual Process Part II".
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is a prominent technique in most of Steve Reich's work.) Different phase shifts of the same
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Four Musical Minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass
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Roeder, J. (1 September 2003). "Beat-Class Modulation in Steve Reich's Music".
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Music for Three Or More Pianists: A Historical Survey and Catalogue
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is also notable by being one of Reich's only pieces in duple time.
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by the pianist Vincent Corver, following the format of Reich's
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has three sections, separated by relatively sudden changes of
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Scarecrow Press. p. 97. 256:is included in Reich's box set 203:Folkwang University of the Arts 73:Baldwin Piano and Organ Company 283:Keith Potter (25 April 2002). 252:A sixteen-minute recording of 1: 358:"Kuniko Plays Reich – review" 336:Writings on Music, 1965–2000 310:Maxwell, Grant Lyle (1993). 217:premièred in Tokyo in 2010. 1174:Compositions by Steve Reich 1205: 836:Music for a Large Ensemble 16:Composition by Steve Reich 1125: 1091:Steve Reich and Musicians 666:Perspectives of New Music 656:10.1525/mts.2003.25.2.275 158:Six Marimbas Counterpoint 42:by the American composer 1189:Compositions for marimba 197:Bang on a Can All Stars 1184:Compositions for piano 828:Music for 18 Musicians 209:adapted the piece for 119: 26: 916:Electric Counterpoint 900:New York Counterpoint 643:Music Theory Spectrum 334:Reich, Steve (2002). 245:releases were on the 174:is an arrangement of 109: 24: 868:Vermont Counterpoint 503:The Georgia Straight 420:Boosey & Hawkes 416:: Composer's Notes" 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Index


minimalist
pianos
Steve Reich
marimbas
Stuttgart
Baldwin Piano and Organ Company
upright pianos
Phasing
motifs
musical texture

London Sinfonietta
tonal center
pitch classes
diatonic scale
Dorian
natural minor
Bang on a Can All Stars
Folkwang University of the Arts
Mie Miki
accordions
Kerri Chandler
house-music
interpolates
Deutsche Grammophon
Works 1965–1995


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