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at a nightclub in 1982, and the two became friends with
Gilmore subsequently designing artwork for a number of Key's projects. Crompton approached Gilmore to design the sleeve for the first Skinny Puppy release on Nettwerk Records which led to an ongoing relationship with the label. In the course of
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Although
Gilmore began working as an artist during the 1970s, his career did not take off until the 1980s, when he began actively working with various Canadian bands. Gilmore met Kevin Crompton (aka
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Gilmore also created the soundtrack artwork and related promotional materials for films such as
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for much of the 1980s and 1990s. He has designed record album sleeves for bands such as
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designing for Skinny Puppy, Gilmore developed several custom typefaces for the task.
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is a
Canadian artist and graphic designer most known for his work on
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Nogood, Jordan; Wrobotnik, Jeff, eds. (1992). "Interview with SRG".
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As both a DJ and artist, Gilmore helped shape the aesthetics of
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from the article and its talk page, especially if potentially
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According to the sprawling history of
Canadian popular music
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Have Not Been the Same: The Can-Rock
Renaissance 1985–1995
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This biographical article about a graphic designer is a
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Barclay, Michael; Jack, Ian; Schneider, Jason (2011).
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design, particularly his role as in-house artist for
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386:Assimilate: A Critical History of Industrial Music
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312:"Dig It: The Album Art of Steven R. Gilmore"
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