20:
32:
348:
63:
135:
Stevengraphs normally measured 140mm x 64mm (5½ x 2½ inch) and were often mounted on cardboard. A printed label on the reverse would indicate that the design was registered and could not be copied. Several other
Coventry firms also produced silk-work pictures including
97:
used in
Coventry to weave colourful pictures from silk. By 1862, Stevens could produce four different designs and by the late 1880s this had grown to over 900; they became known as "Stevengraphs", after their maker. Many of these designs were used to produce
124:
In the late 1950s it emerged that Henry
Stephens, a descendant of Thomas, had saved one of the pattern books the night before the attack and kept it in safe storage; Henry donated it to the
274:
132:. Stevengraphs became valuable, with more male collectors entering the hobby. Prices rose, particularly for unusual or rarer images less popular during the Victorian period.
19:
267:
109:
By the 1930s, Stevengraphs were considered collectable items, but the hobby was considered eccentric and mainly confined to female collectors. During the
260:
234:
31:
454:
507:
283:
129:
83:
484:
528:
568:
392:
47:
424:
317:
307:
449:
589:
459:
322:
125:
297:
87:
347:
543:
177:
538:
312:
302:
50:
in the 19th century. They were popular collectable items again during the revival of interest in
479:
418:
327:
230:
337:
332:
110:
560:
444:
90:
introduced new competition into the industry, leading to a collapse in the local economy.
121:
occurred, destroying the
Stevens factory and apparently all records of the Stevengraphs.
533:
439:
118:
583:
512:
362:
103:
94:
62:
367:
16:
Pictures woven from silk, originally created by Thomas
Stevens in the 19th century
252:
225:
410:
24:
51:
217:
383:
99:
71:
114:
75:
79:
247:
61:
30:
18:
43:
256:
181:, Stevengraph Collectors Association, accessed 4 October 2011.
93:
Thomas
Stevens, a local weaver, responded by adapting the
35:
Stevengraph showing the London and York Royal Mail Coach
521:
500:
493:
472:
409:
402:
376:
355:
290:
172:
170:
268:
8:
497:
406:
346:
275:
261:
253:
450:Medieval undercroft (38–39 Bayley Lane)
153:
7:
128:, who in turn entrusted it with the
70:In the mid-19th century the town of
14:
226:Paris/Manhattan: Writings on Art.
117:bombers; on 14 November 1940 the
102:, while others were used to make
508:Coventry Heritage and Arts Trust
455:St Mary's Priory and Cathedral
284:Herbert Art Gallery and Museum
130:Herbert Art Gallery and Museum
82:weaving industry. In 1860 the
1:
178:Stevengraphs - What are they?
27:Procession' by Thomas Stevens
606:
556:
435:
344:
212:Godden, Geoffrey. (1968)
162:Memories are made of this
113:Coventry was attacked by
377:Ribbon and silk industry
106:and other silk objects.
54:in the 1960s and 1970s.
46:, originally created by
42:are pictures woven from
569:Coventry History Centre
473:Science and engineering
248:Stevengraphs since 1862
164:FT.com 29 November 2008
84:Cobden–Chevalier Treaty
223:Wollen, Peter. (2004)
78:, was the centre of a
67:
36:
28:
565:Priory Visitor Centre
460:Whitefriars, Coventry
126:Coventry City Council
66:Thomas Stevens senior
65:
34:
22:
298:William Henry Brooke
160:Thorncroft, Antony.
544:John Bailey Shelton
142:Welch & Lambton
534:Sir Alfred Herbert
428:(Collier painting)
303:Sydney John Bunney
68:
37:
29:
577:
576:
552:
551:
480:Joseph Gutteridge
468:
467:
419:Godiva Procession
328:Peter Laszlo Peri
235:978-1-85984-580-6
190:Wollen, pp.68-69.
88:free trade treaty
86:was signed; this
597:
498:
407:
403:Medieval history
350:
338:Francis Skidmore
333:W. W. Quatremain
277:
270:
263:
254:
220:, 27 April 1968.
200:
197:
191:
188:
182:
174:
165:
158:
111:Second World War
605:
604:
600:
599:
598:
596:
595:
594:
580:
579:
578:
573:
561:Lunt Roman Fort
548:
517:
489:
464:
445:Coventry Sallet
431:
398:
372:
351:
342:
286:
281:
244:
229:London: Verso.
214:History in silk
209:
204:
203:
198:
194:
189:
185:
175:
168:
159:
155:
150:
60:
17:
12:
11:
5:
603:
601:
593:
592:
582:
581:
575:
574:
572:
571:
566:
563:
557:
554:
553:
550:
549:
547:
546:
541:
536:
531:
525:
523:
519:
518:
516:
515:
510:
504:
502:
495:
491:
490:
488:
487:
482:
476:
474:
470:
469:
466:
465:
463:
462:
457:
452:
447:
442:
440:Coventry Cross
436:
433:
432:
430:
429:
421:
415:
413:
404:
400:
399:
397:
396:
393:Thomas Stevens
386:
380:
378:
374:
373:
371:
370:
365:
359:
357:
353:
352:
345:
343:
341:
340:
335:
330:
325:
320:
315:
310:
305:
300:
294:
292:
288:
287:
282:
280:
279:
272:
265:
257:
251:
250:
243:
242:External links
240:
239:
238:
221:
208:
205:
202:
201:
199:Godden (1968).
192:
183:
166:
152:
151:
149:
146:
119:Coventry Blitz
104:greeting cards
95:Jacquard looms
59:
56:
48:Thomas Stevens
15:
13:
10:
9:
6:
4:
3:
2:
602:
591:
588:
587:
585:
570:
567:
564:
562:
559:
558:
555:
545:
542:
540:
537:
535:
532:
530:
529:Donald Gibson
527:
526:
524:
520:
514:
513:Herbert Media
511:
509:
506:
505:
503:
501:Organisations
499:
496:
492:
486:
485:Samuel Watson
483:
481:
478:
477:
475:
471:
461:
458:
456:
453:
451:
448:
446:
443:
441:
438:
437:
434:
427:
426:
422:
420:
417:
416:
414:
412:
408:
405:
401:
394:
390:
387:
385:
382:
381:
379:
375:
369:
366:
364:
363:Angela Brazil
361:
360:
358:
354:
349:
339:
336:
334:
331:
329:
326:
324:
321:
319:
318:Thomas Hearne
316:
314:
311:
309:
306:
304:
301:
299:
296:
295:
293:
289:
285:
278:
273:
271:
266:
264:
259:
258:
255:
249:
246:
245:
241:
236:
232:
228:
227:
222:
219:
215:
211:
210:
206:
196:
193:
187:
184:
180:
179:
173:
171:
167:
163:
157:
154:
147:
145:
143:
139:
133:
131:
127:
122:
120:
116:
112:
107:
105:
101:
96:
91:
89:
85:
81:
77:
73:
64:
57:
55:
53:
49:
45:
41:
33:
26:
21:
590:Textile arts
423:
388:
368:George Eliot
323:John Laporte
308:John Collier
224:
213:
207:Bibliography
195:
186:
176:
161:
156:
141:
137:
134:
123:
108:
92:
69:
40:Stevengraphs
39:
38:
539:John Hewitt
425:Lady Godiva
411:Lady Godiva
389:Stevengraph
25:Lady Godiva
148:References
52:Victoriana
313:David Gee
218:The Times
138:W H Grant
100:bookmarks
584:Category
72:Coventry
494:Related
356:Writers
291:Artists
76:England
522:People
384:Cash's
233:
115:German
80:ribbon
58:Detail
23:'The
231:ISBN
140:and
44:silk
586::
216:,
169:^
144:.
74:,
395:)
391:(
276:e
269:t
262:v
237:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
