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at night because their two small children needed quiet during the day. He could not sing aloud, as he had done initially, but began to hum quietly, listening to the overtone melodies. Mary reports that
Stockhausen first discovered the technique when listening to their small son Simon producing multiple tones while humming in his crib after falling asleep. In this way, Stockhausen became "the first Western composer to use this technique of singing againâin the Middle Ages it had been practised by women and children in churches, but was later entirely supplanted by masculine Gregorian music".
410:(1968), has often been linked to Young's example. ... The German composer seems to have visited Young and Zazeela when in New York, in 1964 or 1965, and listened to a rehearsal of The Theatre of Eternal Music. He requested tapes of the group's performances which, perhaps surprisingly, Young gave him. Stockhausen's own musicians visited Young and Zazeela's Dream House installation in Antwerp in 1969. I didn't hear any of Feldman's music until 1962, when I heard a piece of Stockhausen's called
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22:
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singer of the section ... by adopting the same ... tempo, rhythm and dynamics. When the lead singer feels that 'identity' has been reached, he or she makes a gesture to another singer who leads the next section. Each model is a set of rhythmic phonetic patterns, often with actual words used as their basis, such as 'Hallelujah' or 'Saturday'.
386:
in
Madison, Connecticut), as "the only landscape I really saw during the composition of the piece". In a letter to Gregory Rose written on 24 July 1982 (printed in the liner notes to Hyperion CDA66115), he describes how, in the small house his wife Mary had rented it was only possible for him to work
308:
In each section a new overtone melody or 'model' is introduced and repeated several times. Each female voice leads a new section eight times, and each male voice, nine times. Some of the other singers gradually have to transform their own material until they have come into 'identity' with the lead
300:
are composed from 108 pitches: twelve different tones for each of the three women's voices, and twenty-four for each of the three men. Not only do the performers produce partials from the overtone series in each note they sing, but all of the fundamental tones are also related by whole-number
311:
In 29 of the sections, 'magic names' are called out. These are the names of gods and goddesses from many culturesâAztec, aboriginal and
Ancient Greek, for instanceâand have to be incorporated into the character of the model. The erotic and intimate love-poems that are recited were written by
178:
316:
The order of the rhythmic models and the distribution of the poems and "magic names" are decided by the performers, but the sequence of pitches in the 51 moments is fixed. Though the 1968 "Paris version" used by the
576:(Paris version, abridged). (Voices of Silicon Valley): Crista Berryessa, Deirdre Lobo, Alexis Lane Jensen, Alexander Frank, Cyril Deaconoff, Matt Dunn. Directed by Cyril Deaconoff (recorded 2018). Orpheus Classical.
341:
as part of the 1980 Hope Street
Festival, and at the Barbican in 1985, with the composer at the mixing desk. Singcircle's performance at the 2005 City of London Festival was recorded and broadcast on BBC Radio 3's
569:: Else Torp, Louise SkovbĂŠch, Clara Sanabras, Wolodymyr Smishkewych, Kasper Eliassen, Andrew Hendricks; Ian Dearden, sound diffusion; directed by Paul Hillier (recorded 2006). Harmonia Mundi CD HMU 807408.
148:
incorporates the meanings of the tuning of a piano, the tuning of the voice, the tuning of a group of people, the tuning of the soul. This is all in the German word. Also, when you say: We're in a good
406:
influence on already established composers who were themselves his student mentors is not, however, confined to Cage. Karlheinz
Stockhausen's exploration of the harmonic series, notably in
140:(voice). The primary sense of the title "implies not only the outward tuning of voices or instruments, but also the inward tuning of one's soul". According to the composer, the word
520:(Paris version). Collegium Vocale Köln: Dagmar von Biel, Gaby Ortmann-Rodens, Helga Hamm-Albrecht, Wolfgang Fromme, Helmut Clemens, Hans-Alderich Billig (recorded 1982). In
1208:
Matheson, Laurie
Christine. 1998. "The Self-conscious Ensemble in Selected Twentieth-Century Vocal Works". DMA thesis. Urbana: University of Illinois at Urbana-Champaign.
321:
at the world premiĂšre has been published (as No. 24Âœ in
Stockhausen's catalog), the 1977 "Singcircle version" (directed by Gregory Rose) has been well documented in
1332:
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2603:
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509:: Dagmar Apel, Gaby Rodens, Helga Albrecht, Wolfgang Fromme, Georg Steinhoff, Hans-Alderich Billig (recorded 1969). Deutsche Grammophon 2543 003 (LP), and in
107:
element". An additional innovation is "the unique kind of rhythmic polyphony which arises from the gradual transformation/assimilation of rhythmic models".
382:
recreating that 'magic' space. On the other hand, he also describes the snow on frozen Long Island Sound in
February and March 1968 (when he was composing
2937:
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354:, which he directed. This version, too, has been performed on tour, and a recording has been released on CD. Other groups that have performed
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1325:
984:, first paperback edition with minor revisions. Music in the Twentieth Century 11. Cambridge and New York: Cambridge University Press.
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composition. It is "the first major
Western composition to be based entirely on the production of vocal harmonics", the first "to use
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1956:
474:, while at the same time observing that this time-scale "indicates the need of a musical equivalent to the parking meter".
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overtone ratios. In this way, overtones are composed upon overtones, generating a range of degrees of harmonic fusion.
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The above two recordings together have been rereleased on CD in the
Stockhausen Complete Edition CD 12 A-B (2 CDs).
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318:
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Adlington, Robert. 2009. "Tuning in and Dropping out: The Disturbance of the Dutch Premiere of Stockhausen's
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had an enormous impact on many younger composers and has been cited as an important influence on the French
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88:. Its average length is seventy-four minutes, and it bears the work number 24 in the composer's catalog.
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1183:. Mainz, London, Berlin, Madrid, New York, Paris, Prague, Tokyo, Toronto: Schott Musik International.
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2782:
2527:
2166:
2067:
1964:
1905:
1718:
1566:
1518:
1479:
1392:
1369:
1181:
Karlheinz Stockhausen II: Die Werke 1950â1977; GesprĂ€ch mit Karlheinz Stockhausen, "Es geht aufwĂ€rts"
378:
Stockhausen himself attributes a month spent walking among ruins in Mexico as his primary influence,
25:
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1495:
338:
2907:
325:, and both versions have been performed throughout the world. Singcircle performances include the
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1992:
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217:
100:
45:
1073:
Kompositorische Grundlagen Neuer Musik: Sechs Seminare fĂŒr die DarmstĂ€dter Ferienkurse 1970
2883:
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546:(Singcircle version). Singcircle: Suzanne Flowers, Penelope Walmsley-Clark, Nancy Long,
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125:
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1092:
944:
551:
347:
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915:
Dear, Peter, and Peter Davalle. 1985. "Television and Radio Programmes: Radio 3".
362:, Ensemble Belcanto, Neue Vocalsolisten Stuttgart, the Aquarius Consort, and the
144:
means "tuning," but it really should be translated with many other words because
2567:
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2497:
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2432:
2419:
1678:
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Four Musical Minimalists: La Monte Young, Terry Riley, Steve Reich, Philip Glass
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1937:
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201:
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2019:
1471:
330:
197:
96:
957:
Mongolian Music, Dance, & Oral Narrative: Performing Diverse Identities
554:, directed by Gregory Rose (recorded 1983). Hyperion CDA66115. Awarded the
2679:
2190:
2091:
2035:
2011:
1750:
1066:
Rose, Gregory, and Helen Ireland. 1986. Liner notes to Hyperion CDA66115.
227:
92:
1310:
1012:, edited by Paul Hillier. Oxford and New York: Oxford University Press.
1609:
1534:
432:
is an unfinished work by Stockhausen himself, begun in 1960 and titled
390:
Some writers have seen the possible influence of Stockhausen's student
81:
21:
2059:
2043:
1694:
1617:
1574:
1550:
1196:
La voce e la risonanza: Dal grido in una caverna alla performance di
1124:, edited by Larry Sitsky, 493â499. Westport, Conn.: Greenwood Press.
1122:
Music of the Twentieth-Century Avant-Garde: A Biocritical Sourcebook
28:
September 1972: back (standing), technician Volker MĂŒller, composer
289:
for overtone singing. It is composed using what the composer calls
153:, you mean a good psychological tuning, being well tuned together.
1382:
161:
20:
2613:
1075:, edited by Imke Misch. KĂŒrten: Stockhausen-Stiftung fĂŒr Musik.
870:
Ich hÀnge im Triolengitter: Mein Leben mit Karlheinz Stockhausen
2617:
1314:
747:
691:
689:
136:, which means "to harmonize, to be correct", and related to
931:
Berkeley and Los Angeles: University of California Press.
216:, inaudible to the audience, and expand upwards through
526:
Zeitgenössische Musik in der Bundesrepublik Deutschland
304:
According to the 1986 Hyperion Singcircle liner notes:
76:, for six vocalists and six microphones, is a piece by
959:. Seattle and London: University of Washington Press.
1143:
Six Lectures from the Stockhausen Courses KĂŒrten 2002
416:. I only realized later that this was Stockhausen's "
947:. 2007. Liner notes to Harmonia Mundi CD HMU 807408.
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1991:
1948:
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1357:
1104:Stuppner, Hubert. 1974. "SerialitĂ e misticismo in
436:, which was to have consisted of the single note E
293:, and consists of 51 sections (called "moments").
80:, written in 1968 and commissioned by the City of
711:
620:
322:
727:
695:
823:
404:
306:
142:
1033:Rigoni, Michel. 1992. "Karlheinz Stockhausen:
528:7. Harmonia Mundi DMR 1019-21 (3LP boxed set).
2629:
1326:
132:". The word is the noun formed from the verb
8:
891:Stockhausen: Conversations with the Composer
771:
680:
366:, according to the performance database of
312:Stockhausen 'during amorous days' in 1967.
2636:
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2614:
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1997:
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1319:
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929:The Music of Stockhausen: An Introduction.
851:
16:1968 music piece by Karlheinz Stockhausen
707:
596:
1265:of performance at British Library, 2007
644:
585:
1037:: Six chanteurs en quĂȘte dâharmonieâ.
835:
783:
715:
668:
2933:Compositions by Karlheinz Stockhausen
1273:, for 6 vocalists & 6 microphones
1145:, 39â71. KĂŒrten: Stockhausen-Verlag.
795:
119:
7:
1120:. 2002. "Karlheinz Stockhausen". In
839:
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759:
656:
632:
608:
592:
350:made a "Copenhagen version" for the
44:, Wolfgang LĂŒttgen, GĂŒnther Engels,
2712:Trois airs pour un opéra imaginaire
992:(Previous clothbound edition 2000,
2453:Center for Art and Media Karlsruhe
513:Vol. 3 DG 2720 025(6LP boxed set).
14:
1110:(Nuova) Rivista Musicale Italiana
124:has several meanings, including "
2906:
2897:
2896:
2736:
2599:
2598:
261:
2938:Compositions in just intonation
893:. New York: Simon and Schuster.
428:However, another precedent for
424:was his "LaMonte Young piece".
1220:110, no. 1512 (February): 184.
1097:Retrospectives and Conclusions
1071:Stockhausen, Karlheinz. 2009.
339:Liverpool's Anglican Cathedral
1:
2659:Voyage into the Golden Screen
1307:. Retrieved 5 November 2012.
1293:. Retrieved 5 November 2012.
1284:Paul Hillier â Stockhausen:
1279:. Retrieved 5 November 2012.
1112:8, no. 1 (Jan.âMar.): 83â98.
1099:. New York: Alfred A. Knopf.
1010:Writings on Music, 1965â2000
453:s one-note idea back to the
446:, on the other hand, traces
346:on 20 August 2005. In 2003,
329:on 21 November 1977, a 1977
166:Main pitches: harmonics of B
1242:The Magic of Stockhausen's
824:Stravinsky & Craft 1969
2969:
2704:Mortuos Plango, Vivos Voco
1488:Helikopter-Streichquartett
1298:Singcircle â Stockhausen:
1296:Allender, Mark W. B..
1214:. 1969. "Reports: Paris".
919:(Saturday 12 January): 31.
868:Bauermeister, Mary. 2011.
2943:Minimalistic compositions
2892:
2734:
2595:
2428:
2000:
1513:
1364:
1348:
1061:, no. 20 (Autumn): 20â25.
898:Deaconoff, Cyril (n.d.).
360:London Sinfonietta Voices
2508:Gottfried Michael Koenig
1053:. 1979. "Stockhausen 1:
740:"Stockhausen's birthday"
465:, and its time-scale to
400:Theatre of Eternal Music
374:Influences and reception
1957:KlavierstĂŒcke Nos. 1â19
1250:The Wall Street Journal
1179:Frisius, Rudolf. 2008.
230:2, 3, 4, 5, 7, and 9 (B
1236:for 6 vocalists (1968)
1194:Giomi, Andrea. 2012. "
1137:Toop, Richard. 2005. "
889:Cott, Jonathan. 1973.
712:Rose and Emmerson 1979
621:Rose and Emmerson 1979
565:(Copenhagen version).
484:of the 1970s, such as
426:
323:Rose and Emmerson 1979
314:
186:
155:
68:
2869:Fundamental frequency
2818:Karlheinz Stockhausen
2458:Collegium Vocale Köln
1575:Hymnen (Third Region)
1342:Karlheinz Stockhausen
1282:Dickey, Timothy.
980:Potter, Keith. 2002.
728:Dear and Davalle 1985
696:Rose and Ireland 1986
507:Collegium Vocale Köln
463:Fantasy upon One Note
331:BBC Promenade Concert
319:Collegium Vocale Köln
165:
86:Collegium Vocale Köln
78:Karlheinz Stockhausen
34:Collegium Vocale Köln
30:Karlheinz Stockhausen
24:
2783:Georg Friedrich Haas
2393:Stockhausen Ensemble
2028:Gesang der JĂŒnglinge
1719:Aus den sieben Tagen
1370:Atmen gibt das Leben
1351:List of compositions
1240:Sandow, Greg. 2007.
1141:". In Richard Toop,
1108:di K. Stockhausen".
908:orpheusclassical.com
876:bei C. Bertelsmann.
26:Shiraz Arts Festival
2953:Serial compositions
1735:FĂŒr kommende Zeiten
1173:Music & Letters
1041:4e trimestre:75â83.
774:, pp. 217â218.
285:) becoming in turn
66:Helga Hamm-Albrecht
42:Hans-Aldrich Billig
2344:Markus Stockhausen
2294:Alphabet fĂŒr LiĂšge
2278:Musik fĂŒr ein Haus
1256:2008-08-21 at the
902:Voices of Our Time
872:. Munich: Edition
548:Rogers Covey-Crump
522:Deutscher Musikrat
394:and his mid-1960s
187:
69:
36:(amongst others):
2948:1968 compositions
2920:
2919:
2879:Combination tones
2864:Spectral envelope
2813:HoraÈiu RÄdulescu
2798:MesĂas Maiguashca
2611:
2610:
2591:
2590:
2528:MesĂas Maiguashca
2493:Nicolaus A. Huber
2448:Boudewijn Buckinx
2350:Simon Stockhausen
2338:Doris Stockhausen
2320:Mary Bauermeister
2257:
2256:
2068:Unsichtbare Chöre
1973:NatĂŒrliche Dauern
1636:
1635:
1451:
1450:
1217:The Musical Times
1189:978-3-7957-0249-6
1176:90, no. 1:94â112.
1081:978-3-00-027313-1
990:978-0-521-01501-1
973:978-0-295-98112-3
965:978-0-295-98030-0
882:978-3-570-58024-0
772:Bauermeister 2011
567:Theatre of Voices
505:(Paris version).
368:Universal Edition
352:Theatre of Voices
335:Royal Albert Hall
296:The harmonies of
220:, with that low B
121:[ËÊtÉȘmÊĆ]
95:, and yet also a
2960:
2910:
2900:
2899:
2773:Johannes Fritsch
2763:Iancu Dumitrescu
2740:
2638:
2631:
2624:
2615:
2602:
2601:
2503:David C. Johnson
2478:Karel Goeyvaerts
2405:Johannes Fritsch
2374:Cornelius Cardew
2364:
2332:Suzanne Stephens
2326:Kathinka Pasveer
1998:
1511:
1362:
1335:
1328:
1321:
1312:
1268:Lee, James.
1252:(20 September).
1231:Braddell, Rory.
1154:
1133:
1113:
1100:
1089:Stravinsky, Igor
1084:
1067:
1062:
1042:
1039:Analyse Musicale
1029:
1001:
976:
948:
940:
925:Harvey, Jonathan
920:
911:
894:
885:
874:Elke Heidenreich
855:
849:
843:
833:
827:
826:, pp. 94â5.
821:
815:
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775:
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681:Stockhausen 2009
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218:overtone singing
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115:The German word
46:Christoph Caskel
2968:
2967:
2963:
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2961:
2959:
2958:
2957:
2923:
2922:
2921:
2916:
2888:
2884:Just intonation
2859:Colors of noise
2854:Harmonic series
2842:
2793:Michaël Lévinas
2788:Jonathan Harvey
2753:Clarence Barlow
2741:
2732:
2719:Vortex Temporum
2647:
2642:
2612:
2607:
2587:
2543:Costin Miereanu
2443:Fritz Bornemann
2424:
2415:Aloys Kontarsky
2388:
2355:
2308:
2253:
2114:
1987:
1944:
1914:Chöre fĂŒr Doris
1893:
1783:In Freundschaft
1632:
1597:
1502:
1447:
1376:
1353:
1344:
1339:
1258:Wayback Machine
1228:
1223:
1162:
1160:Further reading
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583:
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471:GötterdÀmmerung
450:
444:Igor Stravinsky
438:
437:
420:piece" just as
376:
364:Dunedin Consort
310:
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204:tune to a low B
194:just intonation
179:
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168:
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160:
113:
62:Wolfgang Fromme
54:Dagmar von Biel
17:
12:
11:
5:
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2840:
2838:La Monte Young
2835:
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2810:
2805:
2803:Tristan Murail
2800:
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2758:Hugues Dufourt
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2645:Spectral music
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2553:Jorge Peixinho
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2135:Mikrophonie II
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2005:Konkrete EtĂŒde
2001:
1995:
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1226:External links
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1212:Smalley, Roger
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838:, p. 83;
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752:
750:, October 2005
732:
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392:La Monte Young
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196:. Six singers
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38:Karl O. Barkey
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2874:Microtonality
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2778:GĂ©rard Grisey
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2652:Notable works
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2548:Nam June Paik
2546:
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2523:György Ligeti
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2132:
2129:
2128:
2127:Mikrophonie I
2124:
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2121:
2119:With soloists
2117:
2110:
2109:
2105:
2102:
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2100:Cosmic Pulses
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1663:Kontra-Punkte
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1263:Audio extract
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1151:3-00-016185-6
1148:
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1131:
1130:0-313-29689-8
1127:
1123:
1119:
1118:Toop, Richard
1115:
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1047:Rose, Gregory
1044:
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1027:
1026:0-19-515115-1
1023:
1019:
1018:0-19-511171-0
1015:
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998:0-521-48250-X
995:
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983:
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946:
945:Hillier, Paul
942:
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937:0-520-02311-0
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861:Cited sources
860:
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852:Deaconoff n.d
848:
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837:
832:
829:
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817:
814:, p. 39.
813:
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797:
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789:
786:, p. 89.
785:
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729:
724:
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708:Stuppner 1974
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635:, p. 48.
634:
629:
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623:, p. 20.
622:
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597:Stuppner 1974
594:
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572:Stockhausen:
571:
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561:Stockhausen:
560:
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556:Diapason d'Or
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516:Stockhausen:
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501:Stockhausen:
500:
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490:GĂ©rard Grisey
487:
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468:
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459:Henry Purcell
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27:
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19:
2828:Anatol Vieru
2823:James Tenney
2768:Péter Eötvös
2724:
2718:
2710:
2702:
2696:Lonely Child
2694:
2686:
2678:
2672:
2665:
2664:
2658:
2597:
2578:Thomas Wells
2538:John McGuire
2438:Junsang Bahk
2400:Péter Eötvös
2379:Richard Toop
2300:
2292:
2284:
2276:
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2245:
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2197:
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2173:
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2018:
2010:
1979:
1971:
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1791:Europa-Gruss
1789:
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1727:Dr KâSextett
1725:
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1093:Robert Craft
1072:
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1038:
1034:
1009:
1006:Reich, Steve
981:
956:
953:Pegg, Carole
928:
916:
907:
901:
890:
869:
847:
831:
819:
807:
791:
779:
767:
755:
744:Hear and Now
743:
735:
723:
703:
676:
664:
652:
647:, p. 4.
645:Hillier 2007
640:
628:
616:
604:
588:
573:
562:
552:Paul Hillier
543:
525:
517:
510:
502:
482:spectralists
477:
476:
469:
462:
447:
433:
429:
427:
421:
411:
407:
405:
389:
383:
379:
377:
358:include the
355:
348:Paul Hillier
344:Hear and Now
343:
315:
307:
303:
297:
295:
287:fundamentals
189:
188:
150:
145:
143:
137:
133:
116:
114:
104:
90:
72:
71:
70:
65:
61:
57:
53:
50:Péter Eötvös
41:
37:
18:
2808:Per NÞrgÄrd
2568:Tim Souster
2533:TomĂĄs Marco
2513:Jerome Kohl
2498:Alden Jenks
2483:Georg Heike
2463:Hugh Davies
2433:David Ahern
2420:David Tudor
2262:Other works
1981:Himmelfahrt
1960:(1952â2003)
1922:Drei Lieder
1496:Himmels-TĂŒr
1464:Herbstmusik
836:Rigoni 1992
784:Potter 2002
716:Rigoni 1992
669:Harvey 1975
511:Avant Garde
496:Discography
455:pedal point
396:drone music
327:Round House
291:moment form
202:microphones
58:Gaby Rodens
32:, with the
2927:Categories
2847:Techniques
2558:Otto Piene
2384:Jill Purce
2367:Assistants
2340:(1st wife)
2322:(2nd wife)
2286:Sternklang
2159:Kurzwellen
2151:Prozession
2076:Oktophonie
1993:Electronic
1938:Litanei 97
1799:Trumpetent
1703:Plus-Minus
1671:Schlagtrio
1655:Kreuzspiel
1507:Orchestral
1393:Donnerstag
796:Reich 2002
581:References
434:Monophonie
2746:Composers
2573:Avo SÔmer
2334:(partner)
2328:(partner)
2052:Telemusik
2020:Studie II
1839:Schönheit
1823:Harmonien
1767:Tierkreis
1472:Originale
1205:16:50â98.
1203:De Musica
1020:(cloth),
967:(cloth),
917:The Times
840:Toop 2002
812:Toop 2005
760:Cott 1973
657:Cott 1973
633:Toop 2005
609:Pegg 2001
593:Toop 2005
398:with The
228:harmonics
198:amplified
101:overtones
48:, front,
2902:Category
2688:Gondwana
2680:Partiels
2666:Stimmung
2604:Category
2305:(2004â7)
2270:Ensemble
2239:Paradies
2231:Orvonton
2191:Strahlen
2092:Strahlen
2084:Weltraum
2036:Kontakte
2012:Studie I
1949:Keyboard
1930:Stimmung
1879:Hoffnung
1855:Erwachen
1831:Katikati
1751:Harlekin
1679:ZeitmaĂe
1648:Sonatine
1591:JubilÀum
1433:Mittwoch
1417:Dienstag
1305:AllMusic
1300:Stimmung
1291:AllMusic
1286:Stimmung
1277:AllMusic
1271:Stimmung
1254:Archived
1244:Stimmung
1234:STIMMUNG
1198:Stimmung
1168:Stimmung
1139:Stimmung
1106:Stimmung
1095:. 1969.
1055:Stimmung
1035:Stimmung
1008:. 2002.
955:. 2001.
927:. 1975.
574:Stimmung
563:Stimmung
544:Stimmung
518:Stimmung
503:Stimmung
478:Stimmung
467:Wagner's
448:Stimmung
439:♭
430:Stimmung
422:Stimmung
408:Stimmung
384:Stimmung
380:Stimmung
356:Stimmung
298:Stimmung
269:♭
249:♭
233:♭
223:♭
207:♭
190:Stimmung
169:♭
158:Overview
151:Stimmung
146:Stimmung
117:Stimmung
91:It is a
84:for the
73:Stimmung
2726:in vain
2223:Nebadon
2215:Jerusem
2199:Edentia
1847:Balance
1687:Refrain
1641:Chamber
1610:Momente
1535:Gruppen
1456:Theatre
1441:Sonntag
1425:Freitag
1401:Samstag
1059:Contact
418:Feldman
413:Refrain
333:at the
278:, and C
200:by six
134:stimmen
128:" and "
105:primary
82:Cologne
2912:Portal
2729:(2000)
2721:(1996)
2715:(1982)
2707:(1980)
2699:(1980)
2691:(1980)
2683:(1975)
2675:(1972)
2669:(1968)
2661:(1968)
2313:Family
2297:(1972)
2289:(1971)
2281:(1968)
2273:(1967)
2250:(2007)
2247:Uversa
2242:(2007)
2234:(2007)
2226:(2007)
2218:(2007)
2210:(2007)
2207:Havona
2202:(2007)
2194:(2002)
2186:(1970)
2178:(1970)
2170:(1968)
2167:Spiral
2162:(1968)
2154:(1967)
2146:(1966)
2138:(1965)
2130:(1964)
2111:(2006)
2103:(2006)
2095:(2002)
2087:(1994)
2079:(1991)
2071:(1979)
2063:(1967)
2060:Hymnen
2055:(1966)
2047:(1964)
2044:Mixtur
2039:(1960)
2031:(1956)
2023:(1954)
2015:(1953)
2007:(1952)
1984:(2005)
1976:(2006)
1968:(1970)
1965:Mantra
1941:(1997)
1933:(1968)
1925:(1950)
1917:(1950)
1909:(1950)
1906:Choral
1890:(2007)
1882:(2007)
1874:(2007)
1866:(2007)
1858:(2007)
1850:(2007)
1842:(2006)
1834:(2006)
1826:(2006)
1818:(2005)
1815:Freude
1810:(1997)
1807:Rotary
1802:(1995)
1794:(1992)
1786:(1977)
1778:(1976)
1770:(1975)
1762:(1975)
1754:(1975)
1746:(1972)
1738:(1971)
1730:(1969)
1722:(1968)
1714:(1966)
1706:(1963)
1698:(1959)
1695:Zyklus
1690:(1959)
1682:(1956)
1674:(1952)
1666:(1952)
1658:(1951)
1650:(1951)
1629:(1974)
1621:(1964)
1618:Mixtur
1613:(1964)
1594:(1977)
1586:(1971)
1578:(1969)
1570:(1969)
1567:Fresco
1562:(1965)
1554:(1962)
1551:Punkte
1546:(1960)
1538:(1957)
1530:(1952)
1522:(1951)
1519:Formel
1499:(2005)
1491:(1993)
1483:(1977)
1480:Sirius
1475:(1961)
1467:(1974)
1444:(2003)
1436:(1997)
1428:(1994)
1420:(1991)
1412:(1988)
1409:Montag
1404:(1983)
1396:(1980)
1373:(1977)
1358:Operas
1187:
1149:
1128:
1091:, and
1079:
1049:, and
1028:(pbk).
1024:
1016:
996:
988:
975:(pbk).
971:
963:
935:
880:
800:p. 202
192:is in
138:Stimme
126:tuning
97:serial
2673:Clang
2352:(son)
2346:(son)
2302:Klang
2108:TĂŒrin
1898:Vocal
1887:Treue
1871:GlĂŒck
1863:Glanz
1775:Amour
1711:Adieu
1626:Inori
1583:Trans
1543:Carré
1527:Spiel
1383:Licht
451:'
337:, in
214:drone
111:Title
103:as a
93:tonal
2183:Pole
2175:Expo
2143:Solo
1743:Ylem
1559:Stop
1185:ISBN
1147:ISBN
1126:ISBN
1077:ISBN
1022:ISBN
1014:ISBN
994:ISBN
986:ISBN
969:ISBN
961:ISBN
933:ISBN
878:ISBN
488:and
180:Play
130:mood
1303:at
1289:at
1275:at
1201:".
1170:".
1057:".
748:BBC
461:'s
457:in
259:, A
255:, D
246:, B
239:, F
226:'s
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798:,
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742:,
714:;
710:;
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280:+
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273:+
257:4
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241:+
237:2
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