Knowledge (XXG)

Strangeways, Here We Come

Source πŸ“

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Marr has said "I've learned to love the title ... it was a bit overstating things somewhat. A little bit obvious. But it's OK. I was always intrigued by the word Strangeways. I remember as a kid, when I first heard that the prison was really called that, I wondered had it not occurred to anybody to
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came slowly to understand the idea that the writing partners Morrissey and Marr were trying to put forth. Street (who engineered previous Smiths efforts) later said that there would always be late-night drinking following the recording sessions. "That was always after Morrissey had gone to
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ended the Smiths' brief career with their best album has been the subject of considerable debate for nearly a quarter century, but it definitively stands as the band's most lush, richest work."
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programming ("I Started Something I Couldn't Finish", "Paint a Vulgar Picture", "Death at One's Elbow"), sound effects ("Last Night I Dreamt That Somebody Loved Me", "Death at One's Elbow")
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Morrissey and Marr have stated that the album is the band's best, with Morrissey adding, "We say it quite often. At the same time. In our sleep. But in different beds". Drummer
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that "Everyone else was more than willing to join in this new love affair. Parties at Wool House became a nightly event. With Morrissey tucked up in bed with his favourite
546:), but Keitel declined to allow him to use the image. In 1991, Keitel relented, and the image was used on T-shirts and stage backdrops for Morrissey's 1991 449:
bed ... it wasn't really his bag. We'd carry on finishing overdubs and then the records would come out. We'd be partying all hours". Ed Power wrote in
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change the name? It's still befuddling, really". Morrissey has also stated, "Really it's me throwing both arms to the skies and yelling 'Whatever next?
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Marr felt the band was ready to enter a new musical phase, and was determined to avoid a formula and move away from their previous "
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said it was "a subtly shaded and skilled album, one boasting a fuller production than before ... while it doesn't match
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compilation, Morrissey again chose Davalos as a cover star, and Davalos is looking at Dean, who is once again cropped.
2857: 2716: 2695: 1068: 478: 260: 3035: 2688: 2892: 2653: 2227: 351:, staying in the chart for 17 weeks. The album also became an international success, peaking at number 16 in the 3013: 2945: 2801: 2525: 2158: 947: 444:
Recording in the Wool Hall made the sessions more relaxed, as the wine cellar was fully stocked and producer
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and saxophone arrangements, additional vocals ("Death at One's Elbow"), handclaps ("Paint a Vulgar Picture")
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critics' poll, and "Girlfriend in a Coma" ranked number 11 among songs. In 2000 it was voted number 601 in
511:, who is cropped from the image. Dean was a hero of Morrissey's, about whom the singer wrote a book called 2990: 2917: 2822: 2709: 2312: 2200: 1935: 1232:– bass guitar, keyboards ("A Rush and a Push and the Land Is Ours"), handclaps ("Paint a Vulgar Picture") 2931: 2567: 1235: 467: 352: 1803: 51: 3040: 558: 387: 2959: 2518: 2395: 2028: 1975: 965:
listed the album at No. 69 on its list of "Best Albums of the 1980s", writing that "Whether or not
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The album ranked number 3 among "Albums of the Year" for 1987 in the annual
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As revealed in Jo Slee's collection of Smiths and Morrissey sleeve artwork,
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playing a musical instrument: piano, on the song "Death of a Disco Dancer".
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Stephen Street – co-producer, string arrangement ("Girlfriend in a Coma")
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NME Music News, Reviews, Videos, Galleries, Tickets and Blogs | NME.COM
1208: 562: 2021:(2004). "The Smiths". In Brackett, Nathan; Hoard, Christian (eds.). 497:, which was designed by Morrissey, features a murky shot of actor 59: 1639:"Why Morrissey's downfall echoes the messy demise of The Smiths" 2514: 959:
said the record "stands as one of their best and most varied".
507:. In the photo, Davalos is looking at his costar in that film, 382:
The Smiths recorded what was to be their final studio album at
2130: 1740: 937: 2510: 2228:"The 100 Best Albums of the 1980s - Feature - Slant Magazine" 429:. The band's instrumentation branched out as well, including 27:"Strangeways Here We Come" redirects here. For the film, see 2382:"swedishcharts.com - The Smiths - Strangeways, Here We Come" 2261:
A Light That Never Goes Out: The Enduring Saga of the Smiths
390:, Somerset, England (established and then-owned by the band 2300:
Songs That Saved Your Life - The Art of The Smiths 1982–87
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Songs That Saved Your Life - The Art of The Smiths 1982–87
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Songs That Saved Your Life - The Art of The Smiths 1982–87
2248:
Songs That Saved Your Life - The Art of The Smiths 1982–87
2352:"Offizielle Deutsche Charts - Offizielle Deutsche Charts" 1238:– drums, percussion, handclaps ("Paint a Vulgar Picture") 2340:
The Smiths - Strangeways, Here We Come - dutchcharts.nl
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Mozipedia: The Encyclopedia of Morrissey and The Smiths
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Mozipedia: The Encyclopedia of Morrissey and The Smiths
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Mozipedia: The Encyclopedia of Morrissey and The Smiths
485:; their B-sides were drawn from archival recordings. 473:
Two final songs were recorded in May 1987 to provide
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anthology, the musicians would cover their favourite
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is the fourth and final studio album by the English
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All tracks are written by Morrissey and Johnny Marr
242: 193: 167: 155: 139: 113: 94: 86: 71: 58: 44: 1637: 2879:Stop Me If You Think You've Heard This One Before 1729: 1727: 1084:Stop Me If You Think You've Heard This One Before 300:Stop Me If You Think You've Heard This One Before 1443:Shipments figures based on certification alone. 758: 2526: 8: 1211:("A Rush and a Push and the Land Is Ours"), 891: 841: 803: 720: 687: 649: 611: 557:'s notorious Strangeways Prison (now called 501:, best known for appearing in the 1955 film 2925:Please Please Please Let Me Get What I Want 2056:Harrison, Andrew (May 1993). "The Smiths". 1794: 1792: 2872:Last Night I Dreamt That Somebody Loved Me 2533: 2519: 2511: 1387: 1288: 1121:Last Night I Dreamt That Somebody Loved Me 586: 332:. It was released on 28 September 1987 by 287:Last Night I Dreamt That Somebody Loved Me 50: 41: 2475:Recording Industry Association of America 470:also named the album as the band's best. 372:Recording Industry Association of America 1753: 1751: 1476: 1474: 1096: 1003: 565:, here we come" is taken from the novel 370:(BPI) on 1 October 1987 and also by the 2126:"Albums and Track of the year for 1987" 1457: 1439: 1207:– guitar, piano, keyboards, harmonica, 1173: 421:. Marr further stated that he intended 2974:A Rush and a Push and the Land Is Ours 2209: 2198: 1936:"Morrisseyβ€”Still The Lonely Wordsmith" 1028:A Rush and a Push and the Land Is Ours 2865:I Started Something I Couldn't Finish 2263:. 1st ed. U.K.: Random House. p. 588. 2073:Dalton, Stephen (1998). "The Smiths: 1571: 1569: 1174: 1043:I Started Something I Couldn't Finish 592: 274:I Started Something I Couldn't Finish 7: 2886:There Is a Light That Never Goes Out 2302:. 2nd ed. U.K.: Titan Books. P. 275. 2289:. 2nd ed. U.K.: Titan Books. P. 275. 2276:. 2nd ed. U.K.: Titan Books. P. 272. 2250:. 2nd ed. U.K.: Titan Books. P. 260. 1934:Willman, Chris (27 September 1987). 1705:Clarke, Patrick (3 September 2020). 402:is the only Smiths album to feature 347:The album reached number two on the 1612:"Gateways to Geekery: Scott Walker" 1274:Steve Williams – assistant engineer 760: 39:1987 studio album by the Smiths 2816:The Boy with the Thorn in His Side 1677:. Music Sales Group. p. 171. 340:, with lyrics written and sung by 25: 3051:Albums produced by Stephen Street 2967:Some Girls Are Bigger Than Others 2024:The New Rolling Stone Album Guide 1906:The Encyclopedia of Popular Music 1832:Power, Tony (15 September 2004). 1758:Goddard, Simon (1 October 2009). 1576:Goddard, Simon (1 October 2009). 1539:Goddard, Simon (1 October 2009). 893: 843: 805: 722: 715:The Encyclopedia of Popular Music 689: 651: 613: 425:as an homage to early records by 398:left the group, ending the band. 18:Strangeways, Here We Come (album) 2187:David Browne (3 December 1987). 1652:from the original on 25 May 2022 1610:Murray, Noel (6 December 2012). 1468:, Guinness World Records Limited 912: 907: 902: 897: 892: 862: 857: 852: 847: 842: 824: 819: 814: 809: 804: 774: 769: 764: 759: 741: 736: 731: 726: 721: 703: 698: 693: 688: 670: 665: 660: 655: 650: 632: 627: 622: 617: 612: 2396:"Official Albums Chart Top 100" 2317:Australian Chart Book 1970–1992 1734:Barker, Emily (3 August 2015). 1511:"European Hot 100 Albums Chart" 1482:"European Hot 100 Albums Chart" 553:The album takes its title from 437:arrangements on keyboards, and 2844:Shoplifters of the World Unite 2781:William, It Was Really Nothing 2774:Heaven Knows I'm Miserable Now 1520:. 12 December 1987. p. 18 1466:British Hit Singles and Albums 1103: 1010: 543:Who's That Knocking at My Door 477:for the album's lead single, " 1: 2809:That Joke Isn't Funny Anymore 2767:What Difference Does It Make? 2450:British Phonographic Industry 1582:. Random House. p. 422. 1491:. 31 October 1987. p. 26 836:The Rolling Stone Album Guide 374:(RIAA) on 19 September 1990. 368:British Phonographic Industry 2421:"The Smiths - chart history" 2099:"Christgau's Consumer Guide" 1545:. Random House. p. 96. 2696:The Very Best of The Smiths 2189:"Strangeways, Here We Come" 1636:Power, Ed (16 March 2020). 463:songs into the wee hours". 75:28 September 1987 3072: 3046:Rough Trade Records albums 1280:Steve Wright – photography 248:Strangeways, Here We Come 26: 2893:Sweet and Tender Hooligan 2611:Strangeways, Here We Come 2548: 2500:Strangeways, Here We Come 2075:Strangeways, Here We Come 2007:(87): 139. December 1993. 1999:Strangeways, Here We Come 1836:Strangeways, Here We Come 1806:Strangeways, Here We Come 1440: 1425: 1410: 1402: 1399: 1396: 1391:Strangeways, Here We Come 1367: 1357: 1349: 1341: 1333: 1325: 1315: 1307: 1300: 1297: 1292:Strangeways, Here We Come 1265:Johnny Marr – co-producer 1163: 1152: 1141: 1130: 1115: 1107: 1078: 1063: 1056:"Death of a Disco Dancer" 1052: 1037: 1022: 1014: 967:Strangeways, Here We Come 600: 597: 495:Strangeways, Here We Come 483:Strangeways, Here We Come 321:Strangeways, Here We Come 313: 292:Released: 7 December 1987 279:Released: 2 November 1987 253: 238: 217:Strangeways, Here We Come 201: 49: 45:Strangeways, Here We Come 3014:Shoplifters of the World 2802:Barbarism Begins at Home 2159:All Time Top 1000 Albums 1800:Erlewine, Stephen Thomas 1145:"Paint a Vulgar Picture" 972:Reviewing the album for 948:All Time Top 1000 Albums 266:Released: 10 August 1987 30:Strangeways Here We Come 2703:The Sound of The Smiths 2400:Official Charts Company 2208:Cite magazine requires 1911:Oxford University Press 1674:Meetings with Morrissey 1317:European Top 100 Albums 1268:Morrissey – co-producer 1219:("I Won't Share You"), 978:Stephen Thomas Erlewine 2918:Suffer Little Children 2823:Bigmouth Strikes Again 2710:The Smiths Singles Box 2654:The World Won't Listen 1290:Chart performance for 1215:("Unhappy Birthday"), 1156:"Death at One's Elbow" 513:James Dean Is Not Dead 419:self-titled 1968 album 2932:The Headmaster Ritual 2166:. 2000. p. 201. 1874:"The Smiths And Solo" 1277:Tim Young – mastering 353:European Albums Chart 2858:Girlfriend in a Coma 2795:Shakespeare's Sister 2097:(23 February 1988). 2029:Simon & Schuster 1965:(18 November 2011). 1243:Additional musicians 1069:Girlfriend in a Coma 588:Professional ratings 561:), whilst the line " 559:HM Prison Manchester 479:Girlfriend in a Coma 261:Girlfriend in a Coma 3056:Sire Records albums 2259:Fletcher, T, 2012. 2138:on 14 November 2011 1969:The Smiths Complete 1671:Brown, Len (2008). 1393: 1389:Certifications for 1342:New Zealand Albums 1294: 1167:"I Won't Share You" 1099: 1006: 589: 427:the Walker Brothers 334:Rough Trade Records 3007:The Smiths Is Dead 2639:Compilation albums 2507:(list of releases) 2298:Goddard, S, 2013. 2285:Goddard, S, 2013. 2272:Goddard, S, 2013. 2246:Goddard, S, 2013. 1388: 1308:Australian Albums 1289: 1134:"Unhappy Birthday" 1097: 1004: 587: 583:Critical reception 3036:The Smiths albums 3023: 3022: 3001:Live performances 2946:The Queen Is Dead 2851:Sheila Take a Bow 2760:This Charming Man 2735:The Peel Sessions 2661:Louder Than Bombs 2604:The Queen Is Dead 2104:The Village Voice 2095:Christgau, Robert 1941:Los Angeles Times 1764:. New York City: 1518:Music & Media 1489:Music & Media 1449: 1448: 1444: 1381: 1380: 1184: 1183: 1093: 1092: 983:The Queen Is Dead 933: 932: 924:The Village Voice 753:Los Angeles Times 489:Artwork and title 317: 316: 234: 233: 208:Louder Than Bombs 16:(Redirected from 3063: 2984:Related articles 2960:I Know It's Over 2788:How Soon Is Now? 2647:Hatful of Hollow 2535: 2528: 2521: 2512: 2486: 2485: 2483: 2481: 2467: 2461: 2460: 2458: 2456: 2442: 2436: 2435: 2433: 2431: 2417: 2411: 2410: 2408: 2406: 2392: 2386: 2385: 2377: 2371: 2370: 2362: 2356: 2355: 2348: 2342: 2337: 2331: 2330: 2309: 2303: 2296: 2290: 2283: 2277: 2270: 2264: 2257: 2251: 2244: 2238: 2237: 2224: 2218: 2217: 2211: 2206: 2204: 2196: 2184: 2178: 2177: 2162:(3rd ed.). 2154: 2148: 2147: 2145: 2143: 2134:. 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The album was 306: 303: 293: 290: 280: 277: 267: 264: 203: 202: 151: 150: 146: 122:Alternative rock 90:March–April 1987 82: 80: 54: 42: 21: 3071: 3070: 3066: 3065: 3064: 3062: 3061: 3060: 3026: 3025: 3024: 3019: 2979: 2898: 2740: 2722: 2634: 2616: 2577: 2544: 2539: 2495: 2490: 2489: 2479: 2477: 2469: 2468: 2464: 2454: 2452: 2444: 2443: 2439: 2429: 2427: 2419: 2418: 2414: 2404: 2402: 2394: 2393: 2389: 2380:Hung, Steffen. 2379: 2378: 2374: 2365:Hung, Steffen. 2364: 2363: 2359: 2350: 2349: 2345: 2338: 2334: 2327: 2311: 2310: 2306: 2297: 2293: 2284: 2280: 2271: 2267: 2258: 2254: 2245: 2241: 2236:. 5 March 2012. 2226: 2225: 2221: 2210:|magazine= 2207: 2197: 2186: 2185: 2181: 2174: 2156: 2155: 2151: 2141: 2139: 2124: 2123: 2119: 2109: 2107: 2093: 2092: 2088: 2072: 2071: 2067: 2055: 2054: 2050: 2043: 2017: 2016: 2012: 1996: 1995: 1991: 1981: 1979: 1961: 1960: 1956: 1946: 1944: 1933: 1932: 1928: 1921: 1899: 1898: 1894: 1884: 1882: 1879:Chicago Tribune 1872:(7 July 1991). 1868: 1867: 1863: 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Index

Strangeways, Here We Come (album)
Strangeways Here We Come (film)

Studio album
the Smiths
The Wool Hall
Beckington
Somerset
Genre
Alternative rock
indie pop
indie rock
Label
Rough Trade
Producer
Johnny Marr
Morrissey
Stephen Street
The Smiths
Louder Than Bombs
Rank
Singles
Girlfriend in a Coma
I Started Something I Couldn't Finish
Last Night I Dreamt That Somebody Loved Me
Stop Me If You Think You've Heard This One Before
rock
the Smiths
Rough Trade Records
Johnny Marr

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