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Stride (music)

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because of the alternating bass note and chord action of the left hand. In the left hand, the pianist usually plays a single bass note, or a bass octave or tenth, followed by a chord triad toward the center of the keyboard, while the right hand plays
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patterns. Proper playing of stride jazz involves a subtle rhythmic tension between the left hand which is close to the established tempo, and the right hand, which is often slightly anticipatory.
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Some pianists have transcribed display pieces note for note from early recordings. However, this practice only illustrates a small part of stride jazz musical adventures.
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Stride employed left hand techniques from ragtime, wider use of the piano's range, and quick tempos. Compositions were written but were also intended to be improvised.
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or "broken tenth" interval. The pianist could not only substitute tenths for single bass notes but could also play broken (staggered) tenths up and down the keyboard
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The term "stride" comes from the idea of the pianist's left hand leaping, or "striding", across the piano. The left hand characteristically plays a four-beat
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of the day in the stride style. Ragtime was composed, but many stride pianists improvised. Some stride players didn't read music. Stride used
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and treatment the pianist is performing. On occasion a stride jazz pianist might have the left hand shift into double time.
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explorations of chordal intricacies before launching into swing. Tatum was given a posthumous Grammy Award in 1974.
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on the second and fourth beats. Occasionally this pattern is reversed by placing the chord on the
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That Week On TV: Let's Have a Party! The Piano Genius of Mrs Mills, BBC4; Nigellissima, BBC2
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Unlike ragtime pianists, stride pianists were not concerned with ragtime form and played
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Recordings of James P. Johnson online at the Library of Congress National Jukebox
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and bass notes on the upbeat. Compared to the ragtime style popularized by
740:. Ekay Music. pp. 06, 34: About Harlem Stride Piano, Carolina Shout. 2114: 2013: 1395: 1123: 1066: 992: 982: 882: 382: 359: 311: 293: 2249: 2161: 2146: 2008: 1103: 987: 570: 546: 277:, stride players' left hands travel greater distances on the keyboard. 200: 141: 1666: 1093: 1083: 375: 289: 281: 243: 2124: 1998: 977: 172: 493:
used a stride technique for her many sing-along and party tunes.
853: 297: 136: 826: 18: 184:, was an important contributor to the stride piano style. 523:" (1929), "Vipers Drag" (1934), "Alligator Crawl" (1934) 508:"Carolina Shout" (1918/1921), "Mule Walk," "Caprice Rag" 400:
Other stride jazz pianists of the 20th century included
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Prominent stride pianists include 1876: 1636: 845: 831: 823: 122: 467:Other prominent stride jazz pianists are 362:, who was himself a fan of the European " 109:Learn how and when to remove this message 464:developed the style for their own ends. 691:"Piano Styles—Ragtime to Boogie-Woogie" 603: 358:(1909–1956) (a fan of Fats Waller and 381:Stride pianists used devices such as 7: 388:Stride pianists engaged in marathon 47:adding citations to reliable sources 14: 2200:Album covers of Blue Note Records 2248: 801:, Radio Times, 29 September 2012 662:Morrison, Nick (12 April 2010). 616:The New Grove Dictionary of Jazz 583: 569: 23: 693:, McGraw-Hill Higher Education. 664:"Stride Piano: Bottom-End Jazz" 34:needs additional citations for 1580:Institutions and organizations 1: 1277:Cool jazz and West Coast jazz 736:Scivales, Riccardo (1990). 2311: 703:Schuller, Gunther (1986). 392:to show off their skills. 180:(1904–1943), a student of 2244: 1606:See Template: Jazz theory 784:review of Bernd Lhotzky, 738:Harlem Stride Piano Solos 261:) on the first and third 16:Style of jazz piano music 530:Willie "The Lion" Smith 337:Willie "The Lion" Smith 280:Stride piano is highly 209:Willie "the Lion" Smith 766:"The Gift" (part 2 of 199:style that arose from 185: 641:"Hitting That Stride" 191:, often shortened to 176: 1994:Bibliography of jazz 1774:Continental European 789:(CD, 2006), AllMusic 515:Thomas "Fats" Waller 341:Thomas "Fats" Waller 178:Thomas "Fats" Waller 43:improve this article 2235:Straight, No Chaser 2024:Straight-ahead jazz 1481:Winter & Winter 930:French horn in jazz 772:(Documentary). PBS. 764:(director) (2001). 504:James Price Johnson 366:" pianists such as 316:tension and release 58:"Stride" music 2275:Musical techniques 2179:West African music 2004:British dance band 1794:European free jazz 1767:British dance band 1260:Musicians by genre 1040:Free improvisation 186: 2262: 2261: 2135:New Orleans blues 1982: 1981: 1925: 1924: 1499:Beaches (Toronto) 910:Swing performance 475:, Bernd Lhotzky, 452:. 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Jazz
ragtime
Kansas City jazz

Thomas "Fats" Waller
James P. Johnson
jazz piano
ragtime
James P. Johnson
Willie "the Lion" Smith
Fats Waller
Luckey Roberts
Mary Lou Williams
pulse
bass note
octave
major seventh
minor seventh
major tenth

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