194:
22:
134:
180:
When blending, a stump may be held at an angle to increase the surface area that contacts the paper. The tip of the stump must be kept clean while blending in light-toned areas of a drawing, so as to not smear darker media from other areas onto it. Eventually the tool will become dull from use;
168:. They are sold commercially in a range of sizes suitable for manipulations covering large areas, for operations on a miniature scale, and those in-between. A variant that is not as tightly packed and has a hollow core is called
184:
While similar effects can be produced by smudging with one's fingers, this deposits oil from the skin onto the drawing surface, making the surface less receptive to the charcoal or other drawing medium.
145:
is a cylindrical drawing tool, usually made of soft paper that is tightly wound into a stick and sanded to a point at both ends. It is used by artists to smudge or blend marks made with
235:
113:
43:
254:
47:
94:
66:
73:
259:
80:
32:
51:
36:
228:
127:
62:
193:
221:
87:
150:
205:
248:
157:
or other drawing media. By its use, gradations and half tones can be produced.
21:
169:
146:
165:
154:
133:
132:
161:
201:
181:
sandpaper pointers are often used to clean and re-sharpen it.
15:
160:
Stumps are typically made of paper but can also be made of
209:
229:
8:
50:. Unsourced material may be challenged and
236:
222:
114:Learn how and when to remove this message
7:
190:
188:
48:adding citations to reliable sources
14:
192:
20:
1:
208:. You can help Knowledge by
276:
187:
125:
204:-related article is a
138:
128:Stump (disambiguation)
255:Visual arts materials
136:
126:For other uses, see
63:"Stump" drawing
44:improve this article
139:
260:Visual arts stubs
217:
216:
124:
123:
116:
98:
267:
238:
231:
224:
196:
189:
119:
112:
108:
105:
99:
97:
56:
24:
16:
275:
274:
270:
269:
268:
266:
265:
264:
245:
244:
243:
242:
178:
131:
120:
109:
103:
100:
57:
55:
41:
25:
12:
11:
5:
273:
271:
263:
262:
257:
247:
246:
241:
240:
233:
226:
218:
215:
214:
197:
177:
174:
122:
121:
28:
26:
19:
13:
10:
9:
6:
4:
3:
2:
272:
261:
258:
256:
253:
252:
250:
239:
234:
232:
227:
225:
220:
219:
213:
211:
207:
203:
198:
195:
191:
186:
182:
175:
173:
171:
167:
163:
158:
156:
152:
148:
144:
135:
129:
118:
115:
107:
104:December 2009
96:
93:
89:
86:
82:
79:
75:
72:
68:
65: –
64:
60:
59:Find sources:
53:
49:
45:
39:
38:
34:
29:This article
27:
23:
18:
17:
210:expanding it
199:
183:
179:
159:
151:Conté crayon
142:
140:
110:
101:
91:
84:
77:
70:
58:
42:Please help
30:
249:Categories
74:newspapers
176:Technique
170:tortillon
31:does not
147:charcoal
166:leather
88:scholar
52:removed
37:sources
155:pencil
90:
83:
76:
69:
61:
200:This
143:stump
137:Stump
95:JSTOR
81:books
206:stub
162:felt
67:news
35:any
33:cite
202:art
164:or
46:by
251::
172:.
153:,
149:,
141:A
237:e
230:t
223:v
212:.
130:.
117:)
111:(
106:)
102:(
92:·
85:·
78:·
71:·
54:.
40:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
