146:). The lights are not visible directly, but they illuminate exactly the space cut from the wall, with no spillage. The walls of the recesses are painted white, but by reflecting the light from the fluorescent lamps appear to be different colours. The overall effect of the two pieces is to engender an
218:. Each installation of the pieces required significant preparatory work by Turrell, who used a combination of diagrams and scale models, as well as extensive on-site experimentation, to determine the correct proportions and layout for the chambers.
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in which the three-dimensional space of the installation appears to collapse into two dimensions - the apertures seem to alternate between their actual "void" form and being on a single plane with the surrounding walls, ceiling and floor.
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are placed on two of the longer walls, which are separated by a shorter "corner" wall. The pieces each consist of a recess cut into one of the walls, each equidistant from the adjoining corner. Inside of each recess is a coloured
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The pieces are displayed in a specially constructed octagonal chamber. The floor, ceiling and every wall are painted in a deep
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Much of
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460 cm Ă— 430 cm (180 in Ă— 168 in)
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were assembled as early as 1970, while
Turrell was working in a studio in
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Blurring the
Boundaries: Installation Art 1969-1996
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101:in museums around the world, most recently in the
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16:Pair of art installations by James Turrell
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234:Davies, Hugh M; Onorato, Ronald J;
341:(2008). Retrieved 15 October 2010.
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216:Museum of Contemporary Art, Sydney
125:and are carefully and evenly lit.
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93:produced by the American artist
301:James Turrell: The Art of Light
204:Elizabeth W. Russell Foundation
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467:Chestnut Hill Friends Meeting
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461:Sheats–Goldstein Residence
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200:Los Angeles, California
530:Works by James Turrell
520:Installation art works
440:(2019-in construction)
22:Stuck Red / Stuck Blue
469:(skyspace, 2012-2013)
307:(December 20, 1990).
277:John Wiley & Sons
403:Stuck Red/Stuck Blue
192:Mendota, California
499:Dia Art Foundation
425:Dividing the Light
271:Benjamin, Andrew;
262:Davies, pp. 74-75.
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206:. In 2008,
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180:Mark Rothko
117:Description
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222:References
212:Stuck Blue
188:Stuck Blue
155:Background
144:Stuck Blue
142:, blue in
131:Stuck Blue
86:Stuck Blue
55:Dimensions
208:Stuck Red
184:Stuck Red
161:thingness
140:Stuck Red
127:Stuck Red
107:San Diego
80:Stuck Red
71:San Diego
494:Skyspace
484:Land art
315:. p. 147
287:. p. 47.
279:(1995).
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242:(1997).
138:(red in
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63:Location
477:Related
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414:(1976)
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