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entire physiological being, one gets the sense after listening to these six-and-a-half hours of brilliance that they comprise but a single molecule of creation dissected and slowed to discernible speeds. At least we, at this moment in time, can witness these atomic paths, knowing full well that their beauty lies in an allegiance to silence. Not a single note ever feels out of place, because it has no place to begin with, except as the emblem of that which is gone before it arrives... If you ever buy only one recording of Keith
Jarrett, look no further. Then again, why stop here?"
542:"a monumental record of Jarrett's work at a crucial stage of his development," and wrote: "there are amazingly few dead or dull patches and all five concerts seem related like a massive suite. The improvisation also seems much more organic than on the earlier live solo albums... There are more new colours and new rhythms... and the music tends to evolve rather than to chop and change. There is a clear sense of ebbing and flowing, and the marvellous dynamics, ranging from triple forte to pianissimo, also enhance this."
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519:, Mikal Gilmore remarked, "Nowhere else in his collected works does music seem more effortless and splendid. From the opening phrase onward, it unfolds like an idyllic dream on the border of consciousness, and like the best of dreams – or narratives – you never want it to end. It is, to my mind, one of the few real self-contained epics in Seventies music."
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in the zoo, a small bear which really looked friendly and doesn't exist anywhere outside Japan. The next day I asked our
Japanese sound engineer about this animal because I remembered its face, a really friendly small face, and he replied, 'Yes, it's a beautiful bear but if you get near enough to him
511:
breaks little ground that his earlier solo piano albums had not already covered, it is nevertheless richly inventive within
Jarrett's personal parameter of idioms. If price is not a barrier, the Jarrett devotee need not hesitate". A review by Thom Jurek of the 2021 facsimile edition refers to the
530:
prove that not only is
Jarrett an unparalleled improviser but a melodician of the highest order. These pieces are consistent in their striking differences, yet all seem couched in a palpable melancholy that is striated with joy. Despite the sheer volume of music that seems to reside in Jarrett's
329:
were originally released as a ten-LP set in
January 1978, and re-released in 1989 as a six-CD (and six cassette) box set, with encores from the concerts in Sapporo, Tokyo and Nagoya—the first that the five performances could be heard as a whole.
29:
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he will knock you three blocks down the road'. I simply liked the idea of an animal that looks as if it would be nice to get near to and which, when you do so, shakes your whole conception of life.
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In a 1979 interview, Jarrett stated, "I was involved in a very searching period of time when we recorded that, and the music itself was almost a release for the search. I've been thinking—
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is the only thing I've recorded that runs the gamut of human emotion. I think that if you got to know it well enough, you'd find it all in there someplace."
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compiling five solo piano concerts performed over two weeks during his
November 1976 tour in Japan and released on
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compiles five of the eight concerts performed on
Jarrett's November 1976 solo tour in Japan:
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album as "a pinnacle of creative invention in
Jarrett's voluminous catalog".
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Jarrett, as quoted in his biography, explained the title:
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1843:"Keith Jarrett Trio: Sun Bear Concerts (ECM 1100)"
16:1978 box set / Live album by Keith Jarrett
285:November 18 – Hokkaido Kosei Nenkin Hall, Sapporo
1756:. USA: Random House/Rolling Stone. p. 112.
72:Kyoto, Nagoya, Tokyo, Sapporo and Osaka (Japan)
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281:November 16 – Kanagawa Kenmin Hall, Yokohama
507:review by Richard S. Ginell states, "While
227:is a live box set by American jazz pianist
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1441:Disc five: Sapporo, November 18th, 1976
1353:Disc three: Nagoya, November 12th, 1976
1261:All tracks are written by Keith Jarrett
1121:All tracks are written by Keith Jarrett
981:All tracks are written by Keith Jarrett
841:All tracks are written by Keith Jarrett
701:All tracks are written by Keith Jarrett
561:All tracks are written by Keith Jarrett
2591:Mysteries: The Impulse Years 1975–1976
272:November 12 – Aichi Auditorium, Nagoya
1397:Disc four: Tokyo, November 14th, 1976
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277:November 14 – Nakano Sun Plaza, Tokyo
7:
1872:Keith Jarrett: The Man and His Music
1787:The Penguin Guide to Jazz Recordings
1658:Keith Jarrett: The Man and His Music
1629:"Keith Jarrett's Keys to the Cosmos"
1622:
1620:
471:The Penguin Guide to Jazz Recordings
1841:Grillo, Tyran (December 25, 2010).
1754:The Rolling Stone Jazz Record Guide
1627:Gilmore, Mikal (January 25, 1979).
1563:Shinji Ohtsuka – recording engineer
1560:Okihino Sugano – recording engineer
1309:Disc two: Osaka, November 8th, 1976
1265:Disc one: Kyoto, November 5th, 1976
433:The Rolling Stone Jazz Record Guide
2137:Invocations/The Moth and the Flame
1817:"Keith Jarrett: Sun Bear Concerts"
1689:"Keith Jarrett: Sun Bear Concerts"
14:
2637:Albums produced by Manfred Eicher
1721:The Encyclopedia of Popular Music
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1612:Keith Jarrett 1976 live concerts
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260:November 6 – Denki Hall, Fukuoka
244:November 1976 solo tour in Japan
1953:Gary Burton & Keith Jarrett
526:, Tyran Grillo commented, "The
264:November 8 – Sankei Hall, Osaka
256:November 5 – Kaikan Hall, Kyoto
2388:Keith Jarrett at the Blue Note
2244:Solo Concerts: Bremen/Lausanne
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2193:The Melody at Night, with You
395:Encyclopedia of Popular Music
268:November 10 – NHK Hall, Tokyo
2599:The Impulse Years: 1973–1974
2129:G.I. Gurdjieff: Sacred Hymns
1116:Sapporo, November 18th, 1976
204:G.I. Gurdjieff: Sacred Hymns
1937:Life Between the Exit Signs
836:Nagoya, November 12th, 1976
311:On a Japanese tour I saw a
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1874:. Da Capo. pp. 97–98.
976:Tokyo, November 14th, 1976
2642:1970s instrumental albums
2622:Keith Jarrett live albums
2484:Paris / London: Testament
2460:The Carnegie Hall Concert
2025:El Juicio (The Judgement)
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1752:Swenson, J., ed. (1985).
1572:Klaus Knaup – photography
1569:– cover design and layout
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556:Kyoto, November 5th, 1976
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1581:Akira Aimi – photography
2632:ECM Records live albums
1847:Between Sound and Space
524:Between Sound and Space
2647:Solo piano jazz albums
1961:The Mourning of a Star
1718:Larkin, Colin (2011).
1660:. Da Capo. p. 97.
318:
2532:A Multitude of Angels
1614:accessed May 16, 2020
1544:Keith Jarrett – piano
522:Writing for ECM blog
309:
175:solo piano chronology
2372:At the Deer Head Inn
2097:The Survivors' Suite
2041:Death and the Flower
339:Professional ratings
2380:Standards in Norway
1687:Ginell, Richard S.
1549:Technical personnel
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534:Jarrett biographer
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64:November 5–18, 1976
2583:Compilation albums
2444:The Out-of-Towners
2324:Personal Mountains
2121:The Celestial Hawk
1674:accessed May 2020.
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2276:Eyes of the Heart
2268:Sun Bear Concerts
2161:Standards, Vol. 2
2145:Standards, Vol. 1
1801:978-0-141-03401-0
1724:. Omnibus Press.
1699:on 8 October 2018
1672:Sun Bear Concerts
1602:accessed May 2020
1600:Sun Bear Concerts
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1485:Disc six: Encores
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540:Sun Bear Concerts
528:Sun Bear Concerts
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249:Sun Bear Concerts
235:in January 1978.
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195:Sun Bear Concerts
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146:Sun Bear Concerts
22:Sun Bear Concerts
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2627:1978 live albums
2572:Bordeaux Concert
2564:Budapest Concert
2468:My Foolish Heart
2428:Always Let Me Go
2260:The Köln Concert
2236:Somewhere Before
1945:Restoration Ruin
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1790:(9th ed.).
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1695:. Archived from
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551:Original release
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2009:Treasure Island
1993:Ruta and Daitya
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1794:. p. 768.
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117:Manfred Eicher
114:
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94:
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2340:Paris Concert
2337:
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2074:
2073:Hymns/Spheres
2070:
2067:
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2062:
2059:
2058:
2054:
2051:
2050:
2046:
2043:
2042:
2038:
2035:
2034:
2030:
2027:
2026:
2022:
2019:
2018:
2014:
2011:
2010:
2006:
2003:
2002:
1998:
1995:
1994:
1990:
1987:
1986:
1982:
1979:
1978:
1974:
1971:
1970:
1966:
1963:
1962:
1958:
1955:
1954:
1950:
1947:
1946:
1942:
1939:
1938:
1934:
1933:
1931:
1929:Studio albums
1927:
1923:
1918:
1914:
1913:Keith Jarrett
1907:
1902:
1900:
1895:
1893:
1888:
1887:
1884:
1873:
1869:
1863:
1860:
1848:
1844:
1837:
1834:
1822:
1818:
1815:Jurek, Thom.
1811:
1808:
1803:
1797:
1793:
1789:
1788:
1783:
1782:Morton, Brian
1779:
1778:Cook, Richard
1773:
1770:
1765:
1763:0-394-72643-X
1759:
1755:
1748:
1745:
1733:
1731:9780857125958
1727:
1723:
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1714:
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1698:
1694:
1690:
1683:
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1667:
1664:
1659:
1655:
1649:
1646:
1634:
1633:Rolling Stone
1630:
1623:
1621:
1617:
1613:
1608:
1605:
1601:
1595:
1592:
1585:
1580:
1578:– photography
1577:
1574:
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1565:
1562:
1559:
1556:
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1181:
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1174:
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1128:
1122:
1115:
1107:
1104:
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1087:
1074:
1071:
1067:
1054:
1041:
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1034:
1021:
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1005:
1001:
988:
982:
975:
967:
964:
960:
947:
934:
931:
927:
914:
901:
898:
894:
881:
868:
865:
861:
848:
842:
835:
827:
824:
820:
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761:
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721:
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702:
695:
687:
684:
680:
667:
654:
651:
647:
634:
621:
618:
614:
601:
588:
585:
581:
568:
562:
555:
550:
546:Track listing
545:
543:
541:
537:
532:
529:
525:
520:
518:
517:Rolling Stone
513:
510:
506:
475:
473:
472:
468:
467:
437:
435:
434:
430:
429:
399:
397:
396:
392:
391:
361:
359:
356:
355:
347:
344:Review scores
342:
333:
331:
328:
320:
317:
314:
308:
302:
300:
298:
290:
286:
283:
280:
278:
275:
273:
270:
267:
265:
262:
259:
257:
254:
253:
252:
250:
243:
238:
236:
234:
230:
229:Keith Jarrett
226:
225:
215:
206:
205:
201:
197:
196:
192:
188:
187:
183:
182:
178:
174:
173:Keith Jarrett
170:
166:
157:
156:
152:
148:
147:
143:
139:
138:
134:
133:
129:
125:
124:Keith Jarrett
121:
118:
115:
113:
109:
104:
101:
99:
95:
79:
75:
71:
67:
63:
59:
55:
51:
47:
46:Keith Jarrett
42:
38:
34:
30:
25:
20:
2597:
2589:
2570:
2562:
2554:
2546:
2538:
2530:
2522:
2514:
2506:
2498:
2490:
2482:
2474:
2466:
2458:
2450:
2442:
2434:
2426:
2418:
2410:
2402:
2394:
2386:
2378:
2370:
2362:
2354:
2346:
2338:
2330:
2322:
2314:
2306:
2298:
2290:
2282:
2274:
2267:
2266:
2258:
2250:
2242:
2234:
2215:
2207:
2199:
2191:
2183:
2177:Book of Ways
2175:
2167:
2159:
2151:
2143:
2135:
2127:
2119:
2111:
2103:
2095:
2087:
2079:
2071:
2063:
2055:
2047:
2039:
2031:
2023:
2017:In the Light
2015:
2007:
1999:
1991:
1985:Expectations
1983:
1975:
1967:
1959:
1951:
1943:
1935:
1871:
1862:
1850:. Retrieved
1846:
1836:
1826:February 23,
1824:. Retrieved
1820:
1810:
1785:
1772:
1753:
1747:
1735:. Retrieved
1720:
1713:
1703:February 23,
1701:. Retrieved
1697:the original
1692:
1666:
1657:
1648:
1636:. Retrieved
1632:
1607:
1598:ECM Records
1594:
1260:
1256:1989 reissue
1120:
980:
840:
700:
560:
539:
533:
527:
523:
521:
515:Writing for
514:
508:
502:
469:
431:
393:
326:
324:
310:
306:
296:
294:
284:
276:
271:
263:
255:
248:
247:
223:
222:
221:
202:
194:
193:
184:
153:
145:
144:
135:
56:January 1978
2556:Munich 2016
2516:Hamburg '72
2412:Whisper Not
2228:Live albums
2065:Arbour Zena
1922:Discography
1245:"Part II b"
1212:"Part II a"
1105:"Part II b"
1072:"Part II a"
965:"Part II b"
932:"Part II a"
825:"Part II b"
792:"Part II a"
685:"Part II b"
652:"Part II a"
2616:Categories
2476:Yesterdays
2420:Inside Out
2332:Changeless
2308:Still Live
2252:Fort Yawuh
2217:Last Dance
1969:Facing You
1586:References
1557:– producer
1179:"Part I b"
1146:"Part I a"
1039:"Part I b"
1006:"Part I a"
899:"Part I b"
866:"Part I a"
759:"Part I b"
726:"Part I a"
619:"Part I b"
586:"Part I a"
239:Background
126:chronology
41:Live album
2548:La Fenice
2508:Somewhere
2436:Up for It
2404:Tokyo '96
2284:Nude Ants
2081:Staircase
2049:Mysteries
2033:Back Hand
2001:Belonging
1868:Carr, Ian
1852:March 20,
1654:Carr, Ian
1638:March 20,
1539:Personnel
1506:"Sapporo"
1473:"Part II"
1429:"Part II"
1385:"Part II"
1341:"Part II"
1297:"Part II"
334:Reception
291:Recording
186:Staircase
2524:Creation
2452:Radiance
2396:La Scala
2356:The Cure
2292:Concerts
1870:(1992).
1821:AllMusic
1784:(2008).
1693:AllMusic
1670:Discogs
1656:(1992).
1528:"Nagoya"
1462:"Part I"
1418:"Part I"
1374:"Part I"
1330:"Part I"
1286:"Part I"
1191:Side III
1051:Side III
911:Side III
771:Side III
631:Side III
536:Ian Carr
509:Sun Bear
505:AllMusic
358:AllMusic
313:sun bear
297:Sun Bear
112:Producer
106:ECM 1100
61:Recorded
53:Released
43: by
2500:Sleeper
2348:Tribute
2201:Jasmine
2169:Spirits
2153:Changes
2105:My Song
2089:Byablue
1792:Penguin
1517:"Tokyo"
1224:Side IV
1158:Side II
1084:Side IV
1018:Side II
944:Side IV
878:Side II
804:Side IV
738:Side II
664:Side IV
598:Side II
538:called
208:(1980)
199:(1978)
190:(1977)
159:(1978)
155:My Song
150:(1978)
141:(1977)
137:Byablue
39: /
37:Box set
2602:(1997)
2594:(1996)
2575:(2022)
2567:(2020)
2559:(2019)
2551:(2018)
2543:(2018)
2535:(2016)
2527:(2015)
2519:(2014)
2511:(2013)
2503:(2012)
2495:(2011)
2487:(2009)
2479:(2009)
2471:(2007)
2463:(2006)
2455:(2005)
2447:(2004)
2439:(2003)
2431:(2002)
2423:(2001)
2415:(2000)
2407:(1998)
2399:(1997)
2391:(1995)
2383:(1995)
2375:(1994)
2367:(1992)
2359:(1991)
2351:(1990)
2343:(1990)
2335:(1989)
2327:(1989)
2319:(1988)
2311:(1988)
2303:(1986)
2295:(1982)
2287:(1980)
2279:(1979)
2271:(1978)
2263:(1975)
2255:(1973)
2247:(1973)
2239:(1969)
2220:(2014)
2212:(2013)
2209:No End
2204:(2010)
2196:(1999)
2188:(1994)
2180:(1987)
2172:(1986)
2164:(1985)
2156:(1984)
2148:(1983)
2140:(1981)
2132:(1980)
2124:(1980)
2116:(1978)
2113:Bop-Be
2108:(1978)
2100:(1977)
2092:(1977)
2084:(1977)
2076:(1976)
2068:(1976)
2060:(1976)
2057:Shades
2052:(1976)
2044:(1975)
2036:(1975)
2028:(1975)
2020:(1974)
2012:(1974)
2004:(1974)
1996:(1973)
1988:(1972)
1980:(1972)
1972:(1972)
1964:(1971)
1956:(1971)
1948:(1968)
1940:(1968)
1798:
1760:
1728:
1498:Length
1454:Length
1410:Length
1366:Length
1322:Length
1278:Length
1237:Length
1204:Length
1171:Length
1138:Length
1125:Side I
1097:Length
1064:Length
1031:Length
998:Length
985:Side I
957:Length
924:Length
891:Length
858:Length
845:Side I
817:Length
784:Length
751:Length
718:Length
705:Side I
677:Length
644:Length
611:Length
578:Length
565:Side I
352:Rating
349:Source
77:Length
1977:Birth
1737:1 May
1509:10:56
1495:Title
1476:33:55
1465:40:59
1451:Title
1432:35:22
1421:40:22
1407:Title
1388:39:56
1377:35:36
1363:Title
1344:31:09
1333:38:58
1319:Title
1300:34:05
1289:43:55
1275:Title
1248:19:16
1234:Title
1215:26:24
1201:Title
1182:19:16
1168:Title
1149:22:07
1135:Title
1108:21:58
1094:Title
1075:22:08
1061:Title
1042:16:07
1028:Title
1009:24:34
995:Title
968:24:19
954:Title
935:20:02
921:Title
902:18:50
888:Title
869:17:30
855:Title
814:Title
795:21:29
781:Title
762:19:27
748:Title
729:19:58
715:Title
688:18:31
674:Title
655:17:03
641:Title
622:19:44
608:Title
589:25:13
575:Title
303:Title
98:Label
69:Venue
1854:2021
1828:2021
1796:ISBN
1758:ISBN
1739:2019
1726:ISBN
1705:2021
1640:2021
1531:4:03
1520:8:23
828:9:40
503:The
325:The
2492:Rio
1491:No.
1447:No.
1403:No.
1359:No.
1315:No.
1271:No.
1230:No.
1197:No.
1164:No.
1131:No.
1090:No.
1057:No.
1024:No.
991:No.
950:No.
917:No.
884:No.
851:No.
810:No.
777:No.
744:No.
711:No.
670:No.
637:No.
604:No.
571:No.
233:ECM
103:ECM
2618::
1845:.
1819:.
1780:;
1691:.
1679:^
1631:.
1619:^
1525:3.
1514:2.
1503:1.
1470:2.
1459:1.
1426:2.
1415:1.
1382:2.
1371:1.
1338:2.
1327:1.
1294:2.
1283:1.
1242:1.
1209:1.
1176:1.
1143:1.
1102:1.
1069:1.
1036:1.
1003:1.
962:1.
929:1.
896:1.
863:1.
822:1.
789:1.
756:1.
723:1.
682:1.
649:1.
616:1.
583:1.
90:46
86:37
1905:e
1898:t
1891:v
1856:.
1830:.
1804:.
1766:.
1741:.
1707:.
1642:.
88::
84::
82:6
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
