65:’s newly formed jazz recording label headquartered in Munich. The couple jointly signed their work B & B Wojirsch in a collaboration that continued until Burkhardt’s untimely death in the mid 1970s. After her husband's death, Wojirsch continued to work for ECM. In 1978 photographer Dieter Rehm joined ECM’s staff. By the time Wojirsch retired in the mid 1990s, she had designed more than 200 covers for ECM recording artists including
49:. A realization that there are many good painters in the world led her to take up advertising for a short time, but she was disillusioned with the idea of telling people “things that aren’t true.”
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Wojirsch’s distinct aesthetic approach rooted in minimalism and modernism complemented the clear, pristine sounds that are Eicher’s signature. The influence of modern artists including
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100 best album covers : [the stories behind the sleeves]
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372:. Andrew Shenton. Cambridge: Cambridge University Press. 2012.
292:"The Female Graphic Designers Muted by the Music Industry"
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known primarily for developing the visual style for
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