889:(Lights—Waters) is both the first scene and the "Gruss" (greeting) of the opera. An initial duet by the soprano (Eve) and tenor (Michael) is followed by the entrance of the orchestra, who take their places throughout the audience, which is arranged in triangular segments facing the centre. Each musician is provided with a rack with a lamp and a glass of water. Seventeen high-register instruments are identified by seventeen blue lamps, corresponding to the Michael formula, and twelve lower-register instruments are lit by green lamps, corresponding to the Eve formula. The music rotates through the space in two simultaneous layers and in 12 successive waves. These rotations are related to the planets and moons of the Solar System, whose names, astronomical characteristics, and symbolisms form a part of the sung texts, which were written by the composer. At the end, the musicians make their exit and the soprano and tenor sing a closing duet.
901:(Angel Processions), seven groups of angels move through the space singing God's praises in seven languages (Ulrich 2011, 3). The seventh group consists of four soloists, and are the Angels of Joy (Sunday Angels). They sing in German. The soprano and tenor soloists should either be the same as in scene 1, or strongly resemble them. The other six choirs are Angels of Water (Monday Angels), Angels of Earth (Tuesday Angels), Angels of Life (Wednesday Angels), Angels of Music (Thursday Angels), Angels of Light (Friday Angels), and Angels of Heaven (Saturday Angels), and sing in Hindi, Chinese, Spanish, English, Arabic, and Swahili, respectively. The texts were all written by the composer in German, and translated into the respective languages. In
1007:
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286:. It was premiered on 1 August 2004 in the Sülztalhalle in Kürten as the second concert of the 2004 Stockhausen Courses. The performers were Frank Gutschmidt, Benjamin Kobler, Marc Maes, Antonio Pérez Abellán, and Fabrizio Rosso. In concert performances such as the premiere it may be performed live, but in the context of the opera it is intended to be heard in the foyer and/or outside the hall in five-channel playback, possibly with visual projections. There are also two further versions of this
52:
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1021:(High Times, or Marriages) is performed simultaneously in two different halls by five choral groups and five orchestral sections, respectively. The five divisions in each hall perform at independent speeds, producing "a tour de force of multiple superimposed tempi". The performance is then repeated, with the audiences changing halls. As such, these two versions are sometimes regarded as both the fifth and sixth scenes of
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1269:(separate versions of the sub-scenes). Isolde Siebert (high soprano), Ksenija Lukic (soprano), Susanne Otto (alto), Hubert Mayer (high tenor), Bernhard Gärtner (tenor), Jonathan de la Paz Zaens (baritone), Nicholas Isherwood (bass), Sebastian Kunz (boy's voice), Antonio Pérez Abellán (synthesizer), Karlheinz Stockhausen (musical direction and sound projection) CD 70 (single CD)
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266:(High Times, or Marriages for choir and for orchestra), are performed simultaneously in two different halls. It was commissioned by Rafael Nebot for the Festival de Música de Canarias. It was premiered by the choir and symphony orchestra of the West German Radio Cologne, in the Sala Sinfónica and the Sala de Cámera of the Auditorio Alfredo Kraus in
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1237:. Isolde Siebert (soprano), Janet Collins (alto), Hubert Mayer (tenor), Andreas Fischer (bass), Groot Omroepkoor (Netherlands Radio Choir), James Wood and David Lawrence (cond.), Karlheinz Stockhausen (musical supervision and sound projection). CD 67 A-B (2CDs), recorded in Amsterdam in 2002 . Kürten: Stockhausen-Verlag, 2004.
921:
is performed by two pairs of musicians, a flute and basset horn on the one hand, and a tenor and trumpet on the other. The tenor (Michael) sings the praises of God in the form of His creations, manifested from stones to spirits. The music is accompanied by corresponding light images, hence the title
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An alto voice from outside the hall, identifying herself as Eve, causes the soloists to run out, in turbulence. They return in procession, escorting the alto to the front while singing an "overtone chant." The alto Eve calls the boy
Michael to her out of the audience, they sing a mystical duet, and
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on 1 February 2003. Rupert Huber conducted the choir, Zsolt Nagy conducted the orchestra, and the synthesizer players were
Antonio Pérez Abellán and Benjamin Kobler. The German premiere with the same forces took place in Cologne on 14 February 2003 at the Philharmonie and the Große Sendesaal of the
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superformula, the assignment of these melodies to the pairs changes from section to section. The musical figures given to the basset horn and flute on the one hand, and to the tenor and trumpet on the other, are gradually displaced and then brought together again seven times, forming large phases
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and the relationships of all the planets that orbit the Sun. In this opera, the Earth and life on it is represented as the result of the union of light and water. These two elements are presented in the first scene, and the rest of the opera celebrates the evolution of life, of plants, animals,
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is a composite one, though (unlike five others) it has not been released as a boxed set, but rather on six separate CDs. This was broadcast by SWR in
September 2007. The recordings actually date from 1999, 2002, 2003, and 2004, and were made in various venues, as detailed below.
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for choir played by five synthesizers, including the phonetic notation of the original vocal texts. It is not so much an arrangement as an adaptation, and is intended for five-channel playback in recorded form in the foyer and outdoors as the audience exits the theatre.
1252:(trumpet with ring modulation), Antonio Pérez Abellán (synthesizer), Karlheinz Stockhausen (sound Projection). Two versions, one without ring-modulation for study purposes. CD 68 A-B (2CDs), recorded in Donaueschingen in 2004 . Kürten: Stockhausen-Verlag, 2005.
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humans, and above all this the planets, moons, and heavenly constellations. The opera has a pronounced ritualistic and meditative character, with very little that can be described as dramatic action. There are five scenes (or six, counting the two versions of
345:). The staging was by Carlus Padrissa, with dramaturgy by Thomas Ulrich. Stage design was by Roland Olbeter, costumes by Chu Uroz, and lighting by Andreas Grüter. Video production was by Franc Aleu and choreography by Athol Farmer and Carlos Paz.
1330:. Marc Maes, Frank Gutschmidt, Fabrizio Rosso, Benjamin Kobler, and Antonio Pérez Abellán (synthesizers), Karlheinz Stockhausen (sound projection). CD 74 (single CD), recorded in Kürten in 2004 . Kürten: Stockhausen-Verlag, 2005.
2134:
174:(Angel Processions), was commissioned by the Groot Omroepkoor (Netherlands Radio Choir) of Hilversum, the Netherlands, and its artistic director Jan Zekveld. It was composed in 2000, and premiered on 9 November 2002 at the
1263:(bass), Sebastian Kunz (boy's voice), Antonio Pérez Abellán (synthesizer), Karlheinz Stockhausen (musical direction and sound projection) CD 69 (single CD), recorded in Salzburg in 2003. Kürten: Stockhausen-Verlag, 2004.
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of the scene. The flute and basset horn represent Eve, while the tenor and trumpet represent
Michael, and each pair always sound together. Although the musical material is all drawn from the Michael and Eve layers of the
1290:, Rupert Huber and five conducting choir members (cond..); Antonio Pérez Abellán (synthesizer), Karlheinz Stockhausen (sound projection and musical direction). CD 73 (single CD). . Kürten: Stockhausen-Verlag, 2004.
209:(ZKM), Karlsruhe, with the support of the Kunststiftung NRW (Art Foundation of North Rhine Westphalia). It was premiered at the Donaueschinger Musiktage, in the Donauhalle B, on 16 October 2004. The performers were
221:(trumpet), and Antonio Pérez Abellán (synthesizer), with Karlheinz Stockhausen (sound projection). Image composition, stage design, and costumes were by Johannes Conen, with video collaboration from Yvonne Mohr.
955:(sung by an alto), and Michael appears in the form of a boy soprano. The seven fragrances chosen for the days of the week, their associated geographical areas, and the seven voices and voice combinations are:
239:(near Salzburg). The performers were Isolde Siebert (high soprano), Ksenja Lukič (soprano), Susanne Otto (alto), Hubert Mayer (tenor), Bernhard Gärtner (tenor), Jonathan de la Paz Zaens (baritone),
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corresponding to the days of the week. At the same time, movements of the performers on the stage corresponding to the musical figures are composed, and the waves are mirrored by a double
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A further component scene, to be performed simultaneously with the rest of the opera but in a separate location, was planned but never composed. This was to have been called
308:. The tape part was not finished until 2010, though a preliminary version was used for the world premiere on 4 December 2009 in Karlsruhe, with László Hudacsek, vibraphone.
333:. Subsequent performances were given on 20/21, 26/27, and 28/29 April, with the entire opera given in a single day on 24 April and 1 May 2011. The musical direction was by
1259:. Isolde Siebert (high soprano), Ksenija Lukic (soprano), Susanne Otto (alto), Hubert Mayer (high tenor), Bernhard Gärtner (tenor), Jonathan de la Paz Zaens (baritone),
348:
The production left a budget deficit for the
Cologne Opera that, when combined with a decrease in municipal funding, led to director Uwe Erik Laufenberg's resignation.
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1296:. WDR Rundfunkchor, Rupert Huber and five conducting choir members (conds.). CD 71 A–C (3CDs), recorded in Cologne in 2003. Kürten: Stockhausen-Verlag, 2004.
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2459:: an Interpretation of Stockhausen's Opera Cycle Drawing on Heidegger's Fourfold and Lacanian Psychoanalysis". Ph.D. diss. Melbourne: Monash University.
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Internationales
Stockhausen-Symposion 2000: LICHT. Musikwissenschaftliches Institut der Universität zu Köln, 19. bis 22. Oktober 2000. Tagungsbericht
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in five scenes and a farewell, to a libretto written and compiled by the composer. It is the last-composed of seven operas that comprise the cycle
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separately), and a concluding "farewell". Most of the scenes include elaborate spatial movement, each with "a distinctive spatial imprint".
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Drew, Joseph. 2014. "Michael from Light: A Character Study of
Karlheinz Stockhausen's Hero". Ph.D. diss. New York: New York University.
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138:, from which the new life of Monday proceeds. "In this way there is neither end nor beginning to the week. It is an eternal spiral".
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1967:
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Kovács, Adorján F. 2011. "Grandioses
Spektakel: Lichter und Wasser: Eloge auf die szenische Uraufführung von Stockhausens Oper
235:, and was composed between January and March 2002. It received its first performance on 29 August 2003 at the Perner Insel in
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The various scenes of the opera were commissioned by different organizations and were premiered separately in concert form.
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players of the orchestra. These ensembles are recollections of characteristic moments from each of the seven operas in the
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1226:, Karlheinz Stockhausen (cond.). CD 58 (single CD), recorded in Donaueschingen in 1999 . Kürten: Stockhausen-Verlag, 2000.
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the composed movement of sounds in the hall is only apparent, with musicians remaining at stationary positions, but in
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cycle. The protagonists explain each day in terms of their characteristic signs and scents. Afterward, Eve appears as
243:(bass), Sebastian Kunz (boy soprano), and Antonio Pérez Abellán (synthesizer), with sound projection by the composer.
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was played outside the
Staatenhaus (background) as the audience departed past the Tanzbrunnen (photographed in 2010)
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was begun in 2003 by the ZKM, Karlsruhe, but was interrupted in 2004 in favour of producing the visual elements for
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Miller, Paul. 2009. "Stockhausen and the Serial
Shaping of Space". Ph.D. diss. Rochester: Eastman School of Music.
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Henkel, Georg. 2016. "Angel of Joy: Stockhausen's 'Mirrors in Sound' and the Audibility of the Inaudible". In
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Merlin, Christian. 26 September 2003. "Stockhausen—'Le souffle de Dieu est le son fondamental de l'univers'".
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Peters, Günter. October 2004. "Grenzgänge in den Mittelpunkt der Musik. Karlheinz Stockhausen auf dem Weg zu
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Düfte-Zeichen für 7 Singstimmen, Knabenstimme, Synthesizer: 4. Szene vom Sonntag aus Licht (2002—Werk Nr. 78
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Stockhausen-Oper: Für jeden Tag ein anderer Duft: Die postume Uraufführung von Karlheinz Stockhausens Oper
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2552:) for Basset Horn, Flute with Ring Modulations, Tenor, Trumpet with Ring Modulation, Synthesizer (2002/03)
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315:, in which Lucifer is banished from the opera, and instead "is in the jail (Luciferium). But he listens".
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341:, and the artistic concept by Franc Aleu (from Urano), and by Roland Olbeter and Carlus Padrissa (from
123:(Light). Its stage premiere in 2011 was posthumous, more than three years after the composer's death.
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in two parts, on Saturday and Sunday, 9 and 10 April 2011, in the Staatenhaus (States' House) of the
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Lichter—Wasser (Sonntags-Gruss) für Sopran, Tenor uns Orchester mit Synthesizer (1999), Werk Nr. 75
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170:, and was premiered on 16 October 1999 in the Baar Gymnasium in Donaueschingen. The second scene,
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2012:
Braun, Thomas Manfred. 2008. "Das magische Quadrat in Karlheinz Stockhausens LICHT-BILDER". In
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Main entrance of the Staatenhaus at the Kölner Messe, during an interval of the performance of
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Hartwell, Robin. Winter–Summer 2012. "Threats and Promises: Lucifer, Hell, and Stockhausen's
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Sonntag aus Licht, Oper in fünf Szenen und einem Abschied: Karlheinz Stockhausen, Urauffürung
1317:(conductors) CD 72 A–C (3CDs), recorded in Cologne in 2003. Kürten: Stockhausen-Verlag, 2004.
1222:. Barbara van den Boom (soprano), Hubert Mayer (tenor), Antonio Pérez Abellán (synthesizer),
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2620:, una ópera europea: Carlus Padrissa ofrece en Colonia un colosal montaje de nueve horas de
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2238:: Karlheinz Stockhausen in Conversation with Ken Hollings, Kurten, Germany, 12 March 1999".
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2017:
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spatial movement is real, with the singers physically moving through the performance area.
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2572:. Partitur für szenische oder quasi konzertante Aufführungen. Kürten: Stockhausen-Verlag.
1784:. Partitur für szenische oder quasi konzertante Aufführungen. Kürten: Stockhausen-Verlag.
1300:
Hoch-Zeiten für Orchester vom Sonntag aus Licht: 5 einzelne Gruppen und Tutti zum Studium
2570:
Engel-Prozessionen für Chor a capella: 2. Szene vom Sonntag aus Licht (2000—Werk Nr. 76)
2122:. Mainz, London, Berlin, Madrid, New York, Paris, Prague, Tokyo, Toronto: Schott Music.
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2002:
1991:
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Ulrich, Thomas. Winter–Summer 2012. "Lucifer and Morality in Stockhausen's Opera Cycle
1983:
1974:
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2314:. October 2004. "Message of 'Light': Goethe, Stockhausen, and the New Enlightenment".
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300:, for synthesizer and five-channel tape. Work on the ten-channel electronic music for
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Nonnenmann, Rainer. 2011. "Mysterienspiel im Hightech-Gewand. Karlheinz Stockhausens
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Hoch-Zeiten für Chor vom Sonntag aus Licht: 5 einzelne Gruppen und Tutti zum Studium
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Mörchen, Raoul. 11 April 2011. "Der Tag der Anbetung Spektakuläre Uraufführung".
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Miller, Paul (Winter–Summer 2012). "An Adventure into Outer Space: Stockhausen's
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López Rosellcolònia, César. 12 April 2011. "La Fura es posa còsmica i mística".
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2003:
Estreia mundial de Sonntag de Stockhausen combina megalomania e beleza intimista
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Spahn, Claus. 14 April 2011. "Stockhausen-Uraufführung: Hängematte im Himmel".
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and David Lawrence conducting and with choreographer Machteld van Bronkhorst.
17:
2676:, and Christine Chapman (horn player from Ensemble Musikfabrik) interviewing
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2327:, updated edition. Lanham, Maryland, and London: Rowman & Littlefield.
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cycle, presented not in weekday order but in the order they were composed:
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Obiera, Pedro. 13 April 2011. "Im Liegestuhl zu Eva und neuen Planeten".
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2197:, edited by M. J. Grant and Imke Misch, 138–147. Hofheim: Wolke Verlag.
1025:. The basic structure of the orchestral version is identical to that of
282:(Sunday Farewell), which was adapted for five synthesizers in 2003 from
185:
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1803:
Sonntags-Abschied (Sunday Farewell), by Karlheinz Stockhausen: A Report
1244:. Hubert Mayer (tenor), Kathinka Pasveer (flute with ring modulation),
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Filipino Baritone Gets Crucial Role in a Stockhausen Opera in Cologne
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Schmidt, Constanze. 11 April 2011. "Jubel über Stockhausen in Köln".
2195:
The Musical Legacy of Karlheinz Stockhausen: Looking Back and Forward
1142:
2325:
Other Planets: The Complete Works of Karlheinz Stockhausen 1950–2007
2284:
Kübler, Susanne. 12 April 2011. "Ist das Grösse oder Grössenwahn?"
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Walls, Seth Colter. 15 April 2011. "Karlheinz Stockhausen's Opera
2044:
Brümmer, Ludger. Winter 2008. "Stockhausen on Electronics, 2004".
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Brembeck, Reinhard. 12 April 2011. "Kosmische Freudenbotschaft".
205:(CCMIX), Paris, and a visual realisation was commissioned by the
2208:
Hoffmann, Stephan. 12 April 2011. "Farben, Düfte, Engelschöre".
1992:Гений, безумец, шарлатан: опера Штокхаузена сбила зрителей с ног
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Müller, Regine. 12 April 2011. "Turbotheater für Stockhausen".
1029:, but has added to it five duos and two trios performed by the
1958:
Bianchi, Oscar. 2013. "Generative Processes in Stockhausen's
979:
Friday: Tate Yunanaka (Mexico), duet for soprano and baritone
162:(Lights—Waters) was composed in 1998–99 on commission of the
947:
The fourth scene recapitulates the seven days of the entire
1919:'Sensationell': Die Welt feiert Kölns Stockhausen-Spektakel
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Thursday: Rosa Mystica (Italy/Germany), solo for high tenor
2342:. Lanham, Maryland, Toronto, Oxford: The Scarecrow Press.
2001:
Boutsko, Anastassia, and Augusto Valente. 11 April 2011. "
1882:
Anon. 12 April 2011. "Die Heilsgeschichte ist bereinigt".
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for Soprano, Tenor, and orchestra with synthesizer (1999)
1267:
9 Düfte Der Woche aus Düfte Zeichen vom Sonntag aus LICHT
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Auditorio Alfredo Kraus, Las Palmas, Gran Canaria, where
290:, one for solo percussionist and ten-channel tape titled
1904:
Baumanns, Robert. 12 April 2011. "Stockhausen-Wahnsinn
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operas in the Stockhausen Complete Edition, the one of
2533:
Stockhausen Courses Kürten 2001: Composition Course on
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aus Karlheinz Stockhausens siebenteiligem Opernzyklus
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Stockhausen Courses Kürten 2004: Composition Course on
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Stockhausen Courses Kürten 2003: Composition Course on
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The Kölner Philharmonie, where the German premiere of
189:
ZKM, Karlsruhe, where the first visual realisation of
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Spahn, Claus. 21 October 2004. "Am Ende des Lichts".
2293:
Lange, Joachim. 12 April 2011. "Vorn ist das Licht".
1946:
Erhaben zurück in den Alltag: Karlheinz Stockhausens
1302:(study material). WDR Sinfonieorchester, Zsolt Nagy,
1286:, Zsolt Nagy and five assistant conductors (conds.);
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wurde in Köln erstmals komplett szenisch aufgeführt"
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2455:Parsons, Ian Lawrence. 2019. "The Phenomenology of
2135:"Mit den Ohren ins Weltall; Karlheinz Stockhausens
2120:
Karlheinz Stockhausen III: Die Werkzyklen 1977–2007
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Monday: Cúchulainn (Ireland), solo for high soprano
81:
73:
65:
56:Stockhausen on 7 March 2004 during the mix-down of
29:
130:cycle, Sunday is the day of the mystical union of
2340:Other Planets: The Music of Karlheinz Stockhausen
2079:Ein Sonntag in Weiß und Gold Stockhausens großes
2024:, 19–30. Kürten: Stockhausen-Stiftung für Musik.
1205:Like all of the other complete recordings of the
2496:: AR19 (New York edition) (accessed 8 May 2011).
2262:, 116–132. Münster, Berlin, London: LIT-Verlag.
1741:. DuMont Dokumente. Cologne: DuMont Buchverlag.
1728:website (26 August ) (Accessed 7 December 2012).
1002:Scene 5: Hoch-Zeiten for Choir and for Orchestra
150:Interior of the Concertgebouw, Amsterdam, where
2563:for 7 Vocalists, Boy's Voice, Sythesizer (2002)
2365:Minguet, Vicent. 2011. "Cròniques de concerts:
973:(Greece), trio for soprano, tenor, and baritone
2605:. Cologne, Weimar, and Vienna: Böhlau Verlag.
1014:received its world premiere on 1 February 2003
993:(Africa), duet for high soprano and high tenor
217:(flute and alto flute), Hubert Mayer (tenor),
2837:
2698:
1159:Finally, a Sunday trio for flute, viola, and
8:
2616:Vela del Campo, Juan Ángel. 27 April 2011. "
1962:". DMA diss. New York: Columbia University.
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1418:
1235:Pianissimo Choir Tutti of Engel-Prozessionen
1095:, the second "situation" of act 2, scene 3 (
723:the Choir Academy Dortmund, dir, Jost Salm)
107:
30:
1589:
1577:
1565:
1514:
1502:
1478:
1466:
1394:
1382:
1370:
1358:
1346:
998:she takes him with her into another world.
3874:
3508:
3021:
2872:
2844:
2830:
2822:
2705:
2691:
2683:
2603:Stockhausens Zyklus LICHT: Ein Opernführer
2068:Canning, Hugh. September 2011. "Cologne".
1224:SWR-Sinfonieorchester Baden-Baden/Freiburg
203:Centre de Création Musicale Iannis Xenakis
50:
26:
2628:, de Francesconi, en la Scala de Milán".
1858:Anker, Francois van den. 26 April 2011. "
1442:
882:Scene 1: Lichter—Wasser (Sunday Greeting)
798:musikFabrik, cond. Mariano Chiacchiarini,
278:The last element to be completed was the
1833:. Spielzeit 2010–2011, no. 27. Cologne:
1698:and the Analysis of Spatialized Music".
378:
4131:
1893:Sonntag aus Licht, Staatenhaus, Cologne
1722:Expansión, música cósmica y Stockhausen
1339:
2164:Musikus und Himmelsmama: Stockhausens
1824:(22 October) (accessed 17 April 2013).
1613:
1553:
1541:
1526:
1490:
1430:
931:, creating new harmonies and timbres.
207:Zentrum für Kunst und Mediatechnologie
1990:Boutsko, Anastassia. 14 April 2011. "
1979:Premieres as a Sensual Hymn of Praise
1973:Boutsko, Anastassia. 11 April 2011. "
1454:
7:
2418:Nonnenmann, Rainer. 11 April 2011. "
2250:. 2004. "Der Aspekt der Harmonik in
2133:Fuchs, Jörn Florian. 13 April 2011.
1931:Mutig voran: Karlheinz Stockhausens
1720:, and Karlheinz Stockhausen. 2003. "
1649:
1601:
1406:
2624:, de Stockhausen—Àlex Ollé estrena
2561:Scents-Signs (of Sunday from Light)
2217:Hoffmann, Stephan. 13 April 2011. "
2077:Doppler, Bernhard. 10 April 2011. "
2059:. Estreno: Oper Köln (9/10-04-2011)
1192:The Sunday Farewell is essentially
533:Estonian Philharmonic Chamber Choir
113:(Sunday from Light) is an opera by
3964:Center for Art and Media Karlsruhe
2168:als szenische Uraufführung in Köln
2053:Cabral, Ismael G. 16 April 2011. "
1944:Bendig, Karoline. 25 April 2011. "
1929:Bendig, Karoline. 25 April 2011. "
1917:Baumanns, Robert. 12 April 2011. "
1891:Apthorp, Shirley. 13 April 2011. "
1771:Hoch-Zeiten (of Sunday from Light)
1758:Hoch-Zeiten (of Sunday from Light)
25:
4202:Operas set in mythological places
1821:The New Grove Dictionary of Opera
802:Dirk Rothbrust, and Rie Watanabe
4134:
4110:
4109:
1994:" , edited by Daria Bryantseva.
1704:. 50+number=1 & 2: 342–392.
966:(Egypt), duet for tenor and bass
943:Frankincense is the Sunday scent
835:Fabrizio Rosso, Benjamin Kobler,
154:was premiered on 9 November 2002
4157:Operas by Karlheinz Stockhausen
2575:Tariman, Pablo A. 2 May 2011. "
2542:Stockhausen, Karlheinz. 2003b.
2535:Lights-Waters (Sunday Greeting)
2531:Stockhausen, Karlheinz. 2001b.
2524:Stockhausen, Karlheinz. 2001a.
2488:An Operatic Conundrum Untangled
2162:Hahn, Patrick. 11 April 2011. "
1860:Negen uur Stockhausen in Keulen
1839:Excerpt from programme insert:
1791:Sonntag aus Licht: Uraufführung
1767:Stockhausen, Karlheinz. 2004b.
1754:Stockhausen, Karlheinz. 2003a.
1220:Lichter—Wasser (Sonntags-Gruss)
1145:, and cello, quoting from the "
800:Norbert Krämer, Thomas Meixner,
2568:Stockhausen, Karlheinz. 2005.
2557:Stockhausen, Karlheinz 2004a.
1885:Frankfurter Allgemeine Zeitung
1789:Stockhausen, Karlheinz. 2011.
1780:Stockhausen, Karlheinz. 2006.
1733:Stockhausen, Karlheinz. 1989.
1686:Frankfurter Allgemeine Zeitung
1141:Wednesday trio, for clarinet,
254:took place on 14 February 2003
1:
2565:. Kürten: Stockhausen-Verlag.
2554:. Kürten: Stockhausen-Verlag.
2539:. Kürten: Stockhausen-Verlag.
2528:. Kürten: Stockhausen-Verlag.
2486:Robin, William. 8 May 2011. "
2097:Frei, Marco. 13 April 2011. "
2014:Gedenkschrift für Stockhausen
2005:", edited by Bettina Riffel.
1805:. Kürten: Stockhausen-Verlag.
1793:. Kürten: Stockhausen-Verlag.
1775:. Kürten: Stockhausen-Verlag.
1762:. Kürten: Stockhausen-Verlag.
833:Marc Maes, Frank Gutschmidt,
721:Leonard Aurische (soloist of
527:six choirs & tutti choir
4167:21st-century classical music
4162:20th-century classical music
2598:50, nos. 1 & 2: 313–341.
2320:new series 58, no. 230: 2–8.
2190:50, nos. 1 & 2: 393–424.
2159:. (Accessed 29 August 2011).
1829:Ulrich, Thomas (ed.). 2011.
1679:Fuchs, Jörn Florian. 2012. "
1135:, the ninth "real scene" of
2420:Geschichte wird geschrieben
2258:, edited by Imke Misch and
2234:Hollings, Ken. May 1999. "
1668:Uwe Erik Laufenberg Resigns
1109:and trombone, quoting from
893:Scene 2: Engel-Prozessionen
862:Planets of the Solar System
388:Premiere cast (April 2011)
317:Solare and Stockhausen 2003
4218:
2999:Helikopter-Streichquartett
2762:Helikopter-Streichquartett
2428:(accessed 29 August 2011).
2400:, di Karlheinz Stockhausen
2394:Nardelli, Stefano. 2011. "
2369:, Karlheinz Stockhausen".
1955:. (Accessed 29 April 2011)
1941:. (Accessed 29 April 2011)
1871:Kölner Publikum begeistert
1866:. (Accessed 29 April 2011)
820:(5-track tape projection)
770:(5-track tape projection)
268:Las Palmas de Gran Canaria
258:The final pair of scenes,
60:in Sound Studio N, Cologne
4106:
3939:
3511:
3024:
2875:
2859:
2726:
2595:Perspectives of New Music
2582:Philippine Daily Inquirer
2415:(accessed 16 April 2011).
2305:El Periódico de Catalunya
2187:Perspectives of New Music
2177:(accessed 29 April 2011).
2099:Rituale der Entfremdung:
2065:(accessed 29 April 2011).
1701:Perspectives of New Music
1666:Cadenhead, Frank. 2012. "
1276:Hoch-Zeiten für Orchester
1163:, quoting the opening of
869:takes as its subject the
816:
787:Hoch-Zeiten fur Orchester
784:
747:
688:Jonathan de la Paz Zaens
627:
545:
465:
392:
264:Hoch-Zeiten für Orchester
252:Hoch-Zeiten für Orchester
49:
38:
4187:Multiple-language operas
4019:Gottfried Michael Koenig
2669:Dress-rehearsal excerpts
2405:Il Giornale della Musica
2091:(Accessed 16 July 2011).
2009:(Accessed 16 July 2011).
1998:(Accessed 16 July 2011).
1987:(Accessed 16 July 2011).
1814:('Sunday from Light')".
1681:Luft von anderen Kamelen
498:Angel Choir 7 (Michael)
364:on Sunday, 24 April 2011
201:was commissioned by the
168:Donaueschinger Musiktage
3468:Klavierstücke Nos. 1–19
2641:Performed in Cologne".
2260:Christoph von Blumröder
2211:Stuttgarter Nachrichten
2118:Frisius, Rudolf. 2013.
2055:Karlheinz Stockhausen,
1773:for Orchestra (2001/02)
1739:Christoph von Blumröder
321:The staged premiere of
86:April 9, 2011
2601:Ulrich, Thomas. 2017.
2585:(accessed 8 May 2011).
2338:Maconie, Robin. 2005.
2323:Maconie, Robin. 2016.
2088:Deutschlandfunk Kultur
2083:-Zyklus-Finale in Köln
2047:Computer Music Journal
1869:Anon. 10 April 2011. "
1810:Toop, Richard. 2008. "
1326:and click tracks from
1189:
1015:
986:(India), solo for bass
944:
935:Scene 4: Düfte-Zeichen
863:
837:Antonio Pérez Abellán
795:five orchestra groups
539:choir ("Tutti Choir"),
376:
365:
255:
194:
155:
108:
31:
3969:Collegium Vocale Köln
3086:Hymnen (Third Region)
2853:Karlheinz Stockhausen
2720:Karlheinz Stockhausen
2559:Composition Course on
2544:Composition Course on
2425:Kölner Stadt-Anzeiger
2296:Frankfurter Rundschau
2144:Schwäbisches Tagblatt
1876:Kölner Stadt-Anzeiger
1710:10.1353/pnm.2012.0003
1592:, V, XVIII, XXI, XXX.
1580:, V, VII, XXI, XXIII.
1284:WDR Sinfonieorchester
1183:
1167:, the first scene of
1027:Hoch-Zeiten for Choir
1009:
942:
913:Scene 3: Licht-Bilder
897:In the second scene,
861:
371:
359:
294:(Rays), the other as
249:
188:
149:
115:Karlheinz Stockhausen
44:Karlheinz Stockhausen
3904:Stockhausen Ensemble
3539:Gesang der Jünglinge
3230:Aus den sieben Tagen
2881:Atmen gibt das Leben
2862:List of compositions
2771:Donnerstag aus Licht
2663:Ensemble Musikfabrik
2473:Musik & Ästhetik
2449:Aachener Nachrichten
2112:Neue Zürcher Zeitung
2107:in Köln uraufgeführt
1280:Hoch-Zeiten für Chor
1055:, act 1, scene 2 of
750:Hoch-Zeiten für Chor
474:Angel Choir 7 (Eve)
284:Hoch-Zeiten für Chor
260:Hoch-Zeiten für Chor
227:was commissioned by
4192:Serial compositions
3246:Für kommende Zeiten
2644:The Washington Post
2502:Kölnische Rundschau
2038:Süddeutsche Zeitung
1835:Oper der Stadt Köln
1760:for Choir (2001/02)
1304:Valerio Sannicandro
827:synthesizers I to V
699:Michael Leibundgut
530:Cappella Amsterdam,
519:Michael Leibundgut
178:in Amsterdam, with
3855:Markus Stockhausen
3805:Alphabet für Liège
3789:Musik für ein Haus
2755:Mittwoch aus Licht
2739:Dienstag aus Licht
2493:The New York Times
2396:Domenica di Fura:
2074:: 1070, 1072–1073.
1816:Grove Music Online
1718:Solare, Juan María
1517:, 25, 30, 145–147.
1261:Nicholas Isherwood
1231:Engel-Prozessionen
1190:
1061:Saturday duo, for
1041:Thursday duo, for
1016:
945:
907:Engel-Prozessionen
899:Engel-Prozessionen
864:
758:five choir groups
468:Engel-Prozessionen
377:
366:
256:
241:Nicholas Isherwood
195:
172:Engel-Prozessionen
156:
152:Engel-Prozessionen
4122:
4121:
4102:
4101:
4039:Mesías Maiguashca
4004:Nicolaus A. Huber
3959:Boudewijn Buckinx
3861:Simon Stockhausen
3849:Doris Stockhausen
3831:Mary Bauermeister
3768:
3767:
3579:Unsichtbare Chöre
3484:Natürliche Dauern
3147:
3146:
2962:
2961:
2819:
2818:
2801:Sonntag aus Licht
2794:Samstag aus Licht
2787:Freitag aus Licht
2778:Unsichtbare Chöre
2639:Sonntag aus Licht
2618:La Fura dels Baus
2611:978-3-412-50577-6
2550:Sunday from Light
2483:8, no. 32: 61–81.
2468:Sonntag aus Licht
2398:Sonntag aus Licht
2367:Sonntag aus Licht
2333:978-1-4422-7267-5
2275:Sonntag aus Licht
2236:Lost in the Stars
2221:Sonntag aus Licht
2203:978-3-95593-068-4
2182:Sunday from Light
2173:Neue Musikzeitung
2166:SONNTAG aus LICHT
2153:Rottenburger Post
2137:Sonntag aus Licht
2128:978-3-7957-0772-9
2057:SONNTAG aus LICHT
2050:32, no. 4: 10–16.
2030:978-3-00-023528-3
1948:Sonntag aus Licht
1933:Sonntag aus Licht
1906:Sonntag aus Licht
1841:Sonntag aus Licht
1812:Sonntag aus Licht
1638:Stockhausen 2004b
1626:Stockhausen 2003a
1568:, 33–34, 151–152.
1505:, 15–17, 135–137.
1419:Stockhausen 2003a
1361:, 25–26, 145–146.
1328:Sonntags Abschied
1324:Sonntags-Abschied
1211:Sonntag aus Licht
1186:Sonntags-Abschied
1176:Sonntags-Abschied
1105:Tuesday duo, for
851:
850:
847:Kathinka Pasveer
818:Sonntags-Abschied
809:sound projection
780:Kathinka Pasveer
777:sound projection
743:Kathinka Pasveer
740:sound projection
618:sound projection
541:cond. James Wood
524:Angel Choirs 1–6
442:sound projection
362:Sonntag aus Licht
343:La Fura dels Baus
325:was given by the
280:Sonntags-Abschied
233:Salzburg Festival
109:Sonntag aus Licht
104:
103:
58:Angel-Processions
32:Sonntag aus Licht
16:(Redirected from
4209:
4139:
4138:
4130:
4113:
4112:
4014:David C. Johnson
3989:Karel Goeyvaerts
3916:Johannes Fritsch
3885:Cornelius Cardew
3875:
3843:Suzanne Stephens
3837:Kathinka Pasveer
3509:
3022:
2873:
2846:
2839:
2832:
2823:
2732:Montag aus Licht
2707:
2700:
2693:
2684:
2678:Kathinka Pasveer
2670:
2659:Rehearsal videos
2481:
2443:, no. 129:75–76.
2413:
2379:General-Anzeiger
2281:, no. 129:76–78.
2228:Badische Zeitung
2157:Reutlinger Blatt
2149:Tübinger Chronik
2022:Kathinka Pasveer
2018:Suzanne Stephens
1935:in Köln (Teil I)
1846:
1825:
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1599:
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1590:Stockhausen 2006
1587:
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1578:Stockhausen 2006
1575:
1569:
1566:Stockhausen 2011
1563:
1557:
1551:
1545:
1539:
1530:
1524:
1518:
1515:Stockhausen 2011
1512:
1506:
1503:Stockhausen 2011
1500:
1494:
1488:
1482:
1479:Stockhausen 2011
1476:
1470:
1467:Stockhausen 1989
1464:
1458:
1452:
1446:
1440:
1434:
1428:
1422:
1416:
1410:
1404:
1398:
1395:Stockhausen 2011
1392:
1386:
1383:Stockhausen 2006
1380:
1374:
1371:Stockhausen 2011
1368:
1362:
1359:Stockhausen 2011
1356:
1350:
1347:Stockhausen 1989
1344:
1315:Wolfgang Lischke
1312:
1288:WDR Rundfunkchor
1246:Suzanne Stephens
1121:Friday duo, for
1081:Monday duo, for
1072:Kathinkas Gesang
844:sound projection
830:
812:Paul Jeukendrup
733:Benjamin Kobler
622:Kathinka Pasveer
611:Benjamin Kobler
445:Paul Jeukendrup
397:(Sonntags-Gruß)
379:
372:Marco Blaauw in
335:Kathinka Pasveer
297:Klavierstück XIX
215:Kathinka Pasveer
213:(bassett horn),
211:Suzanne Stephens
111:
93:
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4054:Costin Miereanu
3954:Fritz Bornemann
3935:
3926:Aloys Kontarsky
3899:
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3498:
3455:
3425:Chöre für Doris
3404:
3294:In Freundschaft
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2546:Light Pictures
2475:
2407:
2388:Rheinische Post
1898:Financial Times
1854:
1852:Further reading
1849:
1828:
1809:
1797:
1788:
1779:
1766:
1753:
1735:Texte zur Musik
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1248:(basset horn),
1203:
1178:
1129:, quoting from
1089:, quoting from
1069:, quoting from
1049:, quoting from
1004:
937:
929:ring modulation
915:
895:
884:
856:
836:
834:
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799:
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722:
664:Alexander Mayr
642:Csilla Csövári
540:
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531:
506:Alexander Mayr
480:Csilla Csövári
435:Ulrich Löffler
354:
164:Südwestrundfunk
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4094:Michael Vetter
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4064:Jorge Peixinho
4061:
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4029:Mauricio Kagel
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3984:Vinko Globokar
3981:
3979:Herbert Eimert
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3646:Mikrophonie II
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3516:Konkrete Etüde
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3270:Musik im Bauch
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2653:External links
2651:
2649:
2648:
2635:
2614:
2599:
2586:
2573:
2566:
2555:
2548:(3rd Scene of
2540:
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2007:Deutsche Welle
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1165:Lichter—Wasser
1157:
1139:
1119:
1115:, in act 2 of
1103:
1079:
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1003:
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653:Maike Raschke
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511:Angel Choir 7
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485:Angel Choir 7
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410:Anna Palimina
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36:
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24:
18:Sunday (opera)
14:
13:
10:
9:
6:
4:
3:
2:
4214:
4203:
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4197:Spatial music
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4137:
4132:
4128:
4117:
4116:
4105:
4095:
4092:
4090:
4087:
4085:
4082:
4080:
4077:
4075:
4074:Roger Smalley
4072:
4070:
4067:
4065:
4062:
4060:
4059:Nam June Paik
4057:
4055:
4052:
4050:
4047:
4045:
4042:
4040:
4037:
4035:
4034:György Ligeti
4032:
4030:
4027:
4025:
4022:
4020:
4017:
4015:
4012:
4010:
4007:
4005:
4002:
4000:
3999:Hans G. Helms
3997:
3995:
3992:
3990:
3987:
3985:
3982:
3980:
3977:
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3962:
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3922:
3921:Rolf Gehlhaar
3919:
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3896:
3893:
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3871:Collaborators
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3638:Mikrophonie I
3635:
3634:
3632:
3630:With soloists
3628:
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3616:
3613:
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3611:Cosmic Pulses
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3174:Kontra-Punkte
3171:
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3150:
3139:
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3113:With soloists
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2464:Düfte-Zeichen
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2348:0-8108-5356-6
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2063:Chorro de Luz
2060:
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2049:
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2043:
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2039:
2034:
2031:
2027:
2023:
2019:
2015:
2011:
2008:
2004:
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1997:
1993:
1989:
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1972:
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1968:9781267933478
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1961:
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1953:Kultura-Extra
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1939:Kultura-Extra
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1890:
1888:, no. 86: 32.
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1799:Toop, Richard
1796:
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1747:3-7701-2249-6
1744:
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1737:6, edited by
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1659:Cited sources
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1153:, scene 4 of
1152:
1149:" section of
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1118:
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1080:
1078:
1075:, scene 2 of
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675:Hubert Mayer
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639:high soprano
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630:Düfte-Zeichen
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537:Cologne Opera
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229:Peter Ruzicka
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97:Cologne Opera
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37:
33:
28:
19:
4108:
4089:Thomas Wells
4049:John McGuire
3949:Junsang Bahk
3911:Péter Eötvös
3890:Richard Toop
3811:
3803:
3795:
3787:
3779:
3756:
3748:
3740:
3732:
3724:
3716:
3708:
3700:
3692:
3684:
3676:
3668:
3660:
3652:
3644:
3636:
3617:
3609:
3601:
3593:
3585:
3577:
3569:
3561:
3553:
3545:
3537:
3529:
3521:
3490:
3482:
3474:
3466:
3447:
3439:
3431:
3423:
3415:
3396:
3388:
3380:
3372:
3364:
3356:
3348:
3340:
3332:
3324:
3317:
3308:
3302:Europa-Gruss
3300:
3292:
3284:
3276:
3268:
3260:
3252:
3244:
3238:Dr K–Sextett
3236:
3228:
3220:
3212:
3204:
3196:
3188:
3180:
3172:
3164:
3135:
3127:
3119:
3100:
3092:
3084:
3076:
3068:
3060:
3052:
3044:
3036:
3028:
3005:
2997:
2989:
2981:
2973:
2951:
2950:
2942:
2934:
2926:
2918:
2910:
2902:
2892:
2879:
2806:
2800:
2799:
2792:
2785:
2776:
2769:
2760:
2753:
2744:
2737:
2730:
2713:
2642:
2638:
2629:
2625:
2621:
2602:
2593:
2589:
2580:
2569:
2562:
2558:
2551:
2547:
2543:
2536:
2532:
2525:
2518:
2509:
2500:
2491:
2471:
2467:
2463:
2456:
2447:
2440:
2436:
2432:
2423:
2403:
2397:
2386:
2377:
2370:
2366:
2354:
2339:
2324:
2315:
2303:
2294:
2285:
2278:
2274:
2255:
2251:
2248:Kohl, Jerome
2239:
2226:
2220:
2209:
2194:
2185:
2181:
2171:
2165:
2156:
2152:
2148:
2142:
2136:
2119:
2110:
2104:
2100:
2086:
2080:
2069:
2062:
2056:
2045:
2036:
2016:, edited by
2013:
2006:
1995:
1982:
1976:
1959:
1952:
1951:(Teil II)".
1947:
1938:
1932:
1922:
1909:
1905:
1896:
1883:
1874:
1863:
1840:
1830:
1819:
1811:
1802:
1790:
1781:
1772:
1768:
1759:
1755:
1734:
1699:
1695:
1689:(24 August).
1684:
1671:
1645:
1633:
1621:
1609:
1597:
1585:
1573:
1561:
1549:
1522:
1510:
1498:
1486:
1474:
1462:
1450:
1438:
1426:
1414:
1402:
1390:
1378:
1366:
1354:
1342:
1327:
1323:
1299:
1293:
1279:
1275:
1266:
1256:
1250:Marco Blaauw
1242:Licht-Bilder
1241:
1234:
1230:
1219:
1210:
1206:
1204:
1193:
1191:
1185:
1168:
1164:
1154:
1150:
1136:
1130:
1116:
1110:
1100:
1096:
1090:
1076:
1070:
1056:
1050:
1034:
1026:
1022:
1018:
1017:
1011:
996:
991:Frankincense
953:Earth Mother
948:
946:
923:
919:Licht-Bilder
918:
916:
906:
902:
898:
896:
886:
885:
875:
871:Solar System
866:
865:
817:
786:
768:Rupert Huber
749:
730:synthesizer
718:boy soprano
710:Noa Frenkel
629:
608:synthesizer
574:Marco Blaauw
548:Licht-Bilder
547:
493:Noa Frenkel
467:
460:Peter Rundel
394:
373:
361:
347:
339:Peter Rundel
331:Kölner Messe
322:
320:
312:
310:
306:Licht-Bilder
305:
301:
295:
291:
287:
283:
279:
277:
263:
259:
257:
251:
224:
223:
219:Marco Blaauw
199:Licht-Bilder
198:
196:
191:Licht-Bilder
190:
171:
159:
157:
151:
127:
125:
118:
106:
105:
57:
4182:2011 operas
4177:2003 operas
4079:Tim Souster
4044:Tomás Marco
4024:Jerome Kohl
4009:Alden Jenks
3994:Georg Heike
3974:Hugh Davies
3944:David Ahern
3931:David Tudor
3773:Other works
3492:Himmelfahrt
3471:(1952–2003)
3433:Drei Lieder
3007:Himmels-Tür
2975:Herbstmusik
2476: [
2408: [
2373:(24 April).
1674:(24 April).
1672:Opera Today
1614:Ulrich 2011
1554:Ulrich 2011
1542:Ulrich 2011
1529:, 344, 350.
1527:Miller 2012
1491:Miller 2012
1481:, 111, 191.
1431:Ulrich 2011
1307: [
1201:Discography
1194:Hoch-Zeiten
1161:synthesizer
1092:Wochenkreis
1019:Hoch-Zeiten
1012:Hoch-Zeiten
969:Wednesday:
876:Hoch-Zeiten
661:high tenor
597:basset horn
456:musikFabrik
431:synthesizer
126:Within the
69:Stockhausen
4151:Categories
4069:Otto Piene
3895:Jill Purce
3878:Assistants
3851:(1st wife)
3833:(2nd wife)
3797:Sternklang
3670:Kurzwellen
3662:Prozession
3587:Oktophonie
3504:Electronic
3449:Litanei 97
3310:Trumpetent
3214:Plus-Minus
3182:Schlagtrio
3166:Kreuzspiel
3018:Orchestral
2904:Donnerstag
2746:Oktophonie
2441:MusikTexte
2439:in Köln".
2279:MusikTexte
2244:, no. 184.
1640:, 5, 7–28.
1455:Fuchs 2012
1397:, 59, 177.
1373:, 35, 152.
1335:References
1322:Farewell:
1151:Michaelion
1107:flugelhorn
1057:Donnerstag
1031:first-desk
982:Saturday:
917:The scene
764:, Cologne,
707:contralto
693:(Lucifer)
680:(Lucifer)
669:(Michael)
658:(Michael)
565:(Michael)
554:(Michael)
452:orchestra
385:Performer
313:Luciferium
180:James Wood
90:2011-04-09
66:Librettist
4084:Avo Sõmer
3845:(partner)
3839:(partner)
3563:Telemusik
3531:Studie II
3350:Schönheit
3334:Harmonien
3278:Tierkreis
2983:Originale
2371:Sonograma
2356:Le Figaro
1650:Toop 2005
1602:Toop 2008
1433:, insert.
1407:Toop 2005
1385:, V, XXI.
1274:Scene 5:
1255:Scene 4:
1240:Scene 3:
1229:Scene 2:
1218:Scene 1:
1097:Evas Lied
962:Tuesday:
785:Scene 5:
762:WDR choir
748:Scene 5:
628:Scene 4:
546:Scene 3:
466:Scene 2:
393:Scene 1:
4115:Category
3816:(2004–7)
3781:Ensemble
3750:Paradies
3742:Orvonton
3702:Strahlen
3603:Strahlen
3595:Weltraum
3547:Kontakte
3523:Studie I
3460:Keyboard
3441:Stimmung
3390:Hoffnung
3366:Erwachen
3342:Katikati
3262:Harlekin
3190:Zeitmaße
3159:Sonatine
3102:Jubiläum
2944:Mittwoch
2928:Dienstag
2808:Strahlen
2626:Quartett
2519:Die Zeit
2511:Die Zeit
2287:Der Bund
2241:The Wire
1843:, Teil 1
1801:. 2005.
1155:Mittwoch
1147:Carousel
1117:Dienstag
1067:trombone
1047:clarinet
989:Sunday:
854:Synopsis
715:Michael
684:baritone
650:soprano
458:, cond.
415:Michael
302:Strahlen
292:Strahlen
288:Abschied
193:was made
166:for the
82:Premiere
74:Language
3734:Nebadon
3726:Jerusem
3710:Edentia
3358:Balance
3198:Refrain
3152:Chamber
3121:Momente
3046:Gruppen
2967:Theatre
2952:Sonntag
2936:Freitag
2912:Samstag
2674:YouTube
2631:El País
2622:Sonntag
2433:Sonntag
2382:(Bonn).
2223:in Köln
2101:Sonntag
1977:Sonntag
1924:Express
1911:Express
1169:Sonntag
1137:Freitag
1127:bassoon
1077:Samstag
1052:Mondeva
1043:trumpet
1023:Sonntag
867:Sonntag
569:trumpet
406:soprano
374:Sonntag
323:Sonntag
237:Hallein
142:History
136:Michael
88: (
4172:Operas
4127:Portal
3824:Family
3808:(1972)
3800:(1971)
3792:(1968)
3784:(1967)
3761:(2007)
3758:Uversa
3753:(2007)
3745:(2007)
3737:(2007)
3729:(2007)
3721:(2007)
3718:Havona
3713:(2007)
3705:(2002)
3697:(1970)
3689:(1970)
3681:(1968)
3678:Spiral
3673:(1968)
3665:(1967)
3657:(1966)
3649:(1965)
3641:(1964)
3622:(2006)
3614:(2006)
3606:(2002)
3598:(1994)
3590:(1991)
3582:(1979)
3574:(1967)
3571:Hymnen
3566:(1966)
3558:(1964)
3555:Mixtur
3550:(1960)
3542:(1956)
3534:(1954)
3526:(1953)
3518:(1952)
3495:(2005)
3487:(2006)
3479:(1970)
3476:Mantra
3452:(1997)
3444:(1968)
3436:(1950)
3428:(1950)
3420:(1950)
3417:Choral
3401:(2007)
3393:(2007)
3385:(2007)
3377:(2007)
3369:(2007)
3361:(2007)
3353:(2006)
3345:(2006)
3337:(2006)
3329:(2005)
3326:Freude
3321:(1997)
3318:Rotary
3313:(1995)
3305:(1992)
3297:(1977)
3289:(1976)
3281:(1975)
3273:(1975)
3265:(1975)
3257:(1972)
3249:(1971)
3241:(1969)
3233:(1968)
3225:(1966)
3217:(1963)
3209:(1959)
3206:Zyklus
3201:(1959)
3193:(1956)
3185:(1952)
3177:(1952)
3169:(1951)
3161:(1951)
3140:(1974)
3132:(1964)
3129:Mixtur
3124:(1964)
3105:(1977)
3097:(1971)
3089:(1969)
3081:(1969)
3078:Fresco
3073:(1965)
3065:(1962)
3062:Punkte
3057:(1960)
3049:(1957)
3041:(1952)
3033:(1951)
3030:Formel
3010:(2005)
3002:(1993)
2994:(1977)
2991:Sirius
2986:(1961)
2978:(1974)
2955:(2003)
2947:(1997)
2939:(1994)
2931:(1991)
2923:(1988)
2920:Montag
2915:(1983)
2907:(1980)
2884:(1977)
2869:Operas
2609:
2346:
2331:
2266:
2254:." In
2201:
2175:Online
2126:
2028:
1966:
1745:
1493:, 349.
1469:, 200.
1409:, 1–2.
1349:, 156.
1313:, and
1143:violin
1101:Montag
971:Mastic
766:cond.
672:tenor
647:(Eve)
636:(Eve)
593:(Eve)
580:(Eve)
557:tenor
77:German
4141:Opera
3863:(son)
3857:(son)
3813:Klang
3619:Türin
3409:Vocal
3398:Treue
3382:Glück
3374:Glanz
3286:Amour
3222:Adieu
3137:Inori
3094:Trans
3054:Carré
3038:Spiel
2894:Licht
2715:Licht
2590:Licht
2480:]
2457:Light
2437:Licht
2412:]
2317:Tempo
2252:Licht
2105:Licht
2081:Licht
2071:Opera
1556:, 38.
1311:]
1207:Licht
1132:Elufa
1112:Pietà
1099:) of
1087:cello
1083:viola
1063:flute
1035:Licht
964:Kyphi
949:Licht
924:Licht
696:bass
584:flute
502:tenor
419:tenor
382:Role
352:Roles
128:Licht
120:Licht
40:Opera
3694:Pole
3686:Expo
3654:Solo
3254:Ylem
3070:Stop
2607:ISBN
2466:vom
2435:aus
2344:ISBN
2329:ISBN
2264:ISBN
2199:ISBN
2124:ISBN
2026:ISBN
2020:and
1964:ISBN
1743:ISBN
1652:, 2.
1628:, 5.
1616:, 4.
1544:, 3.
1421:, 8.
1233:and
1184:The
1125:and
1123:oboe
1085:and
1065:and
1045:and
704:Eve
515:bass
489:alto
402:Eve
337:and
262:and
134:and
2718:by
2672:on
2592:".
2579:".
2490:".
2470:."
2422:".
2402:".
2277:".
2225:".
2184:".
2170:".
2109:",
2085:."
2061:".
1981:".
1937:".
1921:".
1908:".
1895:".
1873:".
1862:".
1724:".
1706:doi
1683:".
273:WDR
132:Eve
42:by
4153::
2661:,
2478:de
2410:it
2155:,
2151:,
2147:,
2141:.
1837:.
1818::
1670:"
1534:^
1309:de
1282:.
1278:,
984:Ud
275:.
4129::
2845:e
2838:t
2831:v
2706:e
2699:t
2692:v
2647:.
2634:.
2613:.
2521:.
2514:.
2505:.
2452:.
2391:.
2359:.
2350:.
2335:.
2308:.
2299:.
2290:.
2270:.
2231:.
2214:.
2205:.
2130:.
2115:.
2041:.
2032:.
1970:.
1914:.
1901:.
1879:.
1845:.
1749:.
1712:.
1708::
1604:.
1457:.
1445:.
1171:.
829:—
92:)
20:)
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