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I decided to pursue pottery, rather than painting, mainly because I wanted to create affordable and beautiful things. I wanted people to buy my work purely because they liked it, and that it had a function, rather than buying things just as an investment, so its ironic I suppose that my work from the 60s is now considered so "collectable" I am frightfully lucky. When I went to
Chelsea before the War, I studied under the sculptor Henry Moore and the painter Graham Sutherland. Twice a week I would be in a class with these icons of modern British art – what a wonderful chance to have, and now I am being given an honorary fellowship from University of Arts, London of which Chelsea forms part, its all come rather full circle hasn’t it? Being in Stoke has also been a wonderful part of my life. The people of Stoke are really the nicest people one could ever meet, and their hard work has established Portmeirion and enabled us to sell our pots around the world. I have been very fortunate.
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Portmeirion: Botanic Garden. It was based on illustration plates discovered by Susan in an antique natural history book she found at an antiquarian bookseller's in London: Weldon & Wesley. Susan was looking for eighteenth-century engravings of sea creatures to use in a pottery decoration. She bought some French encyclopaedias and, as she was leaving, the bookseller showed her a brightly hand-coloured 'herbal' book of 1817, illustrated with a large selection of plants and flowers. The book, by Thomas Green, was called
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His roommate in the Gibbs building there, Euan Cooper-Willis, subsequently married our elder daughter Susan. The armistice was thus a time of both pleasure and of almost unbearable pain. We soon had grandchildren to add to the pleasure. We decided that since we, Christopher's parents, were alive, we
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I was very flattered when I found out that I was to receive an honorary fellowship from
University of Arts, London, and even more so when the Rector agreed to come all the way to see me at Portmeirion in North Wales to re-create the ceremony that will be held in my absence in London later this month.
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Susan created a large number of paintings and pastel drawings of tropical fish during her lifetime. An avid scuba-diver, she devised a technique of sketching fish and corals from life under the water by using tracing paper and marking crayons. She would paint the final works when back in her studio.
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Even in her eighties, Williams-Ellis' desire to continue to design the best tableware and ceramics led her to keep closely involved with the latest generation of
Portmeirion designs, introducing Portmeirion to new audiences all over the world. Until 2006, she was still travelling the world, finding
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I remember when we first launched
Botanic Garden. At that time you might have had dessert sets which had different patterns on each plate, but for the traditional tableware setting, everything had to match. I thought "Why can't we have different patterns all within one collection? So, I created
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Portmeirion was one of the first retail companies to fully understand and exploit the "lifestyle" consumer, creating a wide range of products including casual tableware, housewares and gifts for both women and men. The 1970s saw the birth of what is considered by many to be signature range of
305:. His friend at Cambridge was Euan Cooper-Willis, who later married Susan. The couple had four children: daughters Anwyl, Siân, and Menna Angharad; and son Robin Llywelyn. Anwyl and Menna are artists who had a close involvement with Portmeirion Pottery; Siân is a peace activist; Robin is a
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Botanic Garden!" The department store buyers in 1972 said that no-one would stock it as there were too many designs and that no-one would want to buy it as it didn't match. I think I proved them all wrong!
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Botanic Garden has proven to be the company's most successful range of tableware, despite buyers' reluctance at the beginning. Susan
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However, the lure of Clough's architectural vision was strong. In 1953, the management of the souvenir shop in the Welsh village of
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and can be seen in Susan's granddaughter, Rose
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for sculpture, who helped to develop Susan's innate feeling for three-dimensional shape and form.
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She was determined to be an artist from an early age. In the 1930s, Susan studied ceramics with
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inspiration from ancient civilisations and underwater worlds for her art work.
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On 13 March 1944, her brother, Christopher (1923–1944), fell in action before
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Susan
Williams-Ellis died on 26 November 2007 in her sleep, aged 89.
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should try to be so properly, and to keep the wound to ourselves.
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The
Universal -or -Botanical, Medical and Agricultural Dictionary
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In 2005, she received an honorary fellowship from the Rector of
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into one of the country's most affluent pottery companies,
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