686:
1443:: "I learned a lot from him, even though he kept saying that there was nothing he could teach me. Music is written to be played and listened to and has always seemed to me to be able to manage without words... This was exactly the case with Heinrich Neuhaus. In his presence I was almost always reduced to total silence. This was an extremely good thing, as it meant that we concentrated exclusively on the music. Above all, he taught me the meaning of silence and the meaning of singing. He said I was incredibly obstinate and did only what I wanted to. It's true that I've only ever played what I wanted. And so he left me to do as I liked."
360:, caught up with her at the street and suggested to accompany her in recital. It is often alleged that they married around this time, but in fact Dorliak only obtained a marriage certificate a few months after Richter's death in 1997. They remained living companions from around 1945 until Richter's death; they had no children. Dorliak accompanied Richter both in his complex private life and career. She supported him in his final illness, and died herself less than a year later, on May 17, 1998.
56:
794:
1027:"I am not a complete idiot, but whether from weakness or laziness have no talent for thinking. I know only how to reflect: I am a mirror ... Logic does not exist for me. I float on the waves of art and life and never really know how to distinguish what belongs to the one or the other or what is common to both. Life unfolds for me like a theatre presenting a sequence of somewhat unreal sentiments; while the things of art are real to me and go straight to my heart."
466:
1401:: "One evening the audience sat around him on the stage. While he was playing a piece, a woman directly behind him collapsed and died on the spot. She was carried out of the hall. I was deeply impressed by this incident and thought to myself: "What an enviable fate, to die while Richter is playing! What a strong feeling for the music this woman must have had when she breathed out her life!" But Richter did not share this opinion, he was shaken".
1061:
1306:
90:
4219:
3849:
3816:
3797:
3708:
3668:
3600:
3567:
570:, who was known for her unkind reviews of established artists, recalled Richter first walking on stage hesitantly, looking vulnerable (as if about to be "devoured"), but then sitting at the piano and dispatching "the performance of a lifetime". Richter's 1960 tour of the United States culminated in a series of concerts at
349:
mother did not want to leave and so they remained in Odessa. In August 1941, his father was arrested and later found guilty of espionage, being sentenced to death on
October 6, 1941. Richter did not speak to his mother again until shortly before her death nearly 20 years later in connection with his first US tour.
685:
1432:
On picking small venues for performance: "Put a small piano in a truck and drive out on country roads; take time to discover new scenery; stop in a pretty place where there is a good church; unload the piano and tell the residents; give a concert; offer flowers to the people who have been so kind as
662:
piano, giving perhaps 150 recitals, at times performing in small towns that did not even have a concert hall. It is said that after one such concert, the members of the audience, who had never before heard classical music performed, gathered in the middle of the hall and started swaying from side to
622:
While he very much enjoyed performing for an audience, Richter hated planning concerts years in advance, and in later life took to playing at very short notice in small, most often darkened halls, with only a small lamp lighting the score. Richter said that this setting helped the audience focus on
2538:
See Piero
Rattalino, Pianisti e Fortisti, Il terzo Uomo ("How many pianists can claim today to be at level? How many are his peers, in the whole history of piano playing? Although I may appear unduly selective, only two names come to mind: Franz Liszt and Feruccio Busoni. The first was born in
1213:
According to Falk
Schwartz and John Berrie's 1983 article "Sviatoslav Richter – A Discography", in the 1970s, Richter announced his intention of recording his complete solo repertoire "on some 50 discs". This "complete" Richter project did not come to fruition, however, although twelve LPs worth of
1042:
for decades, he insisted that the following disclaimer/apology be printed on a CD containing a performance thereof: "Just now
Sviatoslav Richter realised, much to his regret, that he always made a mistake in the third measure before the end of the second part of the 'Italian Concerto'. As a matter
344:
Early in his career, Richter also tried composition, and it even appears that he played some of his works during his audition for
Neuhaus. He gave up composition shortly after moving to Moscow. Years later, Richter explained this decision as follows: "Perhaps the best way I can put it is that I see
2156:
Monsaingeon, p. 108, "That's why I now play in the dark, to empty my head of all non-essential thoughts and allow the listener to concentrate on the music rather than on the performer. What's the point of watching a pianist's hands or face, when they only express the efforts being expended on the
1013:
for cello and orchestra. This was his sole appearance as a conductor. The soloist was
Rostropovich, to whom the work was dedicated. Prokofiev also wrote his 1949 Cello Sonata in C for Rostropovich, and he and Richter premiered it in 1950. Richter himself was a passable cellist, and Rostropovich
348:
By the beginning of World War II, Richter's parents' marriage had failed and his mother had fallen in love with another man. Because
Richter's father was a German, he was under suspicion by the authorities and a plan was made for the family to flee the country. Due to her romantic involvement, his
1022:
Richter explained his approach to performance as follows: "The interpreter is really an executant, carrying out the composer's intentions to the letter. He doesn't add anything that isn't already in the work. If he is talented, he allows us to glimpse the truth of the work that is in itself a
613:
In 1970, Richter visited Japan for the first time, travelling across
Siberia by railway and ship as he disliked flying. He played Beethoven, Schumann, Mussorgsky, Prokofiev, Bartók and Rachmaninoff, as well as works by Mozart and Beethoven with Japanese orchestras. He visited Japan eight times.
1366:
described
Richter as follows: "His singular ability to grasp the whole and at the same time miss none of the smallest details of a composition suggests a comparison with an eagle who from his great height can see as far as the horizon and yet single out the tiniest detail of the landscape."
268:
church. In the early 1920s
Richter became interested in music (as well as other art forms such as cinema, literature, and theatre) and started studying piano. Unusually, he was largely self-taught. His father gave him only a basic education in music, as did one of his father's pupils, a
1118:(1986), are considered among the finest documents of his playing, as are other live recordings issued during his lifetime and since his death on labels including Music & Arts, BBC Legends, Philips, Russia Revelation, Parnassus, and Ankh Productions.
601:
concluded that Richter's playing was "provincial", and wondered why Richter had been invited to play in London, given that London had plenty of "second class" pianists of its own. Following a July 18, 1961, concert, where Richter performed both of
4764:
2519:
Bruno Monsaingeon, Sviatoslav Richter – Notebooks and Conversations, p. 108 ("There was also the recording of Brahms's Second Concerto with Erich Leinsdorf, one of my worst records, even though people still praise it to the skies. I can't bear
1409:
critic Bryce Morrison described Richter as follows: "Idiosyncratic, plain-speaking, heroic, reserved, lyrical, virtuosic and perhaps above all, profoundly enigmatic, Sviatoslav Richter remains one of the greatest recreative artists of all time."
280:
and regularly practised with local opera and ballet companies. He developed a lifelong passion for opera, vocal and chamber music that found its full expression in the festivals he established in La Grange de Meslay, France, and in Moscow at the
4819:
1210:, Richter reportedly chose to play this piece (which Schumann himself considered "among the most difficult pieces ever written") several times in a row, without taking any breaks, in order to preserve the spontaneity of his interpretation.
609:
In 1963, after searching in the Loire Valley, France, for a venue suitable for a music festival, Richter discovered La Grange de Meslay, several kilometres north of Tours. The festival was established by Richter and became an annual event.
1251:
585:
was disrupted by anti-Soviet protests, Richter vowed never to return. Rumours of a planned return to Carnegie Hall surfaced in the last years of Richter's life, although it is not clear whether there was any truth behind them.
1043:
of fact, through forty years – and no musician or technician ever pointed it out to him – he played 'F-sharp' rather than 'F'. The same mistake can be found in the previous recording made by Maestro Richter in the fifties."
1353:
attended a Richter recital in 1958 in the Soviet Union. He reportedly wept during the recital and, upon returning to the United States, described Richter's playing as "the most powerful piano playing I have ever heard".
666:
In his last years, Richter gave a few concerts for students that were free of charge (February 14, 1990: Teatro Romea, Murcia, Spain, also March 1, 1990: matinee concert in Teatre Municipal, Girona, Spain).
252:
separated them from their son, and Richter moved in with his aunt Tamara. He lived with her from 1918 to 1921, and it was then that his interest in art first manifested itself: he first became interested in
3023:
371:. Richter was an intensely private person and was usually quiet and withdrawn, and refused to give interviews. He never publicly discussed his personal life until the last year of his life when film-maker
1887:"In a Duo with Richter" by Nina Dorliak // Remembering Sviatoslav Richter. Sviatoslav Richter Through the Eyes of Colleagues, Friends and Admirers (2000). — Moscow: Konstanta, pp. 68–70
1429:: "Scriabin isn't the sort of composer whom you'd regard as your daily bread, but is a heavy liqueur on which you can get drunk periodically, a poetical drug, a crystal that's easily broken."
1360:
described his first exposure to Richter as follows: "It really wasn't anything out of the ordinary. Then at some point I noticed my eyes growing moist: tears began rolling down my cheeks."
1030:
Richter's belief that musicians should "carry ... out the composer's intentions to the letter", led him to be critical of others and, most often, himself. After attending a recital of
4769:
639:
from a heart attack on August 1, 1997, aged 82. He had been suffering from depression due to an inability to perform caused by changes in his hearing that altered his perception of pitch.
4854:
4814:
1038:
without observing the first movement repeat, Richter asked him backstage to explain the omission. Similarly, after Richter realised that he had been playing a wrong note in Bach's
1082:
Despite his large discography, Richter disliked making studio recordings, and most of his recordings originate from live performances. Thus, his live recitals from Moscow (1948),
3016:
1337:
as the following: "Richter was certainly a marvellous pianist but not as impeccable as he was reputed to be. His music making was too dry for me. In Richter's interpretation of
4829:
1648:
76:. He is regarded as one of the greatest pianists of all time, and has been praised for the "depth of his interpretations, his virtuoso technique, and his vast repertoire".
341:, it is said that he considered Richter to be "the genius pupil, for whom he had been waiting all his life", while acknowledging that he taught Richter "almost nothing".
3517:
1391:
wrote of Richter: "His personality was greater than the possibilities offered to him by the piano, broader than the very concept of complete mastery of the instrument."
1453:
for a television programme whilst touring in the US, Richter said, after much coaxing by the interviewer and embarrassment on his own part, that Haydn was "better than
1373:
wrote of Richter: "Richter is an extraordinary phenomenon. The enormity of his talent staggers and enraptures. All the phenomena of musical art are accessible to him."
4774:
2408:
Monsaingeon, p. 313 ("When I asked him why he didn't do the repeat of the exposition in the B minor Sonata, he seemed surprised and exclaimed 'But no one does it'".).
3009:
1764:
1662:
237:
4879:
4869:
1496:
678:, Charlemagne's favoured residence city and his burial place, stating "The Maestro has read a biography of Charlemagne and would like to play at Aquisgrana (
454:
2985:
2387:
4864:
2426:
Falk Schwartz & John Berrie, Sviatoslav Richter – A Discography, Recorded Sound, July 1983 (" repeated assert that he dislikes the recording studio").
1188:
Despite his professed aversion for the studio, Richter took the recording process seriously. For instance, after a long recording session for Schubert's
544:
Richter's first concerts in the West took place in May 1960, when he was allowed to play in Finland, and on October 15, 1960, in Chicago, where he played
4804:
1663:"Richter's genius still commanding tributes Tuned up: Two new collections are superior to last year's 21-CD salute to the pianist from Philips Records"
4844:
4824:
907:
778:
4799:
541:, who stated during his first tour of the United States that the critics (who were giving Gilels rave reviews) should "wait until you hear Richter."
4749:
4739:
1014:
was a good pianist; at one concert in Moscow at which he accompanied Rostropovich on the piano, they exchanged instruments for part of the program.
4859:
4789:
2746:
at University of Oxford Faculty of Music website. Retrieved November 10, 2022. (Text of the presentation by Oxford public orator Godfrey Bond
1198:
piano, Richter listened to the tapes and, dissatisfied with his performance, told the recording engineer "Well, I think we'll remake it on the
2570:
1446:
On playing: "I don't play for the audience, I play for myself, and if I derive any satisfaction from it, then the audience, too, is content."
830:, Richter demonstrates his technique and interpretive ability as he moves from the end of the third movement into the beginning of the finale.
3510:
2934:
2915:
2896:
2877:
2844:
2825:
2797:
1934:
1892:
1876:
1849:
1801:
1777:
814:
298:
4759:
2436:
537:
label. Thus the West first became aware of Richter through recordings made in the 1950s. One of Richter's first advocates in the West was
847:
As Richter once put it, "My repertory runs to around eighty different programs, not counting chamber works." His repertoire ranged from
4834:
4794:
4784:
3566:
1259:
1254:. That recording is still considered a landmark (despite Richter's dissatisfaction with it), as are his studio recordings of Schubert's
530:
440:
192:
107:
4849:
2605:
2016:
1691:
1313:
The Italian critic Piero Rattalino has asserted that the only pianists comparable to Richter in the history of piano performance were
2129:"America is standardized. It's all the same. I don't like it" says Richer in Monsaingeon's documentary "Richter, The Enigma", op.cit.
1540:
1436:
On his plan to perform without a fee: "Music must be given to those who love it. I want to give free concerts; that's the answer."
1214:
recordings were made between 1970 and 1973 and were subsequently reissued (in CD format) by Olympia (various composers, 10 CDs) and
903:
173:
4218:
2560:
Milstein, Nathan. From Russia to the West the musical memoirs and reminiscences of Nathan Milstein. New York: H. Holt, 1990. p. 222
925:, Beethoven, J. S. Bach, Chopin, Liszt, Prokofiev and Debussy. He is said to have learned and memorized the second book of Bach's
813:
387:, which led to extensive concert tours in Russia, Eastern Europe and China. He gave his first concerts outside the Soviet Union in
446:
In 1960, even though he had a reputation for being "indifferent" to politics, Richter defied the authorities when he performed at
4874:
4839:
3503:
1729:
514:
154:
1937:"We are writing to you from a concert by Sviatoslav Richter, who is playing Bach and Schubert brilliantly. He is a flaming fag."
4744:
1534:
1528:
1472:
1171:
1134:
286:
126:
1546:
939:
935:
712:
333:), Neuhaus apparently whispered to a fellow student, "This man's a genius." Although Neuhaus taught many pianists, including
111:
2204:
1490:
623:
the music being performed, rather than on extraneous and irrelevant matters such as the performer's grimaces and gestures.
4809:
4779:
4754:
4289:
3032:
2046:
1553:
1509:
1243:
1010:
549:
518:
417:
357:
133:
69:
33:
1670:
3848:
2751:
2279:
2113:
1980:
2787:
697:
As late as 1995, Richter continued to perform some of the most demanding pieces in the pianistic repertoire, including
670:
An anecdote illustrates Richter's approach to performance in the last decade of his life. After reading a biography of
3667:
1759:
1035:
2077:
525:– the recording which made Richter known in the United States. In 1959, Richter made another successful recording of
140:
3881:
3707:
1271:
1236:
553:
1703:
244:
landowning family, and at one point she studied under her future husband. In 1918, when Richter's parents were in
100:
4554:
2379:
1866:
1220:
1150:
1039:
927:
803:
632:
2539:
1811; the second in 1866, fifty-one years later. And Richter was born in 1915, forty-nine years after Busoni.).
363:
Since his death it has been suggested that Richter was homosexual and that having a female companion provided a
3965:
3796:
3599:
3134:
1515:
1503:
1023:
thing of genius and that is reflected in him. He shouldn't dominate the music, but should dissolve into it."
987:
222:
122:
1929:
letter from Nicolas Nabokov to Igor Stravinsky, February 3, 1963, Stravinsky, selected correspondence, Vol II
1064:
227:
3874:
3815:
3526:
2976:
2967:
RECORDED RICHTER, complete discography that includes currently unavailable recordings and private recordings
1610:
1454:
428:
416:
On February 18, 1952, Richter made his sole appearance as a conductor in the world premiere of Prokofiev's
3642:
2177:
918:
and pieces by Gershwin, and works by Bach and Mozart that he had not previously included in his programs.
848:
739:
724:
330:
2703:– A Free Spirit Among Artists, A Protean Pianist, Notes to Richter Performs Beethoven, Philips 438 624–2.
367:
for his true sexual orientation, because homosexuality was widely taboo at that time and could result in
4533:
4105:
3837:
3471:
3181:
2961:
2631:
2040:
1570:
1419:
1405:
1228:
947:
852:
421:
368:
210:
4593:
4214:
3909:
3075:
2996:
2059:
Vadim Mogilnitsky, "Sviatoslav Richter" / Вадим Могильницкий, из книги "Святослав Рихтер", (see link:
1343:
716:
326:
1830:
Kevin Bazzana – Sviatoslav Richter (1915–1997), Notes to Richter in Leipzig, Music & Arts CD 1025.
766:
4734:
4729:
4681:
4407:
4084:
3675:
3359:
3264:
2476:
2138:
Kevin Bazzana – Sviatoslav Richter (1915–1997), Notes to Richter in Leipzig, Music & Arts CD 1025
1947:
1769:
1376:
1327:
called Richter "one of the most powerful communicators the world of music has produced in our time".
1167:
1130:
690:
317:; but he did not formally start studying piano until three years later, when he decided to seek out
4607:
4572:
4310:
4028:
3696:
3682:
3656:
3649:
3347:
3122:
2578:
1379:
proclaimed that Richter was a "genius", prompting Richter to respond that Sofronitsky was a "god".
1370:
1280:
1178:
975:
915:
534:
526:
436:
401:
322:
261:
3335:
1422:: "It does no harm to listen to Bach from time to time, even if only from a hygienic standpoint."
4526:
4498:
4179:
3614:
3323:
3175:
3152:
3104:
1581:
1466:
1426:
1207:
1122:
860:
732:
659:
3951:
1199:
1074:
1070:
720:
147:
2609:
2465:
Falk Schwartz & John Berrie, Sviatoslav Richter – A Discography, Recorded Sound, July 1983.
2444:
55:
4707:
4688:
4600:
4547:
4324:
4233:
4091:
3902:
3823:
3757:
3736:
3722:
3574:
3424:
3300:
3294:
3282:
3270:
3193:
3140:
3128:
3110:
3063:
2956:
2930:
2911:
2892:
2873:
2858:
2840:
2821:
2793:
1955:
1930:
1888:
1872:
1845:
1797:
1773:
1563:
1382:
1357:
1145:
880:
864:
465:
372:
364:
260:
In 1921 the family was reunited, and the Richters moved to Odessa, where Teofil taught at the
249:
1537:(1987) – for concert programmes in 1986, performed in the cities of Siberia and the Far East;
4372:
4331:
4303:
4261:
4158:
4140:
4049:
4035:
3993:
3986:
3979:
3972:
3958:
3937:
3923:
3844:
3743:
3621:
3607:
3555:
3459:
3430:
3371:
3288:
3246:
3146:
3081:
2764:
1625:
1601:
1440:
1394:
1363:
1318:
1190:
995:
979:
971:
898:
Richter worked tirelessly to learn new pieces. For instance, in the late 1980s, he learned
888:
826:
708:
594:
510:
384:
318:
241:
2603:
Foreword to V.I. Delson, Sviatoslav Richter, Moscow 1961, partial translation available at
4586:
4579:
4491:
4470:
4442:
4421:
4400:
4345:
4207:
4165:
4112:
3895:
3778:
3663:
3635:
3548:
3442:
3388:
3087:
3046:
2147:
David Fanning, Notes to Sviatoslav Richter performs Chopin and Liszt, BBC Legends CD 2000.
2117:
1522:
1330:
1240:
1232:
1203:
1126:
1067:
983:
922:
899:
892:
876:
728:
674:(he was an avid reader), Richter had his secretary send a telegram to the director of the
589:
In 1961, Richter played for the first time in London. His first recital, pairing works of
567:
562:
557:
545:
447:
297:
3412:
647:
In 1981, Richter initiated the international December Nights music festival, held at the
457:, he gave his first tour concerts in the US in 1960, and in England and France in 1961.
4648:
4634:
4627:
4519:
4512:
4505:
4484:
4477:
4449:
4435:
4428:
4352:
4338:
4296:
4247:
4186:
4126:
4119:
4098:
4070:
4042:
4007:
3944:
3785:
3771:
3715:
3703:
3689:
3562:
3541:
3483:
3477:
3436:
3418:
3394:
3329:
3223:
3217:
3116:
3069:
3001:
1305:
1195:
1182:
1141:
1031:
991:
967:
955:
951:
942:, which Prokofiev dedicated to Richter. Apart from his solo career, he also performed
911:
884:
821:
773:
743:
675:
648:
598:
582:
522:
490:
396:
388:
282:
214:
4723:
4662:
4655:
4254:
4240:
4226:
4172:
4077:
4063:
4014:
3930:
3764:
3588:
3341:
3317:
3205:
2700:
2661:
2318:
1755:
1388:
1338:
1155:
1091:
943:
698:
578:
571:
356:(1908–1998), an operatic soprano. He noticed Dorliak during the memorial service for
277:
2743:
2253:
4695:
4674:
4641:
4540:
4456:
4414:
4393:
4386:
4379:
4275:
3916:
3856:
3830:
3804:
3792:
3729:
3595:
3406:
3400:
3276:
3252:
3229:
1577:
1478:
1450:
1247:
1215:
999:
963:
872:
754:
590:
353:
3581:
3365:
2060:
17:
812:
4200:
4193:
4133:
4056:
4021:
3888:
3811:
3750:
3628:
3258:
3199:
3187:
3158:
2673:
Bryce Morrison, Gramophone review of Sviatoslav Richter's Schumann EMI CD 62961.
2227:
1484:
1350:
1324:
1314:
1275:
1163:
856:
671:
603:
538:
432:
392:
334:
265:
89:
2652:
Harold C. Schonberg, Horowitz – His Life and Music, Simon & Schuster, 1992.
577:
Richter disliked performing in the United States. Following a 1970 incident at
4000:
3465:
2254:"Sviatoslav Richter Recital, Santuario de la Bien Aparecida, Santander, Spain"
1121:
Other critically acclaimed live recordings by Richter include performances of
1006:
959:
868:
839:
742:
in 1994 with the Japan Shinsei Symphony Orchestra conducted by his old friend
486:
453:
Having received the Stalin and Lenin prizes and become People's Artist of the
191:
37:
2971:
2747:
2305:
2283:
2110:
1984:
1959:
1905:
313:
On March 19, 1934, Richter gave his first recital, at the Engineers' Club of
4282:
4268:
1115:
1099:
758:
474:
338:
240:. His mother, Anna Pavlovna Richter (née Moskaleva; 1893–1963), came from a
72:
March 7] 1915 – August 1, 1997) was a Soviet and Russian classical
750:
4820:
Recipients of the Order "For Merit to the Fatherland", 3rd class
4765:
Knights Commander of the Order of Merit of the Federal Republic of Germany
3495:
2962:
Website dedicated to Sviatoslav Richter, includes an extensive discography
1649:"The 10 Greatest Pianists of All Time – 3. Sviatoslav Richter (1915–1997)"
658:
In 1986, Richter embarked on a six-month tour of Siberia with his beloved
4463:
3353:
2862:
2592:
1111:
494:
254:
206:
2950:
1871:. Transiences of Sviatoslav Richter. — Moscow: Khudoznik i kniga, p. 5
1095:
703:
498:
478:
233:
218:
114: in this section. Unsourced material may be challenged and removed.
73:
45:
1107:
1083:
679:
636:
482:
406:
314:
270:
245:
2477:"I've already found my programme of the year – all five hours of it"
2190:
Kevin Bazzana – Sviatoslav Richter (1915–1997); Bruno Monsaingeon:
501:. In 1956, he again toured Czechoslovakia, then in 1957, he toured
443:, Richter wept with joy; he awarded Cliburn a 25, a perfect score.
1304:
1125:'s selected études, preludes and sonatas (multiple performances),
1103:
1087:
684:
506:
502:
296:
190:
2966:
325:. During Richter's audition for Neuhaus (at which he performed
3499:
3005:
2991:
1796:. About Richter in His Own Words. — Moscow: Agraf, pp. 217—226
765:, a piece for two pianos, which Richter performed with pianist
2639:
1754:
Fanning, David (2001). "Sviatoslav (Teofilovich) Richter". In
83:
1252:
Best Classical Performance – Concerto or Instrumental Soloist
792:
738:
Richter's last recorded orchestral performance was of three
2417:
Richter's comment on inner sleeve of Stradivarius CD 33323.
1385:
said: "Of the Russian pianists, I like only one, Richter."
753:, Germany, on March 30, 1995. The program consisted of two
2716:
to Sviatoslav Richter – Notebooks and Conversations p. XX.
2551:
Bruno Monsaingeon, The Enigma (film biography of Richter).
2194:
to Sviatoslav Richter – Notebooks and Conversations p. XX.
1844:. Lebanon NH: Northeastern University Press. p. 260.
232:(1872–1941), was a pianist, organist and composer born to
2591:
Portrait of an Artist, by Heinrich Neuhaus, available at
2792:(5th ed.). New York: Springer Verlag. p. 675.
2078:"The Reputation Is Legendary, The Playing Unpredictable"
1397:, who was Richter's friend, wrote in her autobiography,
2818:
Sviatoslav Richter: Pianist of the Century. Discography
1309:
2015 Ukrainian Stamp commemorating the birth of Richter
1202:
after all". Similarly, during a recording session for
1177:(multiple performances, 1975) and selected preludes by
581:
in New York City, when Richter's performance alongside
345:
no point in adding to all the bad music in the world".
2437:"Review Digest for Performances by Sviatoslav Richter"
921:
Central to his repertoire were the works of Schubert,
2228:"Sviatoslav Richter Recital, Museo Del Prado, Madrid"
1615:
1347:, instead of flowing water you hear frozen icicles."
2217:
Piero Rattalino, Sviatoslav Richter – Il Visionario.
427:
In April 1958, Richter was on the jury of the first
4617:
4564:
4362:
4150:
3866:
3533:
3452:
3381:
3310:
3239:
3168:
3097:
3056:
3039:
1053:
682:)". The performance took place shortly thereafter.
375:convinced him to be interviewed for a documentary.
2992:Sviatoslav Richter's memorial website (in Russian)
986:. Richter also often accompanied singers such as
749:Richter's last recital was a private gathering in
597:, was received with hostility by British critics.
236:expatriates, who from 1893 to 1900 studied at the
2547:
2545:
2027:(2). Archived from the original on March 19, 2006
1129:'s C major Fantasy (multiple performances),
606:'s piano concertos, the critics reversed course.
4770:Commandeurs of the Ordre des Arts et des Lettres
2205:"Sviatoslav Richter – Performance Chronology IV"
4855:State Prize of the Russian Federation laureates
2837:Sviatoslav Richter: Notebooks and Conversations
2061:http://www.sviatoslavrichter.ru/chronograph.php
1983:. trovar.com. February 22, 2001. Archived from
1765:The New Grove Dictionary of Music and Musicians
413:). The title role was played by Boris Smirnov.
276:Even at an early age, Richter was an excellent
2364:
2362:
1258:, Liszt's two Piano Concertos, Rachmaninoff's
1170:(multiple performances, 1965–66), Beethoven's
998:and his wife and long-time artistic companion
473:In 1948, Richter and Dorliak gave recitals in
391:in 1950. In 1952, Richter was invited to play
3511:
3017:
2071:
2069:
2005:Liner notes for Deutsche Grammophon 449 821–2
1651:, July 5, 2012. Retrieved on August 11, 2020.
8:
4815:Recipients of the Léonie Sonning Music Prize
2606:"Sviatoslav Richter on SONY BMG Masterworks"
2501:Robert Schumann's correspondence, about 1832
1626:[svʲɪtɐsˈɫaftʲɪɐˈfʲiləvʲɪtɕˈrʲixtər]
1497:Robert Schumann Prize of the City of Zwickau
772:At the time of his death, he was rehearsing
763:Variations and Fugue on a Theme by Beethoven
651:, which after his death in 1997 was renamed
221:), the hometown of his parents. His father,
2988:Concert list program with Google Earth maps
1262:and Schumann's Toccata, among many others.
1102:(multiple years), la Grange de Meslay near
4830:Royal Philharmonic Society Gold Medallists
3518:
3504:
3496:
3024:
3010:
3002:
2111:http://www.trovar.com/str/dates/a1960.html
1144:'s B-flat Sonata (multiple performances),
2910:. Boston: Northeastern University Press.
2664:, Richter International Piano Competition
910:Variations, and in the 1990s, several of
418:Symphony-Concerto for Cello and Orchestra
174:Learn how and when to remove this message
509:, and Warsaw. In 1958, Richter recorded
464:
54:
4775:Glinka State Prize of the RSFSR winners
2997:Website of Memorial Richter's apartment
2319:Richter International Piano Competition
2101:Claudia Cassidy, Chicago Tribune, 1960.
1640:
1594:
289:, where he accompanied the rehearsals.
285:. At age 15, he started to work at the
2593:http://www.trovar.com/str/neuhaus.html
2306:"Sviatoslav Richter Chronology – 1995"
2280:"Sviatoslav Richter Chronology – 1994"
2038:
1981:"Sviatoslav Richter Chronology – 1950"
1704:"The 20 Greatest Pianists of all time"
1231:, Richter's RCA Victor recording with
1065:Richter performing live (London, 1989)
1050:
837:
321:, a pianist and piano teacher, at the
264:and, briefly, worked as organist of a
2571:"Year in Review — Arts & Culture"
2380:"A Richter rehearsal at the Barbican"
1661:Wigler, Stephen (February 11, 1996).
1624:
938:, which he learned in four days, and
653:December Nights of Sviatoslav Richter
560:, creating a sensation. In a review,
7:
3033:Léonie Sonning Music Prize Laureates
934:He gave the premiere of Prokofiev's
493:. In 1954, Richter gave recitals in
112:adding citations to reliable sources
4880:20th-century Russian male musicians
4870:Ukrainian people of Russian descent
2889:Szvjatoszlav Richter – A zongorista
2076:Michael Kimmelman (June 22, 1997).
2015:Coleman, Alexander (October 1997).
1906:"from Russia with (forbidden) love"
1034:, where Perahia performed Chopin's
4865:Ukrainian people of German descent
2891:. Budapest: Rozsavolgyi es Tarsa.
1730:"The genius of Sviatoslav Richter"
1692:Great Pianists of the 20th Century
1301:Memorable statements about Richter
505:, then again performed in Prague,
25:
2927:Sviatoslav Richter: Il Visionario
2529:See, e.g., www.classicstoday.com.
2390:from the original on May 27, 2024
1904:Benjamin Ivry (January 5, 2005).
1541:Order of Merit for the Fatherland
820:In this 1963 studio recording of
663:side to celebrate the performer.
4845:Russian people of German descent
4825:Recipients of the Order of Lenin
4217:
3847:
3814:
3795:
3706:
3666:
3598:
3565:
2789:Dictionary of Minor Planet Names
1333:described Richter in his memoir
1059:
838:Problems playing this file? See
810:
533:with the Warsaw Philharmonic on
88:
4750:Burials at Novodevichy Cemetery
4740:20th-century classical pianists
2857:. Video interview-documentary.
2234:. trovar.com. February 16, 1995
2017:"Sviatoslav Richter, 1915–1997"
1535:Glinka State Prize of the RSFSR
1529:Order of the October Revolution
1414:Memorable statements by Richter
395:in a film based on the life of
99:needs additional citations for
4860:Recipients of the Stalin Prize
2972:Brief obituary of Nina Dorliak
2839:. Princeton University Press.
2820:. London: Travis & Emery.
2765:"Sviatoslav Richter (pianist)"
2475:Arnold, Sue (March 11, 2001).
2386:. Vol. 264. p. 265.
2378:Horder, Mervyn (May 1, 1994).
2260:. trovar.com. January 18, 1995
1617:Sviatoslav Teofilovich Rikhter
1547:Russian Federation State Prize
66:Sviatoslav Teofilovich Richter
1:
4805:People's Artists of the RSFSR
4790:Recipients of the Lenin Prize
4290:Arturo Benedetti Michelangeli
2906:Rasmussen, Karl Aage (2010).
2887:Rasmussen, Karl Aage (2010).
2868:Rasmussen, Karl Aage (2007).
2258:Sviatoslav Richter Chronology
2232:Sviatoslav Richter Chronology
519:Warsaw Philharmonic Orchestra
379:Rise to international profile
358:Vladimir Nemirovich-Danchenko
303:
257:, which his aunt taught him.
196:
34:Eastern Slavic naming customs
4800:People's Artists of the USSR
2908:Sviatoslav Richter – Pianist
2870:Svjatoslav Richter – Pianist
1794:Valentina Chemberdzhi (2004)
1473:People's Artist of the RSFSR
1181:(multiple performances) and
1009:the premiere of Prokofiev's
481:, then in 1950 performed in
4760:Deutsche Grammophon artists
2853:Monsaingeon, Bruno (1998),
2835:Monsaingeon, Bruno (2001).
1812:Monsaingeon 2001, pp. 12–14
1616:
1606:Святослав Теофилович Рихтер
1491:People's Artist of the USSR
1270:Richter appeared in a 1952
4896:
4835:Russian classical pianists
4795:Moscow Conservatory alumni
4785:Heroes of Socialist Labour
2786:Schmadel, Lutz D. (2003).
2510:Recorded Sound, July 1983.
2338:Monsaingeon, pp. 383–406.
1842:Sviatoslav Richter Pianist
1510:Léonie Sonning Music Prize
1237:Chicago Symphony Orchestra
1194:, for which he had used a
554:Chicago Symphony Orchestra
469:Richter performing in 1964
195:Richter's father, Teofil,
32:In this name that follows
31:
27:Soviet pianist (1915–1997)
4850:Soviet classical pianists
2925:Rattalino, Piero (2005).
2872:. Copenhagen: Gyldendal.
2744:Honorary Doctors of Music
2045:: CS1 maint: unfit URL (
1948:"Monster at the keyboard"
1605:
1554:Order of Arts and Letters
1433:to attend; leave again."
1221:The Well-Tempered Clavier
1185:(multiple performances).
1151:Pictures at an Exhibition
1058:
928:The Well-Tempered Clavier
633:Central Clinical Hospital
383:In 1949, Richter won the
223:Teofil Danilovich Richter
4875:Music & Arts artists
3966:Dietrich Fischer-Dieskau
3135:Dietrich Fischer-Dieskau
1840:Rasmussen, Karl (2010).
1768:(2nd ed.). London:
1516:Hero of Socialist Labour
1504:University of Strasbourg
988:Dietrich Fischer-Dieskau
4840:Male classical pianists
4620:record label executives
3882:Victoria de los Ángeles
3527:Gramophone Hall of Fame
3076:Witold Lutosławski
2175:Transsiberian Express,
1821:Monsaingeon 2001, p. 20
1502:Honorary Doctor of the
1335:From Russia to the West
1018:Approach to performance
429:Tchaikovsky Competition
4745:20th-century composers
2632:"Владимир Софроницкий"
2178:Le Monde de la musique
2116:April 8, 2009, at the
1647:Time. Francis Merson,
1584:, was named after him.
1310:
946:with partners such as
797:
694:
470:
310:
202:
62:
4534:Mstislav Rostropovich
4106:Elisabeth Schwarzkopf
3838:Michael Tilson Thomas
3472:Pierre-Laurent Aimard
3182:Mstislav Rostropovich
2982:of Sviatoslav Richter
2581:on December 19, 2008.
2447:on September 29, 2007
2329:Monsaingeon, p. 143.
1573:Hall of Fame in 2012;
1308:
1260:Second Piano Concerto
948:Mstislav Rostropovich
796:
688:
468:
461:Touring and recording
422:Mstislav Rostropovich
352:In 1943, Richter met
300:
211:Volhynian Governorate
194:
58:
4810:Musicians from Odesa
4780:Grammy Award winners
4755:Classical piano duos
4618:Producers/engineers/
4085:Anne Sofie von Otter
3676:Nikolaus Harnoncourt
3360:Lars Ulrik Mortensen
3265:Nikolaus Harnoncourt
2929:. Zecchini Editore.
2725:Monsaingeon, p.28/9.
2712:Bruno Monsaingeon:
2691:Monsaingeon, p. 267.
2682:Monsaingeon, p. 196.
2368:Monsaingeon, p. 153.
2356:Monsaingeon, p. 413.
1770:Macmillan Publishers
1377:Vladimir Sofronitsky
1244:Piano Concerto No. 2
691:Novodevichy cemetery
431:in Moscow. Watching
205:Richter was born in
123:"Sviatoslav Richter"
108:improve this article
68:(March 20 [
4608:The Tallis Scholars
4573:Alban Berg Quartett
4311:Sergei Rachmaninoff
4029:Dmitri Hvorostovsky
3697:Herbert von Karajan
3683:Christopher Hogwood
3657:Carlo Maria Giulini
3650:John Eliot Gardiner
3643:Wilhelm Furtwängler
3348:John Eliot Gardiner
3123:Dmitri Shostakovich
2855:Richter, the Enigma
2816:Hunt, John (2009).
2384:Contemporary Review
2286:on November 9, 2017
1954:. January 7, 1999.
1543:, 4th class (1995);
1525:(1965, 1975, 1985);
1449:After playing some
1371:Dmitri Shostakovich
1286:The Composer Glinka
982:and members of the
976:Elisabeth Leonskaja
689:Richter's grave at
535:Deutsche Grammophon
521:under the baton of
402:The Composer Glinka
369:legal repercussions
323:Moscow Conservatory
262:Odessa Conservatory
238:Vienna Conservatory
4594:The King's Singers
4527:Jean-Pierre Rampal
4499:Anne-Sophie Mutter
4318:Sviatoslav Richter
4215:Marc-André Hamelin
4180:Vladimir Ashkenazy
3910:Montserrat Caballé
3615:Sergiu Celibidache
3324:Anne-Sophie Mutter
3212:Sviatoslav Richter
3176:Marie-Claire Alain
3153:Jean-Pierre Rampal
3105:Sergiu Celibidache
2986:Pete Taylor, 2010:
2977:Paul Geffen, 1999:
2952:Sviatoslav Richter
2734:Monsaingeon, p.61.
2636:www.sofronitsky.ru
2347:Monsaingeon, p. 48
2082:The New York Times
1673:on August 27, 2018
1582:9014 Svyatorichter
1461:Honours and awards
1311:
1110:(multiple years),
1106:(multiple years),
1036:Third Piano Sonata
798:
779:Fünf Klavierstücke
695:
550:2nd Piano Concerto
531:2nd Piano Concerto
515:5th Piano Concerto
471:
435:'s performance of
311:
203:
63:
18:Svyatoslav Richter
4717:
4716:
4708:Kenneth Wilkinson
4689:Goddard Lieberson
4408:Jacqueline du Pré
4325:Arthur Rubinstein
4234:Vladimir Horowitz
4092:Luciano Pavarotti
3824:Leopold Stokowski
3758:Yevgeny Mravinsky
3737:Charles Mackerras
3575:Leonard Bernstein
3493:
3492:
3425:Herbert Blomstedt
3301:Sofia Gubaidulina
3295:Hildegard Behrens
3271:Krystian Zimerman
3111:Arthur Rubinstein
3064:Leonard Bernstein
2936:978-88-87203-35-6
2917:978-1-55553-710-4
2898:978-963-87764-8-8
2879:978-87-02-03430-1
2846:978-0-571-20553-0
2827:978-1-901395-99-0
2799:978-3-540-00238-3
2642:on July 15, 2010.
2207:. April 11, 2022.
2021:The New Criterion
1987:on March 24, 2007
1935:978-0-394-52813-7
1893:978-5-93123-010-8
1877:978-5-901685-95-2
1851:978-1-55553-710-4
1802:978-5-17-101111-6
1779:978-1-56159-239-5
1667:The Baltimore Sun
1614:
1564:Oxford University
1559:Doctor of Music,
1552:Commander of the
1383:Vladimir Horowitz
1358:Arthur Rubinstein
1290:Композитор Глинка
1281:Kompozitor Glinka
1086:(1954 and 1972),
1080:
1079:
1075:12 Études, Op. 25
1071:12 Études, Op. 10
1011:Symphony-Concerto
815:
676:theater in Aachen
420:in E minor, with
409:of the 1946 film
373:Bruno Monsaingeon
184:
183:
176:
158:
16:(Redirected from
4887:
4710:
4703:
4698:
4691:
4684:
4677:
4670:
4665:
4658:
4651:
4644:
4637:
4630:
4610:
4603:
4596:
4589:
4582:
4575:
4557:
4550:
4543:
4536:
4529:
4522:
4515:
4508:
4501:
4494:
4487:
4480:
4473:
4466:
4459:
4452:
4445:
4438:
4431:
4424:
4417:
4410:
4403:
4396:
4389:
4382:
4375:
4365:woodwind players
4355:
4348:
4341:
4334:
4327:
4320:
4313:
4306:
4304:Maurizio Pollini
4299:
4292:
4285:
4278:
4271:
4264:
4262:Gustav Leonhardt
4257:
4250:
4243:
4236:
4229:
4222:
4221:
4210:
4203:
4196:
4189:
4182:
4175:
4168:
4161:
4159:Leif Ove Andsnes
4143:
4141:Fritz Wunderlich
4136:
4129:
4122:
4115:
4108:
4101:
4094:
4087:
4080:
4073:
4066:
4059:
4052:
4050:Simon Keenlyside
4045:
4038:
4036:Gundula Janowitz
4031:
4024:
4017:
4010:
4003:
3996:
3994:Nicolai Ghiaurov
3989:
3987:Angela Gheorghiu
3982:
3975:
3973:Kirsten Flagstad
3968:
3961:
3959:Kathleen Ferrier
3954:
3947:
3940:
3938:Feodor Chaliapin
3933:
3926:
3919:
3912:
3905:
3898:
3891:
3884:
3877:
3859:
3852:
3851:
3845:Arturo Toscanini
3840:
3833:
3826:
3819:
3818:
3807:
3800:
3799:
3788:
3781:
3774:
3767:
3760:
3753:
3746:
3744:Neville Marriner
3739:
3732:
3725:
3718:
3711:
3710:
3699:
3692:
3685:
3678:
3671:
3670:
3659:
3652:
3645:
3638:
3631:
3624:
3622:Riccardo Chailly
3617:
3610:
3608:Benjamin Britten
3603:
3602:
3591:
3584:
3577:
3570:
3569:
3558:
3556:Daniel Barenboim
3551:
3544:
3520:
3513:
3506:
3497:
3460:Barbara Hannigan
3431:Leonidas Kavakos
3372:Daniel Barenboim
3147:Olivier Messiaen
3082:Benjamin Britten
3026:
3019:
3012:
3003:
2940:
2921:
2902:
2883:
2850:
2831:
2804:
2803:
2783:
2777:
2776:
2774:
2772:
2761:
2755:
2741:
2735:
2732:
2726:
2723:
2717:
2710:
2704:
2698:
2692:
2689:
2683:
2680:
2674:
2671:
2665:
2659:
2653:
2650:
2644:
2643:
2638:. Archived from
2628:
2622:
2621:
2619:
2617:
2612:on July 20, 2008
2608:. Archived from
2601:
2595:
2589:
2583:
2582:
2577:. Archived from
2567:
2561:
2558:
2552:
2549:
2540:
2536:
2530:
2527:
2521:
2517:
2511:
2508:
2502:
2499:
2493:
2492:
2490:
2488:
2472:
2466:
2463:
2457:
2456:
2454:
2452:
2443:. Archived from
2433:
2427:
2424:
2418:
2415:
2409:
2406:
2400:
2399:
2397:
2395:
2375:
2369:
2366:
2357:
2354:
2348:
2345:
2339:
2336:
2330:
2327:
2321:
2316:
2310:
2309:
2302:
2296:
2295:
2293:
2291:
2282:. Archived from
2276:
2270:
2269:
2267:
2265:
2250:
2244:
2243:
2241:
2239:
2224:
2218:
2215:
2209:
2208:
2201:
2195:
2188:
2182:
2173:
2167:
2164:
2158:
2154:
2148:
2145:
2139:
2136:
2130:
2127:
2121:
2108:
2102:
2099:
2093:
2092:
2090:
2088:
2073:
2064:
2057:
2051:
2050:
2044:
2036:
2034:
2032:
2012:
2006:
2003:
1997:
1996:
1994:
1992:
1977:
1971:
1970:
1968:
1966:
1944:
1938:
1927:
1921:
1920:
1918:
1916:
1901:
1895:
1885:
1879:
1865:Dmitry Dorliak,
1862:
1856:
1855:
1837:
1831:
1828:
1822:
1819:
1813:
1810:
1804:
1791:
1785:
1783:
1751:
1745:
1744:
1742:
1740:
1725:
1719:
1718:
1716:
1714:
1700:
1694:
1689:
1683:
1682:
1680:
1678:
1669:. Archived from
1658:
1652:
1645:
1629:
1628:
1623:
1619:
1609:
1607:
1599:
1512:(1986; Denmark);
1418:On listening to
1395:Marlene Dietrich
1364:Heinrich Neuhaus
1319:Ferruccio Busoni
1256:Wanderer Fantasy
1191:Wanderer Fantasy
1162:(Prague, 1965),
1140:(Moscow, 1960),
1063:
1062:
1051:
1040:Italian Concerto
1026:
996:Galina Pisarenko
980:Benjamin Britten
827:Wanderer Fantasy
817:
816:
805:Wanderer Fantasy
795:
767:Andreas Lucewicz
631:Richter died at
424:as the soloist.
319:Heinrich Neuhaus
308:
305:
231:
201:
198:
179:
172:
168:
165:
159:
157:
116:
92:
84:
21:
4895:
4894:
4890:
4889:
4888:
4886:
4885:
4884:
4720:
4719:
4718:
4713:
4706:
4701:
4694:
4687:
4680:
4673:
4668:
4661:
4654:
4647:
4640:
4633:
4626:
4619:
4613:
4606:
4599:
4592:
4587:Beaux Arts Trio
4585:
4580:Amadeus Quartet
4578:
4571:
4560:
4553:
4546:
4539:
4532:
4525:
4518:
4511:
4504:
4497:
4492:Nathan Milstein
4490:
4483:
4476:
4471:Wynton Marsalis
4469:
4462:
4455:
4448:
4443:Steven Isserlis
4441:
4434:
4427:
4422:Arthur Grumiaux
4420:
4413:
4406:
4401:Kyung Wha Chung
4399:
4392:
4385:
4378:
4371:
4364:
4358:
4351:
4346:Grigory Sokolov
4344:
4337:
4330:
4323:
4316:
4309:
4302:
4295:
4288:
4281:
4274:
4267:
4260:
4253:
4246:
4239:
4232:
4225:
4213:
4208:Friedrich Gulda
4206:
4199:
4192:
4185:
4178:
4171:
4166:Martha Argerich
4164:
4157:
4146:
4139:
4132:
4125:
4118:
4113:Joan Sutherland
4111:
4104:
4097:
4090:
4083:
4076:
4069:
4062:
4055:
4048:
4041:
4034:
4027:
4020:
4013:
4006:
3999:
3992:
3985:
3978:
3971:
3964:
3957:
3952:Plácido Domingo
3950:
3943:
3936:
3929:
3922:
3915:
3908:
3901:
3896:Cecilia Bartoli
3894:
3887:
3880:
3873:
3862:
3855:
3843:
3836:
3829:
3822:
3810:
3803:
3791:
3784:
3779:Antonio Pappano
3777:
3770:
3763:
3756:
3749:
3742:
3735:
3728:
3721:
3714:
3702:
3695:
3688:
3681:
3674:
3664:Bernard Haitink
3662:
3655:
3648:
3641:
3636:Gustavo Dudamel
3634:
3627:
3620:
3613:
3606:
3594:
3587:
3580:
3573:
3561:
3554:
3549:John Barbirolli
3547:
3540:
3529:
3524:
3494:
3489:
3448:
3443:Hans Abrahamsen
3389:Cecilia Bartoli
3377:
3306:
3235:
3164:
3093:
3088:Boris Christoff
3052:
3047:Igor Stravinsky
3035:
3030:
2947:
2937:
2924:
2918:
2905:
2899:
2886:
2880:
2867:
2847:
2834:
2828:
2815:
2812:
2810:Further reading
2807:
2800:
2785:
2784:
2780:
2770:
2768:
2763:
2762:
2758:
2742:
2738:
2733:
2729:
2724:
2720:
2711:
2707:
2699:
2695:
2690:
2686:
2681:
2677:
2672:
2668:
2660:
2656:
2651:
2647:
2630:
2629:
2625:
2615:
2613:
2604:
2602:
2598:
2590:
2586:
2569:
2568:
2564:
2559:
2555:
2550:
2543:
2537:
2533:
2528:
2524:
2518:
2514:
2509:
2505:
2500:
2496:
2486:
2484:
2474:
2473:
2469:
2464:
2460:
2450:
2448:
2435:
2434:
2430:
2425:
2421:
2416:
2412:
2407:
2403:
2393:
2391:
2377:
2376:
2372:
2367:
2360:
2355:
2351:
2346:
2342:
2337:
2333:
2328:
2324:
2317:
2313:
2304:
2303:
2299:
2289:
2287:
2278:
2277:
2273:
2263:
2261:
2252:
2251:
2247:
2237:
2235:
2226:
2225:
2221:
2216:
2212:
2203:
2202:
2198:
2189:
2185:
2174:
2170:
2165:
2161:
2155:
2151:
2146:
2142:
2137:
2133:
2128:
2124:
2118:Wayback Machine
2109:
2105:
2100:
2096:
2086:
2084:
2075:
2074:
2067:
2058:
2054:
2037:
2030:
2028:
2014:
2013:
2009:
2004:
2000:
1990:
1988:
1979:
1978:
1974:
1964:
1962:
1946:
1945:
1941:
1928:
1924:
1914:
1912:
1903:
1902:
1898:
1886:
1882:
1863:
1859:
1852:
1839:
1838:
1834:
1829:
1825:
1820:
1816:
1811:
1807:
1792:
1788:
1780:
1753:
1752:
1748:
1738:
1736:
1728:Mellor, David.
1727:
1726:
1722:
1712:
1710:
1708:Classical Music
1702:
1701:
1697:
1690:
1686:
1676:
1674:
1660:
1659:
1655:
1646:
1642:
1638:
1633:
1632:
1621:
1600:
1596:
1591:
1569:Voted into the
1523:Orders of Lenin
1463:
1416:
1331:Nathan Milstein
1303:
1298:
1268:
1233:Erich Leinsdorf
1154:(Sofia, 1958),
1060:
1054:External videos
1049:
1024:
1020:
984:Borodin Quartet
845:
844:
836:
834:
833:
832:
831:
818:
811:
808:
799:
793:
788:
740:Mozart concerti
645:
629:
620:
568:Claudia Cassidy
563:Chicago Tribune
558:Erich Leinsdorf
463:
448:Boris Pasternak
381:
309:
306:
295:
225:
199:
189:
180:
169:
163:
160:
117:
115:
105:
93:
82:
61:
60:Richter in 1966
53:
28:
23:
22:
15:
12:
11:
5:
4893:
4891:
4883:
4882:
4877:
4872:
4867:
4862:
4857:
4852:
4847:
4842:
4837:
4832:
4827:
4822:
4817:
4812:
4807:
4802:
4797:
4792:
4787:
4782:
4777:
4772:
4767:
4762:
4757:
4752:
4747:
4742:
4737:
4732:
4722:
4721:
4715:
4714:
4712:
4711:
4704:
4699:
4692:
4685:
4678:
4671:
4669:Alain Lanceron
4666:
4659:
4652:
4649:C. Robert Fine
4645:
4638:
4635:Bernard Coutaz
4631:
4628:Emile Berliner
4623:
4621:
4615:
4614:
4612:
4611:
4604:
4601:Takács Quartet
4597:
4590:
4583:
4576:
4568:
4566:
4562:
4561:
4559:
4558:
4551:
4548:Andrés Segovia
4544:
4537:
4530:
4523:
4520:Itzhak Perlman
4516:
4513:Emmanuel Pahud
4509:
4506:David Oistrakh
4502:
4495:
4488:
4485:Yehudi Menuhin
4481:
4478:Albrecht Mayer
4474:
4467:
4460:
4453:
4450:Fritz Kreisler
4446:
4439:
4436:Heinz Holliger
4432:
4429:Jascha Heifetz
4425:
4418:
4411:
4404:
4397:
4390:
4383:
4376:
4368:
4366:
4360:
4359:
4357:
4356:
4353:Mitsuko Uchida
4349:
4342:
4339:Artur Schnabel
4335:
4328:
4321:
4314:
4307:
4300:
4297:Murray Perahia
4293:
4286:
4279:
4272:
4265:
4258:
4251:
4248:Wilhelm Kempff
4244:
4237:
4230:
4223:
4211:
4204:
4197:
4190:
4187:Alfred Brendel
4183:
4176:
4169:
4162:
4154:
4152:
4148:
4147:
4145:
4144:
4137:
4130:
4127:Kiri Te Kanawa
4123:
4120:Renata Tebaldi
4116:
4109:
4102:
4099:Leontyne Price
4095:
4088:
4081:
4074:
4071:Birgit Nilsson
4067:
4060:
4053:
4046:
4043:Jonas Kaufmann
4039:
4032:
4025:
4018:
4011:
4008:Thomas Hampson
4004:
3997:
3990:
3983:
3976:
3969:
3962:
3955:
3948:
3945:Joyce DiDonato
3941:
3934:
3927:
3920:
3913:
3906:
3903:Jussi Björling
3899:
3892:
3885:
3878:
3870:
3868:
3864:
3863:
3861:
3860:
3853:
3841:
3834:
3827:
3820:
3808:
3801:
3789:
3786:Trevor Pinnock
3782:
3775:
3772:Eugene Ormandy
3768:
3761:
3754:
3747:
3740:
3733:
3726:
3723:Rafael Kubelík
3719:
3716:Otto Klemperer
3712:
3704:Carlos Kleiber
3700:
3693:
3690:Mariss Jansons
3686:
3679:
3672:
3660:
3653:
3646:
3639:
3632:
3625:
3618:
3611:
3604:
3592:
3585:
3578:
3571:
3563:Thomas Beecham
3559:
3552:
3545:
3542:Claudio Abbado
3537:
3535:
3531:
3530:
3525:
3523:
3522:
3515:
3508:
3500:
3491:
3490:
3488:
3487:
3484:Emmanuel Pahud
3481:
3478:Evelyn Glennie
3475:
3469:
3463:
3456:
3454:
3450:
3449:
3447:
3446:
3440:
3437:Mariss Jansons
3434:
3428:
3422:
3416:
3410:
3404:
3398:
3395:Kaija Saariaho
3392:
3385:
3383:
3379:
3378:
3376:
3375:
3369:
3363:
3357:
3351:
3345:
3339:
3333:
3330:Alfred Brendel
3327:
3321:
3314:
3312:
3308:
3307:
3305:
3304:
3298:
3292:
3286:
3280:
3274:
3268:
3262:
3256:
3250:
3243:
3241:
3237:
3236:
3234:
3233:
3227:
3224:Peter Schreier
3221:
3218:Heinz Holliger
3215:
3209:
3203:
3197:
3194:Rafael Kubelík
3191:
3185:
3179:
3172:
3170:
3166:
3165:
3163:
3162:
3156:
3150:
3144:
3141:Mogens Wöldike
3138:
3132:
3129:Andrés Segovia
3126:
3120:
3117:Yehudi Menuhin
3114:
3108:
3101:
3099:
3095:
3094:
3092:
3091:
3085:
3079:
3073:
3070:Birgit Nilsson
3067:
3060:
3058:
3054:
3053:
3051:
3050:
3043:
3041:
3037:
3036:
3031:
3029:
3028:
3021:
3014:
3006:
3000:
2999:
2994:
2989:
2983:
2974:
2969:
2964:
2959:
2946:
2945:External links
2943:
2942:
2941:
2935:
2922:
2916:
2903:
2897:
2884:
2878:
2865:
2851:
2845:
2832:
2826:
2811:
2808:
2806:
2805:
2798:
2778:
2756:
2736:
2727:
2718:
2705:
2693:
2684:
2675:
2666:
2662:The Music Room
2654:
2645:
2623:
2596:
2584:
2562:
2553:
2541:
2531:
2522:
2512:
2503:
2494:
2467:
2458:
2428:
2419:
2410:
2401:
2370:
2358:
2349:
2340:
2331:
2322:
2311:
2297:
2271:
2245:
2219:
2210:
2196:
2183:
2168:
2159:
2149:
2140:
2131:
2122:
2103:
2094:
2065:
2052:
2007:
1998:
1972:
1939:
1922:
1896:
1880:
1867:Andrei Zolotov
1857:
1850:
1832:
1823:
1814:
1805:
1786:
1778:
1756:Sadie, Stanley
1746:
1720:
1695:
1684:
1653:
1639:
1637:
1634:
1631:
1630:
1593:
1592:
1590:
1587:
1586:
1585:
1574:
1567:
1557:
1550:
1544:
1538:
1532:
1526:
1519:
1513:
1507:
1500:
1494:
1488:
1482:
1476:
1470:
1462:
1459:
1415:
1412:
1302:
1299:
1297:
1294:
1267:
1264:
1168:B minor Sonata
1078:
1077:
1056:
1055:
1048:
1045:
1032:Murray Perahia
1025:Or, similarly:
1019:
1016:
992:Peter Schreier
968:Natalia Gutman
956:David Oistrakh
952:Rudolf Barshai
931:in one month.
835:
819:
809:
802:
801:
800:
791:
790:
789:
787:
784:
744:Rudolf Barshai
649:Pushkin Museum
644:
641:
628:
625:
619:
616:
599:Neville Cardus
583:David Oistrakh
523:Witold Rowicki
491:Czechoslovakia
462:
459:
441:Concerto No. 3
397:Mikhail Glinka
389:Czechoslovakia
380:
377:
301:
294:
291:
283:Pushkin Museum
215:Russian Empire
188:
185:
182:
181:
96:
94:
87:
81:
78:
59:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
4892:
4881:
4878:
4876:
4873:
4871:
4868:
4866:
4863:
4861:
4858:
4856:
4853:
4851:
4848:
4846:
4843:
4841:
4838:
4836:
4833:
4831:
4828:
4826:
4823:
4821:
4818:
4816:
4813:
4811:
4808:
4806:
4803:
4801:
4798:
4796:
4793:
4791:
4788:
4786:
4783:
4781:
4778:
4776:
4773:
4771:
4768:
4766:
4763:
4761:
4758:
4756:
4753:
4751:
4748:
4746:
4743:
4741:
4738:
4736:
4733:
4731:
4728:
4727:
4725:
4709:
4705:
4700:
4697:
4693:
4690:
4686:
4683:
4679:
4676:
4672:
4667:
4664:
4663:Klaus Heymann
4660:
4657:
4656:Fred Gaisberg
4653:
4650:
4646:
4643:
4639:
4636:
4632:
4629:
4625:
4624:
4622:
4616:
4609:
4605:
4602:
4598:
4595:
4591:
4588:
4584:
4581:
4577:
4574:
4570:
4569:
4567:
4563:
4556:
4555:John Williams
4552:
4549:
4545:
4542:
4538:
4535:
4531:
4528:
4524:
4521:
4517:
4514:
4510:
4507:
4503:
4500:
4496:
4493:
4489:
4486:
4482:
4479:
4475:
4472:
4468:
4465:
4461:
4458:
4454:
4451:
4447:
4444:
4440:
4437:
4433:
4430:
4426:
4423:
4419:
4416:
4412:
4409:
4405:
4402:
4398:
4395:
4391:
4388:
4384:
4381:
4377:
4374:
4373:Maurice André
4370:
4369:
4367:
4363:String/brass/
4361:
4354:
4350:
4347:
4343:
4340:
4336:
4333:
4332:András Schiff
4329:
4326:
4322:
4319:
4315:
4312:
4308:
4305:
4301:
4298:
4294:
4291:
4287:
4284:
4280:
4277:
4273:
4270:
4266:
4263:
4259:
4256:
4255:Evgeny Kissin
4252:
4249:
4245:
4242:
4241:Stephen Hough
4238:
4235:
4231:
4228:
4227:Angela Hewitt
4224:
4220:
4216:
4212:
4209:
4205:
4202:
4198:
4195:
4191:
4188:
4184:
4181:
4177:
4174:
4173:Claudio Arrau
4170:
4167:
4163:
4160:
4156:
4155:
4153:
4149:
4142:
4138:
4135:
4131:
4128:
4124:
4121:
4117:
4114:
4110:
4107:
4103:
4100:
4096:
4093:
4089:
4086:
4082:
4079:
4078:Jessye Norman
4075:
4072:
4068:
4065:
4064:Anna Netrebko
4061:
4058:
4054:
4051:
4047:
4044:
4040:
4037:
4033:
4030:
4026:
4023:
4019:
4016:
4015:Marilyn Horne
4012:
4009:
4005:
4002:
3998:
3995:
3991:
3988:
3984:
3981:
3980:Renée Fleming
3977:
3974:
3970:
3967:
3963:
3960:
3956:
3953:
3949:
3946:
3942:
3939:
3935:
3932:
3931:Enrico Caruso
3928:
3925:
3924:José Carreras
3921:
3918:
3914:
3911:
3907:
3904:
3900:
3897:
3893:
3890:
3886:
3883:
3879:
3876:
3872:
3871:
3869:
3865:
3858:
3854:
3850:
3846:
3842:
3839:
3835:
3832:
3828:
3825:
3821:
3817:
3813:
3809:
3806:
3802:
3798:
3794:
3790:
3787:
3783:
3780:
3776:
3773:
3769:
3766:
3765:Riccardo Muti
3762:
3759:
3755:
3752:
3748:
3745:
3741:
3738:
3734:
3731:
3727:
3724:
3720:
3717:
3713:
3709:
3705:
3701:
3698:
3694:
3691:
3687:
3684:
3680:
3677:
3673:
3669:
3665:
3661:
3658:
3654:
3651:
3647:
3644:
3640:
3637:
3633:
3630:
3626:
3623:
3619:
3616:
3612:
3609:
3605:
3601:
3597:
3593:
3590:
3589:Pierre Boulez
3586:
3583:
3579:
3576:
3572:
3568:
3564:
3560:
3557:
3553:
3550:
3546:
3543:
3539:
3538:
3536:
3532:
3528:
3521:
3516:
3514:
3509:
3507:
3502:
3501:
3498:
3485:
3482:
3479:
3476:
3473:
3470:
3467:
3464:
3461:
3458:
3457:
3455:
3451:
3444:
3441:
3438:
3435:
3432:
3429:
3426:
3423:
3420:
3417:
3414:
3411:
3408:
3405:
3402:
3399:
3396:
3393:
3390:
3387:
3386:
3384:
3380:
3373:
3370:
3367:
3364:
3361:
3358:
3355:
3352:
3349:
3346:
3343:
3342:Keith Jarrett
3340:
3337:
3336:György Kurtág
3334:
3331:
3328:
3325:
3322:
3319:
3318:Michala Petri
3316:
3315:
3313:
3309:
3302:
3299:
3296:
3293:
3290:
3289:András Schiff
3287:
3284:
3281:
3278:
3275:
3272:
3269:
3266:
3263:
3260:
3257:
3254:
3251:
3248:
3247:György Ligeti
3245:
3244:
3242:
3238:
3231:
3228:
3225:
3222:
3219:
3216:
3213:
3210:
3207:
3206:Pierre Boulez
3204:
3201:
3198:
3195:
3192:
3189:
3186:
3183:
3180:
3177:
3174:
3173:
3171:
3167:
3160:
3157:
3154:
3151:
3148:
3145:
3142:
3139:
3136:
3133:
3130:
3127:
3124:
3121:
3118:
3115:
3112:
3109:
3106:
3103:
3102:
3100:
3096:
3089:
3086:
3083:
3080:
3077:
3074:
3071:
3068:
3065:
3062:
3061:
3059:
3055:
3048:
3045:
3044:
3042:
3038:
3034:
3027:
3022:
3020:
3015:
3013:
3008:
3007:
3004:
2998:
2995:
2993:
2990:
2987:
2984:
2981:
2978:
2975:
2973:
2970:
2968:
2965:
2963:
2960:
2958:
2954:
2953:
2949:
2948:
2944:
2938:
2932:
2928:
2923:
2919:
2913:
2909:
2904:
2900:
2894:
2890:
2885:
2881:
2875:
2871:
2866:
2864:
2860:
2856:
2852:
2848:
2842:
2838:
2833:
2829:
2823:
2819:
2814:
2813:
2809:
2801:
2795:
2791:
2790:
2782:
2779:
2766:
2760:
2757:
2753:
2749:
2745:
2740:
2737:
2731:
2728:
2722:
2719:
2715:
2709:
2706:
2702:
2701:Alain Lompech
2697:
2694:
2688:
2685:
2679:
2676:
2670:
2667:
2663:
2658:
2655:
2649:
2646:
2641:
2637:
2633:
2627:
2624:
2611:
2607:
2600:
2597:
2594:
2588:
2585:
2580:
2576:
2572:
2566:
2563:
2557:
2554:
2548:
2546:
2542:
2535:
2532:
2526:
2523:
2516:
2513:
2507:
2504:
2498:
2495:
2482:
2478:
2471:
2468:
2462:
2459:
2446:
2442:
2441:ClassicsToday
2438:
2432:
2429:
2423:
2420:
2414:
2411:
2405:
2402:
2389:
2385:
2381:
2374:
2371:
2365:
2363:
2359:
2353:
2350:
2344:
2341:
2335:
2332:
2326:
2323:
2320:
2315:
2312:
2307:
2301:
2298:
2285:
2281:
2275:
2272:
2259:
2255:
2249:
2246:
2233:
2229:
2223:
2220:
2214:
2211:
2206:
2200:
2197:
2193:
2187:
2184:
2180:
2179:
2172:
2169:
2163:
2160:
2153:
2150:
2144:
2141:
2135:
2132:
2126:
2123:
2119:
2115:
2112:
2107:
2104:
2098:
2095:
2083:
2079:
2072:
2070:
2066:
2062:
2056:
2053:
2048:
2042:
2026:
2022:
2018:
2011:
2008:
2002:
1999:
1986:
1982:
1976:
1973:
1961:
1957:
1953:
1949:
1943:
1940:
1936:
1932:
1926:
1923:
1911:
1907:
1900:
1897:
1894:
1890:
1884:
1881:
1878:
1874:
1870:
1868:
1861:
1858:
1853:
1847:
1843:
1836:
1833:
1827:
1824:
1818:
1815:
1809:
1806:
1803:
1799:
1795:
1790:
1787:
1781:
1775:
1771:
1767:
1766:
1761:
1760:Tyrrell, John
1757:
1750:
1747:
1735:
1731:
1724:
1721:
1709:
1705:
1699:
1696:
1693:
1688:
1685:
1672:
1668:
1664:
1657:
1654:
1650:
1644:
1641:
1635:
1627:
1618:
1612:
1603:
1598:
1595:
1588:
1583:
1579:
1575:
1572:
1568:
1565:
1562:
1561:honoris causa
1558:
1555:
1551:
1548:
1545:
1542:
1539:
1536:
1533:
1530:
1527:
1524:
1520:
1517:
1514:
1511:
1508:
1505:
1501:
1498:
1495:
1492:
1489:
1486:
1483:
1480:
1477:
1474:
1471:
1468:
1465:
1464:
1460:
1458:
1456:
1452:
1447:
1444:
1442:
1437:
1434:
1430:
1428:
1423:
1421:
1413:
1411:
1408:
1407:
1402:
1400:
1396:
1392:
1390:
1389:Pierre Boulez
1386:
1384:
1380:
1378:
1374:
1372:
1368:
1365:
1361:
1359:
1355:
1352:
1348:
1346:
1345:
1340:
1336:
1332:
1328:
1326:
1322:
1320:
1316:
1307:
1300:
1295:
1293:
1291:
1287:
1283:
1282:
1277:
1273:
1265:
1263:
1261:
1257:
1253:
1249:
1245:
1242:
1238:
1234:
1230:
1225:
1223:
1222:
1217:
1211:
1209:
1205:
1201:
1197:
1193:
1192:
1186:
1184:
1180:
1176:
1174:
1173:Hammerklavier
1169:
1165:
1161:
1157:
1153:
1152:
1147:
1143:
1139:
1137:
1132:
1128:
1124:
1119:
1117:
1113:
1109:
1105:
1101:
1097:
1093:
1092:New York City
1089:
1085:
1076:
1072:
1069:
1066:
1057:
1052:
1046:
1044:
1041:
1037:
1033:
1028:
1017:
1015:
1012:
1008:
1005:Richter also
1003:
1001:
997:
993:
989:
985:
981:
977:
973:
972:Zoltán Kocsis
969:
965:
961:
957:
953:
949:
945:
944:chamber music
941:
937:
932:
930:
929:
924:
919:
917:
913:
909:
905:
901:
896:
894:
890:
886:
882:
878:
874:
870:
866:
862:
858:
854:
850:
843:
841:
829:
828:
823:
807:
806:
785:
783:
781:
780:
775:
770:
768:
764:
760:
756:
752:
747:
745:
741:
736:
734:
730:
726:
725:Ballade No. 4
722:
718:
714:
713:Second Sonata
710:
706:
705:
700:
692:
687:
683:
681:
677:
673:
668:
664:
661:
656:
654:
650:
642:
640:
638:
634:
626:
624:
617:
615:
611:
607:
605:
600:
596:
592:
587:
584:
580:
579:Carnegie Hall
575:
573:
572:Carnegie Hall
569:
566:music critic
565:
564:
559:
555:
551:
547:
542:
540:
536:
532:
528:
524:
520:
516:
512:
508:
504:
500:
496:
492:
488:
484:
480:
476:
467:
460:
458:
456:
451:
449:
444:
442:
438:
434:
430:
425:
423:
419:
414:
412:
408:
404:
403:
398:
394:
390:
386:
378:
376:
374:
370:
366:
361:
359:
355:
350:
346:
342:
340:
336:
332:
331:Ballade No. 4
328:
324:
320:
316:
299:
292:
290:
288:
284:
279:
274:
272:
267:
263:
258:
256:
251:
247:
243:
242:noble Russian
239:
235:
229:
224:
220:
216:
212:
208:
193:
186:
178:
175:
167:
156:
153:
149:
146:
142:
139:
135:
132:
128:
125: –
124:
120:
119:Find sources:
113:
109:
103:
102:
97:This section
95:
91:
86:
85:
79:
77:
75:
71:
67:
57:
51:
47:
44: and the
43:
39:
35:
30:
19:
4696:Richard Mohr
4682:Edward Lewis
4675:Walter Legge
4642:John Culshaw
4541:Jordi Savall
4457:Gidon Kremer
4415:James Galway
4394:Pablo Casals
4387:Julian Bream
4380:Dennis Brain
4317:
4276:Dinu Lipatti
4151:Keyboardists
3917:Maria Callas
3875:Thomas Allen
3857:Bruno Walter
3831:George Szell
3805:Fritz Reiner
3793:Simon Rattle
3730:James Levine
3596:Adrian Boult
3413:Martin Fröst
3407:Simon Rattle
3401:Jordi Savall
3277:Yuri Bashmet
3253:Eric Ericson
3230:Gidon Kremer
3211:
2979:
2951:
2926:
2907:
2888:
2869:
2854:
2836:
2817:
2788:
2781:
2769:. Retrieved
2767:. Gramophone
2759:
2739:
2730:
2721:
2714:Introduction
2713:
2708:
2696:
2687:
2678:
2669:
2657:
2648:
2640:the original
2635:
2626:
2616:November 23,
2614:. Retrieved
2610:the original
2599:
2587:
2579:the original
2574:
2565:
2556:
2534:
2525:
2515:
2506:
2497:
2485:. Retrieved
2481:The Guardian
2480:
2470:
2461:
2451:September 8,
2449:. Retrieved
2445:the original
2440:
2431:
2422:
2413:
2404:
2392:. Retrieved
2383:
2373:
2352:
2343:
2334:
2325:
2314:
2300:
2290:December 13,
2288:. Retrieved
2284:the original
2274:
2264:September 8,
2262:. Retrieved
2257:
2248:
2238:September 8,
2236:. Retrieved
2231:
2222:
2213:
2199:
2192:Introduction
2191:
2186:
2176:
2171:
2162:
2152:
2143:
2134:
2125:
2106:
2097:
2085:. Retrieved
2081:
2055:
2041:cite journal
2031:September 8,
2029:. Retrieved
2024:
2020:
2010:
2001:
1991:September 8,
1989:. Retrieved
1985:the original
1975:
1965:December 12,
1963:. Retrieved
1952:The Guardian
1951:
1942:
1925:
1915:September 8,
1913:. Retrieved
1909:
1899:
1883:
1864:
1860:
1841:
1835:
1826:
1817:
1808:
1793:
1789:
1763:
1749:
1737:. Retrieved
1733:
1723:
1711:. Retrieved
1707:
1698:
1687:
1675:. Retrieved
1671:the original
1666:
1656:
1643:
1597:
1578:minor planet
1560:
1479:Grammy Award
1467:Stalin Prize
1448:
1445:
1438:
1435:
1431:
1424:
1417:
1404:
1403:
1398:
1393:
1387:
1381:
1375:
1369:
1362:
1356:
1349:
1342:
1334:
1329:
1323:
1312:
1289:
1288:; Russian:
1285:
1279:
1269:
1255:
1248:Grammy Award
1226:
1219:
1212:
1189:
1187:
1179:Rachmaninoff
1172:
1159:
1149:
1136:Appassionata
1135:
1120:
1081:
1029:
1021:
1004:
1000:Nina Dorliak
964:Yuri Bashmet
936:Sonata No. 7
933:
926:
920:
897:
846:
825:
804:
777:
771:
762:
757:sonatas and
748:
737:
702:
696:
669:
665:
657:
652:
646:
630:
621:
612:
608:
588:
576:
561:
543:
527:Rachmaninoff
472:
452:
450:'s funeral.
445:
437:Rachmaninoff
426:
415:
410:
400:
385:Stalin Prize
382:
365:social front
362:
354:Nina Dorliak
351:
347:
343:
312:
293:Early career
287:Odessa Opera
278:sight-reader
275:
259:
217:(modern-day
204:
170:
161:
151:
144:
137:
130:
118:
106:Please help
101:verification
98:
65:
64:
49:
41:
29:
4735:1997 deaths
4730:1915 births
4201:Glenn Gould
4194:Emil Gilels
4134:Bryn Terfel
4057:Emma Kirkby
4022:Hans Hotter
3889:Janet Baker
3812:Georg Solti
3751:Zubin Mehta
3629:Colin Davis
3419:Thomas Adès
3283:Per Nørgård
3259:Georg Solti
3200:Miles Davis
3188:Isaac Stern
3159:Janet Baker
2181:, May 1989.
1739:October 31,
1713:October 24,
1677:October 31,
1485:Lenin Prize
1351:Van Cliburn
1325:Glenn Gould
1315:Franz Liszt
1272:Soviet film
1196:Bösendorfer
1114:(1977) and
865:Szymanowski
857:Tchaikovsky
672:Charlemagne
618:Later years
539:Emil Gilels
433:Van Cliburn
393:Franz Liszt
335:Emil Gilels
307: 1935
226: [
200: 1900
164:August 2023
46:family name
42:Teofilovich
4724:Categories
4001:Tito Gobbi
3534:Conductors
3466:Unsuk Chin
2166:Monsaignon
2087:August 28,
1734:Classic FM
1636:References
1571:Gramophone
1406:Gramophone
1344:Jeux d'eau
1274:, playing
1216:RCA Victor
1146:Mussorgsky
1047:Recordings
960:Oleg Kagan
877:Stravinsky
840:media help
786:Repertoire
782:, D. 459.
487:Bratislava
134:newspapers
38:patronymic
4702:Ted Perry
4565:Ensembles
4283:Radu Lupu
4269:Lang Lang
3582:Karl Böhm
3366:Arvo Pärt
2771:April 12,
1960:0261-3077
1611:romanized
1556:(France);
1296:Reception
1131:Beethoven
1116:Amsterdam
1100:Aldeburgh
1007:conducted
885:Hindemith
709:Prokofiev
693:in Moscow
595:Prokofiev
552:with the
517:with the
511:Prokofiev
475:Bucharest
399:, called
339:Radu Lupu
302:Richter,
273:harpist.
250:Civil War
213:, in the
187:Childhood
80:Biography
4464:Yo-Yo Ma
3354:Yo-Yo Ma
2863:41148757
2752:archived
2483:. London
2388:Archived
2114:Archived
1762:(eds.).
1427:Scriabin
1246:won the
1235:and the
1218:(Bach's
1204:Schumann
1200:Steinway
1142:Schubert
1127:Schumann
1123:Scriabin
1112:Salzburg
1098:(1963),
1094:(1960),
1090:(1958),
1068:Chopin's
923:Schumann
904:Paganini
893:Gershwin
861:Scriabin
822:Schubert
774:Schubert
729:Schumann
495:Budapest
266:Lutheran
255:painting
207:Zhytomyr
3867:Singers
2487:May 24,
2394:May 27,
2157:piece?"
1613::
1602:Russian
1549:(1996);
1531:(1980);
1518:(1975);
1506:(1977);
1499:(1968);
1493:(1961);
1487:(1961);
1481:(1960);
1475:(1955);
1469:(1950);
1441:Neuhaus
1399:Marlene
1266:In film
1239:of the
1208:Toccata
1183:Debussy
1160:Miroirs
1096:Leipzig
912:Debussy
889:Britten
733:Toccata
707:cycle,
704:Miroirs
499:Hungary
479:Romania
219:Ukraine
148:scholar
74:pianist
50:Richter
3486:(2024)
3480:(2023)
3474:(2022)
3468:(2021)
3462:(2020)
3445:(2019)
3439:(2018)
3433:(2017)
3427:(2016)
3421:(2015)
3415:(2014)
3409:(2013)
3403:(2012)
3397:(2011)
3391:(2010)
3374:(2009)
3368:(2008)
3362:(2007)
3356:(2006)
3350:(2005)
3344:(2004)
3338:(2003)
3332:(2002)
3326:(2001)
3320:(2000)
3303:(1999)
3297:(1998)
3291:(1997)
3285:(1996)
3279:(1995)
3273:(1994)
3267:(1993)
3261:(1992)
3255:(1991)
3249:(1990)
3232:(1989)
3226:(1988)
3220:(1987)
3214:(1986)
3208:(1985)
3202:(1984)
3196:(1983)
3190:(1982)
3184:(1981)
3178:(1980)
3161:(1979)
3155:(1978)
3149:(1977)
3143:(1976)
3137:(1975)
3131:(1974)
3125:(1973)
3119:(1972)
3113:(1971)
3107:(1970)
3090:(1969)
3084:(1968)
3078:(1967)
3072:(1966)
3066:(1965)
3049:(1959)
2933:
2914:
2895:
2876:
2861:
2843:
2824:
2796:
1958:
1933:
1891:
1875:
1869:(2005)
1848:
1800:
1776:
1521:Three
1455:Mozart
1241:Brahms
1175:Sonata
1138:Sonata
1108:Prague
1084:Warsaw
916:études
908:Handel
900:Brahms
891:, and
881:Bartók
873:Webern
849:Handel
751:Lübeck
727:, and
721:études
717:Chopin
680:Aachen
660:Yamaha
643:Career
637:Moscow
546:Brahms
483:Prague
411:Glinka
407:remake
327:Chopin
315:Odessa
248:, the
246:Odessa
234:German
150:
143:
136:
129:
121:
36:, the
3453:2020s
3382:2010s
3311:2000s
3240:1990s
3169:1980s
3098:1970s
3057:1960s
3040:1950s
2520:it.")
1910:salon
1589:Notes
1451:Haydn
1339:Ravel
1276:Liszt
1164:Liszt
1156:Ravel
1104:Tours
1088:Sofia
940:No. 9
759:Reger
755:Haydn
699:Ravel
627:Death
604:Liszt
591:Haydn
507:Sofia
503:China
455:RSFSR
271:Czech
230:]
155:JSTOR
141:books
2980:Vita
2957:IMDb
2931:ISBN
2912:ISBN
2893:ISBN
2874:ISBN
2859:OCLC
2841:ISBN
2822:ISBN
2794:ISBN
2773:2012
2748:here
2618:2013
2489:2010
2453:2007
2396:2024
2292:2008
2266:2007
2240:2007
2089:2007
2047:link
2033:2007
1993:2007
1967:2023
1956:ISSN
1931:ISBN
1917:2007
1889:ISBN
1873:ISBN
1846:ISBN
1798:ISBN
1774:ISBN
1741:2017
1715:2021
1679:2017
1622:IPA:
1420:Bach
1317:and
1250:for
1229:1961
1073:and
906:and
869:Berg
853:Bach
851:and
715:and
593:and
556:and
485:and
337:and
127:news
70:O.S.
2955:at
2575:CNN
1457:".
1439:On
1425:On
1341:'s
1292:).
1278:in
1227:In
1224:).
1206:'s
1166:'s
1158:'s
1148:'s
1133:'s
914:'s
902:'s
855:to
824:'s
776:'s
761:'s
731:'s
719:'s
711:'s
701:'s
635:in
548:'s
529:'s
513:'s
439:'s
329:'s
110:by
48:is
40:is
4726::
2754:.)
2634:.
2573:.
2544:^
2479:.
2439:.
2382:.
2361:^
2256:.
2230:.
2080:.
2068:^
2043:}}
2039:{{
2025:16
2023:.
2019:.
1950:.
1908:.
1772:.
1758:;
1732:.
1706:.
1665:.
1620:,
1608:,
1604::
1580:,
1576:A
1321:.
1002:.
994:,
990:,
978:,
974:,
970:,
966:,
962:,
958:,
954:,
950:,
895:.
887:,
883:,
879:,
875:,
871:,
867:,
863:,
859:,
769:.
746:.
735:.
723:,
655:.
574:.
497:,
489:,
477:,
304:c.
228:de
209:,
197:c.
3519:e
3512:t
3505:v
3025:e
3018:t
3011:v
2939:.
2920:.
2901:.
2882:.
2849:.
2830:.
2802:.
2775:.
2750:[
2620:.
2491:.
2455:.
2398:.
2308:.
2294:.
2268:.
2242:.
2120:.
2091:.
2063:)
2049:)
2035:.
1995:.
1969:.
1919:.
1854:.
1784:
1782:.
1743:.
1717:.
1681:.
1566:;
1284:(
842:.
405:(
177:)
171:(
166:)
162:(
152:·
145:·
138:·
131:·
104:.
52:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
