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Biennale of Sydney

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among many contracts, a contract for the Australian Department of Immigration at the detention centres on Manus Island and Nauru. The two Transfield companies had also joined in the Transfield Foundation, which also supported the Biennale. On 19 February 2014, 28 artists participating in the 19th Biennale of Sydney published an open letter to the Board of Directors about their concerns with the sponsorship arrangement with 'Transfield'. The 28 artists stated in their letter "We urge you to act in the interests of asylum seekers. As part of this we request the Biennale withdraw from the current sponsorship arrangements with Transfield and seek to develop new ones." The group of artists who originally signed this open letter were —
849:, Yael Bartana. By 26 February 2014, 41 Biennale artists in total had signed this open letter. On 26 February 2014, five artists (Libia Castro, Ólafur Ólafsson, Charlie Sofo, Gabrielle de Vietri & Ahmet Öğüt) withdrew their participation in the Biennale of Sydney in protest. This protest was due to the artists' perception that 'Transfield' was profiting from the mandatory detention of asylum seekers and the Biennale's refusal to cut sponsorship ties with Transfield as requested by the artists. On 5 March 2014, four more artists (Agnieszka Polska, Sara van der Heide, Nicoline van Harskamp and Nathan Gray) withdrew their participation in the Biennale of Sydney. 889:. NIRIN was an Artist- & First Nations-led Biennale, celebrating First Nations artists. The programme was centered around seven themes: Dhaagun (‘earth’: sovereignty and working together); Bagaray-Bang (‘healing’); Yirawy-Dhuray (‘yam-connection’: food); Gurray (‘transformation’); Muriguwal Giiland (‘different stories’); Ngawal-Guyungan (‘powerful ideas’: the power of objects); and Bila (‘river’: environment), and it featured works by 101 artists and collectives, from 36 countries including for the first time Nepal, Georgia, Afghanistan, Sudan and Ecuador. The works were presented in six venues: 585: 38: 224:, held every two years in Sydney. It is a large and well-attended contemporary visual arts event in the country. Alongside the Venice and São Paulo biennales and Documenta, it is one of the longest running exhibitions of its kind and was the first biennale to be established in the Asia-Pacific region. 812:
Presenting the work of 92 artists from 31 countries, the 19th Biennale was shown at various partner venues including the Art Gallery of New South Wales, Artspace, Carriageworks, Cockatoo Island and the Museum of Contemporary Art Australia. Other works and events were experienced at various locations
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A record of 316,811 visits were recorded over all venues. The festival included a wide range of works and mediums including installation, sculpture, performance, video, sound, photography and painting. 53 artists created 80 new works specifically for the exhibition in response to the concept 'Zones
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In March, the Board of The Biennale of Sydney announced that it would cut ties with Transfield, following the growing criticism from artists and refugee activists. The majority of boycotting artists returned to participate in the 19th Biennale with the exception of Australian artists Charlie Sofo
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Transfield Holdings, the private company, founded the Biennale of Sydney in 1973 and had continued as the Founding Partner since that time. In 2014, Transfield Holdings had an 11% investment in a public company, Transfield Services, listed on the Australian Stock Exchange. Transfield Services had,
734:. The 17th Biennale of Sydney achieved record attendance of more than 517,000 visits across all venues with 68 artists premiering new works made especially for the exhibition. The 17th Biennale of Sydney's SuperDeluxe@Artspace programme which combined gallery, performance space and bar was awarded 820:
In 2014, more than 623,000 visited the Biennale partner venues, including close to 125,000 from overseas, the highest international visitation numbers recorded in the Biennale's 41-year history. In addition, audiences also experienced outdoor works by Nathan Coley on the Eastern Apron of Cockatoo
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The exhibition drew record crowds, with more than 665,000 visits recorded over five venues, an increase of 29 per cent on the 2010 attendance figures. The Biennale Bar @ Pier 2/3 was a popular after dark event taking place over five Friday nights in August. In the closing week of the exhibition,
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The 23rd Biennale of Sydney, titled rīvus, was presented under the artistic direction of José Roca. Exhibits were held at various locations in the city including Art Gallery of New South Wales, Museum of Contemporary Art Australia, National Art School, The Rocks and Parramatta.
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In 2014 calls were made by refugee activists for artists and others to boycott the 19th Biennale in response to the perceived 'chain of connections' between the Biennale, Transfield Holdings and Transfield Services, and the latter's contract at the overseas detention centres
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The 24th Biennale of Sydney, titled Ten Thousand Suns, will be presented under the artistic direction of Cosmin Costinaș and Inti Guerrero. Exhibits will be held at various locations in the city including the Art Gallery of New South Wales, the
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Tanu Gogo outlined concerns this pivot created for them including 'data-sovereignty, safe-space and intellectual property' but addressed their reprioritization to enable presentation and presented a successful project titled
657:, took place from 18 June – 7 September 2008 with leading international curator and writer Carolyn Christov-Bakargiev as artistic director. It achieved record visitation of 436,150 and featured 175 artists from 42 countries. 841:, Ahmet Öğüt, Meriç Algün Ringborg, Joseph Griffiths, Sol Archer, Tamas Kaszas, Krisztina Erdei, Nathan Coley, Corin Sworn, Ross Manning, Martin Boyce, Callum Morton, Emily Roysdon, Søren Thilo Funder, Mikhail Karikis. 844:
On 20 February 2014, 6 additional Biennale artists signed on to the open letter to the Biennale of Sydney Board, these artists were – Sara van der Heide, Henna-Riikka Halonen, Ane Hjort Guttu, Hadley+Maxwell,
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In 1973, Franco Belgiorno-Nettis, as co-managing director of Transfield Pty. Ltd., founded the Biennale of Sydney which held its first exhibition of 37 artists in the exhibition hall of the then newly opened
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investigated 'artists and practices using fictions, narratives, invented methodologies, hypotheses, subjective belief systems, modellings, fakes and experiments as a means to make works'. Writing in
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of Contact'. The festival also featured three two-day symposia, over 50 talks, education programs and an 'Art Walk' along the harbour foreshore between principal exhibition venues.
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Island, and the building exteriors of the Art Gallery of New South Wales and Museum of Contemporary Art Australia, as well as numerous performance works in public spaces.
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in October, 2002, Michael Duncan said of the exhibition that it "gave free rein to complex, often offbeat works predicated on alternate realities." Artists included:
2091: 2283: 1113: 1410: 707:, 444 works by 167 artist and collaborators were selected from 36 countries, making it the largest exhibition staged in the organisations 37-year history. 1026: 2147: 1325: 1535: 1651: 1146: 1880: 2380: 1090: 898: 1182: 2062: 1958: 1274: 926: 55: 2213: 2137: 1813: 767: 715: 672: 636: 627:. It featured the work of 85 artists from 44 countries and was held across 16 diverse venues throughout Sydney including Pier 2/3, at 909:. NIRIN went online after it was closed ten days after it opened due to COVID-19 restrictions. The founder of New Zealand collective 1693: 890: 711: 660: 121: 933:(Tonga/New Zealand), Noŋgirrŋa Marawili (Darrpirra/Yirrkala, Australia), Aziz Hazara (Afghanistan), Tarek Lakhrissi (France), and 1558: 1545: 759: 102: 1160: 937:(Andranangruwu (Melville Island)/Paluwiyanga, Australia) with Patrick Freddy Puruntatameri (Darwin/Melville Island, Australia). 2291: 2238: 74: 2086: 1828: 1224: 1079: 894: 763: 731: 632: 59: 987: 2339: 719: 680: 606: 81: 2448: 1943: 869:
The 21st Biennale of Sydney, titled SUPERPOSITION, was curated by Mami Kataoka. It included soft sculpture works by the
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The 18th Biennale of Sydney won the 'Best Cultural, Arts or Music Event' award at the Australian Event Awards in 2013.
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by popular vote at the 2010 Sydney Music, Arts and Culture (SMAC) Awards as well as being a finalist in the
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throughout the city, including Henrik Håkansson's epic, episodic film and orchestral performance work,
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category. The 17th Biennale of Sydney was also a finalist at the 2010 Australian Event Awards in the
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CODESWITCH: Relearn, Reimagine, Recreate – a FAFSWAG Manifesto for the 22nd Biennale of Sydney
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was presented from 21 March – 9 June 2014, under the artistic direction of Juliana Engberg.
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The 22nd Biennale of Sydney, titled NIRIN, was presented under the artistic direction of
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The 20th Biennale of Sydney was curated by Stephanie Rosenthal and took place in 2016.
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with Seed Indigenous Youth Climate Network (Australia), Denilson Baniwa (Brazil),
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Carriageworks and the Biennale of Sydney presented the Australian premieres of
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The 2006 Biennale of Sydney was held from 8 June – 27 August and titled
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The 2004 Biennale of Sydney was held from 4 June – 15 August and titled
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The Museum of Contemporary Art in Sydney featured artists including
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The Readymade Boomerang: Certain Relations in 20th Century Art
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THE BEAUTY OF DISTANCE: Songs of Survival in a Precarious Age
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The future is already here – it’s just not evenly distributed
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THE BEAUTY OF DISTANCE, Songs of Survival in a Precarious Age
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Ubuntu Charity Art Exhibition at Sydney College of the Arts
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From the Southern Cross: A View of World Art c1940–1988
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Bat-Yam International Biennale of Landscape Urbanism
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19th Biennale of Sydney: You Imagine What You Desire
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Isabel Carlos was the Curator. 256:Recent International Forms in Art 1913:Sydney Underground Film Festival 1559:Sydney central business district 1546:Sydney central business district 1481:The Biennale of Sydney on Flickr 1384:Higgie, Jennifer (27 May 2020). 899:Museum of Contemporary Art (MCA) 220:is an international festival of 36: 2292:Venice Biennale of Architecture 2239:Light Art Biennale Austria 2010 2138:Incheon Women Artists' Biennale 289:Private Symbol: Social Metaphor 47:needs additional citations for 2087:African Photography Encounters 1860:Sydney International Boat Show 1561:and its fringe areas, not the 959:, Museum of Contemporary Art, 950:24th Biennale of Sydney (2024) 941:23rd Biennale of Sydney (2022) 895:Art Gallery of New South Wales 881:22nd Biennale of Sydney (2020) 865:21st Biennale of Sydney (2018) 857:20th Biennale of Sydney (2016) 801:19th Biennale of Sydney (2014) 764:Art gallery of new south wales 750:18th Biennale of Sydney (2012) 732:Art Gallery of New South Wales 695:17th Biennale of Sydney (2010) 665:Sydney Music, Arts and Culture 647:16th Biennale of Sydney (2008) 633:Art Gallery of New South Wales 617:15th Biennale of Sydney (2006) 580:14th Biennale of Sydney (2004) 526:13th Biennale of Sydney (2002) 511:, artistic director: José Roca 351:Jurassic Technologies Revenant 1: 2340:Chicago Architecture Biennial 654:Revolutions – Forms That Turn 651:The 16th Biennale of Sydney, 590:Still Life with Stone and Car 424:Revolutions – Forms That Turn 299:Origins, Originality + Beyond 1995:Balmain Art & Craft Show 1501:. 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Index

Sydney Biennale

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Nick Waterlow
Nick Waterlow
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