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Symphony No. 2 (Moore)

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558: 96: 584: 596: 172:, which is carried out through the first section in a somewhat nostalgic fashion. The calmness is later abandoned in favour of a more lilting and dancelike mood on strings, which moves along in a processional way before a 263:
the main theme is played out faster on strings building up a heroic atmosphere and leading to a bursting crescendo of kinetic energy after which a drumroll leads the movement to the spirited closing diminuendo.
63:, it represents Moore's fully formed mature style and is unarguably one of his best pieces. Moore himself described it as: "an attempt to write in clear, objective, modified classical style, with emphasis on 34:. It was composed in 1945 and received its premiere in Paris on May 5, 1946, conducted by Robert Lawrence. In the following year the American premiere was given in Los Angeles, 542: 446: 117: 616: 561: 470: 55: 255:
only to introduce the robust and energetic main theme that persists throughout. Following the introduction the orchestra leads into a
415: 353: 143: 631: 621: 121: 502: 189: 383: 478: 439: 259:-like section with alternatingly rousing and flowing treatments, where the main theme dominates. After several louder 234:
which forms the basis of the whole movement. In the more animated middle section (where the woodwind indulges in some
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from a few years earlier. It is clearly indicative of Moore's ability to write sensitive and heartfelt music.
125: 110: 588: 486: 432: 315: 297: 372: 291: 227: 510: 529: 231: 216: 260: 35: 494: 411: 349: 391: 301: 252: 173: 79: 320: 27: 82:, three of which end in a quiet manner. The symphony lasts approximately twenty minutes. 169: 610: 455: 238: 235: 199: 72: 31: 368: 600: 242: 177: 60: 180:
ending the movement in silence. This movement features significantly more use of
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The beginning of the last movement is proclaimed, in a declamatory fashion, on
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The first movement starts with a solemnly lyric and wistful theme given out by
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is Moore's second essay in that form and is dedicated to the memory of
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of all the movements. It starts with a happy and bubbling theme on
59:. A work of moderate length and a classical conception inspired by 256: 214:
save for a few passionate outbursts which may relate to the work
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The Great American Symphony: Music, the Depression, and War
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This is the shortest and most jovial and most obviously
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music. This is understandable, as most of the music is
572: 521: 462: 384:"Douglas Moore: Symphony No. 2 in A major (1945)" 202:, the second movement was in part inspired by a 198:While the symphony as a whole is not in any way 296:. New York: Allen, Towne & Heath. p.  440: 71:momentum rather than upon sharply contrasted 8: 369:Douglas S. Moore: Symphony No. 2 in A major 124:. Unsourced material may be challenged and 447: 433: 425: 348:. Indiana University Press. p. 154. 144:Learn how and when to remove this message 579: 285: 283: 281: 279: 277: 273: 245:way before winding down into stillness. 7: 293:The Year in American Music 1946–1947 290:Julius Bloom (ed.). "January 1947". 122:adding citations to reliable sources 14: 404:Douglas Moore: A Bio-bibliography 30:composition by American composer 594: 582: 557: 556: 543:Quintet for clarinet and strings 316:"Music: It Ain't Necessarily So" 157:Andante con moto; Allegro giusto 94: 16:Symphony (1946) by Douglas Moore 1: 617:Compositions by Douglas Moore 471:The Devil and Daniel Webster 410:, A-R Editions. p. 54. 56:The Devil and Daniel Webster 648: 552: 408:Music Library Association 402:McBride, Jerry L (2011). 632:Compositions in A major 622:20th-century symphonies 195:Andante quieto semplice 192:, than the other three. 75:or dramatic climaxes". 487:The Ballad of Baby Doe 344:Nicholas Tawa (2009). 503:The Wings of the Dove 47:Stephen Vincent Benét 118:improve this section 479:Giants in the Earth 248:Allegro con spirito 176:leads to the short 49:, who supplied the 53:for Moore's opera 36:Alfred Wallenstein 627:1945 compositions 570: 569: 324:. 27 January 1947 154: 153: 146: 639: 599: 598: 597: 587: 586: 585: 578: 560: 559: 449: 442: 435: 426: 421: 394: 392:Wise Music Group 381: 375: 366: 360: 359: 340: 334: 333: 331: 329: 312: 306: 305: 302:Internet Archive 287: 206:poem concerning 149: 142: 138: 135: 129: 98: 90: 647: 646: 642: 641: 640: 638: 637: 636: 607: 606: 605: 595: 593: 589:Classical music 583: 581: 573: 571: 566: 548: 517: 458: 453: 418: 401: 398: 397: 382: 378: 367: 363: 356: 343: 341: 337: 327: 325: 314: 313: 309: 289: 288: 275: 270: 150: 139: 133: 130: 115: 99: 88: 17: 12: 11: 5: 645: 643: 635: 634: 629: 624: 619: 609: 608: 604: 603: 591: 568: 567: 565: 564: 553: 550: 549: 547: 546: 540: 537:Symphony No. 2 534: 525: 523: 519: 518: 516: 515: 507: 499: 491: 483: 475: 466: 464: 460: 459: 454: 452: 451: 444: 437: 429: 423: 422: 416: 396: 395: 376: 361: 354: 335: 307: 272: 271: 269: 266: 265: 264: 249: 246: 224: 221: 196: 193: 158: 152: 151: 102: 100: 93: 87: 84: 78:It is in four 20:Symphony No. 2 15: 13: 10: 9: 6: 4: 3: 2: 644: 633: 630: 628: 625: 623: 620: 618: 615: 614: 612: 602: 592: 590: 580: 576: 563: 555: 554: 551: 544: 541: 538: 535: 532: 531: 527: 526: 524: 520: 513: 512: 508: 505: 504: 500: 497: 496: 492: 489: 488: 484: 481: 480: 476: 473: 472: 468: 467: 465: 461: 457: 456:Douglas Moore 450: 445: 443: 438: 436: 431: 430: 427: 419: 417:9780895796660 413: 409: 405: 400: 399: 393: 389: 385: 380: 377: 374: 370: 365: 362: 357: 355:9780253002877 351: 347: 339: 336: 323: 322: 317: 311: 308: 303: 299: 295: 294: 286: 284: 282: 280: 278: 274: 267: 262: 258: 254: 250: 247: 244: 240: 237: 233: 229: 225: 222: 219: 218: 213: 209: 205: 201: 197: 194: 191: 187: 183: 179: 175: 171: 167: 163: 159: 156: 155: 148: 145: 137: 127: 123: 119: 113: 112: 108: 103:This section 101: 97: 92: 91: 85: 83: 81: 76: 74: 70: 66: 62: 58: 57: 52: 48: 44: 39: 37: 33: 32:Douglas Moore 29: 25: 21: 536: 528: 511:Carry Nation 509: 501: 493: 485: 477: 469: 403: 379: 364: 345: 338: 326:. Retrieved 319: 310: 300:– via 292: 243:contrapuntal 228:neoclassical 215: 200:programmatic 140: 131: 116:Please help 104: 77: 54: 40: 38:conducting. 19: 18: 530:In memoriam 522:Other works 388:G. Schirmer 261:expositions 217:In Memoriam 204:James Joyce 134:August 2022 611:Categories 342:Quoted in 268:References 223:Allegretto 182:percussion 495:Gallantry 328:30 August 239:baroquery 232:woodwinds 212:nocturnal 186:xylophone 174:crescendo 105:does not 86:Movements 80:movements 28:classical 562:Category 373:AllMusic 236:trilling 208:twilight 190:triangle 65:rhythmic 51:libretto 43:symphony 575:Portals 170:strings 162:trumpet 126:removed 111:sources 69:melodic 24:A major 545:(1946) 539:(1945) 533:(1943) 514:(1966) 506:(1961) 498:(1958) 490:(1956) 482:(1951) 474:(1939) 463:Operas 414:  352:  73:themes 601:Music 257:rondo 253:brass 61:Haydn 26:is a 412:ISBN 350:ISBN 330:2022 321:Time 188:and 178:coda 168:and 166:oboe 109:any 107:cite 67:and 41:The 371:at 298:155 120:by 22:in 613:: 406:. 390:, 386:, 318:. 276:^ 184:, 164:, 577:: 448:e 441:t 434:v 420:. 358:. 332:. 304:. 147:) 141:( 136:) 132:( 128:. 114:.

Index

A major
classical
Douglas Moore
Alfred Wallenstein
symphony
Stephen Vincent Benét
libretto
The Devil and Daniel Webster
Haydn
rhythmic
melodic
themes
movements

cite
sources
improve this section
adding citations to reliable sources
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trumpet
oboe
strings
crescendo
coda
percussion
xylophone
triangle
programmatic
James Joyce

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