2170:
386:, respectively. A recording of these three performances is put in the Bruckner archive. A recording of a performance (2013) by Michelle Perrin Blair conducting the Moores School Orchestra is published under the auspices of the Bruckner Society of America. The original orchestration was also performed by
362:
The truth (?) came to the light in 1985 when
Wolfgang Hiltl discovered the documents stored in the archive of the Munich Philharmonic. He bought Krzyzanowski's original manuscript from Tschuppik's family and let it be published by Doblinger. Nevertheless, not everyone became convinced that the piece
333:
the particello annotated by Staub-Schläpfer and, following her suggestion, assumed that the piece could indeed be one of the lost works that Mahler had composed during his time at the Vienna
Conservatory. Since the particello was the only known source, Berlin composer Albrecht Gürsching was asked to
198:
scholar Paul Banks, who knew only a four-stave reduction of the work, proposed that the work might be attributed to Mahler. While the exact circumstances of the composition of this
Prelude have not been determined, it is certain to have been composed within the circle of Bruckner and his students at
418:
long manuscript in the light of
Bruckner's contemporary pieces, came to the conclusion that the most likely assumption would be that Bruckner had given a score to Krzyzanowski, perhaps as an exercise in instrumentation. It seemed clear that the entire musical substance was by Bruckner himself, most
277:
Shortly afterwards
Tschuppik died and his clean copy, handwritten orchestral parts, and a photocopy of the four stave particello remained stored in the archive of the Munich Philharmonic. The photocopy of the original manuscript (A-WnPhA2355) remained in Nowak's possession and was returned to the
318:(Could this perhaps be composed by Gustav Mahler for his examination? Krzyzanowski edited the piano arrangement of Bruckner's Third Symphony (second version) together with Mahler.) On 7 September 1949, on the same day as the first performance of the
530:, with a dramatic, almost radical second part combining development, recapitulation and coda to a unified and radical second part. The musical language and structure anticipate much of Bruckner's last composition, the symphonic choralwork
199:
the Vienna
Conservatory of Music. Based on the original orchestral score, it seems likely that the work was at least sketched by Bruckner, possibly as an exercise in orchestration for Krzyzanowski.
183:
or his entourage, composed in 1876. The work was discovered shortly after World War II. Heinrich
Tschuppik, who found the orchestral score of the work in the estate of Bruckner's pupil
513:(bar 221) with a development section, which again reflects the Third Symphony (bars 249), leading into a climax, in which both first and second themes appear simultaneously (bar 267).
241:, prepared a clean copy of the score and handwritten orchestral parts, and arranged also a four-stave particello of it. A copy of the manuscript was also made for storing in the
346:
by Gustav Mahler". A recording of Foster's performance and a few other not issued performances are put in the
Bruckner archive. The Gürsching orchestration has been recorded by
478:(bar 59), pre-shadowing the structure of that from the Finale of the Ninth Symphony, and even a significant epilogue (bar 73), which is used later in the development (bar 160).
522:
It seems indeed clear from Hiltl's stylistic examination that the musical material itself is all
Bruckner's, because some of these ideas even anticipate some music from the
2126:
954:
A live performance of the
Symphonic Prelude (26 januari 2020, Gürsching orchestration) by Alexander Geluk conducting the Symfonia Jong Twente can be heard on YouTube:
419:
likely as an "emerging autograph score", with all string parts, some important lines for woodwind and brass, and perhaps a few passages already entirely completed.
2208:
1777:
1726:
2062:
526:, composed some 25 years later, which nobody can have known already in 1876. In all, this "Symphonic Prelude" constitutes an extremely advanced, "experimental"
714:
519:. One may assume that this elaboration by Krzyzanowski, which sounds rather provisional, may have been filled-up later with more concise motivic derivations.
2056:
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In 2008, Wolfgang Hiltl died unexpectedly and Krzyzanowski's original manuscript of the "Symphonic Prelude" ended up on the garbage slope of his apartment …
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The rather short coda is merely a final cadence with almost no thematic material left, only reflecting the closing theme, as a repeated chain of
1000:
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266:, who was asked for expertise, had not been able to come to a final conclusion about the authorship. The premiere was performed later by the
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Symphonic Prelude in C minor (transcription by Bruckner's Student Rudolf Krzyanowski), Wolfgang Hiltl (ed.), Doblinger,Vienna, 2002
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The second part (bar 148) brings two elements from the main theme in variants, leading into a threefold outburst of it in the
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1879:
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211:-like symphonic movement in C-minor in the estate of his uncle, Rudolf Krzyzanowski. The manuscript carried the inscription
2015:
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Krzyzanowski was a pupil of Anton Bruckner, who, together with Gustav Mahler, prepared in 1877 the piano transcription of
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Mahler, Gustav – Sinfonisches Präludium für Orchester, Sikorski-Verlag, Berlin, SIK1431, 1981 – ISMN: 9790003013688
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sein? Krzyzanowski gab den Klavierauszug zur dritten Symphonie Bruckners (2. Fassung) heraus mit Mahler zusammen.
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Paul Banks, 'An Early Symphonic Prelude by Mahler?', 19th-Century Music, Vol. 3, No. 2 (Nov. 1979), pp. 141-149
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Tschuppik showed the piece to experts on Bruckner, Max Auer and Franz Gräflinger, and conductor
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1991:
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Anton Bruckner: Symphonisches Präludium, Mass No. 3 in F minor, Postludium Organ Improvisation
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Strauss: Also sprach Zarathustra, Mahler: Totenfeier, Sinfonisches Präludium für Orchester
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After World War II, Heinrich Tschuppik discovered a 43-page long manuscript of an unknown
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Hans Rott: Symphony No. 1 in E Major, Mahler: Blumine, Bruckner: Symphonisches Präludium
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was originated by Bruckner and so the "controversial" piece remained rarely performed.
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Studien zur Musikwissenschaft / Beihefte der Denkmäler der Tonkunst in Österreich
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Studien zur Musikwissenschaft / Beihefte der Denkmäler der Tonkunst in Österreich
334:
complement the instrumentation. This "reconstruction" was first performed by the
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Krzyzanowski's copy is laid out only for Bruckner's typical orchestra of double
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Symphonic Prelude (Transcription by Rudolf Krzyzanowski) - premiere recording
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310:. After studying the piece, Staub-Schläpfer wrote on top of the particello:
307:
591:
Franz Anton Krager & Michelle Perrin Blair, Houston Symphony Chorus,
455:, the orchestration (except for a third trumpet) used by Bruckner in his
428:
302:
Tschuppik had also given a copy of his own particello arrangement of the
208:
77:
179:(Symphonic Prelude) in C minor, WAB 332 is an orchestral composition by
1222:
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The second theme (bar 87) reflects ideas of the Third Symphony and the
475:
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56:
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121:
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The original orchestration was performed by Gerhard Samuel with the
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Symphonic Prelude in C Minor, WAB 297 (Arr. E. Horn for Solo Organ)
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The first theme, which contains the core of the main themes of the
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Wolfgang Hiltl, who undertook a meticulous examination of the 293-
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Thirty years later, Mahler scholar Paul Banks discovered in the
98:
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The closing theme is an energetic trumpet call with a repeated
215:
on the first page, and on the last page in large blue letters
322:
in Munich, she gave the particello (A-WnMus.Hs.34241) to the
194:, attributed the authorship to Bruckner. Thirty years later,
282:
after his death in May 1991. Nowak had not included the
509:(bar 207). The recapitulation of the second theme is a
470:
in C minor, as well as allusions to the Sleep motif of
622:
The Bruckner Symphonies, Vol. 3 – Organ Transcriptions
474:, is repeated in tutti (bar 43), leading into a dark
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Studien & Berichte, Mitteilungsblatt 63 der IBG
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83:
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909:Ein vergessenes, unerkanntes Werk Anton Bruckners?
836:Ein vergessenes, unerkanntes Werk Anton Bruckners?
956:Bruckner / Mahler: Sinfonisches Präludium, 1876
940:Discography of the Symphonic prelude in C minor
824:Discography of the Symphonic prelude in C minor
715:Copy of the manuscript of the Symphonic Prelude
459:, composed in 1875/1876, revised in 1877/1878.
2127:Versions and editions of Bruckner's symphonies
865:Einsichten zu einer Musik im Jahrhundertschlaf
819:
817:
562:Mahler: Symphony No. 6, Sinfonisches Präludium
976:
8:
950:– Composed by Anton Bruckner?, 2006/rev.2010
312:Könnte das nicht eine Arbeit f. Prüfung von
288:
172:
1616:
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922:, uitg. Thoth, Bussum, Netherlands, 2012.
920:Anton Bruckner 1824–1896 – Leven en werken
802:
800:
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680:Ein neu aufgefundenes Werk Anton Bruckners
35:
15:
652:Georg Tintner & the Symphonic Prelude
294:because he still doubted its authorship.
254:. Andreae agreed to perform this unknown
231:. Tschuppik reported his finding in the
808:"Anton Bruckner - The Bruckner Archive"
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659:
599:– CD/BD: abruckner.com BSVD-0116, 2013
2209:Bruckner: spurious and doubtful works
777:An Early Symphonic Prelude by Mahler?
7:
1357:Dir, Herr, dir will ich mich ergeben
384:Concertgebouw Orchestra of Amsterdam
1728:Wie bist du, Frühling, gut und treu
578:– Pentatone SACD PTC 5186 597, 2016
2152:Anton-Bruckner-Gymnasium Straubing
331:Österreichische Nationalbibliothek
324:Österreichische Nationalbibliothek
280:Österreichische Nationalbibliothek
244:Österreichische Nationalbibliothek
223:An unknown work by Anton Bruckner?
14:
2137:Anton Bruckner Private University
760:Verhinderte Bruckner-Uraufführung
298:A youthful work by Gustav Mahler?
2169:
2168:
1857:Des Dankes Wort sei mir vergönnt
1793:Das Lied vom deutschen Vaterland
697:Bruckners Sinfonisches Präludium
624:– CD Oehms Classics OC479, 2022.
370:in March 1997, and, in 2010, by
1651:Heil Vater! Dir zum hohen Feste
572:Radio Symphony Orchestra Berlin
376:BBC National Orchestra of Wales
336:Berlin Radio Symphony Orchestra
2194:Compositions by Anton Bruckner
2112:International Bruckner Society
306:to Gertrud Staub-Schläpfer in
1:
1849:Laßt Jubeltöne laut erklingen
749:– Composed by Anton Bruckner?
595:& Sigurd Øgaard (organ),
564:– CD: Chandos CHAN 9207, 1992
545:Re-orchestration by Gürsching
368:Cincinnati Symphony Orchestra
213:Rudolf Krzyzanowski cop. 1876
42:
1181:Messe für den Gründonnerstag
1398:In jener letzten der Nächte
892:Also available on YouTube:
880:Also available on YouTube:
854:– STP 704, ISMN 012-18981-7
684:Schweizerische Musikzeitung
558:Scottish National Orchestra
233:Schweizerische Musikzeitung
2225:
1752:Mein Herz und deine Stimme
871:, December 2004, pp. 13–16
764:Die Österreichische Furche
111:7 September 1949
2165:
998:
766:, Vienna, 29 January 1949
758:Helmut Albert Fiechtner,
229:Bruckner's Third Symphony
34:
25:
915:, Vol. 36, Tutzing, 1985
842:, Vol. 36, Tutzing, 1985
669:C. van Zwol, pp. 737-738
2199:Compositions in C minor
2142:Bruckner Orchestra Linz
1527:Salvum fac populum tuum
1129:Symphonisches Präludium
948:Symphonisches Präludium
946:Benjamin-Gunnar Cohrs,
747:Symphonisches Präludium
593:Moores School Orchestra
392:Bruckner Orchestra Linz
344:Symphonisches Präludium
284:Symphonisches Präludium
174:Symphonisches Präludium
20:Symphonisches Präludium
2117:Bruckner Gesamtausgabe
1937:Vaterländisch Weinlied
1881:Du bist wie eine Blume
1110:Four Orchestral Pieces
1059:; 1874/1878–1880/1888)
583:Original orchestration
289:
256:Sinfonisches Präludium
173:
2157:Anton Bruckner Museum
2095:Intermezzo in D minor
1535:Veni Creator Spiritus
1471:Iam lucis orto sidere
1365:O Du liebes Jesu-Kind
1212:Mass No. 3 in F minor
1206:Mass No. 2 in E minor
1200:Mass No. 1 in D minor
1122:March in E-flat major
743:Benjamin-Gunnar Cohrs
604:Bamberger Symphoniker
602:Jakub Hrůša with the
342:on 15 March 1981 as "
274:on 7 September 1949.
219:(by Anton Bruckner).
1977:Zur Vermählungsfeier
1860:(at the latest 1855)
1543:Ecce sacerdos magnus
1001:List of compositions
695:Heinrich Tschuppik,
678:Heinrich Tschuppik,
2025:Der deutsche Gesang
1778:Weltliche Chorwerke
1559:Ave Regina caelorum
1519:Christus factus est
1487:Christus factus est
1116:Overture in G minor
1035:Symphony in D minor
1023:Symphony in F minor
918:Cornelis van Zwol,
783:3/1979, pp. 141-149
702:Süddeutsche Zeitung
620:Hansjörg Albrecht,
615:Organ transcription
268:Munich Philharmonic
260:Vienna Philharmonic
238:Süddeutsche Zeitung
185:Rudolf Krzyzanowski
2122:Kitzler Study Book
2017:Träumen und Wachen
1188:Requiem in D minor
781:19th Century Music
705:, 8 September 1949
217:von Anton Bruckner
2204:1876 compositions
2181:
2180:
2043:
2042:
1669:Sankt Jodok sproß
1603:
1602:
1263:Preiset den Herrn
1261:Festive Cantata:
1173:Kronstorfer Messe
1092:
1063:No. 5 in B♭ major
1053:No. 4 in E♭ major
928:978-90-6868-590-9
568:Vladimir Jurowski
372:Baldur Brönnimann
352:Vladimir Jurowski
167:
166:
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2105:Related articles
2075:Rondo in C minor
1841:Vor Arneths Grab
1649:Arneth Cantata:
1617:
1214:(1868/1883/1893)
1165:Windhaager Messe
1146:
1090:
1087:No. 9 in D minor
1081:No. 8 in C minor
1075:No. 7 in E major
1069:No. 6 in A major
1049:(1873/1877/1889)
1047:No. 3 in D minor
1041:No. 2 in C minor
1029:No. 1 in C minor
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1921:Der Abendhimmel
1889:Der Abendhimmel
1809:Der Lehrerstand
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1660:Auf Brüder! auf
1658:Mayer Cantata:
1634:Vergißmeinnicht
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457:Fifth Symphony
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286:in Bruckner's
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204:
201:
181:Anton Bruckner
165:
164:
161:
157:
156:
146:
142:
141:
131:
127:
126:
108:
104:
103:
85:
81:
80:
75:
71:
70:
64:
60:
59:
54:
50:
49:
41:The composer,
40:
32:
31:
28:Anton Bruckner
23:
22:
13:
10:
9:
6:
4:
3:
2:
2221:
2210:
2207:
2205:
2202:
2200:
2197:
2195:
2192:
2191:
2189:
2176:
2175:
2164:
2158:
2155:
2153:
2150:
2148:
2145:
2143:
2140:
2138:
2135:
2133:
2130:
2128:
2125:
2123:
2120:
2118:
2115:
2113:
2110:
2109:
2107:
2103:
2096:
2093:
2090:
2087:
2084:
2083:
2079:
2076:
2073:
2070:
2067:
2064:
2063:Chamber music
2061:
2058:
2055:
2054:
2052:
2050:
2046:
2035:
2034:
2030:
2027:
2026:
2022:
2019:
2018:
2014:
2011:
2010:
2006:
2003:
2002:
1998:
1995:
1994:
1990:
1987:
1986:
1982:
1979:
1978:
1974:
1971:
1970:
1966:
1963:
1962:
1961:Das hohe Lied
1958:
1955:
1954:
1950:
1947:
1946:
1942:
1939:
1938:
1934:
1931:
1930:
1926:
1923:
1922:
1918:
1915:
1914:
1910:
1907:
1906:
1902:
1899:
1898:
1894:
1891:
1890:
1886:
1883:
1882:
1878:
1875:
1874:
1870:
1867:
1866:
1865:Das edle Herz
1862:
1859:
1858:
1854:
1851:
1850:
1846:
1843:
1842:
1838:
1835:
1834:
1830:
1827:
1826:
1825:Das edle Herz
1822:
1819:
1818:
1814:
1811:
1810:
1806:
1803:
1802:
1798:
1795:
1794:
1790:
1787:
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1779:
1776:
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1769:
1762:
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1757:
1754:
1753:
1749:
1746:
1745:
1741:
1738:
1737:
1733:
1730:
1729:
1725:
1722:
1721:
1720:Frühlingslied
1717:
1714:
1713:
1712:Der Mondabend
1709:
1706:
1703:
1702:
1700:
1698:
1694:
1687:
1686:
1682:
1679:
1678:
1674:
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1665:
1662:
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1610:
1606:
1595:
1594:
1589:
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1580:
1576:
1569:
1568:
1567:Vexilla regis
1564:
1561:
1560:
1556:
1553:
1552:
1548:
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1544:
1540:
1537:
1536:
1532:
1529:
1528:
1524:
1521:
1520:
1516:
1513:
1512:
1508:
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1504:
1500:
1497:
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1476:
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1468:
1465:
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1460:
1457:
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1436:
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1428:
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1378:
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1370:
1367:
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1362:
1359:
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1354:
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1329:
1326:
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1299:
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1268:
1265:
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1256:
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1238:
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1232:
1229:
1228:
1226:
1224:
1220:
1213:
1210:
1207:
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1201:
1198:
1195:
1192:
1189:
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1170:
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1162:
1159:
1156:
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1144:
1142:
1138:
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1130:
1126:
1123:
1120:
1117:
1114:
1111:
1108:
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1105:
1103:
1098:
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1085:
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1079:
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1073:
1070:
1067:
1064:
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1058:
1054:
1051:
1048:
1045:
1042:
1039:
1036:
1033:
1030:
1027:
1024:
1021:
1018:
1015:
1014:
1012:
1010:
1006:
1002:
997:
993:
986:
981:
979:
974:
972:
967:
966:
963:
957:
953:
951:
949:
944:
942:by John Berky
941:
938:
937:
933:
929:
925:
921:
917:
914:
910:
906:
905:
901:
895:
889:
886:
883:
877:
874:
870:
866:
860:
857:
853:
848:
845:
841:
837:
831:
828:
825:
820:
818:
814:
809:
803:
801:
799:
795:
789:
786:
782:
778:
772:
769:
765:
761:
755:
752:
748:
744:
739:
737:
735:
733:
731:
729:
727:
725:
723:
719:
716:
711:
708:
704:
703:
698:
692:
689:
685:
681:
675:
672:
666:
664:
662:
660:
656:
653:
648:
645:
642:
637:
634:
628:
623:
619:
618:
614:
609:
605:
601:
598:
594:
590:
589:
588:
582:
577:
573:
569:
566:
563:
559:
555:
552:
551:
550:
544:
539:
537:
535:
534:
529:
525:
520:
518:
517:minor seconds
512:
508:
504:
500:
495:
493:
487:
483:
477:
473:
469:
465:
460:
458:
454:
450:
446:
442:
438:
434:
430:
422:
420:
417:
409:
407:
401:
399:
397:
393:
389:
385:
381:
377:
373:
369:
364:
357:
355:
353:
349:
345:
341:
337:
332:
327:
325:
321:
317:
315:
314:Gustav Mahler
309:
305:
297:
295:
293:
291:
290:Gesamtausgabe
285:
281:
275:
273:
269:
265:
264:Leopold Nowak
261:
257:
253:
248:
246:
245:
240:
239:
234:
230:
222:
220:
218:
214:
210:
202:
200:
197:
191:
186:
182:
178:
177:
175:
162:
158:
147:
143:
132:
128:
123:
109:
105:
100:
86:
82:
79:
76:
72:
68:
65:
61:
58:
55:
51:
38:
33:
29:
24:
21:
17:
2167:
2147:Brucknerhaus
2081:
2032:
2024:
2016:
2008:
2000:
1992:
1984:
1976:
1968:
1960:
1952:
1944:
1936:
1928:
1920:
1913:Trauungschor
1912:
1904:
1896:
1888:
1880:
1872:
1864:
1856:
1847:
1840:
1832:
1824:
1816:
1808:
1800:
1792:
1785:An dem Feste
1784:
1771:Choral works
1759:
1751:
1743:
1736:Herbstkummer
1735:
1727:
1719:
1711:
1684:
1675:
1668:
1667:Festgesang:
1659:
1650:
1641:
1633:
1592:
1566:
1558:
1550:
1542:
1534:
1526:
1518:
1510:
1502:
1494:
1486:
1478:
1470:
1463:Inveni David
1462:
1455:Pange lingua
1454:
1445:
1438:
1430:
1422:
1414:
1406:
1396:
1389:
1381:
1371:
1363:
1355:
1348:
1340:
1332:
1323:
1315:
1308:Pange lingua
1307:
1262:
1179:
1171:
1163:
1141:Sacred works
1128:
1127:
1091:(unfinished)
1056:
947:
919:
912:
908:
888:
876:
868:
864:
859:
847:
839:
835:
830:
788:
780:
776:
775:Paul Banks,
771:
763:
759:
754:
746:
710:
700:
696:
691:
683:
679:
674:
647:
636:
621:
607:
596:
586:
575:
561:
548:
531:
521:
496:
486:D minor Mass
481:
461:
426:
413:
405:
396:Brucknerfest
380:Markus Stenz
365:
361:
350:in 1992 and
343:
330:
328:
323:
319:
311:
303:
301:
287:
283:
279:
276:
272:Fritz Rieger
255:
249:
242:
236:
232:
226:
216:
212:
206:
171:
170:
168:
160:Instrumental
19:
2082:Abendklänge
2065:(1862–1879)
2059:(1850–1868)
2057:Piano works
1969:Abendzauber
1964:(1876–1879)
1945:Mitternacht
1780:(1843–1893)
1707:(1850–1882)
1677:Germanenzug
1629:(1845–1893)
1587:(1835–1890)
1585:Organ works
1578:Other works
1551:Virga Jesse
1474:(1868/1886)
1423:Tantum ergo
1407:Totenlieder
1393:(1846/1888)
1390:Tantum ergo
1385:(1846/1888)
1382:Tantum ergo
1376:(1845–1846)
1368:(1845–1846)
1352:(1845–1846)
1349:Tantum ergo
1341:Tantum ergo
1336:(1844–1845)
1333:Asperges me
1327:(1843–1844)
1324:Asperges me
1278:(1881–1884)
1233:(1852–1892)
1208:(1866/1882)
1184:(1844–1845)
1160:(1842–1868)
1118:(1862–1863)
1083:(1887/1890)
1043:(1872/1877)
1031:(1866/1891)
1019:(1863–1896)
554:Neeme Järvi
540:Discography
507:subdominant
501:(bar 195),
492:minor ninth
472:Die Walküre
348:Neeme Järvi
235:and in the
188: [
46: 1860
2188:Categories
1985:Sängerbund
1897:Herbstlied
1833:Die Geburt
1479:Locus iste
1243:Magnificat
1102:orchestral
1017:Symphonies
1009:Symphonies
629:References
358:The truth?
115:1949-09-07
2033:Tafellied
1993:Volkslied
1828:(c. 1851)
1820:(c. 1848)
1812:(c. 1847)
1804:(c. 1846)
1801:Ständchen
1796:(c. 1845)
1760:Volkslied
1747:(c. 1865)
1715:(c. 1850)
1685:Helgoland
1645:(c. 1851)
1562:(c. 1886)
1538:(c. 1884)
1511:Ave Maria
1439:Ave Maria
1431:Ave Maria
1426:(c. 1854)
1415:Libera me
1401:(c. 1848)
1360:(c. 1845)
1319:(c. 1843)
1316:Libera me
1282:Psalm 150
1270:Psalm 112
1257:(c. 1856)
1255:Psalm 146
1251:(c. 1852)
1237:Psalm 114
699:, in the
682:, in the
533:Helgoland
441:trombones
390:with the
382:with the
374:with the
354:in 2016.
320:Präludium
304:Präludium
258:with the
163:Orchestra
130:Published
107:Performed
63:Catalogue
2174:Category
1873:Am Grabe
1744:Im April
1642:Entsagen
1627:Cantatas
1620:Cantatas
1503:Os justi
1249:Psalm 22
1223:Cantatas
1057:Romantic
536:(1893).
499:dominant
482:miserere
439:, three
437:trumpets
429:woodwind
209:overture
145:Recorded
84:Composed
78:Overture
2049:Chamber
1953:Nachruf
1609:Secular
1593:Aequali
1276:Te Deum
1089:(1896)
902:Sources
484:of the
476:chorale
453:strings
449:timpani
443:, bass-
431:, four
423:Setting
203:History
150: (
135: (
113: (
90: (
57:C minor
2097:(1879)
2091:(1879)
2085:(1866)
2077:(1862)
2071:(1862)
2036:(1893)
2028:(1892)
2020:(1890)
2012:(1886)
2004:(1886)
1996:(1882)
1988:(1882)
1980:(1878)
1972:(1878)
1956:(1877)
1948:(1869)
1940:(1866)
1932:(1866)
1924:(1866)
1916:(1865)
1908:(1864)
1900:(1864)
1892:(1862)
1884:(1861)
1876:(1861)
1868:(1857)
1852:(1854)
1844:(1854)
1836:(1852)
1788:(1843)
1763:(1882)
1755:(1868)
1739:(1864)
1731:(1856)
1723:(1851)
1705:Lieder
1697:Lieder
1688:(1893)
1680:(1865)
1672:(1855)
1663:(1855)
1654:(1852)
1637:(1845)
1596:(1847)
1570:(1892)
1554:(1885)
1546:(1885)
1530:(1884)
1522:(1884)
1514:(1882)
1506:(1879)
1498:(1878)
1490:(1873)
1482:(1869)
1466:(1868)
1458:(1868)
1450:(1861)
1442:(1861)
1434:(1856)
1418:(1854)
1410:(1852)
1344:(1845)
1301:Motets
1293:Motets
1284:(1892)
1272:(1863)
1266:(1862)
1245:(1852)
1239:(1852)
1202:(1864)
1196:(1854)
1190:(1849)
1176:(1843)
1168:(1842)
1158:Masses
1150:Masses
1132:(1876)
1124:(1865)
1112:(1862)
1100:Other
1077:(1883)
1071:(1881)
1065:(1876)
1037:(1869)
1025:(1863)
926:
511:fugato
451:, and
435:, two
338:under
308:Zürich
270:under
196:Mahler
122:Munich
1612:vocal
1380:Four
911:, in
867:, in
838:, in
503:tonic
464:First
433:horns
410:Music
192:]
1591:Two
1405:Two
1331:Two
924:ISBN
466:and
445:tuba
402:Note
378:and
169:The
152:2013
148:2013
137:2002
133:2002
99:Linz
92:1876
88:1876
74:Form
779:in
762:in
416:bar
69:332
67:WAB
53:Key
26:by
2190::
816:^
797:^
745:,
721:^
658:^
606:,
574:,
570:,
560:,
556:,
447:,
398:.
326:.
247:.
190:de
119::
96::
43:c.
1055:(
984:e
977:t
970:v
810:.
488:.
154:)
139:)
117:)
94:)
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