Knowledge (XXG)

SIAE

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to themselves, and relying on SIAE only for distribution and collection of revenues, but nothing came of it. The first example of Creative Commons license integrated with a copyright collecting agency was born in the Netherlands and paved the way to more flexible licenses, leaving authors free to use and advertise their works. This choice depended on the new frontiers of computer science, that allowed the authors to publish their works online, which would have been a sort of theft according to previous rules. The only solution for those who wanted to distribute their works online for free, was Creative Commons licence that was able to protect them from plagiarism for commercial purposes, thanks to its "non-commercial" clause. Thus the artist was able to take advantage of Internet speed to advertise his work, making profit from merchandising and live performances. Therefore, the artists are now able to release a work under a "non-commercial" Creative Commons licence in order to protect and distribute it and have the chance to make commercial use of it while Buma/Stemra, the Netherland equivalent of SIAE, is responsible for collecting and distributing the revenues.
456:"dichiarazione liberatoria form" for non-members is required in order to allow the rightholders to manage the work. In order to register a song, authors need to fill the work registration form ("modello 112"), also attaching the music score (at least the melody transcription) and lyrics. Needless to say, a full music score is easier to identify. For electronic or concrete music or, only in exceptional cases, chamber or symphonic music, that cannot be transcribed into readable notation, it is possible to deposit the recording. Members' names and their specific creative role must result from the score and from the registration form. The international confederation of Authors' Societies connected with SIAE enables the protection of works outside Italy. These societies collect revenues depending on their fees, detract their commission and hand over the remaining part to SIAE, which in turn distributes it between the rightholders (authors, record producers, performers). 429:
for the board of directors and for the supervisory committee. They have to pay an annual fee as opposed to Principals, who have to renew the copyright protection every four years and are allowed to subscribe to Music, Opera and DOR (theatre, radio and television works) Sections through form n. 489 and to Cinema and OLAF (visual arts and literary works) Sections through form n. 487. Non-EU authors, publishers and dealers are not allowed to become associates and therefore have to give mandate to SIAE in order to get legal protection for their works. Minors can subscribe for free through form n. 488. The mandate expires on 31 December of the author's eighteenth year.
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protection and other related rights"), must affix the SIAE sticker to the record and must deposit royalties to SIAE, which in turn is responsible for distributing them between authors and publishers of the work. If the company deals both with record production and musical publishing, it will be required to deposit royalties on one hand, while, on the other, will benefit from the same royalties as a SIAE associate (the publisher owns the copyright, by virtue of the contracts with the authors, and thus is one of the rightholders).
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SIAE's financial results were subject matter for discussion. Over the past three years, as evidenced in the Reports of Management approved by the Ministry of Economy and Finance and by the Ministry of Culture, a positive trend for the net income has been registered. The result for the years 2013 to
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SIAE bans its associates from using Creative Commons Licenses. On 23 December 2008, a mixed legal working group, composed of both SIAE and Creative Commons Italia members was announced. The aim of the group was to allow the authors to choose free and easy-to-use licenses, keeping the commercial use
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Upon payment, associates are allowed to register their works under a pseudonym or a stage name. Though from an etymological perspective, there is not a big difference between pseudonyms and stage names, SIAE claims that pseudonyms are mere alternatives to birth names while a stage name is instantly
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SIAE exercises the author's right on behalf of their legitimate owners. Authors' right has two distinct components: economic and moral. Italian law does not require a deposit since Berne Convention provides that the rights are first acquired upon creation of the work and therefore it is possible to
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The money the SIAE receives from the music royalties redistribution system is regulated by SIAE itself. A large part of the management rights for music tracks is entirely entrusted to the SIAE, which is also entrusted with safeguarding the interests of musicians. The phenomenon of a State granting
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According to copyright law, record companies use musical works for commercial purposes by recording, reproducing and selling them. Since SIAE acts as a mediator, record producers (who hold the economic rights according to article 72 of the Legge 22 Aprile 1941, n. 633, on the subject of "Copyright
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In order to deposit their works, the authors need to deliver to the closest SIAE office an application form signed by all the authors and an unpublished copy of the work through a form called "modello 112", available in all SIAE offices in Italy. Associates can deposit musical works for free. When
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Authors can entrust the management of their work to SIAE both by association and mandate. Authors can address the Associates and Principals Service and the Public Relations Office through form n. 483. Associates have a right to run as candidates and to vote for the corporate bodies of the society,
632:" for promotional purposes. This license, starting at €1000 per year, would be required even if the trailer is embedded and resides on another site. This decision raised many doubts and criticism even by well-known directors and actors and caused the withdrawal of the video content on some sites. 640:
All music songwriters and composers in Italy must send a mandate document to the SIAE or s/he must be an SIAE subscriber (registration fee is €129.59 and annual fees are €151.81). Authors who choose to register as associates can (with additional payment) register their works under a pseudonym or
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On 15 December 2013, it's revealed that the SIAE organization had a hand in writing the new amendment to the law resulting in increased revenues of about €150,000,000 during 2014 from the tax on smart TVs, PVRs, hard disks, blank DVDs, CDs and smartphones (all goods that are sold without media
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In order to protect musical works, the creators need to be registered to SIAE. If the musical work arises from the creativity of a group of people, each member needs to be registered. If some of the members are not associated neither to SIAE nor to foreign institutions connected with SIAE, a
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recognizable to both fans and media. Protecting a work of art under a stage name is cheaper than protecting it under a pseudonym, but the authors need to supply the documentation (newspaper articles, websites, posters) proving that they're really famous under that specific name.
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SIAE may claim compensation for non-profit events. There have been several emblematic cases that raised criticism, for example payment requests to associations for singing traditional songs at impromptu parties, a payment request for the rental of the score of the
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prove the ownership by other means such as Copyzero. According to Article 180 bis, subscription is mandatory only for cable retransmission (not such a widespread technology in Italy), while broadcasting, both via radio and television, is not included.
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SIAE is a legal monopoly in Italy, granted by the State to perform mediation activities. The issue of the actual fairness of such a position has been repeatedly raised. Some institutions, such as the
1333: 1220: 1377: 1355: 1050: 1399: 1421: 508:"), on media storage devices sold in Italy, assuming in advance that the user will store a private copy of copyright protected material. The preventive taxation is applied on 753: 576:) at €300 million per year. Despite this, SIAE declares that it is not fully satisfied with the amount currently established by the decree as it is not totally "fair". 1452: 447:
depositing audiovisual works, the case containing the work must be signed too. SIAE also requires the author to present the payment notification for the registration.
705:(owned by the Ministry of Economy and Finance) earned the majority of the SIAE income in 2013. He received even more money from the SIAE than popular Italian singers 1137: 1653: 292:
of Italian-copyrighted music to authors and on their behalf. In the 2000s and 2010s, SIAE was known for the controversial decision to claim payment through the "
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The influence of a vote in assembly decisions is not the same for all members, but varies according to the amount of royalties received by the member.
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The European Parliament decided that the SIAE monopoly on the preventive taxation of the storage media, TVs and smartphones was to end by April 2016.
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The new SIAE president said that SIAE isn't meant to grant equal rights for everyone, he is also the owner of the music label Sugar Music Spa
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In 2013, the largest portion of income (€46,000,000) was redistributed to only 146 artists. Michele Guardì, the director of Italian TV shows
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2015 is positive: in detail 1.6 million Euros in 2013, 3.5 million euro in 2014 and to EUR 0.31 million in 2015 have been registered.
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is an alternative to SIAE since 2011, both Italian singers J-Ax, Fedez, Ruggeri works with this company and has left SIAE in 2017.
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exclusive intermediation activities to a single group that has been active since 1882, is currently happening only in Italy.
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In October 2011, the SIAE began requiring a license fee from websites hosting movie trailers, which had been considered "
591:. This is controversial since there is no direct connection between paying the SIAE and purchasing a new HDTV or a PVR. 345:, Kingdom of Italy, on 23 April 1882. Among the first notably names to join the Corporation there were the Italian poet 1310: 49: 1051:"Decreto ministeriale 30 dicembre 2009, adottato ai sensi dell'articolo 71-septies della legge 22 aprile 1941, n. 633" 561: 147: 1085: 1070: 813: 1037: 1025: 788: 608:, a request of a flat rate payment for photocopying tasks in university libraries. The claim of SIAE to request 381:
After the dimission of the former SIAE President for tax evasion investigation, SIAE elected as new president
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This article is about the Italian organization. For Salon International de l’Aéronautique et de l’Espace, see
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since 2001. From 2013 to February 2015, the main spokesperson of the SIAE organization was the songwriter
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65% of artists registered with the SIAE receive royalties totalling less than their registration fees.
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professional name. All CD Albums sold in Italy must have an adhesive label affixed directly on the CD
221: 1560: 497: 293: 281: 1414: 44: 1506: 1490: 1264: 1228: 1142: 754:"Mogol è il nuovo presidente della Siae: 'Copyright sotto attacco, è battaglia di tutti' - Musica" 613: 537: 879:"Gino Paoli accusato di evasione, le intercettazioni: non voglio riportare in Italia quei soldi" 771: 346: 721: 1446: 982: 553: 509: 1551: 929:"La battaglia di Sugar in nome della musica Basta col monopolio Siae — la Repubblica.it" 947:"Filippo Sugar e la "sua" Siae: "Uno strumento che permetta agli artisti di dare il meglio"" 513: 325: 285: 273: 254: 202: 1425: 1403: 1381: 1359: 1337: 710: 545: 541: 305: 1622: 1326: 702: 664:" (Permanent Advisory Committee of copyright) according to rules established under the 400: 365:
In February 2015, Police raided the residence of the President of the SIAE association
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L'intermediazione dei diritti d'autore: Perché il monopolio è costoso e inefficiente
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by the Italian senator Mauro Bulgarelli, who proposed to extend the concept of "
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Resignation of the President for tax evasion: February 2015 – March 2015
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to probe an illicit two millions euro transfer to a Swiss bank in 2009 for
1248: 629: 617: 404: 391: 772:"La Storia della SIAE: che cos'è, quando è nata, le tappe fondamentali" 533: 262: 529: 377:
Filippo Sugar SIAE President and his Conflict of interest: March 2015
965:"Siae, Filippo Sugar eletto nuovo presidente al posto di Gino Paoli" 241: 1119:"Iniziative e news | Società Italiana degli Autori ed Editori" 1202:"La SIAE batte cassa per i canti alla festa degli ultranovantenni" 612:
compensation for educational activities has been discussed in the
342: 309: 278: 858:"Compensi SIAE: l'1,5% anche sugli Smart TV. Ed è solo l'inizio" 673: 584: 165: 568:, etc. The total amount of revenues collected is estimated by 525: 517: 392:
EU's Law to terminate the SIAE money collecting monopoly: 2016
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Nuovo statuto SIAE, ora la cultura è ufficialmente in vendita
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In March 2023, Meta removed music by SIAE's songwriters from
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was then appointed as a president. The current president is
1177:"Blitz della SIAE alla festa, multati i bimbi di Chernobyl" 521: 357:, no.633/1941 in 1941, emanated in Rome, Kingdom of Italy. 297: 1295:
Tassa SIAE sui trailer dei film, sul web scatta la rivolta
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broadcast by Italy's national public broadcasting company
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Comitato consultivo permanente per il diritto d'autore
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content bundled, so the ratio legis is inconsistent).
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Imbalances in royalty distribution and member rights
1537:"News – MEI – Meeting degli Indipendenti" 237: 227: 209: 196: 186: 172: 161: 153: 143: 125: 157:Collection and distribution of copyright royalties 1331:"Iniziativa più insensata che goffa" (fonte ASCA) 1261:La tassa sulle fotocopie e il diritto allo studio 1071:Tassa su pc e telefonini per dare soldi alla SIAE 873: 871: 1221:Interrogazioni con richiesta di risposta scritta 205:(President), Gaetano Blandini (Director-general) 1576:"Compensi Siae: Guardì guadagna più di Ligabue" 54:The article contains not necessary information. 599:Taxation on non-lucrative events or activities 341:The SIAE was founded by a selfmade statute in 8: 1451:: CS1 maint: multiple names: authors list ( 89: 1245:L'Italia chiamò: liberate l'inno dalla SIAE 1231:nella seduta n. 367 del 28 aprile 2010 del 902:(in Italian). 13 March 2004. Archived from 1621: 1437:Delos Books a.c.; html/php: Silvio Sosio. 801:Rendiconto di gestione al 31 dicembre 2013 579:On 27 November 2013, the Italian Minister 102: 88: 251:Italian Society of Authors and Publishers 77:Learn how and when to remove this message 16:Italian copyright collecting organisation 259:Società Italiana degli Autori ed Editori 96:Società Italiana degli Autori ed Editori 1113: 1111: 852: 850: 848: 829: 827: 745: 572:and Assinform (Italian Tassociation of 1444: 983:"Nel 2016 la fine del monopolio SIAE?" 353:(1813–1901). SIAE is ruled by the law 1654:Italian companies established in 1882 1375:"A me sembra una follia" (fonte ASCA) 1189:from the original on 22 January 2010. 349:(1835–1907) and the Italian musician 337:Foundation and early years: 1882–2014 272: 7: 1311:La SIAE e i trailer, che brutto film 1136:Sideri, Massimo (16 December 2013). 1559:. IBL Briefing Paper (in Italian). 1519:Nuova SIAE: perseverare è diabolico 1644:Music organisations based in Italy 1439:"Fantascienza.com rimuove i video" 681:Unequal redistribution of revenues 606:Italian Republic's national anthem 14: 1175:Russo, Paolo (3 September 2005). 933:Archivio — la Repubblica.it 660:SIAE plays a major role in the " 216: 215: 114: 32: 1550:Menegon, Diego (19 July 2010). 1182:la Repubblica - Cronaca di Bari 951:Spettacoli — La Repubblica 1487:Sprechi di Stato: il caso SIAE 1397:"Tassa ignobile" (fonte: ASCA) 1: 1639:Music licensing organizations 1419:"Norma ingiusta" (fonte ASCA) 1353:"Tassa ingiusta" (fonte ASCA) 1146:(in Italian). RCS MediaGroup. 460:Phonogram production and SIAE 1649:1882 establishments in Italy 496:Since 2001, SIAE collects a 131:; 142 years ago 1467:"table of fees for Authors" 328:, famous Italian lyricist. 282:copyright collecting agency 179:Viale della Letteratura, 30 52:. The specific problem is: 1670: 624:Taxation on movie trailers 433:Pseudonyms and stage names 48:to meet Knowledge (XXG)'s 18: 1200:M. F. (29 October 2009). 897:"Statuti SIAE Previgenti" 469:SIAE and Creative Commons 451:Musical work registration 284:. Founded in 1882 in the 261:), commonly known by its 113: 101: 94: 95: 1424:1 December 2012 at the 1402:1 December 2012 at the 1380:1 December 2012 at the 1358:1 December 2012 at the 1336:1 December 2012 at the 1233:Senato della Repubblica 220: –0.31 millions € 734:Copyright law of Italy 574:information technology 258: 1267:of 22 September 2011. 562:digital media players 294:Private Copy Siae Tax 1561:Istituto Bruno Leoni 1509:of 26 November 2012. 1086:Equo compenso. Equo? 760:. 10 September 2018. 498:private copying levy 59:improve this article 1507:il Fatto Quotidiano 1491:il Fatto Quotidiano 1317:of 10 November 2011 1301:of 29 October 2011. 1265:il Fatto Quotidiano 1143:Corriere della Sera 969:Il Fatto Quotidiano 885:. 23 February 2015. 883:www.ilmessaggero.it 538:optical disc drives 492:Preventive taxation 91: 1525:of 2 December 2012 1251:del 5 maggio 2010. 935:. 8 February 2010. 614:Italian Government 554:personal computers 296:" for every blank 1393:Federica Lucisano 1225:Donatella Poretti 818:www.normattiva.it 510:photographic film 247: 246: 87: 86: 79: 50:quality standards 41:This article may 1661: 1625: 1620: 1619: 1617:Official website 1602: 1601: 1590: 1584: 1583: 1580:economiaefinanza 1571: 1565: 1564: 1558: 1547: 1541: 1540: 1532: 1526: 1516: 1510: 1500: 1494: 1493:of 30 July 2010. 1484: 1478: 1477: 1475: 1473: 1463: 1457: 1456: 1450: 1442: 1434: 1428: 1412: 1406: 1390: 1384: 1368: 1362: 1346: 1340: 1324: 1318: 1308: 1302: 1292: 1286: 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Corporation
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acronym
[siˈaːe]
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