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priest who maintained contact with the insurgents during the revolt, is claimed to have written
Sablika a letter to which she replied with wit and self confidence. However, no historical sources confirm Sablika's relationship with Tula, or her correspondence with Schink.
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woman who is a conniving and infamous thief, and the so-called wife of
Nicolaas Valentijn, who has already been executed. She can be brought to no other confession than that she buried a petticoat, a camisole and three children's shirts, but afterwards returned
97:, the leader of the revolt. Wacao and Mercier are known to have been lieutenants of Tula. It cannot however be said with certainty how old the song is, nor is it clear whether this Sablica is the woman mentioned in the archival documents.
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In the 21st century, interest in
Sablika grew, and previously unknown stories about her began to circulate. She is claimed to have been Tula's romantic partner. Father
39:. Little is known about her with absolute certainty. There are no historical sources to confirm accounts that she was a resistance fighter and a close associate of
159:
55:, a woman named Sablica is mentioned three times. After the revolt was put down, she was described by Dutch government officials in an interrogation report as “
43:, the leader of the rebellion. In the 21st century, she has become a symbol for female resistance fighters who remain invisible in recorded history
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and on Curaçao, the figure of
Sablika has become a symbol for female resistance fighters who remain invisible in recorded history.
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189:. Margaret Walker Alexander series in African American studies. Jackson: University Press of Mississippi.
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1795 : de slavenopstand op Curaçao : een bronnenuitgave van de originele overheidsdocumenten
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1795 : the Curaçao slave revolt : a source edition of the original government documents
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147:] (in Dutch). Willemstad: Centraal Historisch Archief van Curacao. pp. 157, 185, 202.
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enslaved community preserved and passed on its own history. In the song
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Tambú: Curaçao's
African-Caribbean Ritual and the Politics of Memory
185:
Callahan, Mat; Kelley, Robin D. G.; Akuno, Kali (2022).
85:) a woman named Sablika is mentioned together with
261:"Herdenk met Tula óók deze vier verzetsstrijders"
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164:. Indiana University Press. pp. 43–44.
51:In the Dutch historical records of the
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187:Songs of slavery and emancipation
70:song is one of the ways in which
158:Jong, Nanette de (2012-04-24).
93:as the fighters by the side of
1:
302:Women in 18th-century warfare
210:Rendel Rosalia (2008-08-28).
53:Curaçao Slave Revolt of 1795
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101:is still sung on Curaçao.
267:(in Dutch). 2023-08-15
23:. 1795), or possibly
312:Free people of color
222:– via YouTube.
213:Rebeldia na bandabou
137:Paula, A.F. (1974).
99:Rebeldia na Bandabou
37:Slave Revolt of 1795
292:18th-century rebels
237:"Tula taught us..."
35:at the time of the
31:woman who lived on
307:18th-century women
83:Revolt in Bandabou
196:978-1-4968-4017-2
171:978-0-253-00572-4
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76:Rebeldia na
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87:Pedro Wacao
286:Categories
271:2024-09-10
246:2024-09-10
242:(in Dutch)
219:2024-09-10
124:References
59:free negro
29:free black
72:Curaçao's
47:Biography
265:OneWorld
78:Bandabou
27:, was a
33:Curaçao
25:Sablica
17:Sablika
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143:[
68:Tambú
191:ISBN
166:ISBN
108:, a
95:Tula
89:and
62:them
41:Tula
116:In
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