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Saisonbeginn

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next to the wooden crucifix. While the workmen are installing the sign, they are helped by schoolchildren, who happen to pass by. When the sign is finally in place, nuns, men and women come by to admire it. For most of them it makes no difference what the sign says; for others, it is a source of amusement.
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The focus of this story lies in the reactions of the people to the sign and in their antisemitism. The sign should be a symbol of pride for the people, since it has been placed at the entrance of the town. On the sign is an antisemitic sentence; instead of saying something against it, the townspeople
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The main plot of the story deals with finding the best location for the sign. The story begins by describing a small mountain town preparing for the onset of the tourist season. Because the sign should serve as the first sight for all those entering the town, the workmen decide it should be placed
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Elisabeth Langgässer describes the town in an idyllic way, so that the contrast with the hate implied by the sign is especially emphasized. Another conflict that unfolds through this literary technique is that the town should be open to "everyone", whereas "Jews" are now unwanted.
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At the end of the story the sign is standing firmly in the ground. The three workmen look at the sign and they are pleased, for on the sign they read, "In this town Jews are not wanted."
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In "Saisonbeginn," Langgässer criticizes the double standard of the town residents, who by outward appearances are good Christians but at the same time discriminate against Jews.
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The message of the sign is even more problematic because the workers want to place it right next to a crucifix. Jesus is bound to the crucifix and above him is an inscription "
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The story describes not only the placement of the sign, but also the reactions of the residents who are not opposed to the placement of such sign.
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of the inhabitants of a small town that is revealed through the installation of a sign at the entrance to the town. The story is classified as
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One can draw parallels from the life of Elisabeth Langgässer to this story; she was classified as half Jewish and her daughter was Jewish.
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and its teaching of neighbourly love and charity no longer have a place in the town.
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https://web.archive.org/web/20080417052531/http://www.haha-online.de/
161:. Statements consisting only of original research should be removed. 296:. Hrsg. von Werner Bellmann. Reclam, Stuttgart 2004. S. 28-38. 126: 56: 15: 270:
ignore it, and are unconcerned by it or are amused by it.
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Klassische deutsche Kurzgeschichten. Interpretationen
227:, or literature that was written shortly after the 215:was published in 1947 as a part of the collection 84:but its sources remain unclear because it lacks 8: 50:Learn how and when to remove these messages 195:Learn how and when to remove this message 177:Learn how and when to remove this message 115:Learn how and when to remove this message 7: 14: 31:This article has multiple issues. 131: 61: 20: 39:or discuss these issues on the 1: 157:the claims made and adding 343: 265:The Motive of Antisemitism 70:This article includes a 99:more precise citations. 327:German short stories 213:Elisabeth Langgässer 322:1947 short stories 292:Axel Vieregg, in: 287:Moderne Erzähler 2 219:It deals with the 142:possibly contains 72:list of references 289:. Paderborn 1958. 207:The short story " 205: 204: 197: 187: 186: 179: 144:original research 125: 124: 117: 54: 334: 229:Second World War 225:Trümmerliteratur 200: 193: 182: 175: 171: 168: 162: 159:inline citations 135: 134: 127: 120: 113: 109: 106: 100: 95:this article by 86:inline citations 65: 64: 57: 46: 24: 23: 16: 342: 341: 337: 336: 335: 333: 332: 331: 312: 311: 303: 282: 267: 244: 242:Interpretations 201: 190: 189: 188: 183: 172: 166: 163: 148: 136: 132: 121: 110: 104: 101: 90: 76:related reading 66: 62: 25: 21: 12: 11: 5: 340: 338: 330: 329: 324: 314: 313: 310: 309: 302: 301:External links 299: 298: 297: 290: 281: 278: 266: 263: 243: 240: 203: 202: 185: 184: 139: 137: 130: 123: 122: 80:external links 69: 67: 60: 55: 29: 28: 26: 19: 13: 10: 9: 6: 4: 3: 2: 339: 328: 325: 323: 320: 319: 317: 308: 305: 304: 300: 295: 291: 288: 285:P. Dormagen: 284: 283: 279: 277: 274: 271: 264: 262: 260: 256: 251: 247: 241: 239: 236: 232: 230: 226: 222: 218: 214: 210: 199: 196: 181: 178: 170: 160: 156: 152: 146: 145: 140:This article 138: 129: 128: 119: 116: 108: 105:November 2015 98: 94: 88: 87: 81: 77: 73: 68: 59: 58: 53: 51: 44: 43: 38: 37: 32: 27: 18: 17: 293: 286: 275: 272: 268: 259:Christianity 252: 248: 245: 237: 233: 221:antisemitism 216: 209:Saisonbeginn 208: 206: 191: 173: 164: 141: 111: 102: 91:Please help 83: 47: 40: 34: 33:Please help 30: 97:introducing 316:Categories 280:Literature 217:Der Torso. 151:improve it 36:improve it 167:June 2015 155:verifying 42:talk page 255:I.N.R.I. 149:Please 93:improve 211:" by 78:, or 153:by 318:: 231:. 82:, 74:, 45:. 198:) 192:( 180:) 174:( 169:) 165:( 147:. 118:) 112:( 107:) 103:( 89:. 52:) 48:(

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Elisabeth Langgässer
antisemitism
TrĂĽmmerliteratur
Second World War
I.N.R.I.
Christianity
https://web.archive.org/web/20080417052531/http://www.haha-online.de/
Categories
1947 short stories
German short stories

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