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Picander

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42: 588: 603: 312:(BWV 247) where Bach's music can be reconstructed because it is known to have been used in surviving pieces. Bach sometimes returned to compositions commissioned for one-off occasions and recycled the music. Picander was able to help the composer in this process by providing metrically similar new texts, effectively setting words to Bach's music. 260:
In some cases, Henrici's texts have survived and Bach's settings have not. The lost scores include cases where the music has vanished without trace and others where there are clues as to what music Bach used to set the words, allowing the possibility of reconstruction.
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However, since those compositions which have survived are spread widely over the liturgical year, it is not impossible then that J. S. Bach did indeed set to music all the texts in that volume, as claimed by the preface, and that those compositions are now
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In the preface to the third volume (1732) Picander claimed that J. S. Bach set a whole cycle of his cantata texts in 1729. Only nine of J. S. Bach's settings are known to have survived (they include the cantatas for Christmas
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of 1724/25 are anonymous. By 1725, Henrici and Bach were working together. Some of Bach's most important works used Henrici's libretti. Most notably their collaboration was on religious works in a
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Bach moved to Leipzig in 1723. There is uncertainty as to who was writing the libretti he set during his first years in the city. The authors of the libretti for the
617: 217: 667: 292: 164: 188:. This caught Bach's eye who started using Picander's poetry for his cantatas from 1725, and used poems from Picander's first collection in his 271: 607: 657: 672: 170: 372: 184:
For a year from the start of Advent 1724 Picander had published spiritual poetry in weekly editions, which he collected in 1725 as
127: 134:. He wrote to supplement his income from tutoring and continued even after obtaining regular employment as a civil servant. 41: 523: 512: 496: 488: 484: 461: 430: 423: 407: 394: 388: 596: 677: 622: 308: 329: 652: 570: 519: 492: 143: 116: 647: 642: 468: 613: 527: 500: 434: 190: 152: 131: 376: 368: 541: 17: 248:
Reworked fourth edition, containing a selection of previous editions, in two volumes: 1748.
212:(Leipzig, 1727–51) contain texts set to music by J. S. Bach, including those for the 636: 353: 236:
Vol. III: 1732, reprinted in 1737. This volume contained texts published in 1728 as
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Examples of reconstructions include the funeral music for Prince Leopold and the
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Sammlung erbaulicher Gedancken über und auf die gewöhnlichen Sonn- und Festtage
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Picanders bis anhero herausgegebene Ernst-Scherzhafte und Satyrische Gedichte
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Picanders neu herausgegebene Ernst-Schertzhaffte und Satyrische Gedichte
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and its associated funeral music for Prince Leopold of Anhalt-Cöthen (
156:(BWV 244). However, they also produced secular works such as the 103:(January 14, 1700 – May 10, 1764), writing under the pen name 448:
Cantaten auf die Sonn- und Fest-Tage durch das gantze Jahr
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Cantaten auf die Sonn- und Fest-Tage durch das gantze Jahr
298:) the statement made in the preface has been debated. 614:"Henrici, Christian Friedrich (Pseudonym: Picander)" 90: 73: 51: 32: 618:Biographisch-Bibliographisches Kirchenlexikon 358:Frau Musika: La vita e le opere di J. S. Bach 8: 467:Leipzig: Friedrich Matthias Friesen (1737). 429:Leipzig: Joh. Theod. Boetii Tochter (1732); 363:Lipsia e le opere de la maturitĂ  (1723–1750) 206: 595:has original text related to this article: 463:Ernst-Schertzhaffte und Satyrische Gedichte 425:Ernst-Schertzhaffte und Satyrische Gedichte 208:Ernst-schertzhaffte und satyrische Gedichte 199:Ernst-Schertzhaffte und Satyrische Gedichte 409:Ernst-Scherzhaffte und Satyrische Gedichte 390:Ernst-Scherzhaffte und Satyrische Gedichte 280:Gott, wie dein Name, so ist auch dein Ruhm 29: 511:Picander (=Christian Friedrich Henrici). 479:Picander (=Christian Friedrich Henrici). 460:Picander (=Christian Friedrich Henrici). 445:Picander (=Christian Friedrich Henrici). 422:Picander (=Christian Friedrich Henrici). 406:Picander (=Christian Friedrich Henrici). 387:Picander (=Christian Friedrich Henrici). 340:Picander (=Christian Friedrich Henrici). 230:Vol. I: 1727, reprinted in 1732 and 1736. 287:Ich liebe den Höchsten von ganzem GemĂĽte 663:German oratorio and passion librettists 321: 572:Picander (Christian Friedrich Henrici) 501:B/W copy at archive.org (Vol. II) 435:B/W copy at archive.org (1732 edition) 537: 535: 7: 138:Librettist for Johann Sebastian Bach 413:Leipzig (1729); 2nd printing 1734. 219:Klagt, Kinder, klagt es aller Welt 25: 668:18th-century pseudonymous writers 233:Vol. II: 1729, reprinted in 1734. 601: 586: 542:Biography of Picander at Last.fm 40: 576:Leipzig: Liebertwolkwitz (1899) 294:Man singet mit Freuden vom Sieg 256:Lost scores and reconstructions 291:, and the feast of St Michael 1: 186:Sammlung Erbaulicher Gedanken 179:Sammlung Erbaulicher Gedanken 18:Sammlung Erbaulicher Gedanken 497:Other MDZ scan (Vol. I) 393:, Volume I. Leipzig (1727); 608:Christian Friedrich Henrici 597:Christian Friedrich Henrici 101:Christian Friedrich Henrici 55:Christian Friedrich Henrici 34:Christian Friedrich Henrici 694: 658:German cantata librettists 204:All volumes of Picander's 673:Leipzig University alumni 273:Ehre sei Gott in der Höhe 39: 397:1732; 3rd printing 1736. 107:, was a German poet and 528:B/W copy at archive.org 469:B/W copy at archive.org 226:Volumes and editions: 207: 162:of 1725 and the later 150:tradition such as the 623:registration required 520:Johann Gottfried Dyck 493:Johann Gottfried Dyck 144:Chorale cantata cycle 119:composed in Leipzig. 117:Johann Sebastian Bach 610:at Wikimedia Commons 302:Reconstructed scores 126:. He studied law at 122:Henrici was born in 367:Turin: EDT, 1983. 344:. Leipzig: 1724/25 214:St Matthew Passion 191:St Matthew Passion 159:Shepherds' Cantata 153:St Matthew Passion 678:German male poets 606:Media related to 431:2nd printing 1737 98: 97: 46:Plaque in Leipzig 16:(Redirected from 685: 629: 626: 605: 590: 568: 554: 550: 544: 539: 530: 509: 503: 477: 471: 458: 452: 451:. Leipzig (1728) 443: 437: 420: 414: 404: 398: 385: 379: 351: 345: 338: 332: 326: 210: 111:for many of the 80: 64:January 14, 1700 63: 61: 44: 30: 21: 693: 692: 688: 687: 686: 684: 683: 682: 633: 632: 627: 620: 583: 569:Paul Flossman. 566: 563: 558: 557: 551: 547: 540: 533: 510: 506: 478: 474: 459: 455: 444: 440: 421: 417: 405: 401: 386: 382: 352: 348: 339: 335: 328:Flossman 1899, 327: 323: 318: 309:St Mark Passion 304: 267: 258: 202: 182: 171:Peasant Cantata 140: 82: 78: 65: 59: 57: 56: 47: 35: 28: 23: 22: 15: 12: 11: 5: 691: 689: 681: 680: 675: 670: 665: 660: 655: 650: 645: 635: 634: 631: 630: 611: 599: 582: 581:External links 579: 578: 577: 562: 559: 556: 555: 545: 531: 524:Other MDZ scan 504: 472: 453: 438: 415: 399: 380: 346: 333: 320: 319: 317: 314: 303: 300: 284:, Whit Monday 266: 263: 257: 254: 253: 252: 249: 246: 245:Vol. IV: 1737. 243: 234: 231: 201: 196: 181: 176: 165:Coffee Cantata 139: 136: 96: 95: 92: 88: 87: 81:(aged 64) 75: 71: 70: 53: 49: 48: 45: 37: 36: 33: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 690: 679: 676: 674: 671: 669: 666: 664: 661: 659: 656: 654: 651: 649: 646: 644: 641: 640: 638: 624: 619: 615: 612: 609: 604: 600: 598: 594: 591: German 589: 585: 584: 580: 575: 573: 565: 564: 560: 549: 546: 543: 538: 536: 532: 529: 525: 521: 517: 515: 508: 505: 502: 498: 494: 490: 486: 482: 476: 473: 470: 466: 464: 457: 454: 450: 449: 442: 439: 436: 432: 428: 427:, Volume III. 426: 419: 416: 412: 410: 403: 400: 396: 392: 391: 384: 381: 378: 374: 373:88-7063-028-5 370: 366: 364: 359: 355: 354:Alberto Basso 350: 347: 343: 337: 334: 331: 325: 322: 315: 313: 311: 310: 301: 299: 297: 295: 290: 288: 283: 281: 276: 274: 264: 262: 255: 251:Vol. V: 1751. 250: 247: 244: 241: 240: 235: 232: 229: 228: 227: 224: 222: 220: 215: 211: 209: 200: 197: 195: 193: 192: 187: 180: 177: 175: 173: 172: 167: 166: 161: 160: 155: 154: 149: 145: 137: 135: 133: 129: 125: 120: 118: 114: 110: 106: 102: 93: 89: 85: 76: 72: 68: 54: 50: 43: 38: 31: 19: 653:German poets 571: 548: 513: 507: 480: 475: 465:, Volume IV. 462: 456: 446: 441: 424: 418: 411:, Volume II. 408: 402: 395:2nd printing 389: 383: 362: 360:, Volume 2: 357: 349: 341: 336: 324: 307: 305: 293: 286: 279: 272: 268: 259: 237: 225: 218: 213: 205: 203: 198: 189: 185: 183: 178: 169: 163: 157: 151: 141: 121: 104: 100: 99: 79:(1764-05-10) 77:May 10, 1764 648:1764 deaths 643:1700 births 628:(in German) 567:(in German) 516:, Volume V. 277:, New Year 265:Lost scores 27:German poet 637:Categories 593:Wikisource 489:Volume II. 316:References 275:, BWV 197a 221:, BWV 244a 128:Wittenberg 109:librettist 60:1700-01-14 518:Leipzig: 491:Leipzig: 296:, BWV 149 289:, BWV 174 282:, BWV 171 86:, Germany 69:, Germany 522:(1751). 495:(1748). 485:Volume I 330:p. 44–46 148:Lutheran 113:cantatas 105:Picander 94:Picander 91:Pen name 561:Sources 132:Leipzig 124:Stolpen 84:Leipzig 67:Stolpen 377:p. 395 371:  115:which 553:lost. 369:ISBN 168:and 130:and 74:Died 52:Born 223:). 639:: 616:, 534:^ 526:; 499:; 487:– 483:: 433:. 375:, 356:. 194:. 174:. 625:) 621:( 574:. 365:. 242:. 62:) 58:( 20:)

Index

Sammlung Erbaulicher Gedanken
Plaque in Leipzig
Stolpen
Leipzig
librettist
cantatas
Johann Sebastian Bach
Stolpen
Wittenberg
Leipzig
Chorale cantata cycle
Lutheran
St Matthew Passion
Shepherds' Cantata
Coffee Cantata
Peasant Cantata
St Matthew Passion
Klagt, Kinder, klagt es aller Welt, BWV 244a
Cantaten auf die Sonn- und Fest-Tage durch das gantze Jahr
Ehre sei Gott in der Höhe, BWV 197a
Gott, wie dein Name, so ist auch dein Ruhm, BWV 171
Ich liebe den Höchsten von ganzem Gemüte, BWV 174
Man singet mit Freuden vom Sieg, BWV 149
St Mark Passion
p. 44–46
Alberto Basso
Lipsia e le opere de la maturità (1723–1750).
ISBN
88-7063-028-5
p. 395

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