42:
588:
603:
312:(BWV 247) where Bach's music can be reconstructed because it is known to have been used in surviving pieces. Bach sometimes returned to compositions commissioned for one-off occasions and recycled the music. Picander was able to help the composer in this process by providing metrically similar new texts, effectively setting words to Bach's music.
260:
In some cases, Henrici's texts have survived and Bach's settings have not. The lost scores include cases where the music has vanished without trace and others where there are clues as to what music Bach used to set the words, allowing the possibility of reconstruction.
552:
However, since those compositions which have survived are spread widely over the liturgical year, it is not impossible then that J. S. Bach did indeed set to music all the texts in that volume, as claimed by the preface, and that those compositions are now
269:
In the preface to the third volume (1732) Picander claimed that J. S. Bach set a whole cycle of his cantata texts in 1729. Only nine of J. S. Bach's settings are known to have survived (they include the cantatas for
Christmas
146:
of 1724/25 are anonymous. By 1725, Henrici and Bach were working together. Some of Bach's most important works used
Henrici's libretti. Most notably their collaboration was on religious works in a
447:
238:
285:
278:
662:
142:
Bach moved to
Leipzig in 1723. There is uncertainty as to who was writing the libretti he set during his first years in the city. The authors of the libretti for the
617:
217:
667:
292:
164:
188:. This caught Bach's eye who started using Picander's poetry for his cantatas from 1725, and used poems from Picander's first collection in his
271:
607:
657:
672:
170:
372:
184:
For a year from the start of Advent 1724 Picander had published spiritual poetry in weekly editions, which he collected in 1725 as
127:
134:. He wrote to supplement his income from tutoring and continued even after obtaining regular employment as a civil servant.
41:
523:
512:
496:
488:
484:
461:
430:
423:
407:
394:
388:
596:
677:
622:
308:
329:
652:
570:
519:
492:
143:
116:
647:
642:
468:
613:
527:
500:
434:
190:
152:
131:
376:
368:
541:
17:
248:
Reworked fourth edition, containing a selection of previous editions, in two volumes: 1748.
212:(Leipzig, 1727–51) contain texts set to music by J. S. Bach, including those for the
636:
353:
236:
Vol. III: 1732, reprinted in 1737. This volume contained texts published in 1728 as
361:
306:
Examples of reconstructions include the funeral music for Prince
Leopold and the
342:
Sammlung erbaulicher
Gedancken über und auf die gewöhnlichen Sonn- und Festtage
592:
587:
481:
Picanders bis anhero herausgegebene Ernst-Scherzhafte und
Satyrische Gedichte
602:
158:
147:
108:
514:
Picanders neu herausgegebene Ernst-Schertzhaffte und
Satyrische Gedichte
123:
112:
83:
66:
216:
and its associated funeral music for Prince
Leopold of Anhalt-Cöthen (
156:(BWV 244). However, they also produced secular works such as the
103:(January 14, 1700 – May 10, 1764), writing under the pen name
448:
Cantaten auf die Sonn- und Fest-Tage durch das gantze Jahr
239:
Cantaten auf die Sonn- und Fest-Tage durch das gantze Jahr
298:) the statement made in the preface has been debated.
614:"Henrici, Christian Friedrich (Pseudonym: Picander)"
90:
73:
51:
32:
618:Biographisch-Bibliographisches Kirchenlexikon
358:Frau Musika: La vita e le opere di J. S. Bach
8:
467:Leipzig: Friedrich Matthias Friesen (1737).
429:Leipzig: Joh. Theod. Boetii Tochter (1732);
363:Lipsia e le opere de la maturità (1723–1750)
206:
595:has original text related to this article:
463:Ernst-Schertzhaffte und Satyrische Gedichte
425:Ernst-Schertzhaffte und Satyrische Gedichte
208:Ernst-schertzhaffte und satyrische Gedichte
199:Ernst-Schertzhaffte und Satyrische Gedichte
409:Ernst-Scherzhaffte und Satyrische Gedichte
390:Ernst-Scherzhaffte und Satyrische Gedichte
280:Gott, wie dein Name, so ist auch dein Ruhm
29:
511:Picander (=Christian Friedrich Henrici).
479:Picander (=Christian Friedrich Henrici).
460:Picander (=Christian Friedrich Henrici).
445:Picander (=Christian Friedrich Henrici).
422:Picander (=Christian Friedrich Henrici).
406:Picander (=Christian Friedrich Henrici).
387:Picander (=Christian Friedrich Henrici).
340:Picander (=Christian Friedrich Henrici).
230:Vol. I: 1727, reprinted in 1732 and 1736.
287:Ich liebe den Höchsten von ganzem Gemüte
663:German oratorio and passion librettists
321:
572:Picander (Christian Friedrich Henrici)
501:B/W copy at archive.org (Vol. II)
435:B/W copy at archive.org (1732 edition)
537:
535:
7:
138:Librettist for Johann Sebastian Bach
413:Leipzig (1729); 2nd printing 1734.
219:Klagt, Kinder, klagt es aller Welt
25:
668:18th-century pseudonymous writers
233:Vol. II: 1729, reprinted in 1734.
601:
586:
542:Biography of Picander at Last.fm
40:
576:Leipzig: Liebertwolkwitz (1899)
294:Man singet mit Freuden vom Sieg
256:Lost scores and reconstructions
291:, and the feast of St Michael
1:
186:Sammlung Erbaulicher Gedanken
179:Sammlung Erbaulicher Gedanken
18:Sammlung Erbaulicher Gedanken
497:Other MDZ scan (Vol. I)
393:, Volume I. Leipzig (1727);
608:Christian Friedrich Henrici
597:Christian Friedrich Henrici
101:Christian Friedrich Henrici
55:Christian Friedrich Henrici
34:Christian Friedrich Henrici
694:
658:German cantata librettists
204:All volumes of Picander's
673:Leipzig University alumni
273:Ehre sei Gott in der Höhe
39:
397:1732; 3rd printing 1736.
107:, was a German poet and
528:B/W copy at archive.org
469:B/W copy at archive.org
226:Volumes and editions:
207:
162:of 1725 and the later
150:tradition such as the
623:registration required
520:Johann Gottfried Dyck
493:Johann Gottfried Dyck
144:Chorale cantata cycle
119:composed in Leipzig.
117:Johann Sebastian Bach
610:at Wikimedia Commons
302:Reconstructed scores
126:. He studied law at
122:Henrici was born in
367:Turin: EDT, 1983.
344:. Leipzig: 1724/25
214:St Matthew Passion
191:St Matthew Passion
159:Shepherds' Cantata
153:St Matthew Passion
678:German male poets
606:Media related to
431:2nd printing 1737
98:
97:
46:Plaque in Leipzig
16:(Redirected from
685:
629:
626:
605:
590:
568:
554:
550:
544:
539:
530:
509:
503:
477:
471:
458:
452:
451:. Leipzig (1728)
443:
437:
420:
414:
404:
398:
385:
379:
351:
345:
338:
332:
326:
210:
111:for many of the
80:
64:January 14, 1700
63:
61:
44:
30:
21:
693:
692:
688:
687:
686:
684:
683:
682:
633:
632:
627:
620:
583:
569:Paul Flossman.
566:
563:
558:
557:
551:
547:
540:
533:
510:
506:
478:
474:
459:
455:
444:
440:
421:
417:
405:
401:
386:
382:
352:
348:
339:
335:
328:Flossman 1899,
327:
323:
318:
309:St Mark Passion
304:
267:
258:
202:
182:
171:Peasant Cantata
140:
82:
78:
65:
59:
57:
56:
47:
35:
28:
23:
22:
15:
12:
11:
5:
691:
689:
681:
680:
675:
670:
665:
660:
655:
650:
645:
635:
634:
631:
630:
611:
599:
582:
581:External links
579:
578:
577:
562:
559:
556:
555:
545:
531:
524:Other MDZ scan
504:
472:
453:
438:
415:
399:
380:
346:
333:
320:
319:
317:
314:
303:
300:
284:, Whit Monday
266:
263:
257:
254:
253:
252:
249:
246:
245:Vol. IV: 1737.
243:
234:
231:
201:
196:
181:
176:
165:Coffee Cantata
139:
136:
96:
95:
92:
88:
87:
81:(aged 64)
75:
71:
70:
53:
49:
48:
45:
37:
36:
33:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
690:
679:
676:
674:
671:
669:
666:
664:
661:
659:
656:
654:
651:
649:
646:
644:
641:
640:
638:
624:
619:
615:
612:
609:
604:
600:
598:
594:
591: German
589:
585:
584:
580:
575:
573:
565:
564:
560:
549:
546:
543:
538:
536:
532:
529:
525:
521:
517:
515:
508:
505:
502:
498:
494:
490:
486:
482:
476:
473:
470:
466:
464:
457:
454:
450:
449:
442:
439:
436:
432:
428:
427:, Volume III.
426:
419:
416:
412:
410:
403:
400:
396:
392:
391:
384:
381:
378:
374:
373:88-7063-028-5
370:
366:
364:
359:
355:
354:Alberto Basso
350:
347:
343:
337:
334:
331:
325:
322:
315:
313:
311:
310:
301:
299:
297:
295:
290:
288:
283:
281:
276:
274:
264:
262:
255:
251:Vol. V: 1751.
250:
247:
244:
241:
240:
235:
232:
229:
228:
227:
224:
222:
220:
215:
211:
209:
200:
197:
195:
193:
192:
187:
180:
177:
175:
173:
172:
167:
166:
161:
160:
155:
154:
149:
145:
137:
135:
133:
129:
125:
120:
118:
114:
110:
106:
102:
93:
89:
85:
76:
72:
68:
54:
50:
43:
38:
31:
19:
653:German poets
571:
548:
513:
507:
480:
475:
465:, Volume IV.
462:
456:
446:
441:
424:
418:
411:, Volume II.
408:
402:
395:2nd printing
389:
383:
362:
360:, Volume 2:
357:
349:
341:
336:
324:
307:
305:
293:
286:
279:
272:
268:
259:
237:
225:
218:
213:
205:
203:
198:
189:
185:
183:
178:
169:
163:
157:
151:
141:
121:
104:
100:
99:
79:(1764-05-10)
77:May 10, 1764
648:1764 deaths
643:1700 births
628:(in German)
567:(in German)
516:, Volume V.
277:, New Year
265:Lost scores
27:German poet
637:Categories
593:Wikisource
489:Volume II.
316:References
275:, BWV 197a
221:, BWV 244a
128:Wittenberg
109:librettist
60:1700-01-14
518:Leipzig:
491:Leipzig:
296:, BWV 149
289:, BWV 174
282:, BWV 171
86:, Germany
69:, Germany
522:(1751).
495:(1748).
485:Volume I
330:p. 44–46
148:Lutheran
113:cantatas
105:Picander
94:Picander
91:Pen name
561:Sources
132:Leipzig
124:Stolpen
84:Leipzig
67:Stolpen
377:p. 395
371:
115:which
553:lost.
369:ISBN
168:and
130:and
74:Died
52:Born
223:).
639::
616:,
534:^
526:;
499:;
487:–
483::
433:.
375:,
356:.
194:.
174:.
625:)
621:(
574:.
365:.
242:.
62:)
58:(
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.