Knowledge (XXG)

Samla Mammas Manna

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Having no direct political stand, being neither "a traditional Swedish folk group" nor, "a leftist folk-rock band" as stated by Andrew Jones in his book Plunderphonics, Pataphysics & Pop Mechanics: An Introduction to Musique Actuelle, they freely weaved in and out of the styles of both groups
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The musical style of Samla Mammas Manna has been described as a fusion of progressive rock and various national folk styles. This being the result of complex rhythms using instruments not commonly used in the rock genre including the marimba, bouzouki, veena, and accordion.
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The band underwent line-up and name changes over the years (they released albums as Zamla Mammaz Manna and von Zamla), reinventing their sound each time. In 1999, the band reformed under their original name for a one-off release entitled
431: 251:, called "Staten och Kapitalet (Den ena handen vet vad den andra gör)". Some more serious elements of the progg movement were not amused by this frivolous attitude. 629: 619: 624: 614: 604: 634: 562: 511: 156: 321: 528: 639: 270:. The band played their first concerts in the US in August 2003, in Chicago at Schuba's, and at the annual Progday festival in 609: 599: 201: 584: 231:" movement, although their lyrics were humorous and not explicitly political. The title of the album 453: 244: 254:
They spent a significant part of the 70s touring in Sweden, but also in other European countries.
470: 192: 60: 558: 507: 487: 216:(keyboards), Hasse Bruniusson (drums), Lars Krantz (bass) and Henrik Öberg (percussion). For 278: 206: 173: 56: 451:
Gren, Bert (15 April 1994). "Nu Samlas Mammas Manna – bandet uppstĂ„r i lyckliga stunder".
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Plunderphonics, Pataphysics & Pop Mechanics: An Introduction to Musique Actuelle
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Bergström, Karolina (13 August 2016). "Technogubben klÀr sig i proggkostym".
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Romantic Warriors II: A Progressive Music Saga About Rock in Opposition
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Rocking the Classics: English Progressive Rock and the Counterculture
293: 289: 285: 240: 184: 177: 170: 46: 228: 262:. In 2002 they reunited again, this time with Japanese musician 266:
on drums, for some performances and their final album
195:(RIO) movement in the late 1970s. In 1979 they were 187:, similar in many ways to the song-writing style of 176:
band often characterized by virtuosic musicianship,
125: 121: 111: 70: 52: 38: 28: 21: 485:Backman, Dan (21 May 1999). "Samla Mammas Manna". 227:They were on the fringe of the Swedish political " 205:(1980). Musically, they bore a resemblance to the 247:", and also the title of a seminal progg song by 191:. They were one of the founding members of the 8: 277:In 2005 the band opened the international 224:guitarist Coste Apetrea joined the group. 18: 319: 154: 443: 630:Musical groups disestablished in 2008 620:Musical groups disestablished in 1980 7: 625:Musical groups reestablished in 1990 557:(1st ed.). SAF Publishing Ltd. 243:in the 1970s that means "crush the 199:'s backing band on his solo album, 615:Musical groups established in 1969 312:creating their own unique sound. 14: 235:is a play on the Swedish phrase 605:Swedish progressive rock groups 299:Hollmer died in December 2008. 1: 16:Swedish progressive rock band 635:Musical groups from Uppsala 529:"Samla Mammas Manna - Kaka" 506:. Oxford University Press. 474:(in Swedish). pp. 4–5. 656: 324:The sleeve to the record 212:The original line-up was 159:The sleeve to the record 640:Silence Records artists 553:Jones, Andrew (1995). 502:Macan, Edward (1997). 328: 163: 381:För Ă€ldre nybegynnare 375:as Zamla Mammaz Manna 332:as Samla Mammas Manna 323: 158: 145:Henrik Öberg "Bebben" 356:Snorungarnas symfoni 527:Askounes, Michael. 284:that took place in 610:Rock in Opposition 581:Samla Mammas Manna 471:Upsala Nya Tidning 338:Samla Mammas Manna 329: 193:Rock in Opposition 167:Samla Mammas Manna 164: 61:Rock in Opposition 23:Samla Mammas Manna 600:Avant-prog groups 488:Svenska Dagbladet 387:Schlagerns mystik 350:Klossa Knapitatet 233:Klossa Knapitatet 153: 152: 647: 569: 568: 550: 544: 543: 541: 539: 524: 518: 517: 499: 493: 492: 482: 476: 475: 465: 459: 458: 454:Göteborgs-Posten 448: 279:progressive rock 237:krossa kapitalet 207:Canterbury scene 174:progressive rock 137:Hasse Bruniusson 128: 107: 105: 99: 97: 91: 89: 83: 81: 73: 57:Progressive rock 31: 19: 655: 654: 650: 649: 648: 646: 645: 644: 590: 589: 577: 572: 565: 552: 551: 547: 537: 535: 526: 525: 521: 514: 501: 500: 496: 484: 483: 479: 467: 466: 462: 450: 449: 445: 441: 427: 418:... 1983 (live) 393:Familjesprickor 318: 305: 264:Tatsuya Yoshida 180:references and 148: 146: 144: 142:Tatsuya Yoshida 140: 138: 136: 134: 126: 103: 101: 95: 93: 87: 85: 79: 77: 71: 29: 24: 17: 12: 11: 5: 653: 651: 643: 642: 637: 632: 627: 622: 617: 612: 607: 602: 592: 591: 588: 587: 576: 575:External links 573: 571: 570: 564:978-0946719150 563: 545: 533:All About Jazz 519: 512: 494: 477: 460: 442: 440: 437: 436: 435: 426: 423: 422: 421: 415: 409: 397: 396: 390: 384: 372: 371: 365: 359: 353: 347: 341: 317: 314: 304: 301: 272:North Carolina 151: 150: 149:Vilgot Hansson 129: 123: 122: 119: 118: 113: 109: 108: 74: 68: 67: 54: 50: 49: 40: 36: 35: 32: 26: 25: 22: 15: 13: 10: 9: 6: 4: 3: 2: 652: 641: 638: 636: 633: 631: 628: 626: 623: 621: 618: 616: 613: 611: 608: 606: 603: 601: 598: 597: 595: 586: 582: 579: 578: 574: 566: 560: 556: 549: 546: 534: 530: 523: 520: 515: 513:9780195098877 509: 505: 498: 495: 491:(in Swedish). 490: 489: 481: 478: 473: 472: 464: 461: 456: 455: 447: 444: 438: 434: 433: 429: 428: 424: 419: 416: 413: 410: 407: 404: 403: 402: 401: 394: 391: 388: 385: 382: 379: 378: 377: 376: 369: 366: 363: 360: 357: 354: 351: 348: 345: 342: 339: 336: 335: 334: 333: 327: 322: 315: 313: 309: 303:Musical style 302: 300: 297: 295: 291: 287: 283: 280: 275: 273: 269: 265: 261: 255: 252: 250: 246: 242: 238: 234: 230: 225: 223: 219: 215: 210: 208: 204: 203: 198: 194: 190: 186: 183: 179: 175: 172: 168: 162: 157: 143: 139:Coste Apetrea 133: 130: 124: 120: 117: 114: 110: 75: 69: 66: 62: 58: 55: 51: 48: 44: 41: 37: 33: 30:Also known as 27: 20: 554: 548: 536:. Retrieved 532: 522: 503: 497: 486: 480: 469: 463: 452: 446: 430: 417: 411: 406:Zamlaranamma 405: 400:as von Zamla 399: 398: 392: 386: 380: 374: 373: 367: 361: 355: 349: 343: 337: 331: 330: 325: 310: 306: 298: 276: 267: 259: 256: 253: 236: 232: 226: 217: 214:Lars Hollmer 211: 200: 166: 165: 160: 147:Eino Haapala 132:Lars Hollmer 127:Past members 72:Years active 412:No Make Up! 316:Discography 239:, a common 222:jazz fusion 189:Frank Zappa 135:Lars Krantz 594:Categories 439:References 368:Dear Mamma 326:Dear Mamma 268:Dear Mamma 197:Fred Frith 65:avant-prog 249:BlĂ„ TĂ„get 585:AllMusic 538:21 April 425:See also 282:festival 245:capital 202:Gravity 171:Swedish 116:Silence 102: ( 94: ( 86: ( 78: ( 43:Uppsala 561:  510:  420:(1999) 414:(1984) 408:(1982) 395:(1980) 389:(1978) 383:(1977) 370:(2002) 364:(1999) 358:(1976) 352:(1974) 346:(1973) 344:MĂ„ltid 340:(1971) 296:2005. 294:InProg 290:Russia 286:Moscow 241:slogan 218:MĂ„ltid 185:humour 178:circus 169:was a 161:MĂ„ltid 112:Labels 92:, 1990 53:Genres 47:Sweden 39:Origin 229:progg 182:silly 100:–2008 84:–1980 559:ISBN 540:2023 508:ISBN 362:Kaka 260:Kaka 104:2008 96:1990 88:1980 80:1969 76:1969 583:at 34:SMM 596:: 531:. 292:, 288:, 274:. 220:, 209:. 63:, 59:, 45:, 567:. 542:. 516:. 457:. 106:) 98:) 90:) 82:)

Index

Uppsala
Sweden
Progressive rock
Rock in Opposition
avant-prog
Silence
Lars Hollmer
Tatsuya Yoshida

Swedish
progressive rock
circus
silly
humour
Frank Zappa
Rock in Opposition
Fred Frith
Gravity
Canterbury scene
Lars Hollmer
jazz fusion
progg
slogan
capital
BlÄ TÄget
Tatsuya Yoshida
North Carolina
progressive rock
festival
Moscow

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