Knowledge (XXG)

San healing practices

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289:"God keeps my eyeballs in a little cloth bag. When he first collected them, he got a little cloth bag and plucked my eyeballs out and put them into the bag and then he tied the eyeballs to his belt and went up to heaven. And now when I dance, on the nights when I dance and the singing rises up, he comes down from heaven swinging the bag with the eyeballs above my head and then he lowers the eyeballs to my eye level, and as the singing gets strong, he puts the eyeballs into my sockets and they stay there and I cure. And then when the women stop singing and separate out, he removes the eyeballs, puts them back in the cloth bag and takes them up to heaven." 318: 164:
clapping. The movement was accompanied by the sharp, high clatter of rattles—made from dry cocoons strung together with sinew cords—that were tied to their legs. The dance was a complicated pattern of voices and rhythms that was infinitely varied and precise. San people began learning these songs and dances when they were children and work hard to develop these skills.
25: 274:(2006), Marshall Thomas reports that they expel what they call "star sickness". This is the force that takes over a group of people and causes jealousy, anger and quarrels and failures of gift giving. These things are thought to pull people apart and damage unity. Trance dancing mends the social fabric as it releases hostility, according to Katz. 305:
Becoming a healer is not just for a few religious specialists. According to Thomas Dowson, the people would rather have it spread throughout the group. It is a long and painful process to become a healer, but still many go along this path. In fact, by the time the people reach adulthood, about half
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Also in this powerful state, healers often walk on fire, see the insides of peoples' bodies and scenes at great distances from their camp, or travel to God's home, as observed by Elizabeth Marshall. One healer tells of a time when his spirit left the camp and came upon a pride of lions that had been
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observed that the women sat in a circle around a fire, singing the medicine songs in several parts with falsetto voices and clapping their hands in a sharp, staccato rhythm. Men danced single-file around the fire taking very short, pounding steps in counterpoint to the rhythms of the singing and the
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administer a wide range of practices, from oral remedies containing plant and animal material, making cuts on the body and rubbing in 'potent' substances, inhaling smoke of smouldering organic matter like certain twigs or animal dung, wearing parts of animals or 'jewellery' that 'makes them strong.'
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These happenings go on throughout the entire night. Elizabeth Marshall says people get tired, but they will not stop, because it is important to keep going until sunrise. Sometimes the younger people might have to leave the dance circle, but the older people never falter. When the first light of
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on the person's chest, and one on their back, and will "suck" the evil from them. The medicine man often shudders and groans as he does this, and then will suddenly "shriek the evil into the air." Katz states that if the person they are healing has a specific symptom, the healers' hands focus on
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can manifest itself in different ways. Isaacson says, "they sometimes dance themselves into a trance, sometimes screaming in pain, and other times laughing or singing." They can also suddenly fling their arms into the air and with a piercing shriek crash to the ground, as observed by Elizabeth
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is so strong it can become dangerous. Healers experiencing this must not point their finger fixedly at anyone, especially a child, because a "fight" or "death thing" might go along their arm, leap into the child, and kill it. Katz says the women's singing of these powerful
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of the men and a third of the women have become healers. Katz says that even though it is painful, people want to become healers so they can help people. If someone is very sick, there is some hope that a healing trance dance can keep them from dying.
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lifts you up in your belly and lifts you in your back, and then you start to shiver. makes you tremble, it's hot. . . . Your eyes are open but you don't look around; you hold your eyes still and look straight ahead. But when you get into
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dawn shows on the horizon, they gather extra energy to will sing louder and dance faster. As the sun rises, the dance reaches a "final most powerful intensity", and then will suddenly stop. Sandy Gall, author of
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dance' or 'healing dance'. Trance dance rituals take place over an entire night. Participants will sometimes tie offerings to animal spirits to the trees, and will use drums in order to contact animal and
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to see the things causing sickness, like "the death things God has put into the people." According to Elizabeth Marshall Thomas, the healer will begin by washing his hands in the fire. He then will
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troubling the people. The man's spirit ordered them away, and they left and did not bother the people anymore. These activities would never be attempted in their ordinary state.
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and the healer's heart so they can begin to heal. The healer undergoes a transformation, which comes after a painful transition into an enhanced state of consciousness, called
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sucking the evil out of that area, but if there are no symptoms of illness the healers' fluttering and vibrating hands move lightly and sporadically over the person's chest.
262:, states that after a healing dance they "collapse in exhaustion" until the next day, when, fully recovered, they share their trance experiences with one another. 135:
since ancient times as an essential part of the indigenous culture and materia medica. The trance dance is one of the most distinctive features of San culture.
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Marshall, Lorna. “The Medicine Dance of the Kung Bushmen.” Africa: Journal of the International African Institute. 39.4 (1969): 347-381.
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Marshall. The transformation experience was described to Richard Katz by an experienced healer, Kinachau, in the following quote:
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Richard Katz, an associate professor from Harvard University, says these occur four times a month, on average. In her book
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Dowson, Thomas A. “Reading Art, Writing History:Rock Art and Social Change in Southern Africa.” 25.3 (1994): 332-345.
655: 506: 131: 200:. This connects the healer and their spiritual healing power with the community. When dancers are experiencing 160: 413:
Manganyi, Madira Coutlyne; Bezuidenhout, Cornelius Carlos; Regnier, Thierry; Ateba, Collins Njie (2021-04-28).
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and to "pull out sickness" from the people. When they do this, they use the enhanced consciousness of
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may also contribute to the healer's sense of self. As K"au fDau, a blind healer told Professor Katz:
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in the 1950s for the purpose of studying the San. She wrote that as the dance intensified, the
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Marshall Thomas, Elizabeth. The Old Way. New York: Sarah Crichton Books, 2006. 268-272.
415:"A Chewable Cure "Kanna": Biological and Pharmaceutical Properties of Sceletium tortuosum" 346: 101: 577:
Thomas, Elizabeth Marshall. The Harmless People. New York: Vintage Books, 1989. 132.
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Marshall Thomas, Elizabeth. The Old Way. New York: Sarah Crichton Books, 2006. 270.
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Katz also states that in order to cure, people must learn to control their boiling
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enters every part of your body right to the tip of your feet and even your hair."
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Gordon, Robert J. Picturing Bushmen. Ohio: Ohio University Press, 1997. 112B.
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The San heal whilst in an altered state of consciousness in what is known as a '
125: 367: 431: 383: 313: 97: 440: 391: 492: 458: 477:. Phyllis G. Jestice. Santa Barbara, Calif.: ABC-CLIO. 2004. p. 764. 625:
Gall, Sandy. "The Bushmen of the Kalahari." Ecologist 33.7 (2003): 28-31.
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Katz, Richard. “Accepting ‘Boiling Energy’.” Ethos. 10.4, (1982):344
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Isaacson, Rupert. "The Healing Land." Geographical 73.7; 7 (2001): 53.
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Anecdotal records reveal that the Khoikhoi and San people have used
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state, this man says he can see, both figuratively and literally.
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Holy People of the World: a Cross-cultural Encyclopedia
368:"Effects of drought on birds in the Kalahari, Botswana" 208:
is considered a very special and extraordinary state.
557: 555: 553: 551: 549: 547: 545: 543: 270:San healers do not just cure physical illness. In 66:for phonetic transcriptions, with an appropriate 16:Healing practices used by the culture of the San 8: 448: 430: 204:, they can heal all those at the dance. 522:Khoisan Medicine in History and Practice 272:The Old Way: A Story of the First People 358: 498: 7: 324:Traditional African religion portal 266:Other occurrences at healing dances 56:for transliterated languages, and 36:of its non-English content, using 14: 366:Herremans, Marc (December 2004). 159:based on fieldwork in the 1950s, 316: 23: 224:"You dance, dance, dance. Then 419:Molecules (Basel, Switzerland) 260:The Bushmen of Southern Africa 72:multilingual support templates 1: 524:. Köln: RĂŒdiger Köppe Verlag. 342:Traditional African medicine 211:The process of intensifying 682: 100:(also known as Ju/'oansi, 432:10.3390/molecules26092557 384:10.2989/00306520409485448 192:songs helps "awaken" the 161:Elizabeth Marshall Thomas 505:: CS1 maint: others ( 291: 239: 96:In the culture of the 287: 222: 157:The Harmless People, 70:. Knowledge (XXG)'s 34:specify the language 32:This article should 651:Culture of Botswana 520:Low, Chris (2008). 132:Sceletium tortuosum 656:Culture of Namibia 104:, or Bushmen), an 301:Becoming a healer 281:These dances and 106:indigenous people 94: 93: 74:may also be used. 673: 635: 632: 626: 623: 617: 614: 605: 602: 596: 593: 587: 584: 578: 575: 562: 559: 538: 535: 526: 525: 517: 511: 510: 504: 496: 469: 463: 462: 452: 434: 410: 404: 403: 363: 326: 321: 320: 150:ancestor spirits 89: 86: 80: 65: 59: 55: 49: 45: 39: 27: 26: 19: 681: 680: 676: 675: 674: 672: 671: 670: 641: 640: 639: 638: 633: 629: 624: 620: 615: 608: 603: 599: 594: 590: 585: 581: 576: 565: 560: 541: 536: 529: 519: 518: 514: 497: 485: 471: 470: 466: 412: 411: 407: 365: 364: 360: 355: 347:Energy medicine 322: 315: 312: 303: 268: 215:and going into 170: 141: 90: 84: 81: 75: 63: 57: 53: 51:transliteration 47: 43: 37: 28: 24: 17: 12: 11: 5: 679: 677: 669: 668: 663: 661:Medicine drums 658: 653: 643: 642: 637: 636: 627: 618: 606: 597: 588: 579: 563: 539: 527: 512: 483: 464: 405: 378:(4): 217–227. 357: 356: 354: 351: 350: 349: 344: 339: 334: 328: 327: 311: 308: 302: 299: 293:So during the 267: 264: 251:place one hand 173:Lorna Marshall 169: 168:Healing energy 166: 140: 137: 92: 91: 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 678: 667: 664: 662: 659: 657: 654: 652: 649: 648: 646: 631: 628: 622: 619: 613: 611: 607: 601: 598: 592: 589: 583: 580: 574: 572: 570: 568: 564: 558: 556: 554: 552: 550: 548: 546: 544: 540: 534: 532: 528: 523: 516: 513: 508: 502: 494: 490: 486: 484:1-85109-649-3 480: 476: 475: 468: 465: 460: 456: 451: 446: 442: 438: 433: 428: 424: 420: 416: 409: 406: 401: 397: 393: 389: 385: 381: 377: 373: 369: 362: 359: 352: 348: 345: 343: 340: 338: 335: 333: 330: 329: 325: 319: 314: 309: 307: 300: 298: 296: 290: 286: 284: 279: 275: 273: 265: 263: 261: 255: 252: 248: 244: 238: 236: 232: 227: 221: 218: 214: 209: 207: 203: 199: 195: 191: 186: 182: 178: 174: 167: 165: 162: 158: 153: 151: 146: 138: 136: 134: 133: 127: 123: 119: 115: 111: 107: 103: 99: 88: 78: 73: 69: 62: 52: 42: 35: 30: 21: 20: 630: 621: 600: 591: 582: 521: 515: 473: 467: 422: 418: 408: 375: 371: 361: 337:San rock art 332:San religion 304: 294: 292: 288: 282: 280: 276: 271: 269: 259: 256: 246: 242: 240: 234: 230: 225: 223: 216: 212: 210: 205: 201: 197: 193: 189: 184: 180: 171: 156: 154: 142: 139:Trance dance 130: 118:South Africa 95: 82: 68:ISO 639 code 64:}} 58:{{ 54:}} 48:{{ 44:}} 38:{{ 33: 425:(9): 2557. 666:San people 645:Categories 353:References 501:cite book 441:1420-3049 392:0030-6525 493:57407318 459:33924742 400:84401867 310:See also 177:Kalahari 110:Botswana 85:May 2022 450:8124331 372:Ostrich 126:healers 114:Namibia 77:See why 491:  481:  457:  447:  439:  398:  390:  145:trance 122:Angola 120:, and 396:S2CID 102:!Kung 507:link 489:OCLC 479:ISBN 455:PMID 437:ISSN 388:ISSN 295:!kia 283:!kia 247:!kia 243:n/um 235:n/um 231:!kia 226:n/um 217:!kia 213:n/um 206:!kia 202:!kia 198:!kia 194:n/um 190:n/um 185:n/um 181:n/um 41:lang 445:PMC 427:doi 380:doi 108:of 98:San 61:IPA 647:: 609:^ 566:^ 542:^ 530:^ 503:}} 499:{{ 487:. 453:. 443:. 435:. 423:26 421:. 417:. 394:. 386:. 376:75 374:. 370:. 152:. 124:, 116:, 112:, 46:, 509:) 495:. 461:. 429:: 402:. 382:: 87:) 83:( 79:.

Index

lang
transliteration
IPA
ISO 639 code
multilingual support templates
See why
San
!Kung
indigenous people
Botswana
Namibia
South Africa
Angola
healers
Sceletium tortuosum
trance
ancestor spirits
Elizabeth Marshall Thomas
Lorna Marshall
Kalahari
place one hand
icon
Traditional African religion portal
San religion
San rock art
Traditional African medicine
Energy medicine
"Effects of drought on birds in the Kalahari, Botswana"
doi
10.2989/00306520409485448

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