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and many stories about her were recovered through oral history, but
Moorhead was never mentioned, so the attribution to him is uncertain; it was first publicly suggested by the Wheatley scholar William H. Robinson in 1984. However, it has been recognized that the portrait is highly unusual. It
89:, but unlike any of Copley's work, it portrays a woman writing a poem deep in thought. The novelty of the portrait was recognized and imitated by Bostonian printers when it was engraved for an edition of Wheatley's poetry in 1773, but the artist's name was never mentioned. It is the first
69:, who was an art teacher. Although enslaved, Scipio Moorhead enjoyed some workers' freedoms. No original work by Scipio has survived, but he may be the person referred to by a
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which led to a general abolition, but it is unknown if Scipio was ever freed, as his buyer was unrecorded and no record of his whereabouts after 1775 has been located.
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Moorhead was enslaved by
Reverend John Moorhead of Boston, Massachusetts. His drawing talents were tutored by the reverend's wife
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depicting a woman writer in
American history, and possibly the first ever portrait of an American woman in the act of writing.
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that adorns much of her published poetry is his creation. In the 19th century
Wheatley's fame was revived by Massachusetts
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Slauter, Eric. Looking for Scipio
Moorhead : an "African painter" in revolutionary North America in
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advertisement on
January 7, 1773, which spoke of a "negro artist... A negro of extraordinary genius."
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Portraits of a People: Picturing
African Americans in the Nineteenth Century
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Africana: The
Encyclopedia of the African and African American Experience
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48:. Moorhead is known through the contemporary African-American poet
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resembles contemporary portraits by the famous
Bostonian painter
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This article about an artist from the United States is a
100:. The advertised location of the slave auction, near the
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220:. Oxford, New York: Oxford University press. p.
96:Scipio was auctioned in January 1775 as part of an
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