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Scorpion man

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366:, during Gilgamesh's encounter with the scorpion-men (Tablet IX 37-135). The scorpion-man tells his "female" (presumably a scorpion-woman, here seen for the first time), that Gilgamesh carries the flesh of the gods in his body. The scorpion-man's "woman" responds, in defining lines, that Gilgamesh is two-thirds god but one-third human (Tablet IX 51). Rivkah Harris saw the scorpion-women, like the wife of Utnapishtim in Tablet XI, as traditional and passive wives, whose position was "relational, given definition as wife or daughter." Karen Sonik has recently challenged this interpretation, observing that the scorpion-woman, like the other women of the epic, " a striking visual and perceptual acuity" in their recognition of Gilgamesh's true nature. 905: 392: 228: 1211: 66: 25: 668: 168: 306: 378: 352:, the land of darkness. The scorpion-men open the doors for Shamash as he travels out each day, and close the doors after him when he returns through the netherworld at night. When Gilgamesh comes to Mount Mashu, he encounters scorpion-men guarding the gate. Their "terror is awesome" and their "glance is death" (Tablet IX 43). 496: 446: 297:
Scorpion-men appear in the visual arts of Mesopotamia and ancient Iran before we know them from literature. Among the earliest representations of scorpion-men are an example from Jiroft in Iran, as well as a depiction on the
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In the visual arts, the form of scorpion-men varies, though they often have the head, torso, and arms of a man and the body and tail of a
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A scorpion-man appears in the bottom panel of this Bull Lyre (ca. 2450 BCE), now in the
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in Philadelphia, which was excavated from Ur by the archaeologist Sir Leonard Woolley.
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Gender and Aging in Mesopotamia: The Gilgamesh Epic and Other Ancient Literature
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The World of the Oxus Civilization, Edited by Bertille Lyonnet, Nadezhda Dubova
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The Assyrian Dictionary of the Oriental Institute of the University of Chicago
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The Assyrian Dictionary of the Oriental Institute of the University of Chicago
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in order to wage war against the gods for murdering her mate
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The Sorceress: The Secrets of the Immortal Nicholas Flamel
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The Epic of Gilgamesh, or This Unnameable Little Broom
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Oxford University Press, 2003. p. 493 417: 539:Open Richly Annotated Cuneiform Corpus 188:Please consider expanding the lead to 7: 88:adding citations to reliable sources 14: 1263:Mythological human–animal hybrids 34:This article has multiple issues. 1258:Mesopotamian legendary creatures 1210: 1209: 903: 666: 390: 376: 166: 64: 23: 180:may be too short to adequately 75:needs additional citations for 42:or discuss these issues on the 16:Akkadian mythological creatures 190:provide an accessible overview 1: 691:(Article with Detail-graphic) 650:10.7817/jaos.141.4.2021.ar029 595:The Babylonian Gilgamesh Epic 1243:Characters in the Enūma Eliš 255: 494:, eds. (1961). "zuqaqīpu". 334:In the Standard Babylonian 1291: 1248:Anthropomorphic arthropods 544:University of Pennsylvania 247: 1205: 901: 444:, eds. (1968). "aqrabu". 348:. These give entrance to 944:Gilgamesh in the Outback 928:The Great American Novel 571:10.4324/9781315193359-10 293:Mythology and Visual Art 1253:Mythological arthropods 1084:Demon with a Glass Hand 679:Graphic of Scorpion man 607:Harris, Rivkah (2000). 313:depicting scorpion men. 309:Drawing of an Assyrian 681:(From boundary stone: 557:Caubet, Annie (2020). 314: 236: 990:(1955 Czech oratorio) 987:The Epic of Gilgamesh 874:Other mythical beings 308: 270:, including the epic 230: 1273:Scorpions in culture 1172:Gilgamesh flood myth 1026:(1986 Serbian opera) 1008:(1970 Turkish opera) 999:(1964 Turkish opera) 960:Slaves of the Shinar 675:at Wikimedia Commons 593:A. R. 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Penn Museum
Akkadian
Akkadian language
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Mesopotamia
Enûma Elish
Epic of Gilgamesh
scorpion
Bull Lyre

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