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Sessue Hayakawa

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190: 208: 1163:, Hayakawa played a Mexican bandit, with 500 cowboys as extras. On the first night of filming, the extras drank all night and well into the next day. No work was being done, so Hayakawa challenged the group to a fight. Two men stepped forward. Hayakawa said, "The first one struck out at me. I seized his arm and sent him flying on his face along the rough ground. The second attempted to grapple and I was forced to flip him over my head and let him fall on his neck. The fall knocked him unconscious." Hayakawa then disarmed yet another cowboy. The extras returned to work, amused by the way the small man manhandled the big bruising cowboys. 378: 58: 2622: 2797: 1172: 712: 888: 3519: 1102:
anti-Japanese sentiment in the U.S., and regarded him as a traitor to the Japanese people. After Hayakawa established himself as an American superstar, the negative tone in the press that regarded him as a national and racial shame lessened by a noticeable degree, and Japanese media started publicizing Hayakawa's cinematic achievements instead. His later films were also not popular, because he was seen as "too
699: 1115: 659:. "The idea of the rape fantasy, forbidden fruit, all those taboos of race and sex—it made him a movie star. And his most rabid fan base was white women." With his popularity and "broodingly handsome" good looks, Hayakawa commanded a salary that reached over $ 3,500 a week at the height of his fame in 1919. In 1917, he built his residence, a castle-styled mansion, at the corner of 3495: 3507: 386: 3483: 873:(1923) (also produced by Robertson-Cole Pictures Corporation), a critical and financial success. German audiences found Hayakawa "sensational" and in Russia he was considered one of the "wonderful actors" of America. In addition to numerous Japanese films, Hayakawa also produced a Japanese-language stage version of 1101:
Hayakawa's early films were not popular in Japan because many felt that his roles portrayed Japanese men as sadistic and cruel. Many Japanese viewers found this portrayal insulting. Nationalistic groups in particular were censorious. Some Japanese believed that Hayakawa was contributing to increased
1058:. Hayakawa stated, "Such roles are not true to our Japanese nature... They are false and give people a wrong idea of us. I wish to make a characterization which shall reveal us as we really are." In 1949, he lamented, "My one ambition is to play a hero". Hayakawa's dilemma was analogous to that of 1151:
Physically, Hayakawa possessed "an athlete's physique and agility". A 1917 profile on Hayakawa stated that he "is proficient in jiu-jitsu, an expert fencer, and can swim like a fish. He is a good horseman and plays a fast tennis racket. He is tall for a Japanese, being five feet seven and a half
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Over the next three years, Hayakawa produced 23 films and had earned $ 2 million by 1920, with which he was able to pay back the $ 1 million he had borrowed from Connery. Hayakawa produced, starred in, and contributed to the design, writing, editing, and directing of the films. Critics hailed
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Noble gave birth to a son, Alexander Hayes, but gave Hayakawa custody of the child. Sessue and Aoki adopted him, changing his name to Yukio, and they raised and educated him in Japan. Later, they adopted two more daughters: Yoshiko, an actress, and Fujiko, a dancer. Aoki died in 1961.
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in film. This meant that unless Hayakawa's co-star was an Asian actress, he would not be able to portray a romance with her. Hayakawa was placed in this awkward position due to his ethnicity. Naturalization laws at that time prevented him from becoming a U.S. citizen and because of
1013:. He called the role the highlight of his career. After the film, Hayakawa largely retired from acting. Throughout the following years he performed guest appearances on a handful of television shows and films, making his final performance in the animated film 497:
to bring down an opponent. Hayakawa graduated from the University of Chicago in 1912, and subsequently made plans to return to Japan. Hayakawa traveled to Los Angeles and awaited a transpacific steamship. During his stay, he discovered the Japanese Theatre in
823:(1921) his appendix ruptured and while he was at the hospital there was an attempt to usurp his insurance money, second there was a baseless tabloid report that Aoki had attempted suicide, and third Hayakawa believed there was an attempt on his life by the 393: 391: 389: 387: 695:, the president of a china and glassware company in San Francisco who was willing to pay one million dollars to establish the company. In the second version, Connery's parents were multimillionaire coal mine owners who provided the million dollars. 314:(1915), and became famous for his roles as a forbidden lover. Hayakawa was one of the highest paid stars of his time, earning $ 5,000 per week in 1915, and $ 2 million per year through his own production company from 1918 to 1921. Because of rising 622:
When Sessue was getting out of his limousine in front of a theater of a premiere showing, he grimaced a little because there was a puddle. Then, dozens of female fans surrounding his car fell over one another to spread their fur coats at his feet.
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community. Media professor Karla Rae Fuller wrote in 2010: "What is even more remarkable about Hayakawa's precedent-setting career in Hollywood as an Asian American is the fact that he is virtually ignored in film history as well as star
189: 390: 1085:, with a population of about 3,500, revealed the mixed feelings about Hayakawa in middle America (and the language used to describe him): "The Jap is sure a good actor, but some people don't seem to like him." In 1930, the 879:. In the initial decades of his career, Hayakawa established himself as the first leading man of Asian descent in American and European cinema. He was also the first non-Caucasian actor to achieve international stardom. 2849: 454:. The injury caused him to fail the navy physical. His father felt shame and embarrassment by his son's failure and this drove a wedge between them. The strained relationship drove the 18-year-old Hayakawa to attempt 2842: 1062:, nine years his junior; both were foreign born, and were typecast as exotic or forbidden lovers. Although Hayakawa's contract with Famous Players expired in May 1918, the studio still asked him to star in 1288:
Furthermore, the fact that he reached such a rare level of success whereby he could form and run his own production company makes his omission from the narrative of Hollywood history even more egregious."
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Returning to the United States again in 1926 to appear on Broadway—and later in vaudeville—Hayakawa opened a Zen temple and study hall on New York's Upper West Side. Hayakawa later transitioned into doing
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got its original funding. Hayakawa himself gave two different versions. The first was in his autobiography; he tells of William Joseph Connery, a fellow University of Chicago alumnus, introducing him to
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tradition by stabbing himself more than 30 times in the abdomen. The barking dog brought Hayakawa's parents to the scene and his father used an axe to break down the door, saving his life.
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based on Hayakawa's life. The script was allegedly completed and set to film in Los Angeles, but due to constant delays and the death of Oshima in 2013, the project has yet to be filmed.
740:, or the "absence of doing", to his performances, in direct contrast to the then-popular studied poses and broad gestures. In 1918, Hayakawa personally chose the American serials actress 2865: 2737: 3629: 833:, leading to his suing the studio. He visited Japan with Aoki for the first time since he had come to the US. He returned soon afterwards, however and played the lead role in 3554: 3604: 388: 578:
with the original cast. Eager to return to Japan, Hayakawa tried to dissuade Ince by requesting the astronomic fee of $ 500 a week, but Ince agreed to his request.
462:(ritual suicide). One evening, Hayakawa entered a shed on his parents' property and prepared the venue. He put his dog outside and attempted to uphold his family's 978:, the American Consulate investigated Hayakawa's activities during the war and found that he had in no way contributed to the German war effort. Hayakawa followed 3619: 1143:, who co-starred in several of his films. Hayakawa had an affair with a white actress, Ruth Noble, a fellow vaudeville performer who had co-starred with him in 207: 2243: 1095: 1039: 814: 802:
took effect in 1920, he bought a large supply of liquor, leading him to joke that he owed his social success to his liquor supply. He took Aoki on a trip to
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After the war, Hayakawa's on-screen roles can best be described as "the honorable villain", a figure exemplified by his portrayal of Colonel Saito in
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as a sexually dominant villain made him a heartthrob among American women during a time of racial discrimination, and he became one of the first male
3614: 960:, although Hayakawa states that he mainly helped the local Japanese community during the war and after. His nomadic lifestyle continued until 1950. 531:; his father, however, convinced him to study at Chicago instead, and Hayakawa did so for a year before leaving to return to his original pursuits. 3609: 1006: 348: 2519: 3594: 3584: 2747: 2197: 1309: 3549: 1624: 937: 2812: 3574: 2662: 827:, (accused of supporting anti-Japanese legislation,) for insurance money by the collapse of an unsafe earthquake sequence on the set of 824: 1672: 3599: 3559: 2444: 1889: 1559: 1448: 1420: 1351: 520:: as a dishwasher, waiter, ice cream vendor, and factory worker; his theatrical appearances also were just another temporary pursuit. 1373: 2529: 1215: 588: 337: 3624: 799: 2488: 1756: 3579: 656: 798:
and entertained lavishly in his "Castle", which was known as the scene of some of Hollywood's wildest parties. Shortly before
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The above account, however, is disputed, in part or in whole. According to professor of Japanese language and literature at
1923: 2363: 660: 570:, a member of the acting troupe, was so impressed with Hayakawa's abilities and enthusiasm that she enticed film producer 3473: 1203: 997: 687: 655:
to the female movie-going public. "It caused a sensation," says Stephen Gong, the executive director of San Francisco's
343: 1298: 926: 867:. Hayakawa became widely known in France, where audiences "enthusiastically embraced" him and made his French debut, 2687: 2094:. Media History Digital Library Media History Digital Library. New York, NY: Variety Publishing Company. p. 12. 2807: 2792: 1314: 2189: 499: 299: 601: 30:
This article is about the actor and matinee idol from Japan. For the United States Senator from California, see
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The China Mystique: Pearl S. Buck, Anna May Wong, Mayling Soong, and the Transformation of American Orientalism
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Hayakawa costumed as the Prince of the Island of Desire in a publicity still for the 1920 silent fantasy film
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in 1923. The next decade and a half saw him also perform in Japan and Europe. In London, Hayakawa starred in
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in 1940. Hayakawa made few films in the following years, but supported himself financially by selling his
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as a villain or forbidden lover and was unable to play parts that would be given to white actors such as
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or having played sports there. Hayakawa's acting career instead likely followed a series of odd jobs in
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era of the 1910s and early 1920s. Hayakawa was the first actor of Asian descent to achieve stardom as a
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Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896–1937
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Screen World Presents the Encyclopedia of Hollywood Film Actors: From the silent era to 1965, Volume 1
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After withdrawing from the Japanese naval academy and attempting suicide at 18, Hayakawa attended the
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Another revisionist account by author Orie Nakagawa holds that Hayakawa had always intended to go to
276: 229: 2268: 3362: 3306: 3016: 2976: 2817: 1788:/projects.latimes.com/hollywood/star-walk/sessue-hayakawa/ Sessue Hayakawa - Hollywood Star Walk]. 1187: 941: 474: 291: 3394: 3087: 2269:"Watch: This Japanese actor dominated the silent film era—and went on to fight Asian stereotypes" 2166: 1378: 1124: 807: 774: 768: 605: 451: 398: 357: 2161: 1628: 1171: 813:
Hayakawa left Hollywood in 1922; different authors give various explanations such as prevailing
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and business difficulties. Nakagawa focuses on three events in particular: first on the set of
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Throughout Hayakawa's career, many segments of American society were filled with feelings of
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and Argyle Street in Hollywood, which was a local landmark until it was demolished in 1956.
640: 432: 319: 711: 586:(1914) became an instant hit and was followed by two additional pictures produced by Ince, 428: 90: 3450: 3346: 3314: 3263: 3191: 3052: 3000: 2493: 1928: 1676: 1227: 1103: 1086: 984: 964: 869: 787: 260: 94: 3442: 1072:, the role went to the barely known Valentino, turning him into a screen icon overnight. 264: 2796: 2244:"One of the First Hollywood Heartthrobs Was a Smoldering Japanese Actor. What Happened?" 1669: 651:
as Hayakawa's love interest and was a huge success, making Hayakawa a romantic idol and
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The Asian Mystique: Dragon Ladies, Geisha Girls, and Our Fantasies of the Exotic Orient
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means "continent"). One of the productions in which Hayakawa performed was called
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and in Japan and Europe for many years before making his Hollywood comeback in
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to appear opposite him in a series of films, the first being the racial drama
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From an early age, Hayakawa's family intended him to become an officer in the
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Hayakawa was known for his discipline and martial arts skills. While filming
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and business difficulties, Hayakawa left Hollywood in 1922 and performed on
2318: 2117: 859:, a one-act play written specifically for him, in front of Great Britain's 2635: 1068:. Hayakawa refused in order to start his own company. With influence from 674:
for romantic dramas in the 1910s and early 1920s. He also began acting in
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in the United States and Europe. His "broodingly handsome" good looks and
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It was around this time that Hayakawa first assumed the stage name Sessue
447: 2764: 756:(1918), which also starred Aoki. His collaboration with Sais ended with 600:
soon offered Hayakawa a contract, which he accepted, making him part of
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to see the play. Ince saw the production and offered to turn it into a
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Many of Hayakawa's films are lost. Most of his later works, including
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In 2020, Hayakawa's life story was told as part of PBS's documentary
1263: 803: 482: 351:. Hayakawa starred in over 80 feature films, and three of his films ( 295: 1152:
inches (19 cm) in height, and weighs 157 pounds (71 kg)."
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came into effect (enforced after 1934) which forbade portrayals of
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After he recovered from the suicide attempt, Hayakawa moved to the
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are available on DVD. In 1960, Hayakawa was awarded a star on the
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Miyatake Toko, a celebrity photographer in early 1900s Los Angeles
384: 376: 124: 112: 967:'s production company located Hayakawa and offered him a role in 302:. Hayakawa impressed Hollywood figures and was signed to star in 2823: 2838: 2064:
Hollywood Goes Oriental: CaucAsian Performance in American Film
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Sesshū! : sekai o miryōshita Nihonjin sutā Hayakawa Sesshū
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White women were willing to give themselves to a Japanese man.
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in accordance with his wealthy parents' wish that he become a
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The Birth of Whiteness: Race and the Emergence of U.S. Cinema
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Perpetually Cool: The Many Lives of Anna May Wong (1905-1961)
930:(1937). The same year, Hayakawa went to France to perform in 1075:
Writing to the "What the Picture Did for Me" section of the
1443:. CreateSpace Independent Publishing Platform. p. 8. 682:. He sought roles but, dissatisfied with being constantly 1250:, was performed in Tokyo in 1989. In September 2007, the 397:
A few scenes of Sessue Hayakawa acting in the 1919 film,
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National Board of Review Award for Best Supporting Actor
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Sessue Hayakawa: Silent Cinema and Transnational Stardom
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The Tool of the Sea: The Life and Times of Anna May Wong
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Distinguished Asian Americans: A Biographical Dictionary
988:(1950), in which he played real-life POW camp commander 502:
and became fascinated with acting and performing plays.
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Born in the USA: A Story of Japanese America, 1889-1947
906:; his return to Hollywood and sound film debut came in 1132: 735: 455: 3471: 2545:"Ruth Noble's Own Story of Love for Japanese Actor". 446:, he swam to the bottom of a lagoon (he grew up in a 423:
in the village of Nanaura, now part of a town called
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The Slanted Screen: Asian Men in Film and Television
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Transnational Sport: Gender, Media, and Global Korea
1603:"STG presents Sessue Hayakawa in The Dragon Painter" 1374:"Sessue Hayakawa: East And West, When The Twain Met" 1254:
hosted a retrospective on Hayakawa's work entitled:
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Hayakawa's second film for Famous Players–Lasky was
3274: 3063: 2872: 2606:. Fort Walton Beach, Florida. 1973-11-25. p. 8 1194:. He was buried in the Chokeiji Temple Cemetery in 734:-influenced acting style. Hayakawa sought to bring 442:. However, while a student at the naval academy in 200: 182: 170: 138: 130: 120: 101: 67: 39: 2813:Sessue Hayakawa: East and West, When the Twain Met 1335: 1256:Sessue Hayakawa: East and West, When the Twain Met 725:with Hayakawa, Marin Sais, and Mary Anderson, 1918 592:(1914) co-starring Hayakawa's new wife, Aoki, and 481:to fulfill his family's new wish that he become a 347:(1957), for which he earned a nomination for the 267:. He was a popular star in Hollywood during the 2059: 2057: 1182:Hayakawa retired from film in 1966. He died in 616: 543: 416: 252: 233: 2213: 2211: 2209: 1924:"Cinema can't keep up with Hayakawa's strides" 1757:IN THE SILENT MOVIE ERA, HAYAKAWA BROKE HEARTS 1098:, he could not marry someone of another race. 1022:After retiring, Hayakawa dedicated himself to 891:Hayakawa with a flight attendant in New York, 557: 551: 537: 410: 246: 72: 2850: 1483: 1481: 8: 2475:Flickers of Desire: Movie Stars of the 1910s 2076:Flickers of Desire: Movie Stars of the 1910s 1315:Stereotypes of East Asians in American media 3630:Expatriate male actors in the United States 2435:. University of California Press. pp.  2263: 2261: 2179: 2177: 2032: 2030: 1814: 1812: 1784: 1782: 1731: 1729: 1727: 1725: 1723: 1721: 1664: 1662: 1660: 1658: 1545: 1543: 1541: 1539: 1537: 1535: 1522: 1520: 2857: 2843: 2835: 2795: 2364:"1957: 'Bridge' from Hayakawa to Watanabe" 1950:Heartthrobs: A History of Women and Desire 1861: 1859: 1719: 1717: 1715: 1713: 1711: 1709: 1707: 1705: 1703: 1701: 1391: 1389: 56: 36: 3555:Japanese expatriates in the United States 2776:(book) by Sessue Hayakawa at Worldcat.org 2768:(book) by Sessue Hayakawa at Worldcat.org 2489:"Lauded in the West, ignored in the East" 2464:. Tokyo: Fujiwara Shoten. pp. 61–62. 2462:Pari Nihonjin no shinsho chizu 1867–1945 1279:His legacy is lasting, especially in the 1005:and Hayakawa earned a nomination for the 2742:. United States: Duke University Press. 2663:"Nagisa Oshima: a leading force in film" 2524:. Oxford University Press. p. 265. 2230:Historical Dictionary of Japanese Cinema 1884:. Rutgers University Press. p. 81. 1434: 1432: 1406: 1404: 1131:On May 1, 1914, Hayakawa married fellow 762:(1919). Hayakawa also appeared opposite 596:(1914). With Hayakawa's rising stardom, 527:to find work under his older brother in 485:. While a student, he reportedly played 160: 3605:Japanese emigrants to the United States 3478: 2808:Sessue Hayakawa Gallery at Silent Gents 1627:. CNN. 18 November 1997. Archived from 1367: 1365: 1363: 1326: 349:Academy Award for Best Supporting Actor 2521:The Oxford Handbook of Japanese Cinema 1917: 1915: 1913: 1575:Eaton, William J. (15 December 1993). 1042:, partly from nationalism rising from 493:team and was once penalized for using 2559: 2414: 2349: 2337: 2313:. Indianapolis: Bobbs-Merrill. 1960. 2293: 2148: 2136: 2048: 2036: 2021: 2009: 1961: 1904: 1865: 1649: 1526: 1511: 1499: 1487: 1395: 1310:Portrayal of East Asians in Hollywood 924:in the German-Japanese co-production 7: 3620:Neurological disease deaths in Japan 2720:Embodying Asian/American Sexualities 2600:"Bridge commander dies of pneumonia" 2112:. New York: Macaulay Company. 1926. 1246:A musical based on Hayakawa's life, 308:(1914). He made his breakthrough in 238:, June 10, 1886 – November 23, 1973) 851:(1924). In 1925, he wrote a novel, 825:Robertson-Cole Pictures Corporation 2572:"Ruth Noble Bids Sessue Goodbye". 2106:"The Bandit Prince | WorldCat.org" 1601:Tsutakawa, Mayumi (2 March 2017). 1081:in March 1922, a theater owner in 25: 3570:20th-century Japanese male actors 2362:Archerd, Army (7 December 2006). 1625:"Complete list of films admitted" 3590:Chicago Maroons football players 3565:Japanese male silent film actors 3517: 3505: 3493: 3481: 2620: 2242:King, Rachel (5 December 2016). 1922:Venutolo, Anthony (2008-03-08). 1106:" during a time of nationalism. 782:Hayakawa's fame rivaled that of 206: 188: 3615:Deaths from cerebral thrombosis 2803:Japan Times Article on Hayakawa 794:. Hayakawa drove a gold plated 657:Center for Asian American Media 156: 3610:Deaths from pneumonia in Japan 2661:Schilling, Mark (2013-01-17). 1825:University of Chicago Magazine 1415:. PublicAffairs. p. 124. 1009:; he was also nominated for a 1003:Academy Award for Best Picture 992:, before returning to France. 159: 1914; died  1: 2818:Literature on Sessue Hayakawa 2487:Richie, Donald (2007-08-12). 1878:Daniel Bernardi, ed. (1996). 1737:"Sessue Hayakawa: The Legend" 1465:"Sessue Hayakawa: The Legend" 1398:, pp. 1–3, 191, 227, 281 1186:on November 23, 1973, from a 892: 550:, meaning "snowy continent" ( 365:) stand in the United States 3595:Actors from Chiba Prefecture 3585:University of Chicago alumni 2686:Kristen Lopez (2020-05-12). 2396:. March 20, 1920. p. 79 2184:Lee, Juilia H (2011-10-01). 1372:Saltz, Rachel (2007-09-07). 1204:The Bridge on the River Kwai 998:The Bridge on the River Kwai 721:for the American drama film 688:Haworth Pictures Corporation 363:The Bridge on the River Kwai 344:The Bridge on the River Kwai 341:(1960) and Colonel Saito in 2587:Goodwin's Weekly, Volume 28 1299:Sessue Hayakawa filmography 1133: 938:German occupation of France 927:The Daughter of the Samurai 736: 544: 456: 417: 253: 234: 3646: 3575:Japanese male stage actors 2793:Internet Broadway Database 2162:"Obituary-Sessue Hayakawa" 1296: 1050:. Hayakawa was constantly 948:states that he joined the 912:(1931), starring opposite 240:, known professionally as 29: 27:Japanese actor (1886–1973) 3600:French Resistance members 3560:Japanese male film actors 2190:New York University Press 2170:. 1973-11-28. p. 62. 1439:Warner, Jennifer (2014). 1411:Prasso, Sheridan (2006). 1258:. Japanese film director 1001:(1957). The film won the 558: 552: 538: 450:community) on a dare and 411: 247: 225: 205: 196: 187: 178: 73: 55: 46: 1605:. International Examiner 1235:at 1645 Vine Street, in 806:where he gambled at the 730:Hayakawa's understated, 47: 3625:Japanese acting coaches 2736:Miyao, Daisuke (2007). 2460:Wada, Hirofumi (2004). 1550:Nakagawa, Orie (2012). 1175:Hayakawa's star on the 1118:Hayakawa and his wife, 1096:anti-miscegenation laws 1040:anti-Japanese sentiment 990:Lieutenant-Colonel Suga 815:anti-Japanese sentiment 316:anti-Japanese sentiment 3580:Japanese Zen Buddhists 3550:People from Minamibōsō 3256:Philip Seymour Hoffman 2275:. Timeline. 2017-10-10 1819:Monaghan, Amy (2018). 1334:Chuong, Chung (1999). 1233:Hollywood Walk of Fame 1179: 1177:Hollywood Walk of Fame 1128: 909:Daughter of the Dragon 898: 726: 708: 625: 440:Imperial Japanese Navy 401: 382: 367:National Film Registry 325:Daughter of the Dragon 3144:Klaus Maria Brandauer 2765:Zen Showed Me the Way 2604:Playground Daily News 2427:Leong, Karen (2005). 1342:. Greenwood. p.  1216:Swiss Family Robinson 1174: 1117: 1028:Zen Showed Me the Way 1007:Best Supporting Actor 890: 844:The Great Prince Shan 778:(1919). According to 747:The City of Dim Faces 714: 701: 589:The Wrath of the Gods 514:University of Chicago 479:University of Chicago 396: 380: 373:Early life and career 338:Swiss Family Robinson 288:University of Chicago 2340:, pp. 30, 33–34 1681:Silent Film Festival 1262:planned to create a 1252:Museum of Modern Art 942:watercolor paintings 876:The Three Musketeers 830:The Vermilion Pencil 750:(1918), followed by 670:, Hayakawa became a 639:(1915), directed by 602:Famous Players–Lasky 452:ruptured his eardrum 183:Signature (Japanese) 3363:Christopher Plummer 3307:Thomas Haden Church 2574:Elmira Star-Gazette 2091:Variety (July 1926) 1490:, pp. 334, 325 1188:cerebral thrombosis 1122:, in the 1919 film 916:American performer 772:(1918) and Aoki in 475:political economics 473:and began to study 292:political economics 290:, where he studied 3395:Sylvester Stallone 3088:Richard Farnsworth 2562:, pp. 162–163 2497:. japantimes.co.jp 1821:"Art and artifice" 1803:"Art and artifice" 1774:Under Foreign Eyes 1675:2020-01-31 at the 1670:The Dragon Painter 1379:The New York Times 1180: 1157:The Jaguar's Claws 1145:The Bandit Prince. 1129: 1125:The Dragon Painter 899: 808:Monte Carlo Casino 775:The Dragon Painter 769:The Temple of Dusk 727: 709: 606:Paramount Pictures 404:Hayakawa was born 402: 399:The Dragon Painter 383: 358:The Dragon Painter 77:(Hayakawa Kintarō) 3469: 3468: 3371:Leonardo DiCaprio 3208:Leonardo DiCaprio 3045:Holger Löwenadler 2773:The Bandit Prince 2749:978-0-8223-3969-4 2642:. 25 October 2019 2636:"Sessue Hayakawa" 2547:The St. Lous Star 2394:Exhibitors Herald 2386:"Robertson-Cole: 2199:978-0-8147-5256-2 1980:Los Angeles Times 1790:Los Angeles Times 1755:Locke, Michelle. 1668:Kizirian, Shari. 1581:Los Angeles Times 1190:, complicated by 1078:Exhibitors Herald 1060:Rudolph Valentino 1056:Douglas Fairbanks 974:Before issuing a 950:French Resistance 853:The Bandit Prince 784:Douglas Fairbanks 718:Exhibitors Herald 715:Advertisement in 705:The Beggar Prince 556:means "snow" and 427:, in the city of 394: 214: 213: 131:Years active 105:November 23, 1973 16:(Redirected from 3637: 3522: 3521: 3520: 3510: 3509: 3508: 3498: 3497: 3496: 3486: 3485: 3484: 3477: 3462: 3454: 3446: 3438: 3430: 3422: 3414: 3406: 3398: 3390: 3382: 3374: 3366: 3358: 3350: 3342: 3334: 3326: 3318: 3310: 3302: 3294: 3286: 3267: 3259: 3251: 3243: 3235: 3227: 3219: 3211: 3203: 3195: 3187: 3179: 3171: 3163: 3155: 3152:Daniel Day-Lewis 3147: 3139: 3131: 3123: 3115: 3107: 3099: 3091: 3083: 3075: 3056: 3048: 3040: 3032: 3020: 3012: 3004: 2996: 2988: 2980: 2972: 2964: 2956: 2948: 2945:Burgess Meredith 2940: 2932: 2924: 2916: 2908: 2900: 2897:Richard Basehart 2892: 2889:Charles Bickford 2884: 2859: 2852: 2845: 2836: 2799: 2753: 2723: 2717: 2711: 2705: 2699: 2698: 2696: 2695: 2683: 2677: 2676: 2674: 2673: 2658: 2652: 2651: 2649: 2647: 2632: 2626: 2625: 2624: 2618: 2612: 2611: 2596: 2590: 2584: 2578: 2577: 2569: 2563: 2557: 2551: 2550: 2542: 2536: 2535: 2512: 2506: 2505: 2503: 2502: 2484: 2478: 2472: 2466: 2465: 2457: 2451: 2450: 2434: 2424: 2418: 2412: 2406: 2405: 2403: 2401: 2382: 2376: 2375: 2373: 2371: 2359: 2353: 2347: 2341: 2335: 2329: 2328: 2326: 2325: 2311:www.worldcat.org 2303: 2297: 2291: 2285: 2284: 2282: 2280: 2265: 2256: 2255: 2253: 2251: 2239: 2233: 2227: 2221: 2215: 2204: 2203: 2181: 2172: 2171: 2158: 2152: 2146: 2140: 2134: 2128: 2127: 2125: 2124: 2110:www.worldcat.org 2102: 2096: 2095: 2088:Variety (1926). 2085: 2079: 2073: 2067: 2061: 2052: 2046: 2040: 2034: 2025: 2019: 2013: 2007: 2001: 2000:Bernardi, p. 71. 1998: 1992: 1991: 1989: 1988: 1971: 1965: 1959: 1953: 1947: 1941: 1940: 1938: 1937: 1932:. 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Variety 2220:. p. 318. 2078:. p. 110. 1695:. p. 179. 1266:entitled 1237:Hollywood 1222:Tokyo Joe 1198:, Japan. 1192:pneumonia 1159:, in the 1065:The Sheik 980:Tokyo Joe 970:Tokyo Joe 963:In 1949, 933:Yoshiwara 820:The Swamp 668:The Cheat 645:The Cheat 636:The Cheat 353:The Cheat 311:The Cheat 201:Signature 134:1914–1966 93:, Chiba, 2722:. p. 67. 2589:. p. 12. 2518:(2014). 2232:. p. 78. 2066:. p. 22. 1853:. p. 14. 1776:. p. 18. 1673:Archived 1304:See also 1284:studies. 1052:typecast 1019:(1966). 839:Broadway 684:typecast 676:Westerns 491:football 489:for the 328:(1931). 320:Broadway 261:Japanese 259:, was a 222:Japanese 171:Children 3474:Portals 2791:at the 2319:3316444 2167:Variety 2118:7621473 1742:Goldsea 1470:Goldsea 946:Goldsea 922:samurai 914:Chinese 904:talkies 857:Samurai 780:Goldsea 612:Stardom 495:jujitsu 477:at the 464:samurai 458:seppuku 444:Etajima 425:Chikura 333:talkies 331:Of his 230:Hepburn 165:​ 153:​ 149:​ 115:, Japan 3461:(2023) 3453:(2022) 3445:(2021) 3437:(2020) 3429:(2019) 3421:(2018) 3413:(2017) 3405:(2016) 3397:(2015) 3389:(2014) 3381:(2013) 3373:(2012) 3365:(2011) 3357:(2010) 3349:(2009) 3341:(2008) 3333:(2007) 3325:(2006) 3317:(2005) 3309:(2004) 3301:(2003) 3293:(2002) 3285:(2001) 3266:(2000) 3258:(1999) 3250:(1998) 3242:(1997) 3234:(1996) 3226:(1995) 3218:(1994) 3210:(1993) 3202:(1992) 3194:(1991) 3186:(1990) 3178:(1989) 3170:(1988) 3162:(1987) 3154:(1986) 3146:(1985) 3138:(1984) 3130:(1983) 3122:(1982) 3114:(1981) 3106:(1980) 3098:(1979) 3090:(1978) 3082:(1977) 3074:(1976) 3055:(1975) 3047:(1974) 3039:(1973) 3031:(1972) 3019:(1971) 3011:(1970) 3003:(1969) 2995:(1968) 2987:(1967) 2979:(1966) 2971:(1965) 2963:(1964) 2955:(1963) 2947:(1962) 2939:(1961) 2931:(1960) 2923:(1959) 2915:(1958) 2907:(1957) 2899:(1956) 2891:(1955) 2883:(1954) 2746:  2528:  2443:  2439:–182. 2317:  2196:  2116:  1888:  1558:  1447:  1419:  1350:  1286:  1264:biopic 1248:Sessue 1225:, and 1196:Toyama 954:Allied 804:Monaco 620:  545:Sesshū 483:banker 412:早川 金太郎 361:, and 296:banker 226:早川 金太郎 139:Spouse 74:早川 金太郎 3512:Japan 1475:p. 2. 1184:Tokyo 1135:Issei 982:with 604:(now 248:早川 雪洲 163:) 155:( 151: 125:Actor 113:Tokyo 49:早川 雪洲 3500:Film 2784:IMDb 2744:ISBN 2648:2022 2526:ISBN 2441:ISBN 2402:2022 2372:2019 2315:OCLC 2281:2019 2252:2019 2194:ISBN 2114:OCLC 1886:ISBN 1837:2019 1637:2019 1611:2019 1588:2019 1556:ISBN 1445:ISBN 1417:ISBN 1348:ISBN 1046:and 863:and 790:and 737:muga 678:and 161:1961 102:Died 68:Born 2782:at 2437:181 1831:(1) 1829:111 1344:111 837:on 766:in 732:Zen 608:). 431:in 3536:: 3027:/ 2665:. 2638:. 2602:. 2491:. 2392:. 2309:. 2271:. 2260:^ 2208:^ 2192:. 2188:. 2176:^ 2164:. 2108:. 2056:^ 2029:^ 1977:. 1926:. 1912:^ 1858:^ 1827:. 1823:. 1811:^ 1781:^ 1759:. 1739:. 1700:^ 1679:. 1657:^ 1579:. 1534:^ 1519:^ 1480:^ 1467:. 1431:^ 1403:^ 1388:^ 1376:. 1362:^ 1346:. 1239:, 1219:, 1213:, 1207:, 1030:. 893:c. 810:. 786:, 643:. 566:. 542:, 539:雪洲 415:, 369:. 355:, 251:, 232:: 228:, 224:: 157:m. 3476:: 2858:e 2851:t 2844:v 2831:. 2752:. 2697:. 2675:. 2650:. 2617:. 2534:. 2504:. 2449:. 2404:. 2390:" 2374:. 2327:. 2283:. 2254:. 2202:. 2126:. 1990:. 1939:. 1894:. 1839:. 1805:. 1792:. 1763:. 1745:. 1683:. 1639:. 1613:. 1590:. 1564:. 1473:. 1453:. 1425:. 1382:. 1356:. 972:. 559:洲 553:雪 548:) 536:( 421:) 409:( 257:) 245:( 220:( 174:3 85:) 81:( 34:. 20:)

Index

Sesshu Hayakawa
S. I. Hayakawa

Minamibōsō
Empire of Japan
Tokyo
Actor
Tsuru Aoki
早川 雪洲, Hayakawa's signature in Japanese, from an index card

Japanese
Hepburn
Japanese
matinée idol
silent film
leading man
typecasting
sex symbols
University of Chicago
political economics
banker
Little Tokyo
The Typhoon
The Cheat
anti-Japanese sentiment
Broadway
Daughter of the Dragon
talkies
Swiss Family Robinson
The Bridge on the River Kwai

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