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anti-Japanese sentiment in the U.S., and regarded him as a traitor to the
Japanese people. After Hayakawa established himself as an American superstar, the negative tone in the press that regarded him as a national and racial shame lessened by a noticeable degree, and Japanese media started publicizing Hayakawa's cinematic achievements instead. His later films were also not popular, because he was seen as "too
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659:. "The idea of the rape fantasy, forbidden fruit, all those taboos of race and sex—it made him a movie star. And his most rabid fan base was white women." With his popularity and "broodingly handsome" good looks, Hayakawa commanded a salary that reached over $ 3,500 a week at the height of his fame in 1919. In 1917, he built his residence, a castle-styled mansion, at the corner of
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873:(1923) (also produced by Robertson-Cole Pictures Corporation), a critical and financial success. German audiences found Hayakawa "sensational" and in Russia he was considered one of the "wonderful actors" of America. In addition to numerous Japanese films, Hayakawa also produced a Japanese-language stage version of
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Hayakawa's early films were not popular in Japan because many felt that his roles portrayed
Japanese men as sadistic and cruel. Many Japanese viewers found this portrayal insulting. Nationalistic groups in particular were censorious. Some Japanese believed that Hayakawa was contributing to increased
1058:. Hayakawa stated, "Such roles are not true to our Japanese nature... They are false and give people a wrong idea of us. I wish to make a characterization which shall reveal us as we really are." In 1949, he lamented, "My one ambition is to play a hero". Hayakawa's dilemma was analogous to that of
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Physically, Hayakawa possessed "an athlete's physique and agility". A 1917 profile on
Hayakawa stated that he "is proficient in jiu-jitsu, an expert fencer, and can swim like a fish. He is a good horseman and plays a fast tennis racket. He is tall for a Japanese, being five feet seven and a half
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Over the next three years, Hayakawa produced 23 films and had earned $ 2 million by 1920, with which he was able to pay back the $ 1 million he had borrowed from
Connery. Hayakawa produced, starred in, and contributed to the design, writing, editing, and directing of the films. Critics hailed
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Noble gave birth to a son, Alexander Hayes, but gave
Hayakawa custody of the child. Sessue and Aoki adopted him, changing his name to Yukio, and they raised and educated him in Japan. Later, they adopted two more daughters: Yoshiko, an actress, and Fujiko, a dancer. Aoki died in 1961.
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in film. This meant that unless
Hayakawa's co-star was an Asian actress, he would not be able to portray a romance with her. Hayakawa was placed in this awkward position due to his ethnicity. Naturalization laws at that time prevented him from becoming a U.S. citizen and because of
1013:. He called the role the highlight of his career. After the film, Hayakawa largely retired from acting. Throughout the following years he performed guest appearances on a handful of television shows and films, making his final performance in the animated film
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to bring down an opponent. Hayakawa graduated from the
University of Chicago in 1912, and subsequently made plans to return to Japan. Hayakawa traveled to Los Angeles and awaited a transpacific steamship. During his stay, he discovered the Japanese Theatre in
823:(1921) his appendix ruptured and while he was at the hospital there was an attempt to usurp his insurance money, second there was a baseless tabloid report that Aoki had attempted suicide, and third Hayakawa believed there was an attempt on his life by the
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314:(1915), and became famous for his roles as a forbidden lover. Hayakawa was one of the highest paid stars of his time, earning $ 5,000 per week in 1915, and $ 2 million per year through his own production company from 1918 to 1921. Because of rising
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When Sessue was getting out of his limousine in front of a theater of a premiere showing, he grimaced a little because there was a puddle. Then, dozens of female fans surrounding his car fell over one another to spread their fur coats at his feet.
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community. Media professor Karla Rae Fuller wrote in 2010: "What is even more remarkable about
Hayakawa's precedent-setting career in Hollywood as an Asian American is the fact that he is virtually ignored in film history as well as star
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879:. In the initial decades of his career, Hayakawa established himself as the first leading man of Asian descent in American and European cinema. He was also the first non-Caucasian actor to achieve international stardom.
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454:. The injury caused him to fail the navy physical. His father felt shame and embarrassment by his son's failure and this drove a wedge between them. The strained relationship drove the 18-year-old Hayakawa to attempt
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1062:, nine years his junior; both were foreign born, and were typecast as exotic or forbidden lovers. Although Hayakawa's contract with Famous Players expired in May 1918, the studio still asked him to star in
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Furthermore, the fact that he reached such a rare level of success whereby he could form and run his own production company makes his omission from the narrative of
Hollywood history even more egregious."
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Returning to the United States again in 1926 to appear on
Broadway—and later in vaudeville—Hayakawa opened a Zen temple and study hall on New York's Upper West Side. Hayakawa later transitioned into doing
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got its original funding. Hayakawa himself gave two different versions. The first was in his autobiography; he tells of William Joseph Connery, a fellow University of Chicago alumnus, introducing him to
435:, Japan, on June 10, 1886. From a young age he yearned to go overseas and took on English studies in preparation. His father was the head of a fishermen's union with some wealth. He had five siblings.
1577:"Out of the Vault and Onto the Film Registry's List : Movies: Some of the Library of Congress' newly selected classics and popular favorites will make a nationwide tour next September"
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tradition by stabbing himself more than 30 times in the abdomen. The barking dog brought Hayakawa's parents to the scene and his father used an axe to break down the door, saving his life.
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based on Hayakawa's life. The script was allegedly completed and set to film in Los Angeles, but due to constant delays and the death of Oshima in 2013, the project has yet to be filmed.
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with the original cast. Eager to return to Japan, Hayakawa tried to dissuade Ince by requesting the astronomic fee of $ 500 a week, but Ince agreed to his request.
462:(ritual suicide). One evening, Hayakawa entered a shed on his parents' property and prepared the venue. He put his dog outside and attempted to uphold his family's
978:, the American Consulate investigated Hayakawa's activities during the war and found that he had in no way contributed to the German war effort. Hayakawa followed
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took effect in 1920, he bought a large supply of liquor, leading him to joke that he owed his social success to his liquor supply. He took Aoki on a trip to
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After the war, Hayakawa's on-screen roles can best be described as "the honorable villain", a figure exemplified by his portrayal of Colonel Saito in
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as a sexually dominant villain made him a heartthrob among American women during a time of racial discrimination, and he became one of the first male
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960:, although Hayakawa states that he mainly helped the local Japanese community during the war and after. His nomadic lifestyle continued until 1950.
531:; his father, however, convinced him to study at Chicago instead, and Hayakawa did so for a year before leaving to return to his original pursuits.
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and entertained lavishly in his "Castle", which was known as the scene of some of Hollywood's wildest parties. Shortly before
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The above account, however, is disputed, in part or in whole. According to professor of Japanese language and literature at
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to the female movie-going public. "It caused a sensation," says Stephen Gong, the executive director of San Francisco's
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867:. Hayakawa became widely known in France, where audiences "enthusiastically embraced" him and made his French debut,
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2094:. Media History Digital Library Media History Digital Library. New York, NY: Variety Publishing Company. p. 12.
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This article is about the actor and matinee idol from Japan. For the United States Senator from California, see
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The China Mystique: Pearl S. Buck, Anna May Wong, Mayling Soong, and the Transformation of American Orientalism
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Hayakawa costumed as the Prince of the Island of Desire in a publicity still for the 1920 silent fantasy film
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in 1923. The next decade and a half saw him also perform in Japan and Europe. In London, Hayakawa starred in
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298:. Upon graduating, he traveled to Los Angeles to board a scheduled ship back to Japan, but tried acting in
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in 1940. Hayakawa made few films in the following years, but supported himself financially by selling his
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as a villain or forbidden lover and was unable to play parts that would be given to white actors such as
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or having played sports there. Hayakawa's acting career instead likely followed a series of odd jobs in
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era of the 1910s and early 1920s. Hayakawa was the first actor of Asian descent to achieve stardom as a
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Interracial Encounters: Reciprocal Representations in African and Asian American Literatures, 1896–1937
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Screen World Presents the Encyclopedia of Hollywood Film Actors: From the silent era to 1965, Volume 1
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After withdrawing from the Japanese naval academy and attempting suicide at 18, Hayakawa attended the
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Another revisionist account by author Orie Nakagawa holds that Hayakawa had always intended to go to
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1788:/projects.latimes.com/hollywood/star-walk/sessue-hayakawa/ Sessue Hayakawa - Hollywood Star Walk].
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2269:"Watch: This Japanese actor dominated the silent film era—and went on to fight Asian stereotypes"
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Hayakawa left Hollywood in 1922; different authors give various explanations such as prevailing
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and business difficulties. Nakagawa focuses on three events in particular: first on the set of
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Throughout Hayakawa's career, many segments of American society were filled with feelings of
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and Argyle Street in Hollywood, which was a local landmark until it was demolished in 1956.
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586:(1914) became an instant hit and was followed by two additional pictures produced by Ince,
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2244:"One of the First Hollywood Heartthrobs Was a Smoldering Japanese Actor. What Happened?"
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as Hayakawa's love interest and was a huge success, making Hayakawa a romantic idol and
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The Asian Mystique: Dragon Ladies, Geisha Girls, and Our Fantasies of the Exotic Orient
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2688:"'Asian Americans': PBS Documentary Compels Viewers to Honor and Remember – IndieWire"
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944:. He became friends with writer Jirōhachi Satsuma who was also trapped in France.
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means "continent"). One of the productions in which Hayakawa performed was called
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2307:"Zen Showed Me the Way ... to Peace, Happiness, and Tranquility | WorldCat.org"
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335:, Hayakawa is probably best known for his role as Kuala, the pirate captain in
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and in Japan and Europe for many years before making his Hollywood comeback in
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936:(1937), but was trapped in the country and separated from his family upon the
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to appear opposite him in a series of films, the first being the racial drama
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From an early age, Hayakawa's family intended him to become an officer in the
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Hayakawa was known for his discipline and martial arts skills. While filming
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and business difficulties, Hayakawa left Hollywood in 1922 and performed on
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859:, a one-act play written specifically for him, in front of Great Britain's
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1068:. Hayakawa refused in order to start his own company. With influence from
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for romantic dramas in the 1910s and early 1920s. He also began acting in
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in the United States and Europe. His "broodingly handsome" good looks and
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1975:"COUNTERPUNCH LETTERS: What Really Counts in Opera? Depends Whom You Ask"
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It was around this time that Hayakawa first assumed the stage name Sessue
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756:(1918), which also starred Aoki. His collaboration with Sais ended with
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soon offered Hayakawa a contract, which he accepted, making him part of
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to see the play. Ince saw the production and offered to turn it into a
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Many of Hayakawa's films are lost. Most of his later works, including
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In 2020, Hayakawa's life story was told as part of PBS's documentary
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351:. Hayakawa starred in over 80 feature films, and three of his films (
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inches (19 cm) in height, and weighs 157 pounds (71 kg)."
1243:, California for his contributions to the motion picture industry.
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came into effect (enforced after 1934) which forbade portrayals of
855:, and adapted it into a short play. In 1930, Hayakawa performed in
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After he recovered from the suicide attempt, Hayakawa moved to the
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are available on DVD. In 1960, Hayakawa was awarded a star on the
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Miyatake Toko, a celebrity photographer in early 1900s Los Angeles
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302:. Hayakawa impressed Hollywood figures and was signed to star in
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Hollywood Goes Oriental: CaucAsian Performance in American Film
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Sesshū! : sekai o miryōshita Nihonjin sutā Hayakawa Sesshū
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White women were willing to give themselves to a Japanese man.
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in accordance with his wealthy parents' wish that he become a
1881:
The Birth of Whiteness: Race and the Emergence of U.S. Cinema
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Perpetually Cool: The Many Lives of Anna May Wong (1905-1961)
930:(1937). The same year, Hayakawa went to France to perform in
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Writing to the "What the Picture Did for Me" section of the
1443:. CreateSpace Independent Publishing Platform. p. 8.
682:. He sought roles but, dissatisfied with being constantly
1250:, was performed in Tokyo in 1989. In September 2007, the
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A few scenes of Sessue Hayakawa acting in the 1919 film,
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National Board of Review Award for Best Supporting Actor
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Sessue Hayakawa: Silent Cinema and Transnational Stardom
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The Tool of the Sea: The Life and Times of Anna May Wong
1338:
Distinguished Asian Americans: A Biographical Dictionary
988:(1950), in which he played real-life POW camp commander
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and became fascinated with acting and performing plays.
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Born in the USA: A Story of Japanese America, 1889-1947
906:; his return to Hollywood and sound film debut came in
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2545:"Ruth Noble's Own Story of Love for Japanese Actor".
446:, he swam to the bottom of a lagoon (he grew up in a
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in the village of Nanaura, now part of a town called
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The Slanted Screen: Asian Men in Film and Television
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Transnational Sport: Gender, Media, and Global Korea
1603:"STG presents Sessue Hayakawa in The Dragon Painter"
1374:"Sessue Hayakawa: East And West, When The Twain Met"
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hosted a retrospective on Hayakawa's work entitled:
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Hayakawa's second film for Famous Players–Lasky was
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2606:. Fort Walton Beach, Florida. 1973-11-25. p. 8
1194:. He was buried in the Chokeiji Temple Cemetery in
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2813:Sessue Hayakawa: East and West, When the Twain Met
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1256:Sessue Hayakawa: East and West, When the Twain Met
725:with Hayakawa, Marin Sais, and Mary Anderson, 1918
592:(1914) co-starring Hayakawa's new wife, Aoki, and
481:to fulfill his family's new wish that he become a
347:(1957), for which he earned a nomination for the
267:. He was a popular star in Hollywood during the
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1182:Hayakawa retired from film in 1966. He died in
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1924:"Cinema can't keep up with Hayakawa's strides"
1757:IN THE SILENT MOVIE ERA, HAYAKAWA BROKE HEARTS
1098:, he could not marry someone of another race.
1022:After retiring, Hayakawa dedicated himself to
891:Hayakawa with a flight attendant in New York,
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8:
2475:Flickers of Desire: Movie Stars of the 1910s
2076:Flickers of Desire: Movie Stars of the 1910s
1315:Stereotypes of East Asians in American media
3630:Expatriate male actors in the United States
2435:. University of California Press. pp.
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2364:"1957: 'Bridge' from Hayakawa to Watanabe"
1950:Heartthrobs: A History of Women and Desire
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2776:(book) by Sessue Hayakawa at Worldcat.org
2768:(book) by Sessue Hayakawa at Worldcat.org
2489:"Lauded in the West, ignored in the East"
2464:. Tokyo: Fujiwara Shoten. pp. 61–62.
2462:Pari Nihonjin no shinsho chizu 1867–1945
1279:His legacy is lasting, especially in the
1005:and Hayakawa earned a nomination for the
2742:. United States: Duke University Press.
2663:"Nagisa Oshima: a leading force in film"
2524:. Oxford University Press. p. 265.
2230:Historical Dictionary of Japanese Cinema
1884:. Rutgers University Press. p. 81.
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1131:On May 1, 1914, Hayakawa married fellow
762:(1919). Hayakawa also appeared opposite
596:(1914). With Hayakawa's rising stardom,
527:to find work under his older brother in
485:. While a student, he reportedly played
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3605:Japanese emigrants to the United States
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2808:Sessue Hayakawa Gallery at Silent Gents
1627:. CNN. 18 November 1997. Archived from
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349:Academy Award for Best Supporting Actor
2521:The Oxford Handbook of Japanese Cinema
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1575:Eaton, William J. (15 December 1993).
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2313:. Indianapolis: Bobbs-Merrill. 1960.
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924:in the German-Japanese co-production
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3620:Neurological disease deaths in Japan
2720:Embodying Asian/American Sexualities
2600:"Bridge commander dies of pneumonia"
2112:. New York: Macaulay Company. 1926.
1246:A musical based on Hayakawa's life,
308:(1914). He made his breakthrough in
238:, June 10, 1886 – November 23, 1973)
851:(1924). In 1925, he wrote a novel,
825:Robertson-Cole Pictures Corporation
2572:"Ruth Noble Bids Sessue Goodbye".
2106:"The Bandit Prince | WorldCat.org"
1601:Tsutakawa, Mayumi (2 March 2017).
1081:in March 1922, a theater owner in
25:
3570:20th-century Japanese male actors
2362:Archerd, Army (7 December 2006).
1625:"Complete list of films admitted"
3590:Chicago Maroons football players
3565:Japanese male silent film actors
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2242:King, Rachel (5 December 2016).
1922:Venutolo, Anthony (2008-03-08).
1106:" during a time of nationalism.
782:Hayakawa's fame rivaled that of
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3615:Deaths from cerebral thrombosis
2803:Japan Times Article on Hayakawa
794:. Hayakawa drove a gold plated
657:Center for Asian American Media
156:
3610:Deaths from pneumonia in Japan
2661:Schilling, Mark (2013-01-17).
1825:University of Chicago Magazine
1415:. PublicAffairs. p. 124.
1009:; he was also nominated for a
1003:Academy Award for Best Picture
992:, before returning to France.
159: 1914; died
1:
2818:Literature on Sessue Hayakawa
2487:Richie, Donald (2007-08-12).
1878:Daniel Bernardi, ed. (1996).
1737:"Sessue Hayakawa: The Legend"
1465:"Sessue Hayakawa: The Legend"
1398:, pp. 1–3, 191, 227, 281
1186:on November 23, 1973, from a
892:
550:, meaning "snowy continent" (
365:) stand in the United States
3595:Actors from Chiba Prefecture
3585:University of Chicago alumni
2686:Kristen Lopez (2020-05-12).
2396:. March 20, 1920. p. 79
2184:Lee, Juilia H (2011-10-01).
1372:Saltz, Rachel (2007-09-07).
1204:The Bridge on the River Kwai
998:The Bridge on the River Kwai
721:for the American drama film
688:Haworth Pictures Corporation
363:The Bridge on the River Kwai
344:The Bridge on the River Kwai
341:(1960) and Colonel Saito in
2587:Goodwin's Weekly, Volume 28
1299:Sessue Hayakawa filmography
1133:
938:German occupation of France
927:The Daughter of the Samurai
736:
544:
456:
417:
253:
234:
3646:
3575:Japanese male stage actors
2793:Internet Broadway Database
2162:"Obituary-Sessue Hayakawa"
1296:
1050:. Hayakawa was constantly
948:states that he joined the
912:(1931), starring opposite
240:, known professionally as
29:
27:Japanese actor (1886–1973)
3600:French Resistance members
3560:Japanese male film actors
2190:New York University Press
2170:. 1973-11-28. p. 62.
1439:Warner, Jennifer (2014).
1411:Prasso, Sheridan (2006).
1258:. Japanese film director
1001:(1957). The film won the
558:
552:
538:
450:community) on a dare and
411:
247:
225:
205:
196:
187:
178:
73:
55:
46:
1605:. International Examiner
1235:at 1645 Vine Street, in
806:where he gambled at the
730:Hayakawa's understated,
47:
3625:Japanese acting coaches
2736:Miyao, Daisuke (2007).
2460:Wada, Hirofumi (2004).
1550:Nakagawa, Orie (2012).
1175:Hayakawa's star on the
1118:Hayakawa and his wife,
1096:anti-miscegenation laws
1040:anti-Japanese sentiment
990:Lieutenant-Colonel Suga
815:anti-Japanese sentiment
316:anti-Japanese sentiment
3580:Japanese Zen Buddhists
3550:People from Minamibōsō
3256:Philip Seymour Hoffman
2275:. Timeline. 2017-10-10
1819:Monaghan, Amy (2018).
1334:Chuong, Chung (1999).
1233:Hollywood Walk of Fame
1179:
1177:Hollywood Walk of Fame
1128:
909:Daughter of the Dragon
898:
726:
708:
625:
440:Imperial Japanese Navy
401:
382:
367:National Film Registry
325:Daughter of the Dragon
3144:Klaus Maria Brandauer
2765:Zen Showed Me the Way
2604:Playground Daily News
2427:Leong, Karen (2005).
1342:. Greenwood. p.
1216:Swiss Family Robinson
1174:
1117:
1028:Zen Showed Me the Way
1007:Best Supporting Actor
890:
844:The Great Prince Shan
778:(1919). According to
747:The City of Dim Faces
714:
701:
589:The Wrath of the Gods
514:University of Chicago
479:University of Chicago
396:
380:
373:Early life and career
338:Swiss Family Robinson
288:University of Chicago
2340:, pp. 30, 33–34
1681:Silent Film Festival
1262:planned to create a
1252:Museum of Modern Art
942:watercolor paintings
876:The Three Musketeers
830:The Vermilion Pencil
750:(1918), followed by
670:, Hayakawa became a
639:(1915), directed by
602:Famous Players–Lasky
452:ruptured his eardrum
183:Signature (Japanese)
3363:Christopher Plummer
3307:Thomas Haden Church
2574:Elmira Star-Gazette
2091:Variety (July 1926)
1490:, pp. 334, 325
1188:cerebral thrombosis
1122:, in the 1919 film
916:American performer
772:(1918) and Aoki in
475:political economics
473:and began to study
292:political economics
290:, where he studied
3395:Sylvester Stallone
3088:Richard Farnsworth
2562:, pp. 162–163
2497:. japantimes.co.jp
1821:"Art and artifice"
1803:"Art and artifice"
1774:Under Foreign Eyes
1675:2020-01-31 at the
1670:The Dragon Painter
1379:The New York Times
1180:
1157:The Jaguar's Claws
1145:The Bandit Prince.
1129:
1125:The Dragon Painter
899:
808:Monte Carlo Casino
775:The Dragon Painter
769:The Temple of Dusk
727:
709:
606:Paramount Pictures
404:Hayakawa was born
402:
399:The Dragon Painter
383:
358:The Dragon Painter
77:(Hayakawa Kintarō)
3469:
3468:
3371:Leonardo DiCaprio
3208:Leonardo DiCaprio
3045:Holger Löwenadler
2773:The Bandit Prince
2749:978-0-8223-3969-4
2642:. 25 October 2019
2636:"Sessue Hayakawa"
2547:The St. Lous Star
2394:Exhibitors Herald
2386:"Robertson-Cole:
2199:978-0-8147-5256-2
1980:Los Angeles Times
1790:Los Angeles Times
1755:Locke, Michelle.
1668:Kizirian, Shari.
1581:Los Angeles Times
1190:, complicated by
1078:Exhibitors Herald
1060:Rudolph Valentino
1056:Douglas Fairbanks
974:Before issuing a
950:French Resistance
853:The Bandit Prince
784:Douglas Fairbanks
718:Exhibitors Herald
715:Advertisement in
705:The Beggar Prince
556:means "snow" and
427:, in the city of
394:
214:
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131:Years active
105:November 23, 1973
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661:Franklin Avenue
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3229:
3225:
3221:
3217:
3213:
3209:
3205:
3201:
3197:
3193:
3189:
3185:
3181:
3177:
3173:
3169:
3168:River Phoenix
3165:
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3141:
3137:
3133:
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3077:
3073:
3072:Jason Robards
3069:
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3054:
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3046:
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3037:John Houseman
3034:
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3018:
3014:
3010:
3006:
3002:
2998:
2994:
2990:
2986:
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2974:
2970:
2969:Harry Andrews
2966:
2962:
2961:Martin Balsam
2958:
2954:
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2946:
2942:
2938:
2934:
2930:
2926:
2922:
2921:Hugh Griffith
2918:
2914:
2910:
2906:
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2898:
2894:
2890:
2886:
2882:
2881:John Williams
2878:
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2637:
2631:
2628:
2623:
2616:
2605:
2601:
2595:
2592:
2588:
2583:
2580:
2576:. 1931-12-17.
2575:
2568:
2565:
2561:
2556:
2553:
2549:. 1931-12-24.
2548:
2541:
2538:
2533:
2531:9780199731664
2527:
2523:
2522:
2517:
2511:
2508:
2496:
2495:
2490:
2483:
2480:
2477:. p. 111–112.
2476:
2471:
2468:
2463:
2456:
2453:
2448:
2442:
2438:
2433:
2432:
2423:
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2416:
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2408:
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2389:
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2355:
2352:, p. 153
2351:
2346:
2343:
2339:
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2320:
2316:
2312:
2308:
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2299:
2296:, p. 260
2295:
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2178:
2174:
2169:
2168:
2163:
2157:
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2145:
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2138:
2133:
2130:
2119:
2115:
2111:
2107:
2101:
2098:
2093:
2092:
2084:
2081:
2077:
2072:
2069:
2065:
2060:
2058:
2054:
2051:, p. 226
2050:
2045:
2042:
2039:, p. 261
2038:
2033:
2031:
2027:
2023:
2018:
2015:
2012:, p. 303
2011:
2006:
2003:
1997:
1994:
1982:
1981:
1976:
1970:
1967:
1964:, p. 214
1963:
1958:
1955:
1952:. p. 111–112.
1951:
1946:
1943:
1931:
1930:
1925:
1918:
1916:
1914:
1910:
1906:
1901:
1898:
1893:
1887:
1883:
1882:
1874:
1871:
1867:
1862:
1860:
1856:
1852:
1849:Chin, Frank.
1846:
1843:
1830:
1826:
1822:
1815:
1813:
1809:
1804:
1798:
1795:
1791:
1785:
1783:
1779:
1775:
1772:King, James.
1769:
1766:
1762:
1758:
1752:
1749:
1744:
1743:
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1661:
1659:
1655:
1652:, p. 241
1651:
1646:
1643:
1631:on 2011-01-31
1630:
1626:
1620:
1617:
1604:
1597:
1594:
1582:
1578:
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1568:
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1532:
1529:, p. 263
1528:
1523:
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1514:, p. 227
1513:
1508:
1505:
1502:, p. 176
1501:
1496:
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1308:
1307:
1303:
1300:
1292:
1290:
1282:
1277:
1276:
1271:
1269:
1268:Hollywood Zen
1265:
1261:
1260:Nagisa Oshima
1257:
1253:
1249:
1244:
1242:
1238:
1234:
1230:
1229:
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1205:
1199:
1197:
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1161:Mojave Desert
1158:
1153:
1149:
1146:
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1137:
1136:
1127:
1126:
1121:
1116:
1110:Personal life
1109:
1107:
1105:
1099:
1097:
1092:
1091:miscegenation
1088:
1084:
1083:Denison, Iowa
1080:
1079:
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918:Anna May Wong
915:
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871:
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862:
861:King George V
858:
854:
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845:
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832:
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611:
609:
607:
603:
599:
595:
594:The Sacrifice
591:
590:
585:
584:
579:
577:
573:
569:
565:
546:
532:
530:
529:San Francisco
526:
521:
519:
515:
511:
510:Daisuke Miyao
508:
503:
501:
496:
492:
488:
484:
480:
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471:United States
467:
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92:
87:June 10, 1886
70:
66:
59:
54:
45:
38:
33:
19:
3459:Mark Ruffalo
3443:Ciarán Hinds
3411:Willem Dafoe
3403:Jeff Bridges
3299:Alec Baldwin
3291:Chris Cooper
3275:2001–present
3240:Greg Kinnear
3224:Kevin Spacey
3160:Sean Connery
3080:Tom Skerritt
2913:Albert Salmi
2904:
2822:
2771:
2763:
2738:
2730:Bibliography
2719:
2715:
2707:
2703:
2692:. Retrieved
2681:
2670:. Retrieved
2666:
2656:
2644:. Retrieved
2640:Walk of Fame
2639:
2630:
2613:– via
2608:. Retrieved
2603:
2594:
2586:
2582:
2573:
2567:
2555:
2546:
2540:
2520:
2510:
2499:. Retrieved
2492:
2482:
2474:
2470:
2461:
2455:
2430:
2422:
2410:
2398:. Retrieved
2393:
2388:The Tong Man
2387:
2380:
2368:. Retrieved
2357:
2345:
2333:
2322:. Retrieved
2310:
2301:
2289:
2277:. Retrieved
2273:timeline.com
2272:
2248:. Retrieved
2237:
2229:
2225:
2217:
2185:
2165:
2156:
2144:
2132:
2121:. Retrieved
2109:
2100:
2090:
2083:
2075:
2071:
2063:
2044:
2024:, p. 50
2017:
2005:
1996:
1985:. Retrieved
1983:. 1993-06-21
1978:
1969:
1957:
1949:
1945:
1934:. Retrieved
1927:
1900:
1880:
1873:
1868:, p. 55
1850:
1845:
1833:. Retrieved
1828:
1824:
1797:
1789:
1773:
1768:
1761:Deseret News
1760:
1751:
1740:
1692:
1688:
1680:
1645:
1633:. Retrieved
1629:the original
1619:
1607:. Retrieved
1596:
1584:. Retrieved
1580:
1570:
1554:. Kodansha.
1551:
1507:
1495:
1468:
1459:
1440:
1412:
1377:
1337:
1329:
1278:
1274:
1272:
1267:
1255:
1247:
1245:
1226:
1220:
1214:
1208:
1202:
1200:
1181:
1156:
1154:
1150:
1144:
1130:
1123:
1104:Americanized
1100:
1076:
1074:
1063:
1048:World War II
1037:
1027:
1024:Zen Buddhism
1021:
1014:
1011:Golden Globe
996:
994:
983:
979:
968:
962:
958:World War II
931:
925:
907:
900:
883:Later career
874:
868:
856:
852:
848:
842:
834:
828:
818:
812:
796:Pierce-Arrow
773:
767:
757:
751:
745:
728:
722:
716:
703:
680:action films
667:
665:
644:
634:
632:
626:
617:
593:
587:
581:
580:
563:
533:
522:
507:UC San Diego
504:
500:Little Tokyo
468:
437:
405:
403:
362:
356:
352:
342:
336:
330:
323:
309:
303:
300:Little Tokyo
285:
265:matinée idol
263:actor and a
241:
216:
215:
107:(1973-11-23)
3545:1973 deaths
3540:1886 births
3419:Sam Elliott
3339:Josh Brolin
3216:Gary Sinise
3096:Paul Dooley
3017:Ben Johnson
2977:Robert Shaw
2829:Jeff Adachi
2417:, p. 6
2400:October 27,
2370:28 November
2279:24 November
2250:24 November
2151:, p. 3
2139:, p. 5
1907:, p. 1
1835:24 November
1635:25 November
1609:25 November
1586:25 November
1293:Filmography
1241:Los Angeles
1070:June Mathis
1044:World War I
976:work permit
952:and helped
896: 1960
870:La Bataille
847:(1924) and
800:Prohibition
672:leading man
649:Fannie Ward
647:co-starred
583:The Typhoon
576:silent film
564:The Typhoon
487:quarterback
305:The Typhoon
281:sex symbols
277:typecasting
273:leading man
269:silent film
3534:Categories
3379:Will Forte
2993:Leo McKern
2694:2020-05-19
2672:2014-12-21
2646:27 October
2610:2014-12-10
2560:Miyao 2014
2501:2013-03-09
2415:Miyao 2007
2350:Miyao 2007
2338:Miyao 2007
2324:2022-12-28
2294:Miyao 2007
2149:Miyao 2007
2137:Miyao 2007
2123:2022-12-28
2049:Miyao 2007
2037:Miyao 2007
2022:Miyao 2007
2010:Miyao 2007
1987:2013-03-09
1962:Miyao 2007
1936:2013-03-09
1905:Miyao 2007
1866:Miyao 2007
1650:Miyao 2007
1527:Miyao 2007
1512:Miyao 2007
1500:Miyao 2007
1488:Miyao 2007
1396:Miyao 2007
1321:References
1141:Tsuru Aoki
1139:performer
1120:Tsuru Aoki
865:Queen Mary
835:Tiger Lily
764:Jane Novak
742:Marin Sais
666:Following
653:sex symbol
568:Tsuru Aoki
525:California
518:California
429:Minamibōsō
145:Tsuru Aoki
121:Occupation
91:Minamibōsō
83:1886-06-10
3488:Biography
3435:Paul Raci
3427:Brad Pitt
3248:Ed Harris
3184:Joe Pesci
3176:Alan Alda
3104:Joe Pesci
3064:1976–2000
3029:Al Pacino
3025:Joel Grey
2985:Paul Ford
2873:1954–1975
2710:. p. 284.
2366:. Variety
2220:. p. 318.
2078:. p. 110.
1695:. p. 179.
1266:entitled
1237:Hollywood
1222:Tokyo Joe
1198:, Japan.
1192:pneumonia
1159:, in the
1065:The Sheik
980:Tokyo Joe
970:Tokyo Joe
963:In 1949,
933:Yoshiwara
820:The Swamp
668:The Cheat
645:The Cheat
636:The Cheat
353:The Cheat
311:The Cheat
201:Signature
134:1914–1966
93:, Chiba,
2722:. p. 67.
2589:. p. 12.
2518:(2014).
2232:. p. 78.
2066:. p. 22.
1853:. p. 14.
1776:. p. 18.
1673:Archived
1304:See also
1284:studies.
1052:typecast
1019:(1966).
839:Broadway
684:typecast
676:Westerns
491:football
489:for the
328:(1931).
320:Broadway
261:Japanese
259:, was a
222:Japanese
171:Children
3474:Portals
2791:at the
2319:3316444
2167:Variety
2118:7621473
1742:Goldsea
1470:Goldsea
946:Goldsea
922:samurai
914:Chinese
904:talkies
857:Samurai
780:Goldsea
612:Stardom
495:jujitsu
477:at the
464:samurai
458:seppuku
444:Etajima
425:Chikura
333:talkies
331:Of his
230:Hepburn
165:
153:
149:
115:, Japan
3461:(2023)
3453:(2022)
3445:(2021)
3437:(2020)
3429:(2019)
3421:(2018)
3413:(2017)
3405:(2016)
3397:(2015)
3389:(2014)
3381:(2013)
3373:(2012)
3365:(2011)
3357:(2010)
3349:(2009)
3341:(2008)
3333:(2007)
3325:(2006)
3317:(2005)
3309:(2004)
3301:(2003)
3293:(2002)
3285:(2001)
3266:(2000)
3258:(1999)
3250:(1998)
3242:(1997)
3234:(1996)
3226:(1995)
3218:(1994)
3210:(1993)
3202:(1992)
3194:(1991)
3186:(1990)
3178:(1989)
3170:(1988)
3162:(1987)
3154:(1986)
3146:(1985)
3138:(1984)
3130:(1983)
3122:(1982)
3114:(1981)
3106:(1980)
3098:(1979)
3090:(1978)
3082:(1977)
3074:(1976)
3055:(1975)
3047:(1974)
3039:(1973)
3031:(1972)
3019:(1971)
3011:(1970)
3003:(1969)
2995:(1968)
2987:(1967)
2979:(1966)
2971:(1965)
2963:(1964)
2955:(1963)
2947:(1962)
2939:(1961)
2931:(1960)
2923:(1959)
2915:(1958)
2907:(1957)
2899:(1956)
2891:(1955)
2883:(1954)
2746:
2528:
2443:
2439:–182.
2317:
2196:
2116:
1888:
1558:
1447:
1419:
1350:
1286:
1264:biopic
1248:Sessue
1225:, and
1196:Toyama
954:Allied
804:Monaco
620:
545:Sesshū
483:banker
412:早川 金太郎
361:, and
296:banker
226:早川 金太郎
139:Spouse
74:早川 金太郎
3512:Japan
1475:p. 2.
1184:Tokyo
1135:Issei
982:with
604:(now
248:早川 雪洲
163:)
155:(
151:
125:Actor
113:Tokyo
49:早川 雪洲
3500:Film
2784:IMDb
2744:ISBN
2648:2022
2526:ISBN
2441:ISBN
2402:2022
2372:2019
2315:OCLC
2281:2019
2252:2019
2194:ISBN
2114:OCLC
1886:ISBN
1837:2019
1637:2019
1611:2019
1588:2019
1556:ISBN
1445:ISBN
1417:ISBN
1348:ISBN
1046:and
863:and
790:and
737:muga
678:and
161:1961
102:Died
68:Born
2782:at
2437:181
1831:(1)
1829:111
1344:111
837:on
766:in
732:Zen
608:).
431:in
3536::
3027:/
2665:.
2638:.
2602:.
2491:.
2392:.
2309:.
2271:.
2260:^
2208:^
2192:.
2188:.
2176:^
2164:.
2108:.
2056:^
2029:^
1977:.
1926:.
1912:^
1858:^
1827:.
1823:.
1811:^
1781:^
1759:.
1739:.
1700:^
1679:.
1657:^
1579:.
1534:^
1519:^
1480:^
1467:.
1431:^
1403:^
1388:^
1376:.
1362:^
1346:.
1239:,
1219:,
1213:,
1207:,
1030:.
893:c.
810:.
786:,
643:.
566:.
542:,
539:雪洲
415:,
369:.
355:,
251:,
232::
228:,
224::
157:m.
3476::
2858:e
2851:t
2844:v
2831:.
2752:.
2697:.
2675:.
2650:.
2617:.
2534:.
2504:.
2449:.
2404:.
2390:"
2374:.
2327:.
2283:.
2254:.
2202:.
2126:.
1990:.
1939:.
1894:.
1839:.
1805:.
1792:.
1763:.
1745:.
1683:.
1639:.
1613:.
1590:.
1564:.
1473:.
1453:.
1425:.
1382:.
1356:.
972:.
559:洲
553:雪
548:)
536:(
421:)
409:(
257:)
245:(
220:(
174:3
85:)
81:(
34:.
20:)
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