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Additionally, the nature of polarized 3D projection requires the use of interposed filters, and the overall image is consequently less bright than if it were being normally projected. Silver lenticular screens help compensate by reflecting more light back than a "modern" screen would—the same
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compared to their more modern counterparts because of their inability to completely disperse light. In addition, a single projection source tends to over-saturate the center of the screen and leave the peripheries darker, depending on the position of the viewer and how well adjusted the lamp head
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projectionist Harry
Coulter Williams invented the vinyl plastic Williams Perlite screen in 1947. He had started experimenting with creating an improved screen by "painting a stout cloth with silver paint" in 1925. The Williams Perlite was marketed as an all-purpose, tear-resistant screen that was
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This screen type also has a higher gain; however, the nature of its construction results in limited viewing angles and a loss of resolution since glass-beaded screens are retro-reflective, that is, their reflection is directed back toward the light source. The glass-beaded surface can develop
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Reports mentioning silver screens don't appear in US papers until over a decade later. In 1909, the Lyric theatre in Smith St., New Jersey was "equipped with a new patent silver-coated screen". A 1910 article praises a new, silver screen installed at the Gem theatre in North Dakota, which is
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relative to direct light; this is not the case if the light is reflected from a metallic surface). As many 3D technologies in use today depend upon maintaining the polarization of the images to be presented to each eye, the reflecting surface needs to be metallic rather than dielectric.
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This screen provides the widest viewing angles while producing no glare and no hot spotting. These characteristics have made it the most common variety of screen currently produced and has allowed it to become the entertainment industry's
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The phrase's use as a metonym can be observed several years later. The New York Times reported on the "First
National Motion Picture Exposition" which took place in 1916 and started with "a parade of the stars of the silver screen".
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and the angle of incidence; this is not the case for an electric conductor such as a metal (as an illustration of this, sunlight reflected from a horizontal surface such as a reflective road surface or water is attenuated by
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Living
Pictures presentations, "now shown on a new silver screen which brings the pictures out almost as well as electric light." The novelty of this screen was emphasised by Cheetham, and he later named his the Silvograph.
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Similar to a silver screen, this screen has narrow viewing angles and a higher gain (the measure of reflected light), but it does suffer from color-shifts to red and a tendency to hot spot.
206:, and early 3D movies. They were advertised as providing "a brighter picture at all angles" with "top reflectivity at direct viewing" and "extra diffusion for side seats and balcony."
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Due to these limitations and the continued innovation of screen materials, the use of silver screens in the general motion picture exhibition industry has mostly been phased out.
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Silver lenticular screens, while no longer employed as the standard for motion picture projection, have come back into use as they are ideally suited for modern
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described as being "coated with aluminum or silver paint". As a result of this, "each picture stands out a great deal more distinctly than on the old screen."
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Similar to a silver screen, but using aluminium to coat the surface. Used for 3D films for the same reason as silver screens.
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Silver lenticular (vertically ridged) screens, which are made from a tightly woven fabric, either natural, such as
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There are descriptions of a silver screen being used in the presentation of films as early as 1897. Film exhibitor
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noticeable dark spots with age or mishandling as the beads can wear off. It is popular in the amateur market.
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Each of these screen types continues to enjoy widespread popularity for both home and business applications:
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images that were a staple of early projected images. Other silver screens are made by taking normal
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Reflection 2.2: Fresnel equations for reflection from a dielectric surface
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for the cinema industry. The term silver screen comes from the actual
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purpose they originally served in the early days of motion pictures.
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True silver screens, however, provide narrower horizontal/vertical
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sheets and adhering silver dust to them; the effect is the same.
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728:"Kenmore resident made history in the movie business"
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Metallic screens increased in popularity during the
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16:Projection screen used in motion picture industry
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146:industry and passed into popular usage as a
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255:. Unsourced material may be challenged and
142:that was popular in the early years of the
213:boom that occurred in the 2000s to 2010s.
602:Wales and Cinema: The First Hundred Years
468:Learn how and when to remove this message
373:Learn how and when to remove this message
275:Learn how and when to remove this message
118:Learn how and when to remove this message
605:. University of Wales Press. p. 38.
295:, were excellent for use with low-power
649:. 8 September 1910. p. 2, column 3
623:. 4 September 1909. p. 4, column 4
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669:"FILM LAND HISTORY TOLD IN EXPOSITION"
696:Nichols, Kenneth (9 September 1966).
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677:. 7 May 1916. p. E3, column 4
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708:from the original on 5 July 2023
573:"MR. CHEETHAM'S LIVING PICTURES"
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154:(or similarly reflective
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621:Perth Amboy Evening News
136:silver lenticular screen
387:polarized 3D projection
647:Bismarck Daily Tribune
599:Berry, David (1994).
532:high contrast screen
442:improve this section
351:improve this article
323:Use in 3D projection
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52:improve this article
19:For other uses, see
643:"NEW SILVER SCREEN"
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200:CinemaScope
192:Warner Bros
187:Akron, Ohio
558:References
399:sunglasses
194:of nearby
108:March 2009
78:newspapers
553:standard.
458:June 2022
429:does not
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236:does not
156:aluminium
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706:Archived
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211:3D film
162:History
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