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and lip-syncs while another character makes music from within. Of course, he continues lip-syncing and strumming his quiet lute after the true player ceases to make any sounds and exposes himself as a fraud. The original
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saw the play seven times, and called it "the most entire piece of mirth...that certainly was ever writ." According to Downes, the play made "more money than any preceding comedy" at the Duke of York's
Theatre.
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in 1668, in an anonymous volume, which was re-issued in 1678; a third edition in 1691 carried Dryden's name, and the play was included in the 1695 edition of Dryden's collected works.
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55:(1708), maintained that Newcastle executed "a bare translation" of Molière's play, which was revised and adapted by Dryden. The play was first published in
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was referenced by other poets for the foolishness of the title character, who, in order to impress his mistress
Millicent, mimes playing a
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The initial production of the play was a huge success; it ran for thirty-two performances and was acted four times at Court.
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Brooks, Harold F. (April 1948). "Molière et la comedie de moeurs en
Angleterre (1660-1668) by Andre de Mandach".
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40:, it was one of Dryden's earliest comedies, and also one of the greatest theatrical successes of his career.
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In addition to
Newcastle's translation of Molière, Dryden also adapted material from
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The First
Duchess of Newcastle and Her Husband as Figures in Literary History.
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227:Ann Arbor, MI, University of Michigan Press, 1935.
212:The London Stage, 1660-1800: Volume One, 1660-1700
214:. Southern Illinois University Press, 1960. p.111
28:, first performed on 15 August 1667. Written by
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8:
21:Sir Martin Mar-all, or The Feign'd Innocence
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143:The Diary of Samuel Pepys, 15 August 1667
162:(94). Oxford University Press: 159–160.
49:William Cavendish, 1st Duke of Newcastle
135:
225:The Sources of John Dryden's Comedies.
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192:Boston, Ginn and Co., 1918; p. 150.
573:Mr. Limberham; or, the Kind Keeper
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16:Restoration comedy by John Dryden
290:
691:Plays based on works by Molière
43:The play's 1666 entry into the
32:and based on a translation of
1:
156:The Review of English Studies
418:A Song for St. Cecilia's Day
629:Cleomenes, the Spartan Hero
722:
706:Plays based on other plays
308:Fables, Ancient and Modern
168:10.1093/res/os-XXIV.94.159
696:English Restoration plays
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280:Essay of Dramatick Poesie
410:The Hind and the Panther
517:The Conquest of Granada
188:Perry, Henry Ten Eyck.
378:Absalom and Achitophel
327:The State of Innocence
84:as Sir Martin Marall,
51:. John Downes, in his
88:as Sir John Swallow,
78:Dorset Garden Theatre
701:Plays by John Dryden
589:Troilus and Cressida
549:The Mistaken Husband
402:Threnodia Augustalis
45:Stationers' Register
469:The Indian Emperour
335:Albion and Albanius
92:as Lord Dartmouth,
665:Restoration comedy
533:Marriage à la mode
493:Sir Martin Mar-all
223:Allen, Ned Bliss.
125:Shackerley Marmion
69:Sir Martin Mar-all
53:Roscius Anglicanus
26:Restoration comedy
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605:The Duke of Guise
597:The Spanish Friar
501:An Evening's Love
426:Alexander's Feast
210:* Van Lennep, W.
109:Philippe Quinault
105:L'Amant Indiscrit
96:as Old Moody and
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477:The Maiden Queen
461:The Rival Ladies
453:The Indian Queen
445:The Wild Gallant
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525:The Assignation
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201:Perry, p. 151.
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94:Cave Underhill
80:cast included
24:is an English
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121:The Antiquary
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117:Charles Sorel
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86:William Smith
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565:All for Love
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300:Translations
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98:Henry Harris
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64:Samuel Pepys
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557:Aureng-zebe
485:The Tempest
343:King Arthur
265:John Dryden
119:, and from
111:, from the
100:as Warner.
82:James Nokes
30:John Dryden
686:1677 plays
680:Categories
621:Amphitryon
131:References
90:John Young
381:(1681-82)
263:Works by
34:L'Étourdi
113:Francion
648:Related
581:Oedipus
541:Amboyna
38:Molière
640:(1694)
632:(1692)
624:(1691)
616:(1689)
608:(1682)
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592:(1679)
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429:(1697)
421:(1687)
413:(1687)
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397:(1682)
389:(1682)
373:(1667)
365:(1660)
354:Poetry
346:(1691)
338:(1685)
330:(1677)
319:Operas
311:(1700)
283:(1668)
272:Essays
176:509947
174:
57:quarto
437:Plays
172:JSTOR
73:lute
164:doi
123:by
115:of
107:by
36:by
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170:.
160:24
158:.
127:.
256:e
249:t
242:v
178:.
166::
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