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1798, on her deathbed extracting a promise from her sister never to marry
Lawrence. Sally kept her promise and refused to see Lawrence again; she died in 1803. Lawrence continued on friendly terms with their mother and painted several portraits of her. He never married. In later years, two women provided him with companionship — friends Elizabeth Croft, and Isabella Wolff, who met Lawrence when she sat for her portrait in 1803. Isabella was married to Danish consul Jens Wolff, but she separated from him in 1810. Sir Michael Levey suggests that people may have wondered if Lawrence was the father of her son Herman.
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943:) found their way to the United States during the early-20th-century enthusiasm there for English portraits. Sir Michael Levey acknowledges that Lawrence is still dismissed by some art historians: "He was a highly original artist, quite unexpected on the English scene: self-taught, self-absorbed in perfecting his own personal style, and in effect self-destructing, since he left behind no significant followers or creative influence. Leaving aside Sargent, his sole successor has been not in painting, but in fashionable, virtuoso photography."
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Croft and
Archibald Keightley. After a post-mortem examination, doctors concluded that the artist's death had been caused by ossification of the aorta and vessels of the heart. Lawrence's first biographer, D. E. Williams suggested that this in itself was not enough to cause death and it was his doctors' over-zealous bleeding and leeching that killed him. Lawrence was buried on 21 January in the crypt of
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he was a prodigiously hard worker (once referring in a letter to his portrait painting as "mill-horse business") and did not appear to live extravagantly. Lawrence himself said: "I have never been extravagant nor profligate in the use of money. Neither gaming, horses, curricles, expensive entertainments, nor secret sources of ruin from vulgar licentiousness have swept it from me".
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At the Royal
Academy exhibition of 1788 he was represented by five portraits in pastels and one in oils, a medium he quickly mastered. Between 1787 and his death in 1830 he missed only two of the annual exhibitions: in 1809, protesting how his paintings had been displayed; and in 1819, because he was
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Although commissions were pouring in, Lawrence was in financial difficulties. His debts stayed with him for the rest of life. He narrowly avoided bankruptcy, had to be bailed out by wealthy sitters and friends, and died insolvent. Biographers have never been able to discover the source of his debts;
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Lawrence's formal schooling was limited to two years at The Fort, a school in
Bristol, when he was six to eight; and a little tuition in French and Latin from a dissenting minister. He also became accomplished in dancing, fencing, boxing and billiards. By age ten his fame had spread sufficiently for
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Lawrence's love affairs were not happy (his tortuous relationships with Sally and Maria
Siddons were the subjects of several books) and, in spite of his success, he spent most of life deep in debt and never married. At his death, he was the most fashionable portrait painter in Europe. His reputation
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Lawrence was famed for the length of time he took to finish some of his paintings (Isabella Wolff waited twelve years for her portrait to be completed) and, at his death, his studio contained a large number of unfinished works. Some were completed by his assistants and other artists, some were sold
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Another source of unhappiness in
Lawrence's life was his romantic entanglement with two of Sarah Siddons' daughters. He fell in love first with Sally, then transferred his affections to her sister Maria, then broke with Maria and turned to Sally again. Both sisters had fragile health; Maria died in
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It was during the family's six-year stay at the Black Bear Inn that
Lawrence senior began to make use of his son's precocious talents for drawing and reciting poetry. Visitors would be greeted with the words "Gentlemen, here's my son—will you have him recite from the poets, or take your portraits?"
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did something to restore it in the 1930s, when he described
Lawrence as having a "consummate mastery over the means of artistic expression" with an "unerring hand and eye". At one time Lawrence was more popular in the United States and France than in Britain; and some of his best known portraits,
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Lawrence's parents died within a few months of each other in 1797. He gave up his house in
Picadilly, where he had moved from Old Bond Street, to set up his studio in the family home in Greek Street. By now, to keep up with the demand for replicas of his portraits, he was using studio assistants,
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Lawrence died suddenly on 7 January 1830, just months after his friend
Isabella Wolff. A few days previously he had experienced chest pains but had continued working and was eagerly anticipating a stay with his sister at Rugby, when he collapsed and died during a visit from his friends Elizabeth
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describing Lawrence as "…a huge figure. But a huge figure who we believe deserves a great deal more attention. He is one of the great painters of the last 250 years and one of the great stars of portraiture on a European stage." In December 2018, a portrait of Lady Selina Meade (1797–1872), who
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The queen found Lawrence presumptuous (although he made a good impression on the princesses and ladies-in-waiting) and she did not like the finished portrait, which remained in Lawrence's studio until his death. When it was exhibited at the Royal Academy in 1790, however, it received critical
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755:, had died. That very evening Lawrence was voted the new president, a position he would hold until his death 10 years later. George III had died in January; Lawrence was granted a place in the procession for the coronation of George IV. On 28 February 1822 he was elected as a
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417:' studio. He was introduced to Reynolds, who advised him to study nature rather than the Old Masters. Lawrence set up a studio at 41 Jermyn Street and installed his parents in a house in Greek Street. He exhibited several works in the 1787 Royal Academy exhibition at
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581:" into Caroline's morals. He swore an affidavit that although he had on occasion been alone with her, the door had never been locked or bolted and he had "not the least objection for all the world to have heard or seen what took place". Expertly defended by
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Self-taught, he was a brilliant draughtsman and known for his gift of capturing a likeness, as well as his virtuoso handling of paint. He became an associate of the Royal Academy in 1791, a full member in 1794, and president in 1820.
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as "without the most distant instruction from anyone, capable of copying historical pictures in a masterly style". But once again Lawrence senior failed as a landlord; in 1779, he was declared bankrupt and the family moved to
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to write the artist's biography, but he passed on the task to D.E. Williams, whose two rather inaccurate volumes were published in 1831. It was nearly 70 years later, in 1900, before another biography of Lawrence appeared by
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shows Lawrence at 65 Russell Square, surrounded by casts of classical sculpture. The prince also had plans for Lawrence to travel abroad and paint foreign royalty and leaders, and as a preliminary he was given a
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A description of Mr Tite Barnacle of the Circumlocution Office as someone who "seemed to have been sitting for his portrait to Sir Thomas Lawrence all the days of his life" is one of 25 references to art in
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put these plans on hold, although Lawrence did make a visit to Paris, where his friend Lord Charles Stewart was ambassador, and saw the art that Napoleon had looted from Italy, including Raphael's
346:. His oval portraits, for which he was soon charging three guineas, were about 12 inches by 10 inches (30 by 25 centimetres), and usually portrayed a half-length. His sitters included
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as they were. In his will Lawrence left instructions to offer, at a price much below their worth, his collection of Old Master drawings to first George IV, then the trustees of the
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1979–80 Lawrence exhibition, produced books on the artist in 1979 and 2005. Lawrence's entanglements with the Siddons family has been the subject of three books (by Oswald Knapp,
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and one of Lady Cremorne, his first attempt at a full-length portrait. They received favourable comments in the press, with one critic referring to him as "the
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By the time the Prince of Wales was made regent in 1811, Lawrence was acknowledged as the country's foremost portrait painter. Through one of his sitters,
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of futurity not far off". Aged just 20, Lawrence received his first royal commission, a summons arriving from Windsor Palace to paint the portraits of
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803:. The latter portrait attracted much praise when it was exhibited in Paris in 1827. One of the artist's last commissions was of future prime-minister
618:, he met the Prince Regent who became his most important patron. As well as portraits of himself, the prince commissioned portraits of allied leaders
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881:. In 1913, Sir Walter Armstrong, who was not a great admirer of Lawrence, published a monograph. The 1950s saw the publication of two further works:
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577:. Lawrence stayed at Montague House, the princess's residence in Blackheath, while he was painting the portraits and thus became implicated in the "
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The early years of the 19th century saw Lawrence's portrait practice continue to flourish. Amongst his sitters were major political figures such as
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and Mary Hartley gave him encouragement. Wealthy people allowed him to study their collections of paintings, and Lawrence's drawing of a copy of
299:). Soon after Thomas was born, his father decided to become an innkeeper and took over the White Lion Inn and next-door American Coffee House in
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for the Waterloo series, for which Lawrence made a trip to Paris, taking Herman Wolff with him. Lawrence acquired another important patron in
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480:. His reputation was established, and he moved to a studio in Old Bond Street. In 1794 he became a full member of the Royal Academy.
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refers to "...the Lawrence portraits, tawdry and beautiful, and, thirty years ago, deemed as precious as works of real genius...".
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Eventually, in September 1818, Lawrence was able to make his postponed trip to the continent to paint the allied leaders, first at
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Sometime before his eighteenth birthday in 1787 Lawrence arrived in London, taking lodgings in Leicester Square, near to
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The family settled at 2 Alfred Street in Bath, and the young Lawrence established himself as a portraitist in
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Lawrence's departures from portraiture were very rare. In the early 1790s he completed two history pictures:
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introduces Lord Caversham with a stage direction that describes him as "ather like a portrait by Lawrence".
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In 1791 Lawrence was elected an associate of the Royal Academy and the following year, on the death of Sir
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but did not stay long, abandoning the drawing of classical statues to concentrate on his portraiture.
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The royal commissions continued during the 1820s, including one for a portrait of the king's sister
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held a retrospective exhibition of Lawrence's work. The director of the National Portrait Gallery,
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portraits. At 18, he went to London and soon established his reputation as a portrait painter in
191:(13 April 1769 – 7 January 1830) was an English portrait painter and the fourth president of the
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Lawrence arrived back in London 30 March 1820 to find that the president of the Royal Academy,
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acclaim. Also shown that year was another of Lawrence's most famous portraits, that of actress
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house smaller collections of his work in London. There are a few examples of his work in the
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Among those who listened to a recitation from Tom, or Tommy as he was called, was actor
3248:"'Funeral of Sir Thomas Lawrence: A Sketch from Memory', Joseph Mallord William Turner"
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Lawrence's reputation as an artist fell during the Victorian era. Critic and artist
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posed for the naked body of Satan; the face is that of Sarah Siddons' brother,
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Royal Academy of the Arts Collections artist of the month: Sir Thomas Lawrence
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In 1817 the prince commissioned Lawrence to paint a portrait of his daughter
339:. From this point on, Lawrence supported his parents with his portrait work.
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I.B. Nadel 1977 "Wonderful Deception": Art and the artist in Little Dorrit.
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3359:"National Portrait Gallery shines light on forgotten artist Thomas Lawrence"
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abroad. In 1789 he exhibited 13 portraits, mostly in oil, including one of
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207:. At age ten, having moved to Bath, he was supporting his family with his
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he also painted. The king commissioned portraits of his daughter-in-law
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The most extensive collections of Lawrence's work can be found in the
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palette and a prize of 5 guineas by the Society of Arts in London.
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495:' daughter Sally. Painting by Thomas Lawrence, eighteenth century.
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Richard Holmes reviews the National Portrait Gallery exhibition,
3174:"Library and Archive Catalogue: Lawrence, Sir Thomas (1769–1830)"
1025:(presented by the king himself) as almost its only British work.
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Regency portrait painter: the life of Sir Thomas Lawrence, P.R.A
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234:, was sent abroad to paint portraits of allied leaders for the
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Sir Thomas Lawrence: A Complete Catalogue of the Oil Paintings
43:
203:, where his father was an innkeeper at the Bear Hotel in the
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and then at the conference of Vienna, for what would become
1101:, Lawrence appears in one scene and is played by the actor
3340:"National Portrait Gallery – Person – Sir Thomas Lawrence"
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and Henriette his wife, Lady Selina Caroline, wife of the
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on his birthday, as agreed. The princess's obstetrician,
507:, a small picture of the poet in a pastoral setting; and
3511:"Gainsborough's forgotten rival is recognised at last"
939:(known to her family as Pinkie) and Charles Lambton (
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Lady Selina Meade, 1819. Auctioned at £2.29 million
230:In 1810, he acquired the generous patronage of the
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3722:Caroline, Princess of Wales and Princess Charlotte
3129:"The Private Sitting Room of Sir Thomas Lawrence"
1736:Anne Frances Bankes, Countess of Falmouth 1810-15
2080:Portrait of the Honorable Mrs. Seymour Bathurst
1013:has a few examples of Lawrence's work, and the
632:The private sitting-room of Sir Thomas Lawrence
3477:. New Haven and London: Yale University Press.
3237:p. 468: London; Chapman & Hall, Ltd; 1909.
823:, a portrait of Master Lambton, eldest son of
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3500:Thomas Lawrence: Regency Power and Brilliance
864:raised £3,000 which was given to his nieces.
8:
3523:"Thomas Lawrence: the new romantic – review"
955:– a portrait of Sarah Barrett Moulton, 1794
30:For other people named Thomas Lawrence, see
3730:Princess Caroline of Brunswick-Wolfenbüttel
3502:exhibition at the National Portrait Gallery
402:(1789). Lawrence's first royal commission:
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1811:Emily Harriet Wellesley-Pole, Lady Raglan
639:on 22 April 1815. Napoleon's return from
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258:, but has since been partially restored.
3533:337 artworks by or after Thomas Lawrence
2115:Arthur Wellesley, 1st Duke of Wellington
1939:Frances Vane, Marchioness of Londonderry
283:Lawrence was born at 6 Redcross Street,
242:, and is particularly remembered as the
215:, receiving his first royal commission,
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2020:Portrait of the Countess of Blessington
1254:Amelia Stewart, Viscountess Castlereagh
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872:Lawrence's friends asked Scottish poet
1966:Richard Meade, 3rd Earl of Clanwilliam
2335:John Bloomfield, 2nd Baron Bloomfield
589:"Pictorial chronicler of the Regency"
7:
1539:Portrait of the Young Lord Melbourne
559:William Lamb, 2nd Viscount Melbourne
478:"painter-in-ordinary to his majesty"
27:English portrait painter (1769–1830)
3506:Thomas Lawrence exhibition catalogs
3233:"Memorials of St Paul's Cathedral"
989:Bristol City Museum and Art Gallery
555:Henry Dundas, 1st Viscount Melville
421:, and enrolled as a student at the
389:"Always in love and always in debt"
2274:Portrait of the Duke of Wellington
2254:Portrait of the Duke of Wellington
2221:Portrait of the Marquess Wellesley
709:Field-Marshal Prince Schwarzenberg
599:Portrait of the Duke of Wellington
195:. A child prodigy, he was born in
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4054:19th-century English male artists
4049:18th-century English male artists
3442:. London: Bloomsbury. p. 7.
3302:, 1934) quoted in Levey 2005: 309
2381:Portrait of the Duke of Richelieu
1507:Portrait of Caroline of Brunswick
1219:Rebecca, Lady Simeon, early 1790s
842:sketch of the funeral from memory
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3438:Wilde, Oscar (10 October 2013).
3049:Dictionary of national biography
2883:The Black Bear is still a hotel.
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2372:
2357:
2342:
2327:
2312:
2297:
2282:
2265:
2246:
2229:
2212:
2194:
2182:
2166:
2152:
2137:
2120:
2108:
2090:
2072:
2051:
2032:
2011:
1994:
1973:
1958:
1946:
1931:
1912:
1897:
1889:Portrait of Francis I of Austria
1880:
1868:
1851:
1844:Frederick William III of Prussia
1835:
1818:
1803:
1788:
1773:
1756:
1741:
1729:
1714:
1697:
1682:
1665:
1650:
1633:
1612:
1600:
1583:
1568:
1553:
1530:
1515:
1498:
1481:
1466:
1451:
1436:
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1400:
1373:
1355:
1340:
1325:
1308:
1291:
1276:
1261:
1246:
1224:
1212:
1197:
1189:Portrait of the Duke of Portland
1180:
1165:
1148:
1132:
1115:
825:John Lambton, 1st Earl of Durham
165:
65:
32:Thomas Lawrence (disambiguation)
3300:Reflections on British Painting
2581:Portrait of Charles X of France
2290:Ernest Frederick, Count Munster
2203:Portrait of Sir Charles Stewart
1367:Museum of the Shenandoah Valley
4099:Burials at St Paul's Cathedral
4084:Principal Painters in Ordinary
3594:President of the Royal Academy
3099:. Oxford: Phaidon. p. 25.
2505:Portrait of Frederick Robinson
1968:1819, close friend of Lawrence
1607:Marchioness of Ailesbury, 1809
1001:, and Lawrence's portraits of
735:President of the Royal Academy
1:
4044:19th-century English painters
4039:18th-century English painters
3561:Principal Painter in Ordinary
3386:. Christie's. 6 December 2018
3357:Brown, Mark (4 August 2010).
2695:, then Duke of Clarence, 1827
2205:(3rd Marquess of Londonderry)
2098:Francis Humberstone MacKenzie
2003:Portrait of Mikhail Vorontsov
1827:Portrait of Prince Metternich
1543:
1426:
1386:
1317:Portrait of Sir Edward Pellew
916:
797:for 600 guineas and known as
743:A bust of Thomas Lawrence by
76:
4079:Fellows of the Royal Society
2709:Portrait of Julia, Lady Peel
2677:Portrait of Sir Walter Scott
1860:Portrait of the Duke of York
1706:Portrait of Mirza Abul Hasan
1642:Portrait of Lord Castlereagh
1408:Codrington Edmund Carrington
922:, went to the United States.
759:"for his eminence in art".
701:Emperor Francis I of Austria
569:, the estranged wife of the
326:him to receive a mention in
310:An early pastel portrait of
3988:Congress of Aix-la-Chapelle
3074:Satan summoning his legions
2537:Portrait of Princess Sophia
2238:Portrait of Marshal Blücher
1626:State Opening of Parliament
1423:Princess Charlotte of Wales
1348:Mary, Countess of Inchiquin
1157:Portrait of Arthur Atherley
1139:Miss Marthe Carr, c. 1789,
1063:William Makepeace Thackeray
905:) and a recent radio play.
895:National Portrait Gallery's
852:, then Robert Peel and the
836:. Amongst the mourners was
757:Fellow of the Royal Society
713:Archduke Charles of Austria
602:in 1815, later used on the
509:Satan summoning his legions
399:Portrait of Queen Charlotte
4115:
3794:John Philip Kemble as Cato
3384:"Old Masters Evening Sale"
2865:English school of painting
2771:Marchioness of Londonderry
2741:George, Duke of Cumberland
2443:Portrait of Lord Liverpool
2129:Portrait of George Canning
2044:Metropolitan Museum of Art
1875:Countess of Plymouth, 1817
1765:John Philip Kemble as Cato
1490:Portrait of Sir John Moore
1394:National Gallery of Canada
1124:Portrait of William Linley
1007:Metropolitan Museum of Art
542:most notable of whom were
491:Lawrence was in love with
267:Childhood and early career
29:
4074:English portrait painters
4069:English romantic painters
3600:
3591:
3583:
3578:
3568:
3558:
3550:
3545:
3133:National Portrait Gallery
3095:Garlick, Kenneth (1989).
2850:Portrait of Lord Aberdeen
2819:Duchess of Richmond, 1829
2065:Thyssen-Bornemisza Museum
1923:, between 1818 and 1819,
1674:Portrait of Benjamin West
1030:National Portrait Gallery
965:National Portrait Gallery
624:Field-Marshal von Blücher
616:painted in Hussar uniform
460:Lawrence exhibited in 40
348:the Duchess of Devonshire
173:
164:
155:
64:
3118:Levey 2005: 174-175, 190
3051:, vol. 32, 1892: 278–285
2189:Sir William Forbes, 1803
1592:Portrait of William Pitt
1300:The Young Lord Liverpool
991:. In the United States,
887:Regency portrait painter
573:; and his granddaughter
505:Homer reciting his poems
3890:Countess of Blessington
2397:Prince of Schwarzenberg
977:Dulwich Picture Gallery
695:. His sitters included
3326:royalcollection.org.uk
3271:Goldring 1951: 335–342
3109:Goldring 1951: 213–219
2632:or Master Lambton 1825
2489:John Julius Angerstein
2175:Merton College, Oxford
1621:Portrait of George III
1363:Captain Herbert Taylor
993:The Huntington Library
981:Holburne Museum of Art
956:
923:
828:
748:
717:Count of Clam-Martinic
661:
620:the Duke of Wellington
607:
579:delicate investigation
538:
496:
465:
410:
314:
280:
4064:Painters from Bristol
4059:English male painters
3495:at Wikimedia Commons
3047:Lawrence, Sir Thomas
2350:Alexander Chernyshyov
1043:married the Count of
949:
937:Sarah Barrett Moulton
911:
817:
742:
655:
596:
585:, he was exonerated.
533:
490:
459:
396:
309:
274:
199:and began drawing in
3858:Francis I of Austria
3470:. London: Macdonald.
3060:Levey 2005: 194, 263
2833:Portrait of Maria II
2474:Leopold I of Belgium
2084:Dallas Museum of Art
2040:Lady Maria Conyngham
1474:Sir James Mackintosh
1232:The Two Sons of the
1205:Sophia, Lady Burdett
985:Victoria Art Gallery
805:the Earl of Aberdeen
689:the Waterloo Chamber
612:Lord Charles Stewart
3914:Charles X of France
3802:Sir Charles Stewart
3554:Sir Joshua Reynolds
3475:Sir Thomas Lawrence
3206:Levey 2005: 249–258
3163:Levey 2005: 207–238
3154:Levey 2005: 201–203
2805:William Van Mildert
2646:Anne, Lady Bentinck
2146:Ayscoghe Boucherett
1986:Coronation Portrait
1796:Count Matvei Platov
1382:Alexander MacKenzie
1055:In the 1848 novel,
931:including those of
862:British Institution
834:St Paul's Cathedral
779:Charles X of France
745:Edward Hodges Baily
548:George Henry Harlow
464:annual exhibitions.
246:portraitist of the
180:Sir Thomas Lawrence
132:St Paul's Cathedral
18:Sir Thomas Lawrence
4089:Royal Academicians
3898:Frederick Robinson
3834:Duke of Wellington
3810:Marquess Wellesley
3604:Martin Archer Shee
3466:D Goldring, 1951,
3311:Levey 2005: 312–13
3224:Goldring 1951: 330
3215:Levey 2005: 296–99
3085:Goldring 1951: 110
2939:Annual Review 1830
2521:Duke of Devonshire
2173:Shute Barrington (
2025:Wallace Collection
1921:John Capo d'Istria
1781:Lady Hinchingbrook
1561:Lady Caroline Lamb
1333:John Philip Kemble
1082:In his 1895 play,
1015:Vatican Pinacoteca
957:
924:
829:
749:
691:series, housed in
666:Princess Charlotte
662:
608:
563:Lady Caroline Lamb
539:
525:John Philip Kemble
497:
466:
411:
315:
281:
4016:
4015:
3882:Mikhail Vorontsov
3850:Duke of Richelieu
3826:Prince Metternich
3714:Sir Edward Pellew
3610:
3609:
3601:Succeeded by
3579:Cultural offices
3569:Succeeded by
3529:, 16 October 2010
3491:Media related to
3449:978-1-4081-3720-8
3289:Levey 2005: 302–3
3178:The Royal Society
3002:Levey 2005: 85–90
2993:Levey 2005: 76–77
2984:Levey 2005: 77–79
2957:Levey 2005: 49–59
2948:Goldring 1951: 40
2930:Goldring 1951: 29
2921:Goldring 1951: 35
2912:Goldring 1951: 28
2726:Jeffrey Wyatville
2412:Cardinal Consalvi
1576:Lord Ellenborough
1269:Lord Mount Stuart
1095:In the 1943 film
1009:. In Europe, the
903:Naomi Royde-Smith
893:, curator of the
891:Sir Michael Levey
879:Lord Ronald Gower
729:Cardinal Consalvi
678:Sir Richard Croft
656:Lawrence painted
328:Daines Barrington
177:
176:
16:(Redirected from
4106:
4094:Knights Bachelor
4008:Waterloo Chamber
3954:Julia, Lady Peel
3946:Sir Walter Scott
3922:Duchess of Berry
3786:Mirza Abul Hasan
3770:Lord Castlereagh
3690:Duke of Portland
3674:Elizabeth Farren
3636:
3629:
3622:
3613:
3584:Preceded by
3551:Preceded by
3543:
3490:
3454:
3453:
3440:An Ideal Husband
3435:
3429:
3422:
3416:
3414:
3410:, 1848, p.
3402:
3396:
3395:
3393:
3391:
3380:
3374:
3373:
3371:
3369:
3354:
3348:
3347:
3336:
3330:
3329:
3322:"The Collection"
3318:
3312:
3309:
3303:
3296:
3290:
3287:
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3278:
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3170:
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3119:
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2828:
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2752:
2737:
2721:
2704:
2689:
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2657:
2642:
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2608:
2593:
2576:
2564:
2549:
2532:
2517:
2500:
2485:
2470:
2455:
2438:
2423:
2408:
2393:
2376:
2365:Count Nesselrode
2361:
2346:
2331:
2316:
2301:
2286:
2269:
2258:Waterloo Chamber
2250:
2233:
2216:
2198:
2186:
2170:
2156:
2144:The Children of
2141:
2124:
2112:
2102:78th Highlanders
2094:
2076:
2055:
2036:
2015:
1998:
1977:
1962:
1950:
1935:
1925:Royal Collection
1916:
1905:Archduke Charles
1901:
1884:
1872:
1855:
1839:
1822:
1807:
1792:
1777:
1760:
1745:
1733:
1718:
1701:
1690:Robert Brownrigg
1686:
1669:
1654:
1637:
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1377:
1359:
1344:
1329:
1312:
1295:
1280:
1265:
1250:
1228:
1216:
1201:
1184:
1173:Sir Graham Moore
1169:
1152:
1136:
1119:
1085:An Ideal Husband
1071:Charles Dickens'
1036:, was quoted in
1019:swagger portrait
1003:Elizabeth Farren
987:in Bath, and in
973:National Gallery
961:Royal Collection
933:Elizabeth Farren
921:
918:
913:Elizabeth Farren
883:Douglas Goldring
858:Ashmolean Museum
768:Sir Walter Scott
660:in Rome in 1819.
583:Spencer Perceval
451:Elizabeth Farren
368:Sir Elijah Impey
356:Sir Henry Harpur
275:The Bear Hotel,
236:Waterloo Chamber
190:
169:
115:
96:
94:
81:
78:
69:
59:
39:
21:
4114:
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4109:
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4017:
4012:
3976:
3906:Princess Sophia
3818:Marshal Blücher
3706:Lord Hawkesbury
3682:Arthur Atherley
3666:Queen Charlotte
3645:
3643:Thomas Lawrence
3640:
3606:
3597:
3589:
3574:
3565:
3556:
3519:, 5 August 2010
3516:The Independent
3493:Thomas Lawrence
3484:
3473:M Levey, 2005,
3463:
3458:
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3437:
3436:
3432:
3423:
3419:
3404:
3403:
3399:
3389:
3387:
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3381:
3377:
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3365:
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3338:
3337:
3333:
3320:
3319:
3315:
3310:
3306:
3297:
3293:
3288:
3284:
3280:Levey 2005: 306
3279:
3275:
3270:
3266:
3256:
3254:
3246:
3245:
3241:
3232:
3228:
3223:
3219:
3214:
3210:
3205:
3201:
3197:Levey 2005: 263
3196:
3192:
3182:
3180:
3172:
3171:
3167:
3162:
3158:
3153:
3149:
3145:Levey 2005: 198
3144:
3140:
3127:
3126:
3122:
3117:
3113:
3108:
3104:
3094:
3093:
3089:
3084:
3080:
3068:
3064:
3059:
3055:
3046:
3042:
3038:Levey 2005: 137
3037:
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2988:
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2778:
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2759:
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2744:
2738:
2729:
2722:
2713:
2705:
2696:
2693:King William IV
2690:
2681:
2673:
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2658:
2649:
2643:
2634:
2626:
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2609:
2600:
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2568:
2565:
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2524:
2518:
2509:
2501:
2492:
2486:
2477:
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2462:
2456:
2447:
2439:
2430:
2424:
2415:
2409:
2400:
2394:
2385:
2377:
2368:
2362:
2353:
2347:
2338:
2332:
2323:
2317:
2308:
2302:
2293:
2287:
2278:
2270:
2261:
2251:
2242:
2234:
2225:
2217:
2208:
2199:
2190:
2187:
2178:
2171:
2162:
2160:Abraham Redwood
2157:
2148:
2142:
2133:
2125:
2116:
2113:
2104:
2095:
2086:
2077:
2068:
2056:
2047:
2037:
2028:
2016:
2007:
1999:
1990:
1978:
1969:
1963:
1954:
1951:
1942:
1936:
1927:
1917:
1908:
1902:
1893:
1885:
1876:
1873:
1864:
1856:
1847:
1840:
1831:
1823:
1814:
1808:
1799:
1793:
1784:
1778:
1769:
1761:
1752:
1749:Warren Hastings
1746:
1737:
1734:
1725:
1719:
1710:
1702:
1693:
1687:
1678:
1670:
1661:
1658:Thomas Campbell
1655:
1646:
1638:
1629:
1617:
1608:
1605:
1596:
1588:
1579:
1573:
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1471:
1462:
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1396:
1389:
1378:
1369:
1360:
1351:
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1336:
1330:
1321:
1313:
1304:
1296:
1287:
1281:
1272:
1266:
1257:
1251:
1242:
1239:Neue Pinakothek
1229:
1220:
1217:
1208:
1202:
1193:
1185:
1176:
1170:
1161:
1153:
1144:
1137:
1128:
1120:
1111:
1103:Stuart Lindsell
1098:The Man in Grey
1053:
1011:Musée du Louvre
967:in London. The
919:
874:Thomas Campbell
870:
838:J. M. W. Turner
791:Charles Calmady
737:
705:King of Prussia
646:Transfiguration
604:Five Pound Note
591:
571:Prince of Wales
474:King George III
470:Joshua Reynolds
443:Princess Amelia
439:Queen Charlotte
415:Joshua Reynolds
404:Queen Charlotte
391:
379:Transfiguration
364:Warren Hastings
269:
264:
256:Victorian times
221:Queen Charlotte
182:
123:
117:
113:
104:
98:
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90:
82:
79:
60:
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49:
48:Thomas Lawrence
46:
35:
28:
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15:
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11:
5:
4112:
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3995:
3990:
3984:
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3974:
3966:
3958:
3950:
3942:
3938:George Canning
3934:
3926:
3918:
3910:
3902:
3894:
3886:
3878:
3870:
3866:Lord Liverpool
3862:
3854:
3846:
3838:
3837:(c. 1815)
3830:
3822:
3814:
3806:
3798:
3790:
3782:
3774:
3766:
3758:
3750:
3746:Lord Melbourne
3742:
3741:(c. 1804)
3738:Sir John Moore
3734:
3726:
3718:
3710:
3702:
3694:
3686:
3678:
3677:(c. 1790)
3670:
3662:
3658:William Linley
3653:
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3647:
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3641:
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3546:Court offices
3541:
3540:
3530:
3520:
3513:Jerome Taylor,
3508:
3503:
3483:
3482:External links
3480:
3479:
3478:
3471:
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3040:
3031:
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3020:Levey 2005: 93
3013:
3011:Levey 2005: 92
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2057:
2050:
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2038:
2031:
2029:
2017:
2010:
2008:
2000:
1993:
1991:
1981:King George IV
1979:
1972:
1970:
1964:
1957:
1955:
1952:
1945:
1943:
1937:
1930:
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1911:
1909:
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1720:
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1444:Earl of Camden
1442:
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1230:
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1196:
1194:
1186:
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1131:
1129:
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1114:
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1049:
869:
866:
854:Earl of Dudley
850:British Museum
840:who painted a
787:George Canning
736:
733:
697:Tsar Alexander
693:Windsor Castle
670:Prince Leopold
590:
587:
476:appointed him
431:William Linley
419:Somerset House
390:
387:
381:was awarded a
293:Worcestershire
268:
265:
263:
260:
240:Windsor Castle
175:
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143:
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139:
138:Known for
135:
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118:
116:(aged 60)
112:7 January 1830
110:
106:
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88:
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62:
61:
50:
47:
42:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
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4001:
3999:
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3991:
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3778:Benjamin West
3775:
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3428:19(1), 17-33.
3427:
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3014:
3008:
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2999:
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2987:
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2624:
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2602:
2598:
2592:
2587:
2583:
2582:
2575:
2570:
2563:
2558:
2554:
2553:Princess Mary
2548:
2543:
2539:
2538:
2531:
2526:
2522:
2516:
2511:
2507:
2506:
2499:
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2355:
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2321:
2315:
2310:
2306:
2305:Lord Uxbridge
2300:
2295:
2291:
2285:
2280:
2276:
2275:
2268:
2263:
2259:
2255:
2249:
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2240:
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2197:
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2054:
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2041:
2035:
2030:
2026:
2022:
2021:
2014:
2009:
2005:
2004:
1997:
1992:
1988:
1987:
1982:
1976:
1971:
1967:
1961:
1956:
1949:
1944:
1940:
1934:
1929:
1926:
1922:
1915:
1910:
1906:
1900:
1895:
1891:
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1577:
1571:
1566:
1562:
1556:
1551:
1541:
1540:
1533:
1528:
1524:
1523:Sarah Siddons
1518:
1513:
1509:
1508:
1501:
1496:
1492:
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1484:
1479:
1475:
1469:
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1334:
1328:
1323:
1319:
1318:
1311:
1306:
1302:
1301:
1294:
1289:
1285:
1284:Duke of Leeds
1279:
1274:
1270:
1264:
1259:
1255:
1249:
1244:
1240:
1236:
1235:
1227:
1222:
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1200:
1195:
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1183:
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1163:
1159:
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1126:
1125:
1118:
1113:
1108:
1106:
1104:
1100:
1099:
1093:
1091:
1087:
1086:
1080:
1078:
1077:
1076:Little Dorrit
1072:
1066:
1064:
1060:
1059:
1051:In literature
1050:
1048:
1046:
1045:Clam-Martinic
1041:
1040:
1035:
1031:
1026:
1024:
1020:
1016:
1012:
1008:
1004:
1000:
999:
994:
990:
986:
982:
978:
974:
970:
966:
962:
954:
953:
948:
944:
942:
941:the "Red Boy"
938:
934:
929:
915:'s portrait,
914:
910:
906:
904:
900:
899:André Maurois
896:
892:
888:
884:
880:
875:
867:
865:
863:
859:
855:
851:
845:
843:
839:
835:
826:
822:
821:
816:
812:
810:
806:
802:
801:
796:
792:
788:
784:
780:
777:
776:newly-crowned
773:
769:
766:, and one of
765:
760:
758:
754:
753:Benjamin West
746:
741:
734:
732:
730:
726:
725:Pope Pius VII
722:
718:
714:
710:
706:
702:
698:
694:
690:
686:
681:
679:
675:
671:
667:
659:
658:Pope Pius VII
654:
650:
648:
647:
642:
638:
633:
629:
625:
621:
617:
613:
605:
601:
600:
595:
588:
586:
584:
580:
576:
572:
568:
564:
561:, whose wife
560:
556:
551:
549:
545:
537:
532:
528:
526:
522:
518:
517:Paradise Lost
514:
510:
506:
501:
494:
493:Sarah Siddons
489:
485:
481:
479:
475:
471:
463:
462:Royal Academy
458:
454:
452:
446:
444:
440:
436:
432:
426:
424:
423:Royal Academy
420:
416:
409:
405:
401:
400:
395:
388:
386:
384:
380:
377:
373:
372:William Hoare
369:
365:
361:
357:
353:
352:Sarah Siddons
349:
345:
340:
338:
333:
329:
323:
321:
320:David Garrick
313:
308:
304:
302:
298:
297:Andrew Bloxam
294:
290:
289:Tenbury Wells
286:
278:
273:
266:
261:
259:
257:
254:waned during
251:
249:
245:
241:
237:
233:
232:Prince Regent
228:
224:
222:
218:
214:
210:
206:
205:Market Square
202:
198:
194:
193:Royal Academy
189:
185:
181:
172:
168:
163:
158:
154:
151:
148:
144:
140:
136:
133:
130:
128:Resting place
126:
121:
111:
107:
102:
97:13 April 1769
89:
85:
74:
73:self-portrait
68:
63:
58:
54:
45:
40:
37:
33:
19:
3968:
3960:
3952:
3944:
3936:
3928:
3920:
3912:
3904:
3896:
3888:
3880:
3872:
3864:
3856:
3848:
3842:Duke of York
3840:
3832:
3824:
3816:
3808:
3800:
3792:
3784:
3776:
3768:
3760:
3754:William Pitt
3752:
3744:
3736:
3728:
3720:
3712:
3704:
3696:
3688:
3680:
3672:
3664:
3656:
3642:
3592:
3572:David Wilkie
3563:to the King
3559:
3535: at the
3527:The Guardian
3526:
3514:
3485:
3474:
3467:
3461:Bibliography
3439:
3433:
3425:
3420:
3406:
3400:
3388:. Retrieved
3378:
3366:. Retrieved
3363:The Guardian
3362:
3352:
3343:
3334:
3325:
3316:
3307:
3299:
3294:
3285:
3276:
3267:
3255:. Retrieved
3251:
3242:
3235:Sinclair, W.
3229:
3220:
3211:
3202:
3193:
3181:. Retrieved
3177:
3168:
3159:
3150:
3141:
3132:
3123:
3114:
3105:
3096:
3090:
3081:
3073:
3065:
3056:
3048:
3043:
3034:
3025:
3016:
3007:
2998:
2989:
2980:
2971:
2962:
2953:
2944:
2935:
2926:
2917:
2908:
2899:
2879:
2848:
2831:
2773:and her son
2756:John Fawcett
2707:
2675:
2628:
2611:
2579:
2535:
2503:
2459:Humphry Davy
2441:
2379:
2272:
2253:
2236:
2219:
2201:
2127:
2079:
2058:
2039:
2018:
2001:
1984:
1887:
1858:
1825:
1763:
1704:
1672:
1660:, circa 1810
1641:
1619:
1590:
1537:
1506:
1488:
1459:Lord Thurlow
1380:
1315:
1298:
1231:
1187:
1155:
1141:Prado Museum
1122:
1096:
1094:
1083:
1081:
1074:
1067:
1056:
1054:
1039:The Guardian
1037:
1034:Sandy Nairne
1028:In 2010 the
1027:
997:
969:Tate Britain
958:
951:
925:
886:
871:
846:
830:
818:
809:Fanny Kemble
798:
770:(along with
761:
750:
719:and a young
682:
663:
644:
631:
628:Count Platov
609:
597:
552:
544:William Etty
540:
536:Henry Dundas
534:Portrait of
521:John Jackson
508:
504:
502:
498:
482:
467:
447:
427:
412:
397:
378:
341:
332:Miscellanies
331:
324:
316:
312:Maria Linley
301:Broad Street
282:
252:
229:
225:
179:
178:
114:(1830-01-07)
36:
4034:1830 deaths
4029:1769 births
3998:Romanticism
3993:Regency era
3930:The Red Boy
3407:Vanity Fair
3390:14 February
3298:Roger Fry (
2630:The Red Boy
2427:Napoleon II
2042:, 1824–25,
1628:dress, 1809
1547: 1805
1430: 1801
1390: 1800
1090:Oscar Wilde
1073:1857 novel
1058:Vanity Fair
920: 1790
820:The Red Boy
800:The Red Boy
795:Lord Durham
783:Robert Peel
772:Jane Austen
721:Napoleon II
513:John Milton
383:silver-gilt
360:Calke Abbey
150:Romanticism
80: 1825
71:Unfinished
4023:Categories
3762:George III
3598:1820–1830
3566:1792–1830
3344:npg.org.uk
3183:17 January
3029:Levey: 109
2903:Levey p.30
2891:References
2060:David Lyon
2046:, New York
963:, and the
637:knighthood
435:Sir Joshua
408:George III
406:, wife of
217:a portrait
93:1769-04-13
3874:George IV
3650:Portraits
3426:Criticism
3072:features
2429:, c. 1819
2260:1814-1815
1892:, c. 1818
1783:as "Hope"
1493:, c. 1804
1365:(c.1800,
1175:, c. 1792
1023:George IV
928:Roger Fry
827:, c. 1825
674:Claremont
575:Charlotte
376:Raphael's
262:Biography
160:Signature
122:, England
103:, England
3962:Maria II
3368:24 April
2859:See also
2728:, c.1828
2680:, c.1826
2307:, c.1816
2292:, c.1815
2256:for the
2082:, 1828,
2067:, Madrid
2063:, 1825,
2027:, London
2023:, 1822,
1813:, c.1815
1563:, c.1805
1392:–1801),
1241:, Munich
1237:, 1793,
1207:, c.1793
1143:, Madrid
983:and the
975:and the
567:Caroline
519:. Boxer
244:Romantic
146:Movement
141:Painting
3981:Related
3257:16 June
2836:, 1829.
2100:of the
1109:Gallery
995:houses
614:who he
344:pastels
285:Bristol
277:Devizes
248:Regency
201:Devizes
197:Bristol
101:Bristol
3973:(1830)
3965:(1829)
3957:(1827)
3949:(1826)
3941:(1826)
3933:(1825)
3925:(1825)
3917:(1825)
3909:(1824)
3901:(1824)
3893:(1822)
3885:(1821)
3877:(1821)
3869:(1820)
3861:(1819)
3853:(1818)
3845:(1816)
3829:(1815)
3821:(1814)
3813:(1813)
3805:(1812)
3797:(1812)
3789:(1810)
3781:(1810)
3773:(1809)
3765:(1809)
3757:(1807)
3749:(1805)
3733:(1804)
3725:(1801)
3717:(1797)
3709:(1796)
3701:(1794)
3698:Pinkie
3693:(1792)
3685:(1792)
3669:(1789)
3661:(1788)
3537:Art UK
3446:
2853:, 1830
2807:, 1829
2792:, 1829
2777:, 1828
2775:George
2758:, 1828
2743:, 1828
2712:, 1827
2663:, 1825
2648:, 1825
2616:, 1825
2599:, 1825
2584:, 1825
2555:, 1824
2540:, 1824
2523:, 1824
2508:, 1824
2491:, 1824
2476:, 1821
2461:, 1821
2446:, 1820
2414:, 1818
2399:, 1819
2384:, 1818
2367:, 1818
2352:, 1818
2337:, 1819
2322:, 1818
2277:c.1815
2241:, 1814
2224:, 1813
2207:, 1812
2132:, 1826
2006:, 1821
1989:, 1821
1919:Count
1907:, 1819
1863:, 1816
1846:c.1814
1830:, 1815
1798:, 1814
1768:, 1812
1751:, 1811
1724:, 1810
1709:, 1810
1692:, 1810
1677:, 1810
1645:, 1809
1595:, 1807
1578:, 1806
1525:, 1804
1510:, 1804
1476:, 1804
1461:, 1803
1446:, 1802
1410:, 1801
1350:, 1800
1335:, 1798
1320:, 1797
1303:, 1796
1286:, 1796
1271:, 1795
1256:, 1794
1192:, 1792
1160:, 1792
1127:, 1788
1017:has a
998:Pinkie
971:, the
952:Pinkie
901:, and
868:Legacy
764:Sophia
747:, 1830
703:, the
685:Aachen
366:, and
209:pastel
120:London
2871:Notes
1842:King
186:
55:
3539:site
3444:ISBN
3392:2020
3370:2014
3259:2022
3252:Tate
3185:2023
2724:Sir
1941:1818
727:and
641:Elba
626:and
557:and
546:and
441:and
358:(of
337:Bath
213:oils
109:Died
87:Born
3412:436
1983:'s
1624:in
1385:, (
1021:of
885:'s
672:at
515:'s
445:.
330:'s
322:.
291:in
250:.
238:at
219:of
188:FRS
184:PRA
57:FRS
53:PRA
44:Sir
4025::
3361:.
3342:.
3324:.
3250:.
3176:.
3131:.
1544:c.
1542:,
1427:c.
1425:,
1387:c.
1105:.
1088:,
1079:.
1061:,
935:,
917:c.
844:.
807:.
731:.
711:,
707:,
699:,
622:,
550:.
527:.
472:,
354:,
350:,
77:c.
75:,
3635:e
3628:t
3621:v
3452:.
3415:.
3394:.
3372:.
3346:.
3328:.
3261:.
3187:.
3135:.
3076:.
2177:)
606:.
279:.
95:)
91:(
34:.
20:)
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