27:
134:
that says ‘Bored’, we will find ourselves reading a section entitled ‘Bored’: so in a sense, although we may be unclear about the shape of the story as a whole, we are shown at the end of each section, in a relatively straightforward way, where we can go next". This means that Eisen "allows us to read a section all the way through before reminding us that there are multiple choices to be made".
133:
presented the links at the bottom of each screen. Each lexia has 3-4 links to other lexia, allowing the reader to read the story in many different orders. "a menu of options at the end of each story-section. This menu is actually a contents-list for the story's next stage. If we clicked on a link
141:
uses counterpoint structure and avoids the cyclical structure common in many other hypertexts. Adrian Miles described the episodes as "largely unmotivated in terms of realist or literal narrative conventions", although
Bernstein noted that the counterpoint structure emphasised contrasts or links
276:
Six Sex Scenes, on the other hand, offers three or four outbound links from almost every node. Greenheart's hypertext habitually alternates time frames: a writing space describing achildhood scenetendstobelinked toscenesof adult life, and adult scenes tend to be linked to stories of childhood.
142:
between childhood and adult experiences: "Greenheart’s hypertext habitually alternates time frames: a writing space describing a childhood scene tends to be linked to scenes of adult life, and adult scenes tend to be linked to stories of childhood."
118:
is a first-person narrative told from the perspective of a young woman. It has been described as "the story of a young Jewish woman's dysfunctional love-life, with frequent flashbacks into her equally dysfunctional childhood".
245:
Proceedings of the ninth ACM conference on
Hypertext and hypermedia : Links, objects, time and space---structure in hypermedia systems links, objects, time and space---structure in hypermedia systems - HYPERTEXT
534:
277:
Because
Greenheart, in Six Sex Scenes, works hard to avoid Cycles, the Counterpoint of childhood and adult experience is its most prominent structural element.
524:
311:
261:
377:
514:
499:
353:
452:
129:: individual webpages with a few paragraphs of the story. While some contemporaneous web hypertext fictions used in-text links,
26:
290:
519:
529:
90:
218:
62:
509:
504:
317:
267:
359:
349:
307:
257:
126:
58:
299:
249:
402:
378:""All of the Money, None of the Vomit:" A Conversation about Making Scenes – Emily Books"
298:. HYPERTEXT '01. New York, NY, USA: Association for Computing Machinery. pp. 61–68.
248:. HYPERTEXT '98. New York, NY, USA: Association for Computing Machinery. pp. 21–29.
456:
104:
40:
493:
292:
Proceedings of the twelfth ACM conference on
Hypertext and Hypermedia - HYPERTEXT '01
321:
470:
271:
222:
289:
Miles, Adrian (2001-09-10). "Hypertext structure as the event of connection".
206:
363:
303:
253:
91:
https://web.archive.org/web/20010603003944/http://www.altx.com/hyperx/sss/
343:
325:
403:"With Penelope Trunk: What happened to hypertext writer Adrienne Eisen?"
240:
168:
was one of the winners of the New Media
Invision Awards in 1997.
407:
Magazine électronique du CIAC - CIAC's
Electronic Magazine
427:
183:
Entry in ELMCIP Electronic
Literature Knowledge Base
86:
78:
68:
54:
46:
36:
8:
19:
25:
18:
16:1996 hypertext novella by Adrienne Eisen
192:
20:Six sex scenes: a novella in hypertext
154:was published as a print novel in 2001
7:
535:American electronic literature works
234:
232:
200:
198:
196:
107:and published on the web in 1996.
103:is a hypertext novella created by
14:
525:1990s electronic literature works
428:"Interview with Adrienne Eisen"
348:. Boulder, Colo.: Alt-X Press.
207:"Some versions of hyperfiction"
239:Bernstein, Mark (1998-05-01).
1:
426:Nile, Southern (2000-07-01).
31:Cover page of Six Sex Scenes.
137:Mark Bernstein writes that
551:
471:"Six Sex Scenes | ELMCIP"
24:
515:Lesbian-related websites
500:1996 in Internet culture
451:Eisen, Adrienne (1996).
401:Mackrous, Paule (2010).
342:Eisen, Adrienne (2001).
241:"Patterns of hypertext"
205:Picot, Edward (2002).
304:10.1145/504216.504236
254:10.1145/276627.276630
225:– via ProQuest.
63:Electronic literature
177:Archived version of
21:
520:Lesbian literature
530:Hypertext fiction
313:978-1-58113-420-9
263:978-0-89791-972-2
125:consists of many
96:
95:
79:Publication place
59:Hypertext fiction
542:
485:
484:
482:
481:
467:
461:
460:
455:. Archived from
453:"Six Sex Scenes"
448:
442:
441:
439:
438:
423:
417:
416:
414:
413:
398:
392:
391:
389:
388:
374:
368:
367:
339:
333:
332:
330:
324:. Archived from
297:
286:
280:
279:
236:
227:
226:
202:
150:A sequel titled
111:Content and form
70:Publication date
29:
22:
550:
549:
545:
544:
543:
541:
540:
539:
490:
489:
488:
479:
477:
469:
468:
464:
450:
449:
445:
436:
434:
425:
424:
420:
411:
409:
400:
399:
395:
386:
384:
376:
375:
371:
356:
341:
340:
336:
328:
314:
295:
288:
287:
283:
264:
238:
237:
230:
204:
203:
194:
190:
179:Six Sex Scenes.
174:
163:
148:
113:
71:
32:
17:
12:
11:
5:
548:
546:
538:
537:
532:
527:
522:
517:
512:
507:
502:
492:
491:
487:
486:
462:
459:on 2001-04-14.
443:
418:
393:
382:emilybooks.com
369:
354:
334:
331:on 2007-10-11.
312:
281:
262:
228:
191:
189:
186:
185:
184:
181:
173:
172:External links
170:
166:Six Sex Scenes
162:
159:
147:
144:
139:Six Sex Scenes
131:Six Sex Scenes
123:Six Sex Scenes
116:Six Sex Scenes
112:
109:
105:Adrienne Eisen
100:Six Sex Scenes
94:
93:
88:
84:
83:
80:
76:
75:
72:
69:
66:
65:
56:
52:
51:
48:
44:
43:
41:Adrienne Eisen
38:
34:
33:
30:
15:
13:
10:
9:
6:
4:
3:
2:
547:
536:
533:
531:
528:
526:
523:
521:
518:
516:
513:
511:
508:
506:
503:
501:
498:
497:
495:
476:
472:
466:
463:
458:
454:
447:
444:
433:
429:
422:
419:
408:
404:
397:
394:
383:
379:
373:
370:
365:
361:
357:
355:0-9703517-0-4
351:
347:
346:
345:Making scenes
338:
335:
327:
323:
319:
315:
309:
305:
301:
294:
293:
285:
282:
278:
273:
269:
265:
259:
255:
251:
247:
242:
235:
233:
229:
224:
220:
216:
212:
208:
201:
199:
197:
193:
187:
182:
180:
176:
175:
171:
169:
167:
160:
158:
157:
153:
152:Making Scenes
145:
143:
140:
135:
132:
128:
124:
120:
117:
110:
108:
106:
102:
101:
92:
89:
85:
82:United States
81:
77:
73:
67:
64:
60:
57:
53:
49:
45:
42:
39:
35:
28:
23:
478:. Retrieved
474:
465:
457:the original
446:
435:. Retrieved
431:
421:
410:. Retrieved
406:
396:
385:. Retrieved
381:
372:
344:
337:
326:the original
291:
284:
275:
244:
214:
210:
178:
165:
164:
155:
151:
149:
138:
136:
130:
122:
121:
115:
114:
99:
98:
97:
510:1996 novels
494:Categories
480:2023-04-10
475:elmcip.net
437:2023-04-10
412:2023-04-10
387:2023-04-10
223:2418404835
188:References
505:Hypertext
211:PN Review
146:Reception
364:48262455
219:ProQuest
47:Language
432:Rhizome
322:8681075
87:Website
50:English
362:
352:
320:
310:
272:317442
270:
260:
221:
161:Awards
37:Author
329:(PDF)
318:S2CID
296:(PDF)
268:S2CID
217:(2).
127:lexia
55:Genre
360:OCLC
350:ISBN
308:ISBN
258:ISBN
74:1996
300:doi
250:doi
246:'98
496::
473:.
430:.
405:.
380:.
358:.
316:.
306:.
274:.
266:.
256:.
243:.
231:^
215:22
213:.
209:.
195:^
61:,
483:.
440:.
415:.
390:.
366:.
302::
252::
156:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.