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Soirées musicales

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These dashing and piquant adaptations from Rossini are in the spirit of all Britten's arrangements – there is no false reverence for a past style, no attempt to imitate Rossini's orchestral manner. Preserving only the tunes and original harmonies intact, the composer feels free to give rein to his
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The suite is scored for two flutes (second doubling piccolo), two oboes, two clarinets, two bassoons, two trumpets, two horns, three trombones, percussion (two players:glockenspiel, xylophone, cymbals, suspended cymbal, triangle, castanets, bass drum and side drum), harp and strings.
355:: The marriage portion which a wife brings to her husband; dowry"; the film shows a young Scotsman whose substantial Post Office Savings Account helps him win the hand and tocher of a young Scotswoman. 278:
The Bolero, a sensuous Spanish dance, employs the expected castanets, supported by what the commentator William E Runyan calls "sparkling, luminous orchestration, with luxurious, cascading timbres".
461: 1658: 48:. The suite, first performed in 1937, derives its title from Rossini's collection of the same name, dating from the early 1830s, from which Britten drew much of the thematic material. 326:
own creative exuberence in exploiting the expanded wind and percussion resources of the twentieth-century orchestra, occasionally adding his own sly parodistic asides here and there.
1586: 83:, Britten arranged a score for boys' voices, flute (doubling piccolo), oboe, clarinet, piano and percussion. The pieces he chose were the soldiers' march from 972: 933: 1140: 669: 108:
Two years later, in 1937, Britten reworked the music for a full orchestra and added two more movements based on Rossini: a "tirolese" (in the style of a
479: 75:, mainly writing incidental music for promotional documentaries. One of his early works for the unit was the music for a five-minute short film called 1663: 450: 562: 1402: 687: 589: 51:
The five-movement suite was expanded from incidental music Britten had written for a film in 1935, and was quickly used as the basis of a ballet by
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from a religious choral work and speeds the tune up to become a whirling Sicilian tarantella to bring the suite to an exuberant finish.
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on 26 November, was given around the country, and, in 1939, on early television, and remained in the
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The second movement is in a gentle Italianate style with woodwind solos over undulating strings.
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Roseberry, Eric (2008). "The concertos and early orchestral scores". In Mervyn Cooke (ed.).
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The lively opening march is based on the "Pas de soldats" from the third act of Rossini's
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peasant dance) called "La Pastorella dell'Alpi" (The Shepherdess of the Alps) from the
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Brett, Philip, Heather Wiebe, Jennifer Doctor, Judith LeGrove, and Paul Banks.
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The suite, which plays for about eleven minutes, is in five movements:
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The analyst Eric Roseberry writes of Britten's scoring:
162:. Britten composed another suite after Rossini called 158:
wanted a new ballet for a South American tour by the
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effect in the tune, first heard in the solo trumpet.
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as a finale. The resulting ballet, choreographed by
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The Oxford English Dictionary defines "tocher" as "
560:"Britten, Benjamin Soirées musicales op. 9 (1936)" 376: 1659:Arrangements of compositions by Gioachino Rossini 1587:Benjamin Britten: A Life in the Twentieth Century 260:A peasant song from the Tyrolean Alps, with a 663: 8: 973:Diversions for Piano Left Hand and Orchestra 633:. Berkeley: University of California Press. 430:Luik, Kaisa (2017). Notes to ERP CD ERP9817 1141:Canticle I: My beloved is mine and I am his 569:, Boosey and Hawkes. Retrieved 15 June 2021 128:, was premiered on 16 January 1937, by the 89:, and two pieces from Rossini's collection 670: 656: 648: 120:, "La Charité" (Kindness), from Rossini's 934:The Young Person's Guide to the Orchestra 614:. Cambridge: Cambridge University Press. 292:For the final movement, Britten takes an 198:, New York, using the music of Britten's 1403:Prelude and Fugue on a Theme of Vittoria 612:Cambridge Companion to Benjamin Britten 445: 443: 368: 344: 59:created ballets using Britten's score. 1352:Sacred and Profane (8 medieval lyrics) 581: 579: 577: 575: 902:Variations on a Theme of Frank Bridge 631:Benjamin Britten: His Life and Operas 555: 553: 426: 424: 422: 420: 135:In 1938 the dancer and choreographer 7: 1519:Britten Pears Young Artist Programme 1159:Canticle IV: The Journey of the Magi 1022:Serenade for Tenor, Horn and Strings 410: 408: 406: 397:participating institution membership 1601:Cantus in Memoriam Benjamin Britten 1199:Songs and Proverbs of William Blake 97:"La promessa" (The Promise), and a 67:In 1935 the young English composer 36:, (Musical Evenings), Op. 9, is a 1472:Variations on an Elizabethan Theme 1153:Canticle III: Still falls the rain 55:. Other choreographers, including 14: 1664:Compositions by Benjamin Britten 1630: 1629: 172:music and added the overture to 512:"London Television Programme", 1147:Canticle II: Abraham and Isaac 1128:Britten's Purcell realizations 1121:The Holy Sonnets of John Donne 151:'s repertoire into the 1960s. 1: 1113:Seven Sonnets of Michelangelo 353:Scottish and northern dialect 334:Notes, references and sources 124:. The expanded suite, titled 1433:Nocturnal after John Dowland 1411:Six Metamorphoses after Ovid 596:, Runyan Program Notes, 2017 499:"All Star Dancing Matinee", 451:"Britten, (Edward) Benjamin" 1674:Ballets by Benjamin Britten 1529:Snape Maltings Concert Hall 132:conducted by Joseph Lewis. 1695: 1679:Arrangements of film music 1419:Fanfare for St Edmundsbury 587:"Soirées musicales, Op. 9" 44:, using music composed by 1627: 1378:String Quartet in D major 1191:Sechs Hölderlin-Fragmente 1105:Beware! Three Early Songs 861:The Prince of the Pagodas 818:The Burning Fiery Furnace 775:A Midsummer Night's Dream 685: 529:, 17 November 1965, p. 2 384:Oxford English Dictionary 1555:Benjamin Britten Academy 1550:Benjamin Britten (train) 1534:The Red House, Aldeburgh 527:Aberdeen Evening Express 490:, 10 January 1937, p. 66 186:. In 1955 a new ballet, 139:created a ballet called 71:started to work for the 1524:Britten-Pears Orchestra 1215:Who Are These Children? 990:Vocal/Choral Orchestral 629:White, Eric W. (1983). 516:, 9 February 1939, p. 4 503:28 November 1938, p. 10 459:(subscription required) 389:Oxford University Press 122:Trois choeurs religieux 1422:(three trumpets, 1959) 1183:Songs from the Chinese 414:Roseberry, pp. 234–235 28: 1070:Cantata misericordium 1006:The Company of Heaven 759:The Turn of the Screw 40:of five movements by 21: 1464:Homage to Paderewski 1446:String Quartet No. 3 1396:String Quartet No. 2 1390:String Quartet No. 1 1386:(oboe quartet, 1932) 1371:Chamber/Instrumental 1328:A Hymn of St Columba 1274:A Ceremony of Carols 1167:A Charm of Lullabies 1138:(1947–75, including 719:The Rape of Lucretia 688:List of compositions 514:Liverpool Daily Post 477:"National Programme" 1607:English Opera Group 1543:Named after Britten 1298:Rejoice in the Lamb 998:Our Hunting Fathers 918:Sinfonia da Requiem 464:15 May 2021 at the 387:(Online ed.). 168:, joined it to the 1594:Britten's Children 1514:Britten Pears Arts 1509:Aldeburgh Festival 1442:(1964, 1967, 1972) 1344:Children's Crusade 1282:Hymn to St Cecilia 1078:Children's Crusade 926:Matinées musicales 695:Opera and operetta 592:2021-06-16 at the 585:Runyan, Willam E. 565:2021-03-05 at the 482:2021-06-16 at the 455:Grove Music Online 196:Metropolitan Opera 165:Matinées musicales 116:collection, and a 29: 26:(1960s photograph) 1669:Orchestral suites 1654:1937 compositions 1641: 1640: 1336:The Golden Vanity 1306:Five Flower Songs 1266:Advance Democracy 1242:Friday Afternoons 1223:A Birthday Hansel 1054:Cantata academica 1014:Les Illuminations 960:(1939, rev. 1958) 954:(1938, rev. 1945) 894:Soirées musicales 640:978-0-52-004893-5 621:978-0-52-157476-1 395:(Subscription or 200:Soirées musicales 194:was given at the 180:George Balanchine 170:Soirées musicales 126:Soirées musicales 114:Soirées musicales 91:Soirées musicales 81:Gioachino Rossini 57:George Balanchine 46:Gioachino Rossini 33:Soirées musicales 27: 1686: 1633: 1632: 1579:Related articles 1570:Britten Sinfonia 1483:Film adaptations 1384:Phantasy Quartet 1314:Hymn to St Peter 1290:Festival Te Deum 976:(1940 rev. 1954) 826:The Prodigal Son 735:The Little Sweep 679:Benjamin Britten 672: 665: 658: 649: 644: 625: 597: 583: 570: 557: 548: 545: 539: 536: 530: 523: 517: 510: 504: 497: 491: 474: 468: 460: 447: 438: 428: 415: 412: 401: 400: 392: 380: 373: 356: 349: 310: 309: 308: 307: 156:Lincoln Kirstein 145:London Palladium 69:Benjamin Britten 42:Benjamin Britten 25: 23:Benjamin Britten 1694: 1693: 1689: 1688: 1687: 1685: 1684: 1683: 1644: 1643: 1642: 1637: 1623: 1574: 1538: 1497: 1478: 1451: 1366: 1229: 1207:The Poet's Echo 1092: 1038:Spring Symphony 985: 958:Violin Concerto 940: 886:Simple Symphony 867: 832: 802:Church parables 797: 791:Death in Venice 690: 681: 676: 641: 628: 622: 609: 606: 601: 600: 594:Wayback Machine 584: 573: 567:Wayback Machine 558: 551: 546: 542: 537: 533: 524: 520: 511: 507: 498: 494: 484:Wayback Machine 475: 471: 466:Wayback Machine 458: 448: 441: 429: 418: 413: 404: 394: 375: 374: 370: 365: 360: 359: 350: 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Index

middle-aged white man, clean-shaven, seated, with musical score on his lap
Benjamin Britten
suite
Benjamin Britten
Gioachino Rossini
Antony Tudor
George Balanchine
Benjamin Britten
GPO Film Unit
Gioachino Rossini
William Tell
canzonetta
bolero
Tyrolean
tarantella
BBC Orchestra
Antony Tudor
London Palladium
Ballet Rambert
Lincoln Kirstein
American Ballet
Matinées musicales
La Cenerentola
George Balanchine
Zachary Solov
Metropolitan Opera
William Tell
yodeling
andante molto
"tocher"

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