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The work is scored for four soloists: bassoon, trumpet, viola, and timpani, accompanied by an orchestra consisting of three flutes, three oboes, three clarinets, three bassoons (third doubling contrabassoon), four horns, three trumpets, three trombones, tuba, timpani, three percussionists, piano, two
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musical language based on the principle of non-repetition. In the composer's own words, the objective is one of "constant rebirth, of true derivation: a stream that never comes back to its source; a stream of eternal development, like a spiral, always linked to, and continuing, its original source,
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belong to the more "experimental", high-modernist strand of Chávez's compositional output, in contrast to the more traditional character of most of the large-ensemble works. This group of works, which also includes the three
Inventions (No. 1 for piano, 1958; No. 2 for string trio, 1965; No. 3 for
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under the composer's direction on 24 November 1965, in the Hans
Rosbaud Hall in Baden-Baden. The Western Hemisphere premiere was given on the third concert of the Third Inter-American Music Festival in Caracas, Venezuela, on 16 May 1966, by the Philadelphia Orchestra, conducted by
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group, but instead each soloist in turn leads a concertante group of related instruments in the orchestra. For example, the first solo group, led by the solo bassoon, features a series of intricate ensembles for a trio of two bassoons and contrabassoon in the orchestra.
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for possible broadcast, and was archived from the original master tapes to digital preservation master WAV files by the
Library of Congress Magnetic Recording Laboratory in 2004;
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323:, 3–18. Garland Composer Research Manuals 46; Garland Reference Library of the Humanities 1925. New York and London: Garland Publishing, Inc.
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is the collective title given to a series of four works, each featuring a succession of solos. The other three compositions in the series are
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148:, with the soloists accompanied by an orchestra. Unlike in a concerto grosso, however, the solo instruments do not together constitute a
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290:" ¡El Bajón en México! project website. Department of Winds & Percussion, University of Michigan (accessed 9 December 2016).
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260:. The Charles Eliot Norton Lectures, 1958–1959. Cambridge: Harvard University Press. Spanish translation, as
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Parker, Robert L. 1994. "Carlos Chávez's
Orchestral Tribute to the Discovery of San Francisco Bay".
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95:(SWR) and was composed in 1965. The first performance was given in a broadcast by the
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371:, edited by Leonora Saavedra, 165–177. Princeton: Princeton University Press.
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Bard
Festival 2015: Carlos Chávez and His World: August 7–9 and 13–16, 2015
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the principle of featuring soloists in turn is expanded to the form of a
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348:, programme book, 7–11. Annandale-on-Hudson: Bard Publications Office.
264:. Sección de obras de arte. México: Fondo de Cultura Económica, 1979.
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Parker, Robert L. 1998. "A Life's Work". In Robert L. Parker,
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is a work for four soloists and orchestra by
Mexican composer
359:
Bauer, Amy. 2015. "Non-Repetition and
Personal Style in the
281:. LP recording. Odyssey Y31534. New York: Columbia Records.
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Chávez
Conducted by Carlos Chávez: Soli I, Soli II, Soli IV
47:. A performance of the work lasts about sixteen minutes.
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but always searching for new and unlimited spaces".
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277:Chávez, Carlos. 1972. Untitled liner notes to
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55:harp, 1967) and the orchestral compositions
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297:Carlos Chávez: Mexico's Modern-Day Orpheus
43:works, while the present one is a sort of
412:Southwest German Radio Symphony Orchestra
97:Southwest German Radio Symphony Orchestra
331:. Reprinted, New York: Routledge, 2013.
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314:15, no. 2 (Autumn–Winter): 177–188.
655:Toccata for Percussion Instruments
321:Carlos Chávez: A Guide to Research
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312:Revista de Música Latinoamericana
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104:. The concert was recorded by
75:(1973), features an abstract,
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747:Compositions by Carlos Chávez
299:. Boston: Twayne Publishers.
369:Carlos Chávez and His World
307:Latin American Music Review
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414:, Carlos Chávez conducting
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295:Parker, Robert L. 1983.
91:was commissioned by the
752:Concertos for orchestra
344:. 2015. "Chronology".
286:Lyman, Jeffrey. n.d. "
262:El pensamiento musical
256:Chávez, Carlos. 1961.
93:Southwest German Radio
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549:Sinfonía para cuerdas
22:Carlos Chávez in 1937
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517:Sinfonía de Antígona
458:List of compositions
146:sinfonia concertante
133:harps, and strings.
688:Musical nationalism
678:Grupo de los cuatro
498:La hija de Cólquide
35:, written in 1965.
641:Other compositions
632:Piano Sonata No. 3
540:Sinfonía romántica
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757:1965 compositions
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491:Caballos de vapor
385:978-0-691-16948-4
377:978-0-691-16947-7
71:(both 1969), and
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671:Related articles
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538:Symphony No. 4 (
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625:Piano music
229:Parker 1983
217:Chávez 1972
193:Chávez 1961
181:Parker 1998
169:Parker 1994
122:2005-650237
57:Resonancias
741:Categories
661:Xochipilli
508:Symphonies
361:Inventions
157:References
150:concertino
565:Concertos
379:(cloth);
241:Lyman n.d
65:Discovery
705:Category
608:Soli III
408:Soli III
138:Soli III
128:Analysis
114:75376442
89:Soli III
63:(1967),
59:(1964),
28:Soli III
649:Tambuco
615:Soli IV
601:Soli II
404:YouTube
84:History
73:Initium
717:Portal
594:Soli I
387:(pbk).
383:
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367:". In
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231:, 124.
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77:atonal
61:Elatio
465:Opera
399:Audio
365:Solis
207:, 10.
195:, 84.
52:Solis
381:ISBN
373:ISBN
363:and
333:ISBN
325:ISBN
266:ISBN
118:LCCN
110:OCLC
69:Clio
50:The
37:Soli
402:on
144:or
136:In
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