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291:. The speaker's sin, on the other hand, is to betray himself by allowing his body rather than his soul to steer his actions. It uses the body as a metaphor for the penis, "rising" and "falling" with an erection when aroused, and so reduces the speaker to nothing more than his phallus; by giving in to his desires he enslaves himself to the
335:
are also omitted). Only the first two lines of the poem are seen on screen. Jarman is attempting to challenge the idea that
Shakespeare was solely heterosexual. In the context of his film, the opening two lines seem to communicate that conscience and ethics come from sexual attraction.
260:
The 8th line also necessarily has a feminine ending. Line 1 has an initial reversal, and mid-line reversals are found in lines 2, 10, 12, and potentially line 5. Line 6 features the rightward movement of the third ictus (resulting in a four-position figure,
310:—satirizing the vices of women. "The woman's best part call it I dare / Wherein no man comes but must stand bare / And let him be never so stout / T'will take him down before he goes out." Both poems imply that sex subordinates the man to the woman.
299:'s "grandiloquent expression", but their theme is the same: "what changes, what remains". Sonnet 55 "celebrates ... love and poetry that endure" where Sonnet 151 "contemplates the inevitability of change".
331:, which discusses homosexuality. It is the first poem shown in the film, the only one not read aloud, and one of only two partially and not wholly portrayed (the last two lines of
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sequence by being more overtly sexual in its passion. Sonnet 151 is characterized as "bawdy" and is used to illustrate the difference between the spiritual love for the
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The bawdy imagery of the poem, from the "nobler part" ("penis") in line 6 "rising at thy name", its "rise and fall" at line 14, has been discussed at length.
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to not accuse the speaker of sin since she might find herself guilty of the same; specifically her infidelity to the speaker by sleeping with the
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195:. The distinction is commonly made in the introduction to modern editions of the sonnets in order to avoid suggesting that Shakespeare was
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based on five pairs of metrically weak/strong syllabic positions. The 3rd line exemplifies a regular iambic pentameter:
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244:/Ă— Ă— / Ă— / Ă— / Ă— / (Ă—) Triumph in love; flesh stays no farther reason, (151.8)
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272:Ă— / Ă— / Ă— Ă— / / Ă— / (Ă—) My nobler part to my gross body's treason; (151.6)
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234:Ă— / Ă— / Ă— / Ă— / Ă— / Then, gentle cheater, urge not my amiss, (151.3)
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295:. Sonnet 151, with a "bawdy chronicle of erection and detumescence", contrasts with
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Shakespeares
Sonnets: Being a reproduction in facsimile of the first edition
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Sonnet 151 has been compared to a verse by 17th-century author
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Shakespeare's
Sonnets: With Three Hundred Years of Commentary
308:
The
Arraignment of Lewd, Idle, Froward, and Unconstant Women
183:
sequence (sonnets 127–152), which distinguishes itself from
359:. The Arden Shakespeare . London: Methuen & Company.
45:
The first eight lines of Sonnet 151 in the 1609 Quarto
937:. The Pelican Shakespeare (Rev. ed.). New York:
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608:A New Variorum Edition of Shakespeare: The Sonnets
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223:of the form ABAB CDCD EFEF GG and is composed in
889:Mowat, Barbara A.; Werstine, Paul, eds. (2006).
117:Her “love” for whose dear love I rise and fall.
102:Triumph in love; flesh stays no farther reason,
94:Lest guilty of my faults thy sweet self prove:
2168:
1018:
977:The Belknap Press of Harvard University Press
530:Shake-speares Sonnets: Never Before Imprinted
252:, a metrically strong syllabic position. Ă— =
106:As his triumphant prize. Proud of this pride,
90:Yet who knows not conscience is born of love?
88:Love is too young to know what conscience is;
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283:The poem starts with an admonishment to the
854:The Sonnets ; and, A Lover's Complaint
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207:Sonnet 151 is an English or Shakespearean
110:To stand in thy affairs, fall by thy side.
104:But rising at thy name doth point out thee
98:My nobler part to my gross body’s treason;
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113:No want of conscience hold it that I call
770:, third series (Rev. ed.). London:
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92:Then, gentle cheater, urge not my amiss,
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275:A minor ionic also occurs in line 11.
173:published in a 1609 collection titled
108:He is contented thy poor drudge to be,
20:
1777:Complete Works of William Shakespeare
100:My soul doth tell my body that he may
7:
657:Fairleigh Dickinson University Press
2137:
96:For, thou betraying me, I do betray
1952:Shakespeare's influence on Tolkien
14:
892:Shakespeare's Sonnets & Poems
356:The Works of Shakespeare: Sonnets
2885:
2136:
2127:
2126:
1480:
971:The Art of Shakespeare's Sonnets
51:
256:. (Ă—) = extrametrical syllable.
211:. The English sonnet has three
3077:Sonnets by William Shakespeare
1957:Works titled after Shakespeare
724:The Complete Sonnets and Poems
215:, followed by a final rhyming
1:
2117:Shakespeare and other authors
818:The New Cambridge Shakespeare
647:Atkins, Carl D., ed. (2007).
265:, sometimes referred to as a
165:is the 151st of 154 poems in
1999:Shakespeare Birthplace Trust
975:. Cambridge, Massachusetts:
693:(Rev. ed.). New Haven:
496:Jefferson: McFarland, 2002.
353:Pooler, C Knox, ed. (1918).
191:and the sexual love for the
179:. The sonnet belongs to the
1805:English Renaissance theatre
1648:The Second Maiden's Tragedy
1627:The Merry Devil of Edmonton
1159:The Two Gentlemen of Verona
720:Burrow, Colin, ed. (2002).
517:First edition and facsimile
321:This sonnet is featured in
18:Poem by William Shakespeare
3093:
1973:Folger Shakespeare Library
1519:The Phoenix and the Turtle
1109:The Merry Wives of Windsor
897:Folger Shakespeare Library
822:Cambridge University Press
612:J. B. Lippincott & Co.
583:The Sonnets of Shakespeare
494:The Films of Derek Jarman.
2883:
2111:
1992:Royal Shakespeare Theatre
1987:Royal Shakespeare Company
1478:
1116:A Midsummer Night's Dream
1060:All's Well That Ends Well
588:Houghton Mifflin Harcourt
219:. It follows the typical
59:
50:
38:
1130:Pericles, Prince of Tyre
640:Modern critical editions
578:Alden, Raymond Macdonald
328:The Angelic Conversation
1138:The Taming of the Shrew
901:Washington Square Press
860:New Penguin Shakespeare
760:Duncan-Jones, Katherine
734:Oxford University Press
468:Booth, Stephen (1977).
1820:Lord Chamberlain's Men
1731:The Passionate Pilgrim
1504:comparison to Petrarch
1123:Much Ado About Nothing
1102:The Merchant of Venice
730:The Oxford Shakespeare
263:Ă— Ă— / /
2184:Shakespeare's sonnets
2010:Shakespeare Institute
1979:Shakespeare Quarterly
1498:Shakespeare's sonnets
1166:The Two Noble Kinsmen
764:Shakespeare's Sonnets
689:Shakespeare's Sonnets
604:Rollins, Hyder Edward
470:Shakespeare's Sonnets
443:Matz, Robert (2008).
415:Matz, Robert (2008).
381:Matz, Robert (2008).
176:Shakespeare's sonnets
150:—William Shakespeare
2191:"Fair Youth" sonnets
1866:Spelling of his name
1706:Vortigern and Rowena
1684:Thomas Lord Cromwell
1264:Troilus and Cressida
1194:Antony and Cleopatra
1088:Love's Labour's Lost
1074:The Comedy of Errors
525:Shakespeare, William
2199:Procreation sonnets
2090:Richard Shakespeare
2072:Gilbert Shakespeare
2004:Shakespeare's Globe
1909:Authorship question
1904:Attribution studies
1871:Stratford-upon-Avon
1713:A Yorkshire Tragedy
1691:Thomas of Woodstock
1677:The Spanish Tragedy
1618:Love's Labour's Won
1610:The London Prodigal
1567:The Birth of Merlin
1526:The Rape of Lucrece
1512:A Lover's Complaint
1392:Quarto publications
1095:Measure for Measure
1034:William Shakespeare
806:Evans, G. Blakemore
472:. pp. 525–29.
419:. pp. 131–32.
227:, a type of poetic
171:William Shakespeare
2084:Edmund Shakespeare
2042:Hamnet Shakespeare
1939:Screen adaptations
1662:Sir John Oldcastle
1560:Arden of Faversham
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2018:
2017:
1747:
1746:
1476:
1475:
1174:The Winter's Tale
862:(Rev. ed.).
781:978-1-4080-1797-5
768:Arden Shakespeare
666:978-0-8386-4163-7
570:Variorum editions
492:Pencak, William.
454:978-0-7864-3219-6
426:978-0-7864-3219-6
392:978-0-7864-3219-6
225:iambic pentameter
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2060:John Shakespeare
1963:
1944:Shakespeare and
1655:Sejanus His Fall
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1582:Double Falsehood
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1243:Romeo and Juliet
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2056:(granddaughter)
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1856:Religious views
1834:Curtain Theatre
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1669:Sir Thomas More
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1589:Edmund Ironside
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553:Clarendon Press
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447:. p. 149.
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385:. p. 111.
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1795:Collaborations
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1384:Early editions
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929:, ed. (2001).
927:Orgel, Stephen
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830:
808:, ed. (1996).
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683:Booth, Stephen
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986:0-674-63712-7
982:
978:
973:
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944:
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939:Penguin Books
935:
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869:
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864:Penguin Books
861:
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820:. Cambridge:
819:
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535:Thomas Thorpe
532:
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502:0-7864-1430-8
499:
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85:
82:
63:
62:
58:
54:
49:
42:
37:
32:
27:
22:
16:
3025:
2104:(son-in-law)
2098:(son-in-law)
2036:Susanna Hall
1977:
1966:Institutions
1945:
1790:Coat of arms
1783:Translations
1775:
1771:Bibliography
1738:To the Queen
1736:
1729:
1711:
1704:
1696:
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1496:
1458:Performances
1402:Second Folio
1370:
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1354:
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1325:
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1304:
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932:
899:. New York:
891:
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469:
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326:
323:Derek Jarman
320:
312:
307:
301:
292:
288:
284:
282:
274:
266:
259:
253:
249:
238:
236:
221:rhyme scheme
206:
192:
188:
174:
162:
161:
124:
87:
65:
15:
2142:WikiProject
1829:The Theatre
1815:Handwriting
1641:The Puritan
1432:Characters
1397:First Folio
1365:Richard III
1145:The Tempest
933:The Sonnets
812:The Sonnets
796:1st edition
655:. Madison:
543:Lee, Sidney
267:minor ionic
2605:Rival Poet
2066:Mary Arden
2050:(daughter)
2038:(daughter)
1914:Bardolatry
1824:King's Men
1766:Birthplace
1453:Chronology
1372:Henry VIII
1299:Richard II
1291:Edward III
1201:Coriolanus
772:Bloomsbury
732:. Oxford:
586:. Boston:
551:. Oxford:
533:. London:
340:References
289:Fair Youth
197:homosexual
189:Fair Youth
163:Sonnet 151
34:Sonnet 151
2899:" sonnets
2897:Dark Lady
2096:John Hall
2086:(brother)
2074:(brother)
2006:(replica)
1946:Star Trek
1934:Memorials
1929:Influence
1919:Festivals
1861:Sexuality
1851:Portraits
1846:New Place
1698:Ur-Hamlet
1634:Mucedorus
1544:Apocrypha
1284:King John
1275:Histories
1222:King Lear
1185:Tragedies
1081:Cymbeline
790:755065951
629:Volume II
561:458829162
504:pp. 87-88
333:Sonnet 57
297:Sonnet 55
293:Dark Lady
285:Dark Lady
213:quatrains
203:Structure
193:Dark Lady
181:Dark Lady
3071:Category
2132:Category
2080:(sister)
2068:(mother)
2062:(father)
1574:Cardenio
1463:Settings
1411:See also
1334:Henry VI
1305:Henry IV
1051:Comedies
995:36806589
957:46683809
919:64594469
882:15018446
840:32272082
752:48532938
675:86090499
625:Volume I
527:(1609).
325:'s film
279:Exegesis
254:nonictus
169:form by
2866:"Envoy"
2607:sonnets
1924:Gardens
1800:Editors
1603:Locrine
1596:Fair Em
1428:Henriad
1327:Henry V
1236:Othello
1229:Macbeth
713:2968040
619:6028485
365:4770201
317:In film
217:couplet
2121:†Lost
2032:(wife)
2023:Family
1896:Legacy
1468:Scenes
1208:Hamlet
993:
983:
955:
945:
917:
907:
880:
870:
838:
828:
788:
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673:
663:
617:
596:234756
594:
559:
500:
476:
451:
423:
389:
363:
209:sonnet
167:sonnet
2044:(son)
1886:Grave
1876:Style
1841:Music
1758:works
1723:Poems
1552:Plays
1490:Poems
1042:Plays
250:ictus
229:metre
1881:Will
1756:and
1753:Life
991:OCLC
981:ISBN
953:OCLC
943:ISBN
915:OCLC
905:ISBN
878:OCLC
868:ISBN
836:OCLC
826:ISBN
786:OCLC
776:ISBN
748:OCLC
738:ISBN
709:OCLC
699:ISBN
671:OCLC
661:ISBN
627:and
615:OCLC
592:OCLC
557:OCLC
498:ISBN
474:ISBN
449:ISBN
421:ISBN
387:ISBN
361:OCLC
248:/ =
3052:154
3047:153
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2772:108
2767:107
2762:106
2757:105
2752:104
2747:103
2742:102
2737:101
2732:100
1441:L–Z
1436:A–K
269:):
141:14
3073::
2727:99
2722:98
2717:97
2712:96
2707:95
2702:94
2697:93
2692:92
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