235:), narrates various events that occur inside a crowded train. For Song Yeong, these spaces offer unexpectedly accurate microcosms of the larger society; wild commotion and meaningless violence that the narrator observes, often with ironic detachment and terseness, raise questions about our lives in the real world. Often these questions lead to a critique of various forms of authority that flout common sense and fetter individual freedom. Typically, Song Yeong's characters remain outside the network of relations that secure individuals' social identities. "Cock-fighting" (
241:, 1967) features as the protagonist a man who remains holed up in his own world and whose perception of the external reality is skewed to the extreme. Existential angst also marks the attitude of the main character to the world around him in "On the Steps".
211:. After his graduation in 1963, he took a teaching job. His literary debut came in 1967 with the publication of "Cock-fighting" in the journal Creation and Criticism (Changjakgwa bipyeong). His sobriquet was Mokdang. He died on October 14, 2016, aged 76.
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Song Yeong's fiction often unfolds in unusual settings through perspectives of unconventional characters. "The
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187:(Hangul: 송영; March 15, 1940 – October 14, 2016) was a South Korean modern writer.
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Seong Young was born on March 15, 1940, in
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484:. Seoul: Hollym. pp. 472–474.
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506:http://klti.or.kr/ke_04_03_011.do#
436:http://klti.or.kr/ke_04_03_011.do#
203:. Song graduated with a degree in
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372:"The Photographer on the Roof" (
345:"A Paradox Concerning Spring" (
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381:"In the Doghouse" (
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302:Night in the Park (
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527:. 14 October 2016.
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