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484:. Although the German technology promised the use of one and the same material for different purposes, ranging from photographic negative film for prints to photographic slides and motion picture films, it took another three years—until July 1939—for any German motion picture film studio to experiment with the film.
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caused by solar altitude at different times of day. Thus, outdoor shots were difficult to handle: A lawn in front of a castle appeared completely yellow, later brown, then bluish. The technology was not fully developed, and Agfa labs were virtually using the shooting of the film as testing grounds
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Realizing they were at least one year behind their
American competitors, German technicians decided to steer away from Kodak's approach to capturing color images on film and invested in their own technology. Their work bore fruits in the summer of 1936, when chemical engineers of the
522:(1937) made him realize that Hollywood feature films presented a threat to Germany's internal market, and that Hollywood's dominance of color film technology should be matched, at least if Germany was serious about engaging in a cultural war with the US and Britain.
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in
September 1942 and was awarded for its outstanding technical quality, and actress Kristina Söderbaum won an acting award. Shot by cameraman Werner Krien, who had done black-and-white pictures before, and assisted by special effects specialist
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of the film: with
Kodachrome, the dye couplers had to be introduced one at a time during a very complicated development procedure that required special equipment and could only be done at a Kodak processing plant.
819:(1956), the final film shot on this film stock. Anscochrome films for still photography were manufactured until 1977. Agfacolor was used in one of the first color French comedy and topless films with
726:'s films used it as well. Sovcolor was known for the variable quality of its colors, which led to continuity errors as colors changed between scenes; more prestigious productions used imported
680:
and the regime's last major propaganda feature film. A significant number of
Agfacolor movies shot between 1939 and 1945 survived the war, but most of them exist only in fragments today.
574:
for their new stock, continually changing the formula throughout the shoot based upon unsatisfactory results, so that entire scenes had to be repeated once a new formula was being tested.
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opened in
October 1941. Despite its rather weak color quality, the film proved to be a major hit, earning more than 8 million â„›︁â„ł︁ by the end of the war.
1210:
764:). Prior to World War II, the film had been imported from Germany. After the War began, the American subsidiary was seized by the US Government. At the request of the
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in 1935, the new
Agfacolor film was an "integral tripack" with three differently color-sensitized emulsion layers. Unlike Kodachrome, the corresponding color-forming
896:
The glass-based Agfa color plate was announced in 1916, but because of World War I and its aftermath, the product was not properly introduced until the early 1920s.
753:. Agfa Wolfen sold the Agfa brand rights to Agfa-Werke in 1964, and changed its name to ORWO. Agfa-Werke merged with Gevaert that same year to form Agfa-Gevaert.
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664:(1943) was the third German feature film – out of over a dozen – to be produced using Agfacolor film between 1939 and 1945. Other Agfacolor productions include
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Color photo report from car journey to Paris, Monaco and Rome made in 1938 using
Agfacolor process by Polish racing driver Witold Rychter from Warsaw.
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for use by the German motion picture industry. After World War II, the
Agfacolor brand was applied to several varieties of color negative film for
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from 1925 to 1945. Its Wolfen plant, which was the sole producer of
Agfacolor film until the end of World War II, was constructed in 1909.
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599:, the following Agfacolor movies were shot and printed much quicker and with better results. The technology was improved at a rapid pace.
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An
Agfacolor slide dated early 1940s from Germany. While the colors themselves have held up well, damage visible includes dust and
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by Jeno Kiss. Works were made by occupants and also by resistance members. All photographs survived in excellent condition.
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400:(New Agfacolor), a pioneering color film of the general type still in use today. The new Agfacolor was originally a
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772:. Anscochrome was widely distributed, but met with limited commercial success in competition with Kodak product.
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was allowed to shoot his next picture in Agfacolor. Between the summers of 1941 and 1942, Veit Harlan finished
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In 1978, Agfa ceased production of color film based upon the original Agfacolor process, switching to Kodak's
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that Agfacolor was used for a major motion picture. The use of Agfacolor was reinforced by the top of the
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Agfacolor Neu, called simply Agfacolor after its predecessor had been retired, was the German response to
405:
416:, in which the negatives were used to make color prints on paper. The reversal film was then marketed as
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used for making "slides", home movies and short documentaries. By 1939, it had also been adapted into a
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www.pixpast.com a source for collectors of original 35mm and 16mm agfacolor film from 1936 to 1945.
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admired Hollywood movies and examined them carefully in regular private screenings (sometimes with
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861:(1943) by Zbigniew Borowczyk (3 photos), Karol Grabski (1 photo) and Rosemarie Lincke (1 photo);
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Throughout the shoot, the film yielded mixed results as it was still very sensitive to different
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eventually gave in to his pressure. Agfacolor was then used throughout the entire film shoot of
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Gert & Nina Koshofer, Dr. Rolf Giesen, Friedrich-Wilhelm-Murnau-Stiftung, Wiesbaden, 2005
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Science-fiction & Fantasy Cinema: Classic Films of Horror, Sci-fi & the Supernatural
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company in Germany tested their new material Agfacolor at the swimming competition of the
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Dictionnaire général du cinéma: du cinématographe à Internet: art, technique, industrie
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of Germany. The first Agfacolor, introduced in 1932, was a film-based version of their
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Famous professional early works made in Agfacolor were war photo reports made during
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After the process's growing pains had been overcome throughout the production of
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Agfacolor consumer products were also marketed in North America under the names
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were made integral with each layer during manufacture, greatly simplifying the
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after World War II and the division of Germany. Agfa-Werke opened a plant in
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Meanwhile the production costs had risen from 1.5 to 2.5 million
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with many written resources and many photographs of Agfacolor prints.
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Based upon the patent no. 253335 of Dr. Rudolf Fischer, 1911, Berlin
207:. Statements consisting only of original research should be removed.
392:(Agfa color plate), a "screen plate" product similar to the French
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as a young, innocent country girl who comes to the golden city of
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1211:"Invasion of Poland, 1939: Color Photos From WWII's First Front"
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1287:"Hungary: 1956 Uprising in color - Images | EST&OST"
692:, large quantities of raw Agfacolor stock were seized by the
918:
Lifetime of Colour Photographs in Mixed Archival Collections
676:(1945), a dramatization of German resistance throughout the
532:
It was not until the beginning of principal photography for
1335:
Colour Photography: The First Hundred Years 1840–1940
955:
Everett, Wendy Ellen; Everett, Wendy (February 21, 2007).
1171:
Ansco Chronology, From a Binghamton, N. Y. point of view.
1306:
Global Film Color: The Monopack Revolution at Midcentury
958:
Questions of Colour in Cinema: From Paintbrush to Pixel
650:), the film displays an impressive symphony of colors.
196:
700:
process, which was widely used in the USSR and other
1185:"Ah ! Les belles bacchantes – les Branquignols"
613:), a dreamy propaganda fairytale starring his wife
101:. Unsourced material may be challenged and removed.
1138:Anscochrome and Ansco color transparencies slides.
865:(1944) by Ewa Faryaszewska and Gerhard Wiechmann;
733:Agfa was divided into Agfa-Werke, a subsidiary of
1229:"Warszawa. PĹ‚onÄ…ce getto | Wirtualny Sztetl"
1200:is a translation of title for the Spanish market.
716:(1954). One of the best-known Sovcolor films is
1359:Agfacolor on Timeline of Historical Film Colors
924:(Doctoral thesis). University College London.
1255:"Fotografie ruin. Ruiny fotografii 1944–2014"
27:Trademark for a series of color film products
8:
1304:Street, Sarah; Yumibe, Joshua, eds. (2024).
1125:
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654:Later Agfacolor films during the Third Reich
581:. More than two years after its start date,
542:) a 1939 musical starring the singer/dancer
1080:Chromatic Cinema: A History of Screen Color
670:(1944), a musical starring Marika Rökk and
269:An Agfacolor slide dated 1937 from café in
64:Learn how and when to remove these messages
504:and his staff). Technicolor films such as
317:An Agfacolor slide dated 1938 from Sweden.
996:Limbacher, James L. (February 21, 1978).
241:Learn how and when to remove this message
223:Learn how and when to remove this message
161:Learn how and when to remove this message
853:during German occupation (1940-1944) by
488:Early use in German motion picture films
889:
783:. Films shot in Ansco Color included
373:(An Agfacolor slide dated until 1957).
1050:Reid, John Howard (January 1, 2007).
837:Agfacolor during the Second World War
640:(once in charge of the SFX camera in
7:
1385:German inventions of the Nazi period
99:adding citations to reliable sources
1213:. November 12, 2014. Archived from
869:(1945) by Oldřich Cerha and during
540:Frauen sind doch bessere Diplomaten
337:An Agfacolor slide dated 1939 from
325:An Agfacolor slide dated 1938 from
305:An Agfacolor slide dated 1938 from
293:An Agfacolor slide dated 1938 from
281:An Agfacolor slide dated 1937 from
621:and is seduced by an unscrupulous
257:Agfa-Farbenplatte dated 1933 from
25:
1077:Misek, Richard (April 26, 2010).
760:(from Agfa's then-US subsidiary,
658:Made for UFA's 25th Anniversary,
435:. Like Kodachrome, introduced by
45:This article has multiple issues.
1023:Roy, André (February 21, 2007).
704:nations; such films produced in
696:and served as the basis for the
464:was formed in 1867, and part of
396:. In late 1936, Agfa introduced
177:
75:
34:
983:"Sovcolor negative film type B"
804:Seven Brides for Seven Brothers
519:Snow White and the Seven Dwarfs
86:needs additional citations for
53:or discuss these issues on the
554:film industry, Reichsminister
1:
779:, including some produced by
775:Ansco Color was also used in
871:Hungarian Revolution of 1956
380:was the name of a series of
1253:Mwadmin (7 February 2017).
786:The Man on the Eiffel Tower
758:Ansco Color and Anscochrome
203:the claims made and adding
1401:
597:Women Are Better Diplomats
583:Women Are Better Diplomats
564:Women Are Better Diplomats
535:Women Are Better Diplomats
527:Women Are Better Diplomats
496:'s Minister of Propaganda
424:in their color developer.
349:Budapest in Hungary, 1939.
1093:– via Google Books.
1083:. John Wiley & Sons.
1066:– via Google Books.
1039:– via Google Books.
1012:– via Google Books.
971:– via Google Books.
830:Ah! Les belles bacchantes
1310:Rutgers University Press
1126:Street & Yumibe 2024
999:Four Aspects of the Film
943:Street & Yumibe 2024
714:Adventure at Marienstadt
558:, and the executives at
422:Color Developing Agent 1
1337:, Ash & Grant, 1978
708:were also described as
638:Konstantin Irmen-Tschet
371:HM Pansarskepp Gustaf V
1106:"Metal Picture Prints"
1029:. Les Editions Fides.
859:Warsaw Ghetto Uprising
722:(1965–67) and many of
684:Legacy of World War II
667:The Woman of My Dreams
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633:Venice Film Festival
516:(1939) and Disney's
478:1936 Summer Olympics
95:improve this article
781:Metro-Goldwyn-Mayer
688:Towards the end of
507:The Garden of Allah
420:. These films use
369:Swedish battleship
1375:Photographic films
1159:February 07, 2008.
1143:2013-02-13 at the
843:Invasion of Poland
712:, the first being
615:Kristina Söderbaum
579:â„›︁â„ł︁
571:color temperatures
513:Gone with the Wind
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1128:, pp. 30–31.
1090:978-1-4443-3239-1
1063:978-1-4303-0113-4
1036:978-2-7621-2787-4
1009:978-0-405-11138-9
968:978-3-03911-353-8
631:premièred at the
606:Die goldene Stadt
414:still photography
390:Agfa-Farbenplatte
384:products made by
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1237:. Retrieved
1233:the original
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1215:the original
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1179:
1170:
1164:
1157:About Ansco.
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1109:. Retrieved
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1056:. Lulu.com.
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747:East Germany
739:West Germany
732:
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702:Eastern bloc
697:
694:Soviet Union
690:World War II
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502:Adolf Hitler
491:
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441:dye couplers
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93:Please help
88:verification
85:
61:
54:
48:
47:Please help
44:
1333:Coe Brian,
1298:Works cited
1273:"Vhu Praha"
855:André Zucca
847:Hugo Jaeger
792:Bwana Devil
743:Agfa Wolfen
661:MĂĽnchhausen
601:Veit Harlan
544:Marika Rökk
494:Third Reich
457:Development
429:Technicolor
110:"Agfacolor"
1369:Categories
1239:2019-10-27
1111:8 December
884:References
845:(1939) by
762:Agfa-Ansco
751:Leverkusen
647:Metropolis
642:Fritz Lang
546:and actor
445:processing
433:Kodachrome
418:Agfachrome
410:print film
394:Autochrome
382:color film
261:, Germany.
213:April 2010
197:improve it
151:April 2010
121:newspapers
50:improve it
930:107323281
810:Brigadoon
538:(German:
466:IG Farben
378:Agfacolor
341:, Poland.
309:, Poland.
285:, France.
273:, Norway.
201:verifying
56:talk page
1141:Archived
807:(1954),
801:(1953),
795:(1953),
789:(1949),
710:Polcolor
698:Sovcolor
510:(1936),
307:Zakopane
18:Sovcolor
823:called
673:Kolberg
452:History
295:Hungary
195:Please
135:scholar
1316:
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706:Poland
623:gigolo
619:Prague
609:(Eng:
482:Berlin
408:and a
339:Warsaw
329:, USA.
137:
130:
123:
116:
108:
926:S2CID
922:(PDF)
851:Paris
827:(fr.
737:, in
283:Paris
142:JSTOR
128:books
1380:Agfa
1314:ISBN
1113:2023
1085:ISBN
1058:ISBN
1031:ISBN
1004:ISBN
963:ISBN
741:and
552:Nazi
492:The
474:Agfa
462:Agfa
431:and
386:Agfa
271:Oslo
114:news
745:in
644:'s
560:UFA
480:in
199:by
97:by
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