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762:
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607:, the dedicatee of Book IV, described the Spanish works of Sarasate as "original, inventive and effective concert pieces, so warmly coloured with the fire and romance of his native land".
162:
Book IV, Op. 26, was completed in
October 1881 in Paris, and is the only book where the dances do not have titles. Instead, they are usually named after the dances they were inspired by (
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593:
were immensely successful for
Sarasate, who frequently performed them as encores. They were also a commercial success, leading to a large number of editions and reprints, and
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between 1877 and 1882 and published in four books, each book combining two dances contrasting in rhythm and character. They are among
Sarasate's best known works.
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proved to be a great commercial success, and another ten pieces were listed in
Simrock's catalogue as books V to XIV, though none of them (including
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90:. Sarasate composed eight pieces, published by Simrock between 1878 and 1882 in four books of two pieces each. The
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136:), Op. 22, was composed during his first tour of Scandinavia in 1878, and dedicated to Moravian violinist
718:
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117:), Op. 21, was composed in Germany between December 1877 and February 1878, and dedicated to
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330:; an Andalusian song with ornamented melodies and augmented seconds.
535:; a popular Andalusian song which Sarasate had already used in the
539:, Op. 18. The middle section is based on the popular Spanish song
53:
17:
838:
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The dances make use of folk tunes in elegant arrangements.
597:
for other instruments, including a piano arrangement by
151:), Op. 23, was composed in summer 1879 and dedicated to
469:; a popular Andalusian folk song with a lamenting tone.
578:; a habanera with great rhythmic and harmonic variety.
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in 1877, who had recognized the potential of
European
672:"Sarasate (y Navascuéz), Pablo (Martín Melitón) de"
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723:: CS1 maint: location missing publisher (
830:International Music Score Library Project
818:International Music Score Library Project
806:International Music Score Library Project
794:International Music Score Library Project
155:, a German violinist Sarasate had met in
502:; a virtuosic, expressive-lyrical dance.
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669:Schwarz, Boris; Stowell, Robin (2001).
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48:) are a collection of eight pieces for
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102:, Op. 34) ended up being published as
72:were commissioned by German publisher
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22:Cover of the first edition of Book I
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967:Compositions for violin and piano
942:Compositions by Pablo de Sarasate
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637:Ferrer, María Nagore (2017).
711:Violin playing as I teach it
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174:). Book IV was dedicated to
768:Performed by Carrie Rehkopf
178:, whom Sarasate had met in
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713:. New York. p. 210.
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683:Oxford University Press
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977:1880s in Spanish music
972:1870s in Spanish music
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121:, whom he had met in
96:El canto del ruiseñor
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875:List of compositions
545:Fermín María Álvarez
398:; a moving, lyrical
182:at the end of 1881.
754:3. Romanza andaluza
240:3. Romanza andaluza
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678:Grove Music Online
640:Preface to HN 1370
24:
962:1882 compositions
957:1880 compositions
952:1879 compositions
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866:Pablo de Sarasate
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58:Pablo de Sarasate
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681:(8th ed.).
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130:Romanza andaluza
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38:Danzas españolas
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104:Spanish Dances
98:, Op. 29, and
92:Spanish Dances
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276:6. Zapateado
216:1. Malagueña
176:Leopold Auer
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138:Wilma Neruda
134:Jota navarra
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56:composed by
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599:Berthe Marx
288:8. Habanera
228:2. Habanera
159:that year.
78:folk dances
936:Categories
892:Gypsy Airs
778:media help
611:References
541:La partida
513:Allegretto
342:Allegretto
264:5. Playera
143:Book III (
719:cite book
585:Reception
475:Zapateado
376:Andantino
307:Andantino
302:Malagueña
186:Structure
157:Frankfurt
149:Zapateado
128:Book II (
111:Malagueña
923:Category
826:, Op. 26
814:, Op. 23
802:, Op. 22
790:, Op. 21
709:(1921).
552:Habanera
371:andaluza
369:Romanza
337:Habanera
171:Habanera
115:Habanera
109:Book I (
561:C major
518:A minor
485:A major
480:Allegro
452:D minor
442:Playera
419:A major
414:Allegro
410:navarra
400:romance
381:C major
347:D minor
313:D major
145:Playera
64:History
34:Spanish
689:
645:Munich
123:Berlin
50:violin
42:German
447:Lento
54:piano
725:link
687:ISBN
653:ISMN
589:The
508:Vito
408:Jota
202:and
168:and
165:Vito
147:and
132:and
113:and
68:The
52:and
26:The
543:by
86:by
938::
721:}}
717:{{
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675:.
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