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159:, who recalled reading her in her youth, "We used to read Madame Dussap's books together, and in the work of that feminist author, we tried to find solutions to the problems we faced." Later, she and her friends visited Dussap: "She immediately started asking questions and spoke to us with warmth and encouragement...Hearing that I hoped to become a writer, Madame Dussap tried to warn me. She said that, for women, the world of literature was full of many more thorns than laurels. She told me that in our day and age, a woman who wanted to carve out a place for herself in society was still not tolerated. To overcome all of these obstacles, I needed to exceed mediocrity. ..She made a deep impression on us...We both agreed that in order to exceed mediocrity, we needed to go to Europe to continue our education."
131:, attacking the traditional patriarchal structures behind their ignorance, and the male oppression that led to forced marriages in the countryside. She further noted that even in the more cultured and cosmopolitan Constantinople, women "were still deprived of their freedom and dominated by men." Dussap was certain that society would not be able to advance without the emancipation of women. For these liberal ideas, she faced resentment from some prominent Armenian intellectuals, such as
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would gather to discuss social and political issues, literature and poetry. She was active in philanthropic and charitable organizations that furthered the support and education of women. Dussap's oeuvre reflects nineteenth century
European trends. She wrote mainly in the
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Dussap is the first
Armenian writer who published works that today would be called feminist. The earliest of these were a series of essays on the status of women's education and employment. In 1883, she published the first novel by an Armenian woman,
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family. At the time, wealthy families regularly imitated the trends and customs of
Western European, primarily French society. The young Dussap, being educated in Western European institutions, showed little interest in the
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Dussap is regarded today as a pioneer in addressing female inequality and the need for female education. She was an inspiration to other
Armenian women writers and journalists such as
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Dussap had two children, Dorine and Edgar. Dorine died in 1891, after which Dussap ceased writing for publication. Dussap died in 1901.
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Rowe, Victoria (Spring 2008). "Armenian
Writers and Women's-Rights Discourse in Turn-of-the-Twentieth-Century Constantinople".
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281:. Treasury of Armenian Women's Literature. Boston: AIWA Press, Armenian International Women's Association. pp. 134–6.
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Dussap was married to a French musician, Paul Dussap, with whom she ran a
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novelist. She was the sister of famed
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Book Review: Echoes of
Protest in ‘Mayda’ by Srpuhi Dussap
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The
Gardens of Silihdar (translated by Jennifer Manoukian)
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55:Biography
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107:Writings
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