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T. E. Breitenbach

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357:. Fowler recommended the octagon as an ideal and economical shape for a house. For Breitenbach, it was also suited to a castle. In 1987 he added a large studio addition. Breitenbach quarried stones (some as long as 12 feet) from a nearby creek, cut trees for lumber, and salvaged a collapsing carriage barn for beams and siding. He forged iron hardware, made leaded-glass windows, furniture, carvings, tilework, and a fresco, so that many of the arts would be represented. 25: 300:
After his marriage in 1979 and the birth of his first child, Breitenbach's paintings became particularly colorful. He blames this on the ultra-bright toys that were strewn about the house. He uses traditional Flemish oil-glazes, a meticulous process. Light penetrates the transparent paint layers,
287:, his best-known work, completed in 1975 at the age of 24. This large painting illustrates over 300 common expressions like "You are what you eat", "butterflies in the stomach", "the rat race", and so on, and identifying the sayings became a kind of puzzle for his audience. 382:
Breitenbach has written books, including an illustrated fantasy novel "Grumparar's the New Creatures", "Proverbidioms, All the Answers and Trivia", and a book of local ghost stories. He composed music for films produced by his son, and has written two musicals, including
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in visual arts. Breitenbach declined the second year of the fellowship and, inspired by the castles and museums of Europe, returned home determined to build a castle-studio to house his art and eventually become a museum. During the planning stages he painted
374:"An artist with a 'too-large' imagination". The musical was staged and made its world premiere at Proctors Theater in Schenectady New York in 2016. It was filmed and is available to watch on PBS. 321:
In 1970, while still at college, Breitenbach sent pictures of his artwork to Jim Morrison and offered to paint an album cover. Morrison accepted and sent Breitenbach his ideas for a
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album published seven years after his death. However, the album’s producers were not aware of Morrison’s intention to use the painting.
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and are intended to provoke strong emotional responses from the observer. Breitenbach emphasizes that these paintings are not
249:, because surrealists tend to use personal and dream symbols which are not an effective form of language. He was awarded the 257: 347:, on land given him by his father. The first stage was an octagon and tower, inspired by the 1848 Victorian-era book 55: 51: 35: 766: 407: 326: 204: 617: 274: 779: 778:
Scherbeck, Bastian (2005). "Von Bruegel bis Breitenbach: Sprichwortdarstellungen im Wandel der Jahrhunderte"
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spurred by his vision of man’s nature as being hopelessly irrational and violent. Influenced by
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panels (made of chalk and glue) and reflecting back at the viewer, creating a luminous effect.
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in 1973 by the Society of Fellows of the American Academy in Rome in the visual arts category.
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and his over-active imagination, and "Little Black Boxes" a magical and charming show.
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and asked if he could use it on an album of poetry he was working on. This was his
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has been turned into a poster, jigsaw puzzle, and appeared on the TV show
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In 1974, Breitenbach started work on a painting of contemporary proverbs,
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is an original musical with music, lyrics, and book by Breitenbach about
322: 234: 156: 618:"The Proverb World of Thom E. Breitenbach: An Analysis of Proverbidioms" 188: 344: 654:. Society of Fellows of the American Academy in Rome. Archived from 256: 313: 54:
external links, and converting useful links where appropriate into
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An archive of articles, films, and other Breitenbach memorabilia
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a partly autobiographical story about medieval fantasy artist
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A behind-the-scenes feature produced by WMHT for AHA, titled
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In 1976, Breitenbach began constructing by hand a small
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may not follow Knowledge (XXG)'s policies or guidelines
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Watch Breitenbach's Hieronymus Bosch Musical on WMHT
162: 152: 144: 136: 104: 88: 707:"Artist thrives by trying new forms of expression" 626:Proverbium Yearbook of International Scholarship 241:, Breitenbach's subjects are constructed using 8: 853:The Making of T. E. Breitenbach's Hieronymus 814:Proverbidioms, The Art of T. E. Breitenbach 767:"Young actors lead way in musical fantasy" 85: 750:Hale-Spencer, Melissa (August 10, 2016). 679:. The University of Vermont. pp 267-269. 473:The Artist in His Studio: Designing Birds 74:Learn how and when to remove this message 203:, shortly before Morrison's 1971 death, 611: 609: 607: 591: 570:Proverbidioms IV: Who Missed the Boat? 233:Breitenbach’s earliest works are dark 700: 698: 696: 694: 692: 7: 652:"Directory by Year Index: 1971-1980" 277:'s 1559 painting of Dutch proverbs, 317:The octagonal portion of the castle 909:20th-century American male artists 705:Pinkney, Barbara (March 4, 2005). 14: 677:Proverbs Speak Louder Than Words 96: 23: 899:University of Notre Dame alumni 765:Buell, Bill (August 17, 2016). 465:The Temptation of Saint Anybody 894:21st-century American painters 884:20th-century American painters 1: 879:Artists from Queens, New York 806:Hieronymus, A Musical Fantasy 385:Hieronymus, A Musical Fantasy 368:Hieronymus, A Musical Fantasy 362:Hieronymus, A Musical Fantasy 195:. He also collaborated with 16:American painter (born 1951) 904:Painters from New York City 616:Scherbeck, Bastian (2007). 578:Accidents Waiting to Happen 925: 840:The Jim Morrison Triptych 675:Mieder, Wolfgang (2008). 599:U.S. Public Records Index 408:The Jim Morrison Triptych 95: 791:The artist's poster shop 733:. Edições Afrontamento. 301:striking the pure-white 225:and later published it. 207:intended for use on his 177:(born July 29, 1951 in 889:American male painters 754:. Altamont Enterprise. 554:Ultimate Proverbidioms 318: 280:Netherlandish Proverbs 266: 731:Contigo Torno-Me Real 400:Allegorical paintings 327:the finished painting 316: 309:Jim Morrison triptych 259: 229:Periods and technique 218:Rome Prize Fellowship 175:Thomas E. Breitenbach 167:Rome Prize Fellowship 109:Thomas E. Breitenbach 821:A Catalogue RaisonnĂ© 769:. The Daily Gazette. 546:Things of the Garden 449:The Myth of the Cave 294:Beverly Hills, 90210 44:improve this article 711:The Business Review 562:A Picture of Health 395:List of major works 297:in a few episodes. 265:, 1975 oil on panel 56:footnote references 729:Silva, Rui (2008) 332:An American Prayer 319: 267: 243:archetypal symbols 210:An American Prayer 798:A Musical Fantasy 739:978-972-36-0950-9 685:978-1-4331-0378-0 350:The Octagon House 339:Building a castle 172: 171: 90:T. E. 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Index

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improve this article
excessive
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Queens, New York
United States
Painting
Rome Prize Fellowship
Queens, New York
Proverbidioms
proverbs
clichés
Jim Morrison
The Doors
on a painting
An American Prayer
Rome Prize Fellowship
allegories
Carl Jung
archetypal symbols
surrealism
Rome Prize

Proverbidioms
idioms
Pieter Bruegel
Netherlandish Proverbs

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