68:
Mark Foxx as an excavation of the city, deconstructing his three large scale abstract drawings, “loaded with symbols that reference utopian ideas of social planning... class and race relations”. Christopher Miles at
Artweek reads the show in juxtaposition with the Clint Eastwood movie which Mason derived his title, coming to the conclusion that Eastwood’s character paints the town red and blow it up to reveal what it was while Mason “(re) modeled the city to reveal it for what it isn’t”.
83:’s home in Giverny, France. The project examined the impressionistic landscape through photography, research and play within the gardens. Wilson criticized the work for being “presumably about the aggressive intrusions of the media preventing us from thinking… further deadening our poor brains”. Wilson finds “Pure Beauty” overall to be “noisy” and Mason’s piece the “loudest boom box” in the show.
102:
animation cells, advertising, and painting all at once”. He utilizes the sleek lightboxes - imbued with their history in advertising and using the surface of the lightbox to instead produce painting collages to capture these heavily researched and elusive images, creating a series that questions technology, image and our relationship to each.
67:
Mason’s early exhibitions such as High Points
Drifter were influenced by Los Angeles and sought to reroute our relationship to its landmarks. Mason’s composition uses a subtle series of visual codes within the sculptures, paintings and recordings. Jody Zellen of Art Press describes Mason’s show at
101:
A facet of Mason’s ongoing body of work consists of intricately cut layers of transparent colored gel affixed to custom designed light boxes depicting images of historical objects, places, artworks, and photographs, and in one such triptych, the painter
Francis Bacon’s studio, that “reference
93:
Mason’s first Post-it Note collages were first shown in the
Wohinkeinaugereicht in the Arbeitskreises für Photographie Hamburg in 1998. Mason’s Post-it notes float semi-casual text in juxtaposition with the image. In 2013 he published these interventions in the
260:"'Pure Beauty': Irony Becomes Stale Second Time Around : Art review: The MOCA exhibition includes installations by seven locals and though it includes some tantalizing work, as a whole it can be read as art contemplating its own extinction"
58:
Mason’s work takes on a number of forms and subjects, and research is a predominant component of his process. His research pairs both historical materials and ideas with the currency of field recordings, live sound and performance.
114:. Since completing the Graduate Art track at ArtCenter College of Design in 1990, Mason and Thater have collaborated on numerous projects, notably the 16mm film JUMP which was included in the 2006
412:
79:
in Los
Angeles. It was one of Los Angeles’ earliest museum shows of artists under 30. The work consisted of a multi-channel video and sound installation taped during a residency at
90:, for which artists designed tattoos that needn’t be implemented upon a human body, raising the question whether it was the drawing or the executed tattoo that is the artwork.
342:
76:
39:
427:
42:
in 1988 where he studied music and liberal arts. In 1990 he earned his
Masters of Fine Arts at ArtCenter College of Design. Mason studied with
318:
390:
98:’s member’s magazine using the Bass Archive and delivering philosophical commentary on the contents of the contents of the magazine.
442:
432:
422:
26:
artist, writer, and educator who works in a number of media, including video, music, sculpture, and text. Mason has taught at
115:
171:
27:
125:’s “Subterranean Homesick Blues”, for which Mason served as co-producer, music director and bass guitarist.
417:
142:
259:
224:
Zellen, Jody (November 1995). "qu'est-ce qu'un espace géographique? / What is a
Geographical Space?".
437:
47:
71:
One of his first institutional shows was at “Pure Beauty”, an exhibition that had been the first in
307:
Ebner, Florian; Hoffmann, Felix; Schube, Inka; Weski, Thomas; Cowper, Simon; Currid, Brian (2016).
23:
336:
197:
386:
324:
314:
118:
86:
In 1993 Mason was included in a group project called Tattoo
Collection for the gallery
283:
406:
43:
111:
87:
80:
95:
72:
328:
122:
308:
75:’s new American Center in Paris. It was installed for the second time at
239:
Miles, Christopher (November 1995). "T. Kelly Mason at Marc Foxx".
121:
and features twenty children jumping rope to live performances of
356:
357:"UCR Arts Exhibition Examines Architecture and Painting"
172:"T. Kelly Mason at Cherry and Martin Gallery | Art Talk"
385:. New York, NY: Whitney Museum of American Art.
413:California State University, Long Beach alumni
8:
341:: CS1 maint: location missing publisher (
381:Iles, Chrissie; Vergne, Philippe (2006).
40:California State University at Long Beach
134:
38:Mason earned his Bachelor of Arts from
334:
310:Werkstatt fĂĽr Photographie, 1976-1986
7:
383:Whitney Biennial 2006: Day for Night
219:
217:
166:
164:
162:
196:Boucher, Brian (26 November 2019).
22:(born 1964) is a Los Angeles–based
14:
110:Mason is married to video artist
258:Wilson, William (1994-09-28).
1:
428:American installation artists
198:"T. Kelly Mason: Space Film"
28:ArtCenter College of Design
459:
30:in Pasadena since 2001.
443:Post-conceptual artists
433:Artists from California
423:American video artists
284:"Tattoo Collection"
96:Bass Museums of Art
288:www.airdeparis.com
363:. August 28, 2018
320:978-3-96098-043-8
264:Los Angeles Times
147:www.artcenter.edu
450:
397:
396:
378:
372:
371:
369:
368:
353:
347:
346:
340:
332:
304:
298:
297:
295:
294:
280:
274:
273:
271:
270:
255:
249:
248:
236:
230:
229:
221:
212:
211:
209:
208:
193:
187:
186:
184:
183:
168:
157:
156:
154:
153:
139:
458:
457:
453:
452:
451:
449:
448:
447:
403:
402:
401:
400:
393:
380:
379:
375:
366:
364:
355:
354:
350:
333:
321:
306:
305:
301:
292:
290:
282:
281:
277:
268:
266:
257:
256:
252:
238:
237:
233:
223:
222:
215:
206:
204:
195:
194:
190:
181:
179:
170:
169:
160:
151:
149:
141:
140:
136:
131:
108:
65:
56:
36:
24:post-conceptual
17:
16:American artist
12:
11:
5:
456:
454:
446:
445:
440:
435:
430:
425:
420:
415:
405:
404:
399:
398:
392:978-0874271522
391:
373:
348:
319:
299:
275:
250:
231:
213:
188:
158:
143:"Thomas Mason"
133:
132:
130:
127:
107:
104:
64:
61:
55:
52:
35:
32:
20:T. Kelly Mason
15:
13:
10:
9:
6:
4:
3:
2:
455:
444:
441:
439:
436:
434:
431:
429:
426:
424:
421:
419:
418:Living people
416:
414:
411:
410:
408:
394:
388:
384:
377:
374:
362:
358:
352:
349:
344:
338:
330:
326:
322:
316:
312:
311:
303:
300:
289:
285:
279:
276:
265:
261:
254:
251:
246:
242:
235:
232:
227:
220:
218:
214:
203:
199:
192:
189:
177:
173:
167:
165:
163:
159:
148:
144:
138:
135:
128:
126:
124:
120:
117:
113:
106:Personal life
105:
103:
99:
97:
91:
89:
84:
82:
78:
74:
69:
62:
60:
53:
51:
49:
45:
44:Stephen Prina
41:
33:
31:
29:
25:
21:
382:
376:
365:. Retrieved
360:
351:
309:
302:
291:. Retrieved
287:
278:
267:. Retrieved
263:
253:
244:
240:
234:
225:
205:. Retrieved
201:
191:
180:. Retrieved
178:. 2015-07-02
175:
150:. Retrieved
146:
137:
112:Diana Thater
109:
100:
92:
88:Air de Paris
85:
81:Claude Monet
70:
66:
57:
37:
19:
18:
438:1964 births
73:Frank Gehry
48:Mike Kelley
407:Categories
367:2021-01-14
313:. London.
293:2021-01-14
269:2020-11-14
207:2021-02-01
182:2021-01-14
152:2021-02-01
129:References
361:UCR Today
337:cite book
329:967152419
123:Bob Dylan
34:Education
228:: 68–69.
226:Artpress
119:Biennial
241:Artwork
116:Whitney
389:
327:
317:
247:(11).
202:Issuu
54:Style
387:ISBN
343:link
325:OCLC
315:ISBN
176:KCRW
77:MOCA
63:Work
46:and
409::
359:.
339:}}
335:{{
323:.
286:.
262:.
245:26
243:.
216:^
200:.
174:.
161:^
145:.
50:.
395:.
370:.
345:)
331:.
296:.
272:.
210:.
185:.
155:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.