123:
35:
1095:
operators, superscript numerals (1,2,3), common delimiters and conjoiners, and other symbols (including daggers, trademark, registered trademark, copyright, paragraph, litre and estimated symbol). Compared to the ISO-Adobe character set, Western 2 also adds 17 additional symbol characters: euro, litre, estimated, omega, pi, partialdiff, delta, product, summation, radical, infinity, integral, approxequal, notequal, lessequal, greaterequal, and lozenge.
704:) consists of glyphs defined using the full PostScript language, rather than just a subset. Because of this, a Type 3 font can do some things that Type 1 fonts cannot do, such as specify shading, color, and fill patterns. However, it does not support hinting. Adobe Type Manager did not support Type 3 fonts, and they are not supported as native WYSIWYG fonts on any version of macOS or Windows.
1448:
certain characters which were part of the MacRoman character set. When one of these 14 characters was typed in a Type 1 font with standard encoding, both ATM and the printer driver would get a generic glyph in the Times style from the Symbol font. In the OpenType conversion, these characters were built into every font, getting some degree of font-specific treatment (weight and width).
1696:(INFormation) files contain application-specific information in plain ASCII text, such as font menu names for Windows and DOS-based applications. When a font is installed in Windows, the ATM Installer software takes the AFM and the INF file as input and generates the required PFM file at installation time. The AFM and INF files are not installed in the user's system.
1419:. Multiple master fonts contain one or more "masters" — that is, original font styles, e.g. a light, a regular and a bold version — and enable a user to interpolate these font styles along a continuous range of "axes." While Multiple Master fonts are not common in end user fonts anymore, they still play an important role when developing complex font families.
1598:
to make them inaccessible for subsequent PostScript code. The final action in the encrypted portion is to switch back to reading the file normally, but since eexec would read ahead a bit it was impossible to know at exactly which character normal processing would resume. Therefore, PFA files end with
1324:
In theory it would be possible to make CID-keyed OpenType versions of western fonts. This would seem desirable for some such fonts because of the hinting advantages. However, according to Adobe, much of the software infrastructure (applications, drivers, operating systems) makes incorrect assumptions
1309:
CID-keyed fonts may be made without reference to a character collection by using an "identity" encoding, such as
Identity-H (for horizontal writing) or Identity-V (for vertical). Such fonts may each have a unique character set, and in such cases the CID number of a glyph is not informative; generally
1234:
Fonts with an ISO-Adobe character set support most western languages including: Afrikaans, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili and
Swedish. This is the standard character
748:
Type 14, or the
Chameleon font format, is used to represent a large number of fonts in a small amount of storage space such as printer ROM. The core set of Chameleon fonts consists of one Master Font, and a set of font descriptors that specify how the Master Font is to be adjusted to give the desired
1553:
An ACFM file provides information about the structure of a composite font. Specifically, the global metrics of the composite font program and the global metrics of each of its immediately descendent font programs. ACFM file does not associate with a base font, but act as the top-level structure of a
1336:
fonts to match the visual appearance of a scanned document after optical character recognition (OCR). ClearScan does not replace the fonts with system fonts or substitute them by Type1-MM (as in
Acrobat 8 and earlier versions), but uses these newly created custom fonts. The custom fonts are embedded
1590:(encrypted exec), which instructs the interpreter to switch to reading the current file as an encrypted stream of instructions. The following encrypted portion is again PostScript code for finishing constructing the font data structures—a lot of it consists of charstrings, which is rather a kind of
1360:
font format) is a lossless compaction of the Type 1 format using Type 2 charstrings. It is designed to use less storage space than Type 1 fonts, by using operators with multiple arguments, various predefined default values, more efficient allotment of encoding values and shared subroutines within a
1814:
provides tools for decoding Type 1 fonts into a human-readable, and editable format (t1disasm), reassembling them back into fonts (t1asm), for converting between the ASCII and binary formats (t1ascii and t1binary), and for converting from
Macintosh PostScript format to Adobe PostScript font format
1447:
All alphabetic fonts had 17 additional characters included: the euro (some had already gotten this in Type 1), litre, estimated, and the 14 Mac "symbol substitution" characters. Symbol substitution was a scheme used on macOS to deal with the fact that the standard "ISO-Adobe" character set omitted
251:
to help low-resolution rendering. Originally, Adobe kept the details of their hinting scheme undisclosed and used a (simple) encryption scheme to protect Type 1 outlines and hints, which still persists today (although the encryption scheme and key has since been published by Adobe). Despite these
1625:
The PFB format is a lightweight wrapper to allow more compact storage of the data in a PFA file. The file consists of a number of blocks, each of which is marked as ASCII or binary. To recreate the corresponding PFA file, one takes the ASCII blocks verbatim and hex-encodes the binary blocks. The
1297:
fonts. CID-keyed fonts often reference "character collections," static glyph sets defined for different language coverage purposes. Although in principle any font maker may define character collections, Adobe's are the only ones in wide usage. Each character collection has an encoding which maps
1094:
It includes a basic character set containing upper and lowercase letters, figures, accented characters, and punctuation. These fonts also contain currency symbols (cent, dollar, euro, florin, pound sterling, yen), standard ligatures (fi, fl), common fractions (1/4, 1/2, 3/4), common mathematics
1585:
portion, and begins constructing those data structures that define the font in the PostScript interpreter; the information here are things Adobe in the 1980s were comfortable having public, and much of it would be present also in the companion AFM file. The last two operators in the clear text
1305:
Character collections are uniquely named by registry, ordering and supplement, such as "Adobe-Japan1-6." The registry is the developer (such as Adobe). The so-called "ordering" gives the purpose of the collection (for example, "Japan1"). The supplement number (such as 6) indicates incremental
773:
font, allowing PostScript-capable printers containing a TrueType rasterizer (which was first implemented in PostScript interpreter version 2010 as an optional feature, later standard) to print TrueType fonts. Support for multibyte CJK TrueType fonts was added in PostScript version 2015. The
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Though these files syntactically can contain arbitrary PostScript code, they usually follow a rather rigid formula in order to allow readers that are less than full PostScript interpreters to process them (for example to subset the font). The first section of the file is called the
255:
Type 3 fonts allowed for all the sophistication of the PostScript language, but without the standardized approach to hinting (though some companies such as ATF implemented their own proprietary schemes) or an encryption scheme. Other differences further added to the confusion.
1098:
Fonts with an Adobe
Western 2 character set support most western languages including Afrikaans, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili and Swedish.
898:
In PostScript 3, 136 font styles are specified, which include the 35 font styles defined in PostScript 2, core fonts in popular operating systems (namely
Windows 95, Windows NT, and Macintosh), selected fonts from Microsoft Office, and the HP 110 font set. New fonts include:
1472:
The typeface
Helvetica Narrow was not converted to OpenType, because the Type 1 original was a mathematically squished version of Helvetica, rather than an actually designed condensed typeface. This was originally done to conserve ROM space in PostScript printers.
1509:
Adobe then developed the CID-keyed font file format which was designed to offer better performance and a more flexible architecture for addressing the complex Asian-language encoding and character set issues. Adobe does not document or support OCF font format.
1594:, but at the font definition stage those are merely data stored in the font—even if that code is encrypted (which produces arbitrary byte values) and then hex-encoded to ensure the overall ASCII nature of the file. The data structures created here are marked
1110:
Fonts with an Adobe CE character set also include the characters necessary to support the following central
European languages: Croatian, Czech, Estonian, Hungarian, Latvian, Lithuanian, Polish, Romanian, Serbian (Latin), Slovak, Slovenian and Turkish.
663:
Type 2 is a character string format that offers a compact representation of the character description procedures in an outline font file. The format is designed to be used with the
Compact Font Format (CFF). The CFF/Type2 format is the basis for Type 1
1306:
additions: for a given language, there may be multiple character collections of increasing size, each a superset of the last, using a higher supplement number. The Adobe-Japan1-0 collection is 8284 glyphs, while Adobe-Japan1-6 is 23,058 glyphs.
1442:
When Adobe converted PostScript Type 1 and Type 1 multiple master fonts to OpenType CFF format, they were made based on the last Type 1/MM versions from the Adobe Type Library fonts. In addition to file format change, there are other changes:
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code without any sort of wrapper, and can be copied in full into a PS file to define the font to the PS interpreter. PFA is the preferred format for Type 1 fonts used in UNIX environments, and usually carries a ".PFA" file name extension.
712:
Type 4 is a format that was used to make fonts for printer font cartridges and for permanent storage on a printer's hard disk. The character descriptions are expressed in the Type 1 format. Adobe does not document this proprietary format.
760:
Type 32 is used for downloading bitmap fonts to PostScript interpreters with version number 2016 or greater. The bitmap characters are transferred directly into the interpreter's font cache, thus saving space in the printer's memory.
322:
to look legible and attractive on screen. This often came in the form of an additional bitmap font of the same typeface, optimized for screen display. Otherwise, in order to preview the Type 1 fonts in typesetting applications, the
1056:(45 Light, 45 Light Oblique, 55, 55 Oblique, 65 Bold, 65 Bold Oblique, 57 Condensed, 57 Condensed Oblique, 67 Condensed Bold, 67 Condensed Bold Oblique, 53 Extended, 53 Extended Oblique, 63 Extended Bold, 63 Extended Bold Oblique)
1205:
It was originally as an implementation of JIS X 0212-1990 character set standard and the Macintosh extensions, but with the introduction of Adobe-Japan1 supplement 6 (Adobe-Japan1-6) standard, Adobe-Japan2-0 became obsolete.
1433:
PostScript glyph data can be embedded in OpenType font files, but OpenType fonts are not limited to using PostScript outlines. PostScript outlines in OpenType fonts are encoded in the Type2 Compact Font Format (CFF).
340:
Type 0 is a "composite" font format – as described in the PostScript Language Reference Manual, 2nd Edition. A composite font is composed of a high-level font that references multiple descendant fonts.
1476:
As a result of the above changes, Adobe no longer guarantees metric compatibility between Type 1 and OpenType fonts. However, Adobe claims the change is minimal for Adobe (not Adobe Originals) fonts, if:
242:
Although originally part of PostScript, Type 1 fonts used a simplified set of drawing operations compared to ordinary PostScript (programmatic elements such as loops and variables were removed, much like
1659:
for this kind of file. It would not carry any extension, and the file name would be an abbreviation of the PostScript name of the font, according to a 5+3+3+... formula: the name is read as being in
1298:
Character IDs to glyphs. Each member glyph in a character collection is identified by a unique character identifier (CID). Such CIDs are generally supplemental to other encodings or mappings such as
1151:-1992 character set standards. It also includes support for a number of extensions to Big-5, which contain characters used mainly in the Hong Kong locale. Primary supported Big-5 extensions include
1119:
This Simplified Chinese character collection provides support for the GB 1988–89, GB 2312–80, GB/T 12345–90, GB 13000.1-93, and GB 18030-2005 character set standards. Supported encodings include
1550:
The metrics of a multiple master font are described by one AMFM file, which specifies the control data and global font information, plus one AFM file for each of the master designs in the font.
1337:
in the PDF file (this is mandatory). In Acrobat DC, it is no longer called "ClearScan" but instead "Recognize Text - Editable Text & Images", and it is now possible to edit the text.
1663:
and split into subwords, up to 5 letters are kept from the first subword, and up to 3 letters of any subsequent subword. Palatino-BoldItalic would thus be found in the file PalatBolIta.
259:
The cost of the licensing was considered very high at this time, and Adobe continued to stonewall on more attractive rates. It was this issue that led Apple to design their own system,
263:, around 1991. Immediately following the announcement of TrueType, Adobe published ”Adobe type 1 font format”, a detailed specification for the format. Font development tools such as
252:
measures, Adobe's scheme was quickly reverse-engineered by other players in the industry. Adobe nevertheless required anyone working with Type 1 fonts to license their technology.
792:
In addition to font types, PostScript specifications also defined the Core Font Set, which dictates the minimum number of fonts, and character sets to be supported by each font.
1685:" help file (DDAG31WH.HLP). Both of those documents are part of the Windows 3.1 Device Development Kit (DDK), which is still available (October 2008) to MSDN subscribers.
1896:
648:
Type 1 fonts are natively supported in macOS, and in Windows 2000 and later via the GDI API. (They are not supported in the Windows GDI+, WPF or DirectWrite APIs.)
645:
It was originally a proprietary specification, but Adobe released the specification to third-party font manufacturers provided that all Type 1 fonts adhere to it.
64:
776:
591:
1278:. It was developed to support pictographic East Asian character sets, as these comprise many more characters than the Latin, Greek and Cyrillic writing systems.
1086:
Although PostScript fonts can contain any character set, there are character sets specifically developed by Adobe, which are used by fonts developed by Adobe.
721:
Type 5 is similar to the Type 4 format but is used for fonts stored in the ROMs of a PostScript printer. It is also known as CROM font (Compressed ROM font).
781:
2086:
1071:
In PDF, 14 Type 1 fonts are defined as the standard fonts. They include the 13 font styles defined by PostScript Level 1, along with ITC Zapf Dingbats.
1603:
operator that throws away any operands that might have ended up on the stack as a result of interpreting those zeroes starting from a random position.
1454:
Font families that included separate Type 1 expert fonts or Cyrillic fonts have these glyphs built into the "base font" in their OpenType counterparts.
752:
Adobe does not document the Type 14 format. It was introduced with PostScript 3 in 1997, and de-emphasized in later years as storage became cheaper.
1554:
composite font. The character metrics of individual characters in the composite font are described completely by one of more associated AFM files.
651:
Adobe announced on 27 January 2021 that they would end support for Type 1 fonts in Adobe products after January 2023. Support for Type 1 fonts in
1502:
format (which uses a Type 0 file structure) was Adobe's first effort to implement a format for fonts with large character sets, debuted with
2043:
In the PDF file properties, the following metadata will be added: "pdf:Producer: Adobe Acrobat Pro DC Paper Capture Plug-in with ClearScan".
1864:
298:), and thus a single set of glyphs can be resized through simple mathematical transformations, which can then be sent to a PostScript-ready
239:
Even then, in 1985, the outline fonts were resident only in the printer, and the screen used bitmap fonts as substitutes for outline fonts.
144:
638:) is the font format for single-byte digital fonts for use with Adobe Type Manager software and with PostScript printers. It can support
1931:
232:
page description language, did not see widespread use until March 1985 when the first laser printer to use the PostScript language, the
201:"PostScript fonts" may also separately be used to refer to a basic set of fonts included as standards in the PostScript system, such as
1317:
CID-keyed fonts internally have their character sets divided into "rows," with the advantage that each row may have different global
1963:
1218::1992 and KS X 1003:1992 character set standards, and their selected corporate variations. Supported encodings include ISO-2022-KR,
166:
104:
1784:
For Microsoft Windows platforms that natively support PostScript, only binary PostScript and OpenType file formats are supported.
886:
Many computer operating systems have these fonts installed, while various projects have created clones of them. For instance, the
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It is a series of character sets developed for Japanese fonts. Adobe's latest, the Adobe-Japan1-6 set covers character sets from
1787:
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80:
1457:
Multiple master fonts were converted to individual OpenType fonts; each font consisting of a former Multiple Master instance.
1281:
Adobe developed CID-keyed font formats to solve problems with the OCF/Type 0 format, for addressing complex Asian-language (
2268:
1102:
This standard superseded ISO-Adobe as the new minimum character set standard as implemented in OpenType fonts from Adobe.
1824:
2288:
1490:
Applications are used which base line spacing solely on point size or leading, and not on the bounding box of the font
2214:
2204:
2189:
137:
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2009:
1674:(PFM) is a binary version of AFM, usually carrying ".PFM" file name extension. It contains font metric information.
833:
PostScript Level 2 defined 35 font styles which form 10 type families. They include all of the above Level 1 fonts,
2199:
2147:
2115:
2231:
2194:
2132:
2110:
856:(Narrow, Narrow Oblique, Narrow Bold, Narrow Bold Oblique, in addition to the 4 font styles in PostScript Level 1)
60:
2095:
1844:
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148:
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information and font metrics information for the font program. These files are generally used directly only in
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1128:
1023:
244:
2209:
1487:
Only characters that were present in the old fonts are used, without the former Symbol substitution characters
1165:
In Adobe-CNS1-7, 23 additional glyphs were added, with 25 additional mappings for its Unicode CMap resources.
314:. For users wanting to preview these typefaces on an electronic display, small versions of a font need extra
2105:
267:
added the ability to create Type 1 fonts. The Type 2 format has since been used as one basis for the modern
2263:
2152:
2100:
1547:
An AFM file provides both global metrics for a font program and the metrics of each individual character.
586:
2052:
1375:
files, starting with PDF version 1.2. It is the usual approach to representing a Type 1 font within PDF.
45:
2283:
1649:
data structure rather than a custom wrapper for the font data. It contains the glyph data for one font.
1393:
594:
319:
49:
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1451:
Fonts that had unkerned accented characters had additional kerning to deal with accented characters.
1223:
904:
890:(also known as the URW Base 35 fonts) are open-source clones of all fonts defined in PostScript 2.
69:
1988:
1557:
The formats are sufficiently similar that a compliant parser can parse AFM, ACFM, and AMFM files.
976:(Light, Light Italic, Book, Book Italic, Bold, Bold Italic, Extra Bold, Condensed, Condensed Bold)
421:
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73:
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957:
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934:
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191:
1794:
supports rasterizing OpenType CFF/Type 2 fonts, whereas Type 1 fonts will still be supported in
1707:
files are used for the metric data needed by multiple master fonts for the Windows environment.
1131:, UCS-2, UTF-8, UTF-16, UTF-32, and the mixed one, two- and four-byte encoding as published in
2184:
2032:
1018:
997:
968:
822:
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font types 0, 1, and 2 respectively, documented in Adobe supplements. Types 9, 10, and 11 are
363:
284:
84:
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1938:
299:
2179:
2174:
1572:
version of a Type 1 font program, containing in particular a font's glyph data. It is pure
2210:
Adobe Technical Note #5094: Adobe CJKV Character Collections and CMaps for CID-Keyed Fonts
2090:
1466:
1462:
1078:, Helvetica and Times were internally replaced by Arial and Times New Roman respectively.
1047:
979:
841:
668:
fonts, and is used for embedding fonts in Acrobat 3.0 PDF files (PDF format version 1.2).
652:
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291:
210:
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17:
2101:
Adobe Technical Note #5176: The CFF (Compact Font Format) Specification, (PDF: 251 KB)
1325:
about CID-keyed fonts in ways that makes such fonts behave badly in real-world usage.
2277:
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can be represented within CFF with Type 2 charstrings for CID-keyed OpenType fonts.
2215:
Adobe Technical Note #5097: Adobe-Japan2-0 Character Collection for CID-Keyed Fonts
2190:
Adobe Technical Note #5078: Adobe-Japan1-6 Character Collection for CID-Keyed Fonts
1811:
1750:
1738:
1368:
fonts, also called OpenType CFF, contains glyph outlines and hints in a CFF table.
1285:) encoding and very large character sets. CID-keyed internals can be used with the
991:
945:
639:
562:
315:
303:
264:
248:
183:
655:
was discontinued with the release of version 23.0 of the product in October 2021.
302:. Because the data of Type 1 is a description of the outline of a glyph and not a
1626:
binary blocks are those which make up the encrypted portion of the font program.
2226:
2153:
Adobe Technical Note #5178: Building PFM Files for PostScript-Language CJK Fonts
1622:, usually carrying ".PFB" file name extension. It contains a font's glyph data.
1182:
1178:
887:
816:
729:
532:
311:
233:
1964:"PDF Reference third edition : Adobe Portable Document Format Version 1.4"
2121:
Adobe Technical Note #5004: Adobe Font Metrics (AFM) File Format Specification
1807:
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1742:
1734:
1730:
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605:
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280:
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195:
2253:
1681:" help file (PFK31WH.HLP). Some details are also covered in the Windows 3.1 "
1645:, conceptually similar to the Printer Font Binary format but using the macOS
1517:
Adobe Font Metrics, Adobe Composite Font Metrics, Adobe Multiple Font Metrics
774:
out-of-sequence choice of the number 42 is said to be a jesting reference to
1920:
https://helpx.adobe.com/fonts/kb/postscript-type-1-fonts-end-of-support.html
1660:
1656:
1215:
1148:
1059:
985:
973:
962:
853:
810:
441:
206:
2158:
Adobe Technical Note #5641: Enabling PDF Font Embedding for CID-Keyed Fonts
1469:, Adobe did some degree of redesign along with the conversion to OpenType.
800:
The original PostScript defined 13 font styles which form 4 type families:
310:), Type 1 fonts are commonly referred to as "outline fonts," as opposed to
1384:
A Type 1 font can be losslessly converted into CFF/Type2 format and back.
1839:
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for its version of binary font metrics file, starting from version 2.1.
2096:
Adobe Technical Note #5015: Type 1 Font Format Supplement (PDF: 225 KB)
1318:
1311:
1299:
1143:
This Traditional Chinese character collection provides support for the
1053:
2116:
Adobe Technical Note #5014: Adobe CMap and CIDFont Files Specification
988:(Condensed, Condensed Oblique, Condensed Bold, Condensed Bold Oblique)
1513:
OCF font metrics are described in Adobe Composite Font Metrics file.
1314:
encoding is used instead, potentially with supplemental information.
1275:
1219:
1159:
1124:
1028:
925:
307:
2205:
Adobe Technical Note #5093: The Adobe-Korea1-2 Character Collection
2106:
Adobe Technical Note #5177: Type 2 Charstring Format (PDF: 212 KB)
1749:
is needed in order to use these fonts on these operating systems.
1569:
1152:
1144:
919:
408:
387:
2200:
Adobe Technical Note #5080: The Adobe-CNS1-6 Character Collection
2111:
Adobe Technical Note #5012: The Type 42 Font Format Specification
2195:
Adobe Technical Note #5079: The Adobe-GB1-5 Character Collection
1719:
1638:
1615:
1541:
465:
427:
367:
2232:
Adobe Technical Note #5609: PostScript 3 Core Font Set Overview
2148:
Adobe Technical Note #5092: CID-Keyed Font Technology Overview
1282:
116:
28:
928:(Roman, Italic, Bold, Bold Italic, Poster, Poster Compressed)
1214:
This Korean character collection provides support for the
982:(Oldstyle, Oldstyle Italic, Bold, Bold Italic, Extra Bold)
769:
The Type 42 font format is a PostScript wrapper around a
228:
fonts, though introduced by Adobe in 1984 as part of the
67:
and tools are available to assist in formatting, such as
1484:
The formatted text contains only non-accented characters
994:(Roman, Italic, Black, Black Italic), Hoefler Ornaments
1009:
ITC Lubalin Graph (Book, Oblique, Demi, Demi Oblique)
1777:
however drops support for Type 1 fonts, in favor of
1274:
font formats, designed to address a large number of
740:
fonts for storing Types 1, 3, and 42, respectively.
585:
568:
555:
545:
440:
354:
1332:technology (as from Acrobat 9 Pro) creates custom
2064:Type 1 ("PostScript") to OpenType font conversion
1677:The PFM format is documented in the Windows 3.1 "
965:(Medium, Bold, Extended No.2, Bold Extended No.2)
749:set of character shapes for a specific typeface.
1810:font utility package by I. Lee Hetherington and
1270:) is a font structure, originally developed for
1235:set in most PostScript Type 1 fonts from Adobe.
1897:"Introduction to Configuration and Management"
1162:, Big Five, UCS-2, UTF-8, UTF-16, and UTF-32.
1364:The so-called PostScript or Type 1 flavor of
1289:font format for standard CID-keyed fonts, or
283:(PS) language, the glyphs are described with
8:
782:Answer to Life, the Universe, and Everything
349:
48:, which are uninformative and vulnerable to
63:and maintains a consistent citation style.
1000:(Roman/Regular, Italic, Bold, Bold Italic)
1969:. Adobe Systems Incorporated. p. 319
167:Learn how and when to remove this message
105:Learn how and when to remove this message
1778:
850:(Light, Light Italic, Demi, Demi Italic)
844:(Book, Book Oblique, Demi, Demi Oblique)
536:
373:
198:file format to encode font information.
130:This article includes a list of general
2010:"The Adobe-CNS1-6 Character Collection"
1856:
414:
2084:Adobe Type 1 Font Format (PDF: 445 KB)
1761:support Type 1 fonts natively through
1745:do not support Type 1 fonts natively.
1599:a trailer of 512 zeroes followed by a
1465:fonts, particularly those designed by
1158:Supported encodings include ISO-2022,
1006:(Regular, Slanted, Bold, Bold Slanted)
813:(Regular, Oblique, Bold, Bold Oblique)
807:(Regular, Oblique, Bold, Bold Oblique)
348:
7:
1226:, UCS-2, UTF-8, UTF-16, and UTF-32.
1050:(Regular, Italic, Bold, Bold Italic)
922:(Regular, Italic, Bold, Bold Italic)
777:The Hitchhiker's Guide to the Galaxy
2254:comp.fonts FAQ: OS/2 2.1 and beyond
1870:. Adobe Systems Inc. Archived from
55:Please consider converting them to
1041:(Roman, Italic, Bold, Bold Italic)
1031:(Roman, Italic, Bold, Bold Italic)
869:(Roman, Italic, Bold, Bold Italic)
863:(Roman, Italic, Bold, Bold Italic)
819:(Roman, Italic, Bold, Bold Italic)
136:it lacks sufficient corresponding
25:
1932:"The Adobe PostScript 3 Font Set"
121:
33:
2237:The Adobe PostScript 3 Font Set
1790:(formerly codenamed Avalon) in
1788:Windows Presentation Foundation
1767:Windows Presentation Foundation
1683:Device Drivers Adaptation Guide
1074:However, in recent versions of
1773:, which is also available for
1637:(LWFN) is a binary PostScript
913:(Roman, Italic, Bold, Compact)
460:(prn/outline-data/Mac-bitmap).
59:to ensure the article remains
1:
2269:Fonts, Fonts, and more Fonts!
2185:Adobe Cyrillic Character Sets
2033:HKSCS-2016 & Adobe-CNS1-7
1726:Support for Microsoft Windows
1614:(PFB) is a binary PostScript
1371:CFF fonts can be embedded in
1825:PostScript Standard Encoding
1526:Adobe Composite Font Metrics
186:specifications developed by
1895:Archiveddocs (2008-09-11).
1530:Adobe Multiple Font Metrics
1410:
1361:FontSet (family of fonts).
1290:
1286:
676:Type 3 font (also known as
225:
221:
2305:
2180:Adobe Greek Character Sets
2175:Adobe Latin Character Sets
2138:Adobe font technical notes
2078:Font format specifications
1865:"Adobe Type 1 Font Format"
1481:Text is written in English
1426:
1391:
471:(Mac PS1 bitmap)
247:), but Type 1 fonts added
182:are font files encoded in
2164:Character set information
1845:Page description language
1802:PostScript font utilities
1718:is the extension used by
1267:Character Identifier font
2259:comp.lang.postscript FAQ
2127:General font information
2053:Acrobat DC and ClearScan
1991:. xmlgraphics.apache.org
1378:
737:
733:
2227:PostScript Type 1 fonts
1989:"Apache(tm) FOP: Fonts"
1500:Original Composite Font
1495:Original Composite Font
1197:U-PRESS character set.
1183:Microsoft Windows 3.1 J
151:more precise citations.
18:Type 1 and Type 3 fonts
1679:Printers and Fonts Kit
1405:) are an extension to
907:(Light, Roman, Italic)
842:ITC Avant Garde Gothic
602:Type 1 (also known as
327:utility was required.
2221:Core font information
2170:Common Character Sets
1399:Multiple master fonts
1394:Multiple master fonts
948:, Cooper Black Italic
2133:Font Formats Q&A
1321:parameters applied.
1076:Adobe Acrobat Reader
942:(Light, Roman, Bold)
1901:learn.microsoft.com
1798:, but not in GDI+.
1672:Printer Font Metric
1667:Printer Font Metric
1612:Printer Font Binary
1607:Printer Font Binary
1438:OpenType conversion
1346:Compact Font Format
1341:Compact Font Format
1012:ITC Mona Lisa Recut
351:
290:(as opposed to the
194:. This system uses
192:digital typesetting
2289:Digital typography
2089:2015-09-10 at the
1747:Adobe Type Manager
1618:format created by
1566:Printer Font ASCII
1561:Printer Font ASCII
1522:Adobe Font Metrics
952:Copperplate Gothic
894:PostScript Level 3
861:Century Schoolbook
829:PostScript Level 2
796:PostScript Level 1
780:, where 42 is the
356:Filename extension
325:Adobe Type Manager
236:, was introduced.
2242:Apache FOP: fonts
1944:on 15 August 2000
1588:currentfile eexec
931:Carta (a dingbat)
888:Ghostscript fonts
732:referred them as
697:
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679:PostScript Type 3
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600:
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405:(Optional files).
350:PostScript Type 1
234:Apple LaserWriter
190:for professional
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65:Several templates
16:(Redirected from
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1356:font format, or
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2018:30 September
2016:. Retrieved
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1971:. Retrieved
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1948:28 September
1946:. Retrieved
1939:the original
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1879:. Retrieved
1872:the original
1859:
1812:Eddie Kohler
1805:
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1751:Windows 2000
1739:Windows NT 4
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81:Citation bot
43:
26:
2264:About Fonts
1765:calls. The
1601:cleartomark
1179:ISO-2022-JP
848:ITC Bookman
730:Ghostscript
211:Avant Garde
149:introducing
95:August 2022
2278:Categories
1995:2014-06-08
1906:2024-09-11
1881:2015-05-22
1851:References
1815:(unpost).
1775:Windows XP
1755:Windows XP
1743:Windows Me
1735:Windows 98
1731:Windows 95
1583:clear text
1574:PostScript
1504:PostScript
1414:PostScript
1358:CFF/Type 2
1272:PostScript
1195:Kyodo News
1191:JIS X 0212
1187:JIS X 0213
1175:JIS X 0208
1139:Adobe-CNS1
606:PostScript
560:PostScript
281:PostScript
275:Technology
230:PostScript
196:PostScript
132:references
61:verifiable
1661:CamelCase
1657:type code
1506:level 2.
1461:For many
1334:Type1-CID
1330:ClearScan
1230:ISO-Adobe
1222:, Johab,
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442:Type code
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2087:Archived
1973:16 April
1840:TrueType
1835:OpenType
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1528:(ACFM),
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1808:t1utils
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1532:(AMFM)
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765:Type 42
756:Type 32
744:Type 14
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364:Windows
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388:macOS
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