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431:. I have moved this content from my sandbox into the draftspace, so that other editors may more easily get involved. My ambition for this list is FLC sometime in June or July (probably the latter, since my day job beckons). I will say that it's been a lot of fun to research this topic and to hunt down hardcopies of CD booklets (information straight from the source... third party websites, in my opinion, simply
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The vertical layout is definitely more "typical" for lists in general—but in this case I would prefer the horizontal as you're giving a lot of information in each row, so maximizing the readability when you don't have the pictures next to the table taking up space seems ideal.
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A secondary goal of mine is for this list to, eventually, serve as an inspiration (perhaps even a template of sorts) for enterprising editors who write about other symphonists. As a
Sibelian, I'm not the right person to provide the discographies for the
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491:... undoubtedly, each of these symphonists is deserving of such attention, and the lay community that enjoys classical music would benefit from the informational centralization and democratization that a discography article would provide.
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Okay, well that's three votes (1 AYE for
Horizontal from Aza24; 2 indifference from Ipigott and me; 0 AYE for Vertical) and two abstentions. Today, Aza24 wins democracy, and I decide to retroactively vote with the winner!
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do)... a treasure hunt, indeed! (I'd like to take a moment to here acknowledge the
Sibelians over at TalkClassical.com who generously provided me scans of liner notes from their personal collections.)
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No strong feelings on the matter as long as the table is comprehensive and does not require further editing.--
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Hi, all. Just wanted to take a quick poll, re: the layout of the conductor images used in the article.
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Knowledge (XXG). If you would like to participate, please visit the project page, where you can join
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For the last month I have been at work, in my sandbox, on an expansion of the
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I cannot decide which aesthetic I prefer. What think you?
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