308:
British thing? Anyway, happy to restore them now.) One question on the timing issue re: Colin Davis. Elsewhere in the table (for reasons of sorting and comparison, as well as having noticed that most record labels update, too), I use the most current title of the orchestra (e.g., for
Ehrling in the 1950s, the Royal Stockholm Philharmonic Orchestra was called the Stockholm Radio Orchestra). If that's the case, then would consistency demand that all knighthoods be retroactively applied, too?
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2442:– Thanks for the source review. I have fixed almost everything, and added missing sources for the Sfns with harv error (which were difficult to find, give that I know very less about this list). 3 of the 4 errors are now resolved, but I'm not able to find the source for the remaining one (Ref#117). Should I just remove it as the same info could be verified by other given sources too. Please suggest. –
190:
notes in their personal collections... in particular, Kiki was extremely helpful.) Moreover, citation templates have been used. I have also made use of the work of
Sibelius biographers and musicologists, especially in relating the importance of the Sibelius cycle and the historical play-by-play. Thank you, in advance, for your comments and for having taken the time to give the list a read through.
1924:
distributor for
Watanabe I rather than Nippon Columbia... thus, I thought it would be important to signal to them that the Nippon Columbia set was the same as the Epic set (I applied the same logic to the Mercury release of Metronome's Ehrling cycle; and, 3) oftentimes, the British distributor (again, along with the U.S., the most important market) was the original label, e.g., HMV/EMI."
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to signal to them that the Nippon
Columbia set was the same as the Epic set (I applied the same logic to the Mercury release of Metronome's Ehrling cycle; and, 3) oftentimes, the British distributor (again, along with the U.S., the most important market) was the original label, e.g., HMV/EMI. Is there a solution that would make you happy? I'm all ears!
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606:. Yes, the appropriate phrasing here is}} something that I have struggled to find. As you indicate, the phrase "incomplete cycle" makes very little sense. And yet, "cycle projects that remained incomplete" seems, though most precise, quite laborious. What I know is this: between Karajan, Bernstein, Ormandy, etc. there are a number of
323:
Orchestra/Sir Edward Elgar". Hmm. Nobody, I think, is going to complain if you use your own discretion here. As to orchestras, I try to use the label current at the time, so that e.g. the
Concertgebouw wasn't Royal until it was. But again, I don't think you'll get objections if you choose to standardise on the current title.
2172:
All column headers need colscopes (e.g. `!; rowspan=2 | Conductor` should be `!; rowspan=2 scope=col | Conductor`), including the "secondary" column headers (runtimes 1, 2, etc.). This, combined with the rowscopes you already have, lets non-visual screen reader software accurately read out what cells
941:
both
Tawaststjerna and Layton write that it was the LSO, sneaky style. They hint at contractual issues that prohibited the orchestra from being appropriately identified. Could this also explain why the LSO's own history (which I haven't been able to open on my computer/slow internet) doesn't list the
307:
Ah, I can't believe I forgot about Gibson and
Barbirolli! (I'm ashamed to admit that, in an earlier draft of this article, I had all Sirs properly knighted, but cut the titles after worrying that I wasn't including titles for other nationalities, you know, fairness and all... or are titles a uniquely
274:
Titles: it is usual to give
British and Commonwealth conductors their titles, if knighted. This can be a bit of a pain for the editor, as e.g. Colin Davis recorded his Boston cycle when he was Mr Davis and his LSO Live one after becoming Sir Colin, but it's not too difficult to find out which applied
2500:
I think it must be to the same score, especially per the roman numerals in the preface, presumably SoJ accidentally cited it differently. The information for ref 32 also seems to be cited on page xi. Does that seems sound? On another note, I'm going to attempt to combine some of refs in a row to one
1706:
this request surprised me, because I had previously picked up on other editors switching from the format you requested to the (new?) alternative of, e.g., ]. The advantage of this method is that it looks much cleaner and avoids red links, but the obvious disadvantage, as you noted in your review, is
1253:
include the U.S. distributors for a couple of reasons: 1) along with
Britain, the U.S. was the biggest market for Sibelius's music; 2) I figured many readers would be more familiar, e.g., with Epic as the distributor for Watanabe I rather than Nippon Columbia... thus, I thought it would be important
322:
Well, my practice is to apply the performer's title current at the relevant time. Some writers use the last current term, which is OK but can lead to e.g. a bizarre index entry for the Elgar Violin
Concerto played by a teenage prodigy conducted by the composer: "Lord Menuhin (violin)/London Symphony
3031:
Fixed some minor table formatting issues, and addressed the "incomplete list" comment- the section has a form inclusion criteria (a conductor who recorded 3+ parts with the same orchestra (but not all 7)), but it was buried in a note instead of in the text. I've made it more prominent. With that, I
826:
a symphony. Is the problem that the citation chain appears after the first sentence of the paragraph but the "Symphony No. 0" phrase appears in the sentence after? If so, should I move the citation chain to after the second? Or is the solution that you would like to see the Breitkopf & Härtel
189:
to the CD (or in the case of one or two entries, LP) liner notes, rather than third party websites such as musicbrainz.org, discogs.com, or musicweb-international.com. (I'd like to here acknowledge, and thank, a handful of users over at talkclassical.com, who generously provided me scans of liner
2234:
Tables need captions- e.g. at the top of the table code put `|+ table_caption_text`. If this text would duplicate a nearby section header, you can hide it from visual browsers like |+ {{sronly|table_caption_text}}. This allows non-visual screen reader software to jump straight to a named table
2483:– Thanks for the link, but it appears that I have used the same booklet for Ref#32, which too appears to refer to this one. Are both the references same.... Silence of Järvenpää has made around 10 edits in last 30 days. Indeed this is an excellent list, and I want it to pass the nomination. –
1923:
The review above had the same thought. I will cut and paste my response to him here: "Include the U.S. distributors for a couple of reasons: 1) along with Britain, the U.S. was the biggest market for Sibelius's music; 2) I figured many readers would be more familiar, e.g., with Epic as the
303:
I apologise for wittering on about the minutiae of British forms of title, but (i) Colin Davis shouldn't be "Sir" for the Boston cycle though he is rightly Sirred for the later two; (ii) Barbirolli and Gibson were both knighted at the time of their cycles and should be Sirred.
184:
Having checked the nominated list against the six FL criteria, I believe it's ready for FLC. As the main editor, I have sought to be neutral and comprehensive in my writing, and the list includes extensive citations. All recording dates, venues, and runtimes are sourced
777:... The volumes of the Complete Edition edited by Glenda Dawn Goss now offer a musicologically accurate music text for the first time. This music text forms the basis for the performance material. The complete edition 'Jean Sibelius Werke' intends to pave the way for a
1832:
It seems to me that the only quibble left undealt with is the one about the LSO recording dates in 1932, a matter so minor as to be barely discernible with the naked eye. Do sort it out if you can, but I'm not delaying my support on that account. So, I'm adding my
1858:
Thanks, Tim. I have long admired your work on the English/British classical music scene; indeed, their quality is what encouraged me to, when I have time, work hard on the Sibelius/Finland classical articles. Glad you enjoyed this one and found it a good read.
658:
Ha! This is my first time every using "cheeky", and I had to look up the term to make sure it wasn't offensive! Okay, well... then I'll merely change the article to "an" (and make sure there are no other "the incomplete cycles" elsewhere in the article).
128:
610:(oops! we're avoiding that word now) recording projects that encompass 3 or more Sibelius symphonies and, in my opinion, need to be mentioned by this article. Can you perhaps help me brainstorm an alternative to "incomplete cycle"? I'm all ears.
742:
Such a perspective thus conceptualizes Kullervo as Sibelius's de facto "Symphony No. 0" and accordingly expands his completed contributions to the symphonic canon from seven to eight" – here and in the main text: says who? Looks like
1677:
Note G: your link to Julius Ruthström takes the reader to a page in Swedish Knowledge (XXG). You shouldn't spring surprises like that on your readers, but should make it clear that it is a cross-Wiki link. One way is like this (from
1109:"According to Robert Layton, Sibelius is said to have referred to Beecham's Sixth as "his favorite recording of any of his symphonies" – did Layton – an English writer, and a good one too – really misspell "favourite" as "favorite"?
923:"the orchestra was credited as the "Royal Philharmonic Orchestra", the musicians were "largely drawn from the London Symphony , which could not be named for contractual reasons" – not according to the LSO's official discography:
1807:
That seems like a longish list of quibbles, and so let me conclude by saying that this seems to me an impressive article, thoroughly researched and scrupulously cited. I look forward to supporting its elevation to FL. –
1970:"With the Schnéevoigt recordings lacking favour" - last word uses the British English spelling, but elsewhere you have words like "conceptualizes" which use the US English spelling - pick one or other and be consistent
954:) says "Royal Philharmonic Orchestra" on the back cover, but in the liner notes: "London’s Royal Philharmonic Society (the pre-Beecham 'old RPO')". The new release of 'rarities' by Warner Classics (
2461:. I'm not sure where Silence of Järvenpää has gone, but they were awfully excited about this list, so it would be a shame to see all this work fail FLC. I'm thinking the ref in question is for
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Basically, whenever you define a column you should include a "scope=col" in the code, so in your case it would be (in full) "!; rowspan=2 scope=col | Conductor". Check out what I did
2845:
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1608:"the orchestra he led for over three decades" – a usage best avoided, as in British and Commonwealth usage the leader of the orchestra is the principal violinist (Konzertmeister).
2713:
Not sure what you mean here. I see Neeme in the article referenced as Neeme. Is it perhaps that you saw Paavo Järvi, his son, and thought it was an error? Clarification welcome!
497:" – you need to say what the date is, and the later statement "As of 2021, an additional four projected cycles are in progress, according to press releases" is pushing your luck.
955:
1837:
for the elevation of this article to FL. It seems to me to meet all the criteria, and I found it a pleasure to read and to review. A first rate piece of work, in my view.
271:– I'm not sure whether English or American spelling/vocabulary is intended. "Program" for "programme" suggests AmE, but "gramophone" rather than "phonograph" suggests BrE.
841:
As long as there is a citation the contention that Kullervo can be seen as Symphony No 0 (which is after all hardly a very contentious contention) that's fine with me.
2388:
Refs 32, 117, 119 and 127 aren't connecting to their respective Sources (check for typos or incorrect years and then make sure they connect when you hover over them)
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2111:) that Karajan did two recordings of Symphony 5, thats why 2 runtimes. The nominator is not very active on Knowledge (XXG) from last month, still pinging them @
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Okay. Thanks for permitting me freedom of choice. I think I'll go the route of standardizing on the current title. Ergo, Davis–Boston will have a 'Sir.'
40:
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at the time of recording/release. At all events, you ought to avoid a hit-and-miss approach, e.g. giving Beecham his title or not, seemingly at random.
1548:"Nos. 4–5, recorded in 1952; and, Tapiola, 1953]" – two things here: "4–5", rather than "4 and 5" looks odd and the comma before Tapiola looks odder.
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Permitting you freedom, forsooth! As if I had authority to permit anything! FAC and FLC reviewers can recommend, but insisting is not on the agenda.
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1238:"(the U.S. distributor was Epic)" – here and elsewhere you mention American distribution but not that of other countries. Why single out the US?
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Ormandy twice tackled the incomplete cycle" – what is "the incomplete cycle"? I suppose this means Ormandy twice recorded an incomplete cycle.
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a lone wolf: as I have tried to demonstrate, many other Sibelius writers (e.g., Tawaststjerna, Rickards, Barnett, Hurwitz, etc.) have called
818:; this article has a subsection under Analysis that addresses the is-it-or-isn't-it-a-symphony back-and-forth.) Nor is Sibelius musicologist
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2982:– The nominator is not very active on Knowledge (XXG) since last month, so I have addressed all your remaining comments, except one about
3010:– Just a courtesy ping for any follow-ups. The nominator has no edits since late August. I have made almost all the remaining changes. –
893:"then in his seventy-fourth year), writing of the septuagenarian conductor" – need we be told a man in his 74th year is a septuagenarian?
2263:
Sorry, I learn by example and am not that great at the technical elements of Knowledge (XXG) code. Would you be kind enough to help me?
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Sorry, I learn by example and am not that great at the technical elements of Knowledge (XXG) code. Would you be kind enough to help me?
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Generally page ranges are "pp." and single pages are "p." this is by no means required, but is the standard, if you are so inclined
970:: I did just purchase the Warner Classics set, and once it arrives in the mail I can see if the liner notes shed any light for us.)
463:
recorded from 1952–55" – alas the eccentricities of the Manual of Style require us to say 1952–1955. God knows why, but there it is.
2093:
Sorry, one more question from me. How come symphony 5 in the incomplete Karajan cycle has two different runtimes listed......? --
1268:
As long as you are happy that you have presented a good global balance, rather than one confined to the US, I have no objections.
1707:
that it surprises the reader. I have changed them, but I would be curious to know what the policy is on this according to MOS.
624:
Ah, I realized you may have been being cheeky... haha, are you just asking me to change the article "the" to the article "an"?
946:) lists the ensemble for Nos. 1–2 as "Symphony Orchestra" (playing it safe, I suppose), whereas the Naxos Historical release (
2204:
and try to replicate it for the other tables. This is one of those new accessibility things we've been trying to incorporate
1139:"to guest conduct the BBC Symphony Orchestra at Queen's Hall" – it is usual to give the Queen's Hall its definite article
1514:"Karajan (then in the employ of Legge's EMI)" – Karajan contracted with EMI to record for that company but was never an
1178:"conducted many of Sibelius's symphonies on gramophone" – not normal English usage. "For the gramophone" would be normal
815:
1721:
Well, well! I may be out of date on the WP policy on this, and would welcome comments from better-informed editors.
2968:
2949:
966:) says "London Symphony Orchestra". Thus, I admit to being perplexed, but as always, tend to trust Tawaststjerna. (
2322:
Well I already looked at the sources when we were discussing at my talk page, but let's see what I find now...!
1985:
Oops... Changed to "favor" (not having "favourite", however, since it is a direct quote from a British author).
1688:. I haven't checked, but if there are any other links to non-English Wikipedias you should do likewise for them.
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in Paris, the home of tuneless composers, stood for I Really Can't Abide Music. Kindly do not mention this to
398:
one of the most significant symphonists" – what did he signify? Perhaps you mean most important or best-known.
2634:"in the U.S.)." I would say United States to avoid that awkward full stop/parenthesis/full stop construction.
1680:
2515:
I have merged both the short footnotes. Hopefully, that addresses all the comments of the source review. –
2152:
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1208:"both Metronome … and Decca each began cycles" – either "both" or "each", but not the two of them at once.
1000:
1908:"(released by Mercury Records in the U.S.)" why mention the US? Why not Britain, or some other country?
1079:"would knock Schnéevoigt's Sixth from its perch" – rather slangy for the formal prose of an encylopaedia?
958:) calls the group "The Orchestra of the Royal Philharmonic Society", and and earlier re-release by Koch (
3007:
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240:
Booking my place. Looks top class after first quick read-through. Comments after closer second perusal.
827:
product description cited immediately after the phrase "Symphony No. 0"? Happy to fix how you see fit.
2079:
Sorry, I completely forgot about this one. I'll give it another proper look over the weekend..... --
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completed symphonies by Sibelius is certainly "new", a fact that makes Knowledge (XXG)'s content on
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2539:– Just a courtesy ping the previous concerns were resolved. Is the source review passed? Thanks! –
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Thanks. I am happy, i.e., I think there is global balance due to the natural emphasis on Britain.
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1003:, I cannot get the link you sent about the LSO's own records to open on my computer/slow internet.
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773:"By the time Sibelius was celebrating his major international triumphs in the early 20th century,
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Thanks!! I appreciate your time. I do hope that the article will now have your support. Warmly,
1745:
Note H: "he also recorded the Second two times" – strange English. "Twice" would be normal here.
494:
2829:– can you please clarify the above two points. I have taken care of rest all of the issues. –
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Haha... well you have a fellow traveler in me, then. Don't even get me started on Leibowitz's
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The linear notes look fine, there is a lot so hopefully I didn't miss any inconsistencies....
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Note J: "comprise" is exactly the wrong verb here: the cycle comprises the programmes, not
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The last time anyone called me "cheeky" in Knowledge (XXG) was when I suggested that
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2848:) that Karajan did two different recordings of Symphony 5, thats why 2 runtimes. –
2746:
2749:, non-breaking space before the ellipsis in this case. Check all other instances.
1019:"Each of Kajanus's recordings were world premieres – "each" takes a singular verb
120:
1049:"prevented these from coming to fruition – a lot of words to say "prevented it".
287:
Knighted Sirs Thomas, Colin (sans Boston cycle), Simon, Mark, John, and Alexander
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1372:"ten are Finns" – as some of them are dead "are or were" might be advisable here
57:
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1578:"other notable incomplete Sibelius cycles" – another unsubstantiated "notable"
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1441:"Notably, Kullervo eschews obvious categorization" – we could do without the
2407:
Ewen and Goss could do with an identifier or some sort, ISBN or OCLC maybe?
2164:
129:
Featured list candidates/Discography of Sibelius symphony cycles/archive1
3062:, but there may be a delay in bot processing of the close. Please see
1001:
https://www.naxos.com/SharedFiles/pdf/rear/8.111395r.pdf#.Unfortunately
986:"Fifth (22–23 June) symphonies" – 22 to 24 June according to the LSO
39:
Subsequent comments should be made on the article's talk page or in
2001:
Notes r and s are not full sentences so should not have full stops
1342:"43 times across 30 conductors" – unexpected choice of preposition
674:
2808:"Select incomplete Sibelius cycles:" does that mean that it's an
781:
and, in particular, of this hitherto editorially neglected work,
2578:"Sibelius cycle" no idea why "cycle" has to be in italics here.
2235:
without having to read out all the text above it to find it. --
1308:"with Bournemouth Symphony Orchestra" – normal usage would be "
2885:
In fact, check all multiple page sources are using pp. not p.
2065:– Just a courtesy ping that your concerns were addressed. –
1638:
Table: poor old DG is misspelled again in the Bernstein row.
747:
without a citation for the supposed expansion of the canon.
2992:, which I'm not sure. Do you have any further comments? –
527:
Notably, a number of conductors" – who say's it's notable?
154:
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43 : The ordinal suffix (e.g., th) is not superscripted.
1484:
Somewhat tendentious title. "Notable" according to whom?
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all titans of twentieth century record" – come come! –
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A prodigious piece of work. Just a few points above.
1905:
Note I haven't read through all the above comments :-)
1402:
Table: entry 30 misspells the recording company's name
2904:"Sibelius: Symphonies Nos. 1-7 " should be en-dash.
2780:"runtime " no spaces between headings and footnotes.
999:
to the liner notes of the Naxos Historical release:
2606:Also no really good reason to bold the symphonies.
493:the Sibelius cycle has, to date, been recorded" –
3086:The above discussion is preserved as an archive.
638:Cheeky! Moi? But yes, that is just what I meant.
2962:Are you going to respond to the other comments?
2107:Well, I am not 100% sure, but it appears to me (
1477:Notable incomplete Sibelius cycles: 1952–present
942:Kajanus No. 1 and No. 2? The Finlandia release (
764:Breitkopf & Härtel's own product description
762:. The "Symphony No. 0" turn of phrase is}} from
433:the gramophone" would be a more familiar usage.
43:. No further edits should be made to this page.
3092:No further edits should be made to this page.
3076:template in place on the talk page until the
41:Knowledge (XXG) talk:Featured list candidates
29:The following is an archived discussion of a
8:
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2923:" OCLC ????" is there any point to this?
939:Hmmm... well, as I cite in the article...
1884:
692:seem peculiarly allergic to Sibelius. –
214:
18:Knowledge (XXG):Featured list candidates
861:Okay, then I will add the reference to
775:his Symphony 'No. 0' was long forgotten
136:
126:
83:Discography of Sibelius symphony cycles
76:Discography of Sibelius symphony cycles
1704:I would like to note, however, that...
927:" – see note at the end of entry : -->
810:: I am working on an expansion of the
779:new evaluation of the Finnish composer
2501:to hopefully help things move along.
2277:Have added these myself, no worries!
1496:Changed to "Select incomplete cycles"
1434:Complete cycles that include Kullervo
7:
2115:if then could clarify further.... –
794:So, yes... the conceptualization of
2649:3/3 U.S. changed to United States.
1250:This is a good point; however, I...
783:the composer's only choral symphony
2031:That's all I got - great work! --
1091:De-slanged; changed to "displaced"
816:User:Silence of Järvenpää/Kullervo
24:
2821:Why two runtimes (32:28, 30:46)?
2727:This appears to have been Done –
2457:Many thanks for stepping in here
2786:
2755:
2705:
2671:
2640:
2612:
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2255:
2178:
2007:
1976:
1946:
1914:
1782:
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1554:
1530:Changed to "under contract with"
1524:
1490:
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1408:
1378:
1348:
1318:
1244:
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1184:
1145:
1115:
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997:Hmmm... well, here's the link...
991:
933:
899:
753:
597:
567:
533:
503:
469:
439:
404:
281:
3032:think we're good to promote. --
1312:Bournemouth Symphony Orchestra"
1220:Deleted "both", retained "each"
3002:17:01, 19 September 2021 (UTC)
2936:19:02, 17 September 2021 (UTC)
2917:19:02, 17 September 2021 (UTC)
2898:19:02, 17 September 2021 (UTC)
2879:19:02, 17 September 2021 (UTC)
2858:17:01, 19 September 2021 (UTC)
2839:19:02, 17 September 2021 (UTC)
2737:19:02, 17 September 2021 (UTC)
2525:17:09, 19 September 2021 (UTC)
2511:06:14, 18 September 2021 (UTC)
2493:06:06, 18 September 2021 (UTC)
2475:05:37, 18 September 2021 (UTC)
2452:18:43, 17 September 2021 (UTC)
2431:18:43, 17 September 2021 (UTC)
2401:18:43, 17 September 2021 (UTC)
2362:17:31, 17 September 2021 (UTC)
2308:16:57, 17 September 2021 (UTC)
2224:16:57, 17 September 2021 (UTC)
2157:16:52, 19 September 2021 (UTC)
2125:16:50, 19 September 2021 (UTC)
2103:16:40, 19 September 2021 (UTC)
2089:18:15, 17 September 2021 (UTC)
2075:17:02, 17 September 2021 (UTC)
1896:16:52, 19 September 2021 (UTC)
509:Added month and used {{As of}}
429:conducted … on gramophone" – "
1:
2974:09:24, 6 September 2021 (UTC)
2680:Removed 1/1 instances found.
3046:14:21, 16 October 2021 (UTC)
3020:12:16, 10 October 2021 (UTC)
2567:06:18, 11 October 2021 (UTC)
2549:12:11, 10 October 2021 (UTC)
806:about a decade out-of-date (
798:as the first in a series of
66:00:25, 17 October 2021 (UTC)
2955:09:44, 26 August 2021 (UTC)
2774:00:39, 27 August 2021 (UTC)
2723:00:20, 27 August 2021 (UTC)
2690:00:22, 27 August 2021 (UTC)
2659:00:20, 27 August 2021 (UTC)
2553:Definitely, splendid work.
2417:21:13, 23 August 2021 (UTC)
2332:21:06, 23 August 2021 (UTC)
2294:– I have addressed this in
2287:21:05, 23 August 2021 (UTC)
2273:23:24, 13 August 2021 (UTC)
2210:– I have addressed this in
2196:23:24, 13 August 2021 (UTC)
2057:23:21, 13 August 2021 (UTC)
2025:23:18, 13 August 2021 (UTC)
1995:23:21, 13 August 2021 (UTC)
1964:23:18, 13 August 2021 (UTC)
1934:23:18, 13 August 2021 (UTC)
3109:
2378:No issues, great sourcing!
1788:Changed to "correspond to"
681:, particularly as fans of
2249:16:42, 18 July 2021 (UTC)
2041:20:40, 15 July 2021 (UTC)
1878:Support from ChrisTheDude
1869:18:30, 10 July 2021 (UTC)
1013:18:27, 10 July 2021 (UTC)
980:18:27, 10 July 2021 (UTC)
726:18:35, 10 July 2021 (UTC)
3089:Please do not modify it.
3071:featured list candidates
2969:Keep wearing the mask...
2950:Keep wearing the mask...
1853:13:34, 9 July 2021 (UTC)
1824:09:46, 5 July 2021 (UTC)
1800:22:13, 6 July 2021 (UTC)
1737:22:42, 6 July 2021 (UTC)
1717:22:21, 6 July 2021 (UTC)
1662:14:52, 5 July 2021 (UTC)
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1572:03:57, 6 July 2021 (UTC)
1542:03:53, 6 July 2021 (UTC)
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1202:15:18, 5 July 2021 (UTC)
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1103:23:07, 6 July 2021 (UTC)
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857:13:19, 9 July 2021 (UTC)
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654:13:25, 9 July 2021 (UTC)
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585:15:12, 5 July 2021 (UTC)
551:15:06, 5 July 2021 (UTC)
521:03:44, 6 July 2021 (UTC)
487:15:06, 5 July 2021 (UTC)
457:15:12, 5 July 2021 (UTC)
422:15:06, 5 July 2021 (UTC)
373:13:23, 9 July 2021 (UTC)
353:13:15, 9 July 2021 (UTC)
339:23:24, 6 July 2021 (UTC)
318:23:14, 6 July 2021 (UTC)
299:15:06, 5 July 2021 (UTC)
256:22:50, 4 July 2021 (UTC)
231:13:34, 9 July 2021 (UTC)
200:18:21, 4 July 2021 (UTC)
177:18:21, 4 July 2021 (UTC)
36:Please do not modify it.
31:featured list nomination
2764:5/5 instances changed.
1886:Resolved comments from
1681:Carnival of the Animals
603:Article changed to "an"
216:Resolved comments from
2696:Our article calls him
2163:Accessibility review (
1620:Changed to "conducted"
1121:Changed to "favourite"
410:Changed to "important"
208:Support from Tim riley
2173:go with what columns.
886:Precursors: 1930–1951
716:Sibelius commentary.
2827:Silence of Järvenpää
2797:Silence of Järvenpää
2766:Silence of Järvenpää
2715:Silence of Järvenpää
2682:Silence of Järvenpää
2651:Silence of Järvenpää
2623:Silence of Järvenpää
2595:Silence of Järvenpää
2465:, would you concur?
2318:Source review – Pass
2265:Silence of Järvenpää
2188:Silence of Järvenpää
2113:Silence of Järvenpää
2049:Silence of Järvenpää
2017:Silence of Järvenpää
1987:Silence of Järvenpää
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1534:Silence of Järvenpää
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1388:Silence of Järvenpää
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1256:Silence of Järvenpää
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1125:Silence of Järvenpää
1095:Silence of Järvenpää
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972:Silence of Järvenpää
909:Silence of Järvenpää
866:Silence of Järvenpää
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718:Silence of Järvenpää
661:Silence of Järvenpää
626:Silence of Järvenpää
612:Silence of Järvenpää
577:Silence of Järvenpää
543:Silence of Järvenpää
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479:Silence of Järvenpää
449:Silence of Järvenpää
414:Silence of Järvenpää
345:Silence of Järvenpää
310:Silence of Järvenpää
291:Silence of Järvenpää
192:Silence of Järvenpää
169:Silence of Järvenpää
2557:for source review.
785:" (emphasis added).
2844:It appears to me (
2745:"gesture... " see
2337:Version reviewed:
1650:Corrected spelling
1414:Corrected spelling
2972:
2953:
2573:Comments from TRM
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1560:Both changes made
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3066:, and leave the
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3008:The Rambling Man
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2980:The Rambling Man
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1518:of Legge or EMI.
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2987:incomplete list
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2926:No, removed. –
2815:
2813:incomplete list
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2143:Works for me -
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1171:Complete cycles
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2871:Kavyansh.Singh
2864:
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2861:
2860:
2850:Kavyansh.Singh
2846:per the source
2831:Kavyansh.Singh
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2729:Kavyansh.Singh
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2393:Kavyansh.Singh
2391:Done 3 of 4 –
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2117:Kavyansh.Singh
2109:per the source
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759:Citation added
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690:René Leibowitz
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155:External links
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2421:Added OCLC –
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2383:Verifiability
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683:Pierre Boulez
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51:
48:The list was
44:
42:
37:
32:
27:
26:
19:
3088:
3085:
3059:
3052:Closing note
3051:
3033:
3030:
2942:
2824:
2791:
2760:
2747:MOS:ELLIPSIS
2710:
2676:
2645:
2617:
2589:
2554:
2437:
2321:
2291:
2260:
2236:
2207:
2183:
2149:ChrisTheDude
2144:
2095:ChrisTheDude
2081:ChrisTheDude
2063:ChrisTheDude
2033:ChrisTheDude
2012:
1981:
1951:
1919:
1888:ChrisTheDude
1875:
1838:
1834:
1831:
1809:
1806:
1787:
1773:
1756:
1722:
1703:
1699:
1679:
1649:
1619:
1589:
1559:
1529:
1515:
1495:
1456:
1413:
1383:
1353:
1323:
1309:
1269:
1249:
1219:
1189:
1150:
1120:
1090:
1060:
1030:
996:
938:
904:
842:
823:
811:
803:
795:
758:
693:
686:
639:
607:
602:
572:
538:
508:
474:
444:
430:
409:
358:
324:
286:
241:
239:
229:
205:
183:
166:
150:Citation bot
80:
49:
47:
35:
28:
2698:Neeme Järvi
2373:Reliability
2296:these edits
2212:these edits
814:article at
2866:Ref 4 pp.
2344:Formatting
1902:;Comments
1774:vice versa
1445:"notably".
687:a fortiori
679:User:Dmass
573:De-puffed!
238:;Comments
3064:WP:FLC/ar
3058:has been
3056:candidate
2621:Removed.
2593:Removed.
1842:Tim riley
1813:Tim riley
1726:Tim riley
1443:editorial
1324:Corrected
1273:Tim riley
1190:Corrected
1151:Corrected
1061:Corrected
1031:Corrected
846:Tim riley
697:Tim riley
643:Tim riley
475:Corrected
445:Corrected
362:Tim riley
328:Tim riley
269:WP:ENGVAR
245:Tim riley
220:Tim riley
3060:promoted
3054:: This
2795:Removed
2711:Doing...
2261:Doing...
2184:Doing...
2165:MOS:DTAB
1876:Comments
1516:employee
824:Kullervo
812:Kullervo
804:Kullervo
796:Kullervo
495:WP:DATED
206:Comments
187:directly
145:Analysis
50:promoted
2907:Done –
2888:Done –
2869:Done –
2352:Done –
2145:support
1835:support
1757:Changed
1590:Deleted
1457:Deleted
1384:Changed
962:) and (
905:Trimmed
714:asinine
608:notable
539:Deleted
261:General
137:Toolbox
100:protect
95:history
1686:Turban
559:WP:PEA
104:delete
58:FACBot
2559:Aza24
2537:Aza24
2503:Aza24
2481:Aza24
2467:Aza24
2440:Aza24
2409:Aza24
2324:Aza24
2279:Aza24
1700:Done,
1670:Notes
800:eight
745:WP:OR
675:IRCAM
121:views
113:watch
109:links
54:PresN
16:<
3036:Pres
3016:talk
2998:talk
2932:talk
2913:talk
2894:talk
2875:talk
2854:talk
2835:talk
2801:talk
2792:Done
2770:talk
2761:Done
2733:talk
2719:talk
2686:talk
2677:Done
2655:talk
2646:Done
2627:talk
2618:Done
2599:talk
2590:Done
2563:talk
2555:Pass
2545:talk
2521:talk
2507:talk
2489:talk
2471:talk
2448:talk
2427:talk
2413:talk
2397:talk
2358:talk
2328:talk
2304:talk
2298:. –
2292:Done
2283:talk
2269:talk
2239:Pres
2220:talk
2214:. –
2208:Done
2202:here
2192:talk
2153:talk
2121:talk
2099:talk
2085:talk
2071:talk
2061:Hi @
2053:talk
2037:talk
2021:talk
2013:Done
1991:talk
1982:Done
1960:talk
1952:Done
1930:talk
1920:Done
1892:talk
1865:talk
1847:talk
1818:talk
1796:talk
1765:talk
1731:talk
1713:talk
1658:talk
1628:talk
1598:talk
1568:talk
1538:talk
1504:talk
1465:talk
1422:talk
1392:talk
1362:talk
1332:talk
1294:talk
1278:talk
1260:talk
1228:talk
1198:talk
1159:talk
1129:talk
1099:talk
1069:talk
1039:talk
1009:talk
976:talk
968:Note
964:here
960:here
956:here
952:here
950:and
948:here
944:here
925:here
913:talk
870:talk
851:talk
833:talk
808:Note
722:talk
702:talk
685:and
665:talk
648:talk
630:talk
616:talk
581:talk
547:talk
517:talk
483:talk
453:talk
418:talk
391:Lead
367:talk
349:talk
333:talk
314:talk
295:talk
250:talk
225:talk
196:talk
173:talk
117:logs
91:talk
87:edit
62:talk
56:via
3078:bot
2147:--
1684:):
1310:the
431:for
52:by
3074:}}
3068:{{
3018:)
3000:)
2990:}}
2984:{{
2934:)
2915:)
2896:)
2877:)
2856:)
2837:)
2816:}}
2810:{{
2772:)
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2657:)
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2194:)
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2073:)
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1993:)
1962:)
1932:)
1894:)
1867:)
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1715:)
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1630:)
1600:)
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1424:)
1394:)
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1334:)
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1200:)
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1071:)
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1011:)
978:)
915:)
872:)
864:.
835:)
766::
724:)
667:)
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618:)
583:)
549:)
519:)
485:)
455:)
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351:)
316:)
297:)
198:)
175:)
119:|
115:|
111:|
107:|
102:|
98:|
93:|
89:|
70:.
64:)
33:.
3041:N
3014:(
3006:@
2996:(
2978:@
2971:)
2967:(
2952:)
2948:(
2930:(
2911:(
2892:(
2873:(
2852:(
2833:(
2825:@
2818:?
2803:)
2799:(
2768:(
2731:(
2717:(
2700:.
2684:(
2653:(
2629:)
2625:(
2601:)
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2543:(
2535:@
2519:(
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2469:(
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2438:@
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2326:(
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2244:N
2218:(
2190:(
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2151:(
2119:(
2097:(
2083:(
2069:(
2051:(
2035:(
2019:(
1989:(
1958:(
1928:(
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1776:.
1767:)
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561:!
545:(
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416:(
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171:(
123:)
85:(
60:(
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